Retro Television Review: Decoy 1.33 “The Lieutenant Had A Son”

Posted on May 28, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

Episode 1.33 “The Lieutenant Had A Son”

(Dir by David Alexander, originally aired on May 26th, 1958)

After spending five years overseas, career soldier Lt. Larry Hayes (Leo Penn) returns to New York City. He wants to see the son that he’s never met and he’s not happy when he discovers that, in his absence, his wife (Loretta Leversee) has married another man (Will Kuluva). His wife goes to the police for protection but, once it becomes obvious that she committed bigamy, Casey has to try to sort out who is married to who and who Larry, Jr. (Robie Grant) belongs with.

This was an odd episode. Absolutely no one was sympathetic. I even got annoyed with Casey for getting involved with these people. Lt. Hayes was a self-righteous martinet. His wife was a flake who simply didn’t seem to understand why she wasn’t being given a pass on the whole bigamy thing. Five year-old Larry, Jr. was played by a child named Robie Grant. I was not surprised to discover that this was Grant’s only credit because he was beyond lousy in the role. I have never been more annoyed by a five year-old.

The most interesting thing about this episode is that Larry Hayes is played by Leo Penn, the father of Sean, Chris, and Michael Penn. Leo Penn gives a believable performance as Larry. It wasn’t his fault that the character wasn’t particularly likable.

Retro Television Review: Decoy 1.32 “Fiesta at Midnight”

Posted on May 21, 2026 by Lisa Marie Bowman

This week, Casey is an accused man’s only advocate.

Episode 1.32 “Fiesta At Midnight”

(Dir by Michael Gordon, originally aired on May 19th, 1958)

Juan Ortega (Tomas Milian) comes to New York City from Puerto Rico and finds himself in jail, accused of robbery and assault. Ortega, who is still learning English, says that he was at a community dance when the crime happened and that there are two women who can provide him with an alibi. Unfortunately, one of them (Gloria Marlowe) is married and refuses to testify that she had been talking to another man. The other, a mysterious woman named Maria, cannot be found. Casey tries to help.

This was an okay episode. The episode calls out the NYPD for being too quick to assume that Ortega is guilty just because he speaks Spanish and he’s a newcomer to the neighborhood. That said, it bothered me that a translator was never provided for Ortega. Ortega was clearly not comfortable speaking English but he had to do so when talking to Casey because Casey didn’t know much Spanish. I get that this was probably all done to avoid having to ask the viewers to read subtitles but, in-universe, it felt strange. It was hard not to notice that, even in a precinct located in Spanish Harlem, there weren’t any Spanish cops.

This was an early role for Tomas Milian, who would go on to star in countless Spaghetti Westerns and who also played the corrupt general in Steven Soderbergh’s Traffic. Though there’s little of the cunning or wit that distinguished Milian’s later performances, he still makes Juan Ortega into a sympathetic figure.

As for the episode’s ending, Maria (Miriam Colon) is revealed to be a nun and she testifies that Juan was with her when the crime occurred. Casey tells us that Juan got his miracle.

Retro Television Review: Decoy 1.31 “Night Light”

Posted on May 14, 2026 by Lisa Marie Bowman

This week, someone is stealing jewelry!

Episode 1.31 “Night Light”

(Dir by Stuart Rosenberg, originally aired on April 12th, 1958)

Casey goes undercover as a woman who is looking to purchase a stolen ruby necklace. Her investigation leads to her to Nick Spandau (Martin Balsam), a career criminal who has recently been released from prison and who is currently working with the jeweler (Martin Wolfson) who cared for Nick’s young son (Pud Flanagan) while Nick was “away.” To Casey’s horror, she discovers that Nick is using his innocent son as an unwitting courier, sending him to Mexico with the stolen necklace.

As you can probably guess, this episode is a showcase for the great character actor Martin Balsam, who almost makes Nick likable until it becomes apparent that he’s willing to put his own son in danger in order to protect himself. When Nick’s son suddenly shows up at the jewelry store and announces that he couldn’t bring himself to board the plane without his father, Nick’s reaction is to wonder why his son couldn’t do the “one thing” that he was asked to do. He’s not a great father but, when Casey tells him that his son idolizes him and will follow in his criminal footsteps, Nick makes a show of telling his son off. It’s Nick’s way of making sure that the boy doesn’t grow up to be like him. Casey tells us, “He sure did love his son.” If you say so, Casey.

Overall, it’s not a bad episode. It opens with some nice establishing shots of New York City and, unlike other episodes where Casey is mostly a bystander, it remains compelling even when Garland isn’t on screen. Unfortunately, the acting is a bit weak from everyone not named Martin Balsam or Beverly Garland. However, Balsam and Garland are more than capable of carrying the story on their own.

Retro Television Review: Decoy 1.30 “The Gentle Gun-Man”

Posted on May 7, 2026 by Lisa Marie Bowman

In this episode, Casey goes after a gun dealer.

Episode 1.30 “The Gentle Gun-Man”

(Dir by Michael Gordon, originally aired on May 5th, 1958)

After a man is shot dead while committing a liquor store robbery, Casey goes undercover as his widow. The police don’t just want the man’s accomplice. They want to know where the man got his specially-modified gun. The accomplice turns out to be a rather gentle deli owner named “Knish” Levin (Ludwig Donath). And the gun dealer turns out to be Mr. Johnson (James O”Rear), the same gun dealer who sold Casey her first gun. (This episode implies that members of the police force have to buy their own guns, which sounds a bit odd.) Needless to say, when Casey convinces Knish to introduce her to his dealer, Johnson immediately recognizes her.

This episode had a lot of New York location footage. The scene where Knish leads Casey to Johnson took us from Wallstreet to the waterfront. Indeed, the locations shots were the best thing about this episode. The acting in this episode was, by Decoy standards, subpar, with even the usually reliable Beverly Garland struggling to sell her lines. Unfortunately, this episode’s plot required Casey to make a lot of foolish mistakes, like going to see the gun dealer without proper backup. I liked the fact that Knish wasn’t portrayed as being a typical thug but otherwise, this episode just didn’t work.

Retro Television Review: Decoy 1.29 “Cry Revenge”

Posted on April 30, 2026 by Lisa Marie Bowman

This week, Casey gets involved in a domestic drama.

Episode 1.29 “Cry Revenge”

(Dir by David Alexander, originally aired on April 28th, 1958)

Mrs. Hart (Fran Carlon) has been getting threatening phone calls from criminal James Anderson (Lee Bergere), who is trying to keep Mrs. Hart from testifying against him in court. Casey is sent over to the Hart home to provide 24-hour protection. It’s there that she meets Norma (Zohra Lampert), Mrs. Hart’s club-footed daughter. Norma blames her mother for both her father’s death and her disability.

Norma stuns everyone when she announces that she has married Howard Farley (Lonny Chapman), one of Anderson’s criminal associates. Norma is getting back at her mother but what she doesn’t realize is that Howard only married her so that he and James could rob the family business!

Casey didn’t really get to do much in this episode, as she herself admitted at the end of the episode. (In her closing monologue, she tells us that she’ll always think of the Harts whenever she wonders what happens behind the curtains of a seemingly perfect home.) This episode is a bit of a soap opera, with Norma eventually discovering the truth about her alcoholic father and how he was responsible for her twisted foot.

Zohra Lampert, who previously appeared on this show as the victim of a heroin dealer, gives a good performance as Norma, playing her as being both vulnerable and vindictive. This episode eventually got a bit too overwrought for its own good but Lampert made the episode worth watching.

Retro Television Review: Decoy 1.28 “Ladies Man”

Posted on April 23, 2026 by Lisa Marie Bowman

Episode 1.28 “Ladies Man”

(Dir by Stuart Rosenberg, originally aired on April 21st, 1958)

A man named (Michael Tolan) approaches Pearl Dillard (Chris Kane) at a subway station and gives her a box that he claims is an x-ray camera. The man claims to be an insurance investigator and he says that he’s pursuing a woman (Lois Nettleton) who has stolen some diamonds. He says that he needs Pearl to take a picture of the woman. Because it’s an X-ray camera, it will reveal that she has the diamonds on her. While the woman waits for her train, Pearl points the box at her and pushes a button. However, it turns out that the box is not hiding a camera but a gun! Pearl shoots the woman in the back.

The woman is named Lois and the man was her husband, Mike. The police get a tip that Mike is hiding out at an upstate hunting lodge. Casey, who pretends to be a lost tourist, heads up to the lodge. Mike is indeed there. With Mike is his new girlfriend (Joan Harvey), who refuses to believe that Mike could have done anything wrong.

This episode was a bit more melodramatic than the typical episode of Decoy. I found it hard to believe that anyone would fall for Mike’s camera-box lie but I guess there are probably people out there who would be naive enough to believe him. (I might accept the box from Mike but I would throw it away the first chance I got.) Unfortunately, once Casey tracked Mike down, Michael Tolan’s performance was so over-the-top that it became difficult to take him or the episode seriously.

Decoy worked better as a low-key, melancholiac show. I usually love melodrama but this episode didn’t work for me.

Retro Television Review: Decoy 1.27 “The Sound of Tears”

Posted on April 16, 2026 by Lisa Marie Bowman

This week, Casey is haunted by the past.

Episode 1.27 “The Sound of Tears”

(Dir by Marc Daniels, originally aired on April 14th, 1958)

A wealthy young man has been gunned down in a New York park. It falls to Casey to deliver the news to both the man’s mother (Muriel Kirland) and the man’s ex-fiancée, Wendy Jenkins (Suzanne Pleshette). At first, Wendy is the number one suspect but, as she investigates, Casey comes to suspect that the killer was actually Susan Connor (Molly McCarthy), a family friend who had fallen in love with the victim.

This is an interesting episode, in that it reveals a bit of Casey’s past. Usually, Casey doesn’t let her personal feelings get in the way of doing her job but, in this episode, she finds herself thinking about the day that a policewoman told her that her husband had been killed in the line of duty. Casey has a unique understanding of the pain that the three women are feeling and Beverly Garland does a good job of showing the anguish that Casey is going through.

Unfortunately, the rest of the episode isn’t quite as good as Garland’s performance. From the start, Susan is portrayed as being so obviously unhinged that it’s not really a surprise when she turns out to be the killer. None of the guest cast, including a young Suzanne Pleshette, are as convincing as Beverly Garland is in the lead role. Indeed, Charles Mendick — cast of Lt. Doyle — gives one of the worst performances that I’ve ever seen on this show.

On the plus side, this episode does feature some good location footage of 1950s New York. The noirish black-and-white imagery nicely fits the melancholy story. The cinematography captures the world in which Casey lives, one in which pain doesn’t just go away after a few years and the guilty are often as traumatized as those they victimize.

Retro Television Review: Decoy 1.26 “Earthbound Satellites”

Posted on April 9, 2026 by Lisa Marie Bowman

This week, Casey investigates an underground gambling syndicate.

Episode 1.26 “Earthbound Satellites”

(Dir by Michael Gordon, aired on April 7th, 1958)

After a man shoots himself in the head over a $20,000 gambling debt, Casey goes undercover as a flighty socialite with a gambling problem. She meets George Courtney (Whitfield Connor), a rather dapper man who runs an underground casino. Courtney drives Casey to the casino but, along the way, he switches cars which makes it difficult for the police to tail him.

Later, at a debriefing, Casey expresses frustration that we can launch satellites into space but we can’t follow a car in Manhattan. Her boss is inspired to put a transmitter in her purse so that the police can follower her in Manhattan.

This episode was made at a time when transmitters and satellites were relatively new ideas and, as a result, a lot of time is spent on establishing the reality of technology that viewers today take for granted. That makes for somewhat slow episode and it also means that Casey doesn’t really get to do as much as usual in this episode. If anything, Casey almost comes across as being a bit incompetent, allowing the bad guys to get their hands on both the transmitter and her gun.

This wasn’t the most exciting episode of Decoy but Whitefield Connor did a good job in the role of the charming but amoral George Courtney. Casey seemed to be truly sad at the end of the episode. George had so much going for him but, in the end, he sacrificed his freedom for his own greed.

Retro Television Review: Decoy 1.25 “High Swing”

Posted on April 2, 2026 by Lisa Marie Bowman

This week, Casey investigates an elderly crime lord.

Episode 1.25 “High Swing”

(Dir by David Alexander, originally aired on March 31st, 1958)

Casey rides to the hospital with a young woman named Anne (Zohra Lampert). Anne has overdosed on heroin. Before she dies, Anne tells that Casey that she was poisoned by an old man named Otto Flagler (Albert Dekker). After learning that Anne was a pickpocket, Casey goes undercover as a thief until Otto Flagler approaches her and invites her to come live and work with him and his wife, Lily (Edith Atwater).

Casey is shocked to discover that Lily is in a wheelchair, the result of an accident that occurred when Lily was a trapeze artist. Otto is a mugger because he needs the money to take care of his wife. Casey even starts to feel sorry for Oto and Lily. That said, Casey is still a cop and she has a job to do. When Otto realizes that he and his wife are about to be arrested, he slips heroin into their coffee. By the time the police arrive, both Otto and Lily are dead.

Casey is upset. One of the other cops offers to buy her a cup of coffee. Casey says that she won’t be drinking coffee for a while.

This was a sad episode. Casey didn’t really have to do much to solve the mystery. The whole point of the episode was that Otto and Lily were not master criminals. They were two people who loved each other and found themselves in a desperate situation. That said, Otto did murder Anne so let’s not feel too sorry for him.

Albert Dekker and Edith Atwater both gave good performances and, as always, Beverly Garland was excellent in the role of Casey. This was a good episode.

Retro Television Review: Decoy 1.24 “Saturday Lost”

Posted on March 26, 2026 by Lisa Marie Bowman

This week, Casey learns about the dangers of reefer!

Episode 1.24 “Saturday Lost”

(Dir by Stuart Rosenberg, originally aired on March 24th, 1958)

Casey and her partner-of-the-week (played by Simon Oakland) are investigating the death of Geraldine “Geri” Wilson, a quiet and studious college student who was found dead on the side of the road after attending a college football game with her sister, Beth (Barbara Lord). Beth, who couldn’t even remember her own name when she was first found the morning after, isn’t much of a witness. She can’t remember what happened that night but, as she and Casey sit in one Geri’s old hangouts, she recognizes Ken Davidson (Larry Hagman), a student who was with them at the football game. Beth remembers that Ken and Geri had a fight.

The stunned Ken says that he had no reason to kill Geri.

Casey replies, “Marijuana gave you a reason!”

Casey has figured out, from listening to the way the spacey Beth talks, that Beth and Geri smoked “reefer” the night of the football game. Casey is convinced that, in a marijuana-crazed state, Ken tossed Geri out of the car. To help jog Beth’s memory, she has her partner drive Beth, Ken, and Casey along the same route where Geri’s body was found.

“Where did you get the reefers, sonny!?” Casey demands of Ken.

Beth suddenly remembers that she’s the one who bought the marijuana. Beth says that it only cost a dollar and that Ken himself didn’t indulge. Instead, it was just Beth and Geri who got stoned. Beth was driving when Geri opened the car door and fell out. “Faster! Faster!” Beth says, a line that immediately brings to mind the 30s anti-drug film, Reefer Madness.

(Why wasn’t Ken driving if he was the only one who wasn’t stoned?)

Back at police headquarters, Casey looks at the camera and tell us that the case has been dismissed. However, Beth will never forget that her sister died because Beth bought “reefer.”

Beverly Garland is, as always, excellent and a young Larry Hagman does well as Ken. But Barbara Lord overacts to such an extent that you really find yourself wondering if maybe she actually popped a bunch of amphetamines as opposed to smoking weed. Indeed, Beth and Geri’s story would be plausible with a lot of different drugs but it’s not particularly plausible with marijuana. There’s also a rather bizarre cameo from a young William Hickey (you’ll recognize the voice), playing a hipster who spouts a lot of nonsense. If anything, Hickey’s hipster comes across as if he’d be more likely to know where to get weed on campus than Ken but Casey just lets him wander off. In the end, this episode feels like a version of the urban legend about the girl who walked into an airplane propeller because she took too many pills.

Larry Hagman, I should mention, was a proud member of the Hollywood counter-culture and was very open about his own use of marijuana. (Apparently, he was introduced to it by Jack Nicholson, who felt it would help Hagman cut back on his drinking.) I wonder if anyone ever asked him about this episode.