Weekly Reading Round-Up : 12/03/17 – 12/09/17


Ryan C.'s Four Color Apocalypse

Great stuff to tell you about this week, friends, so let’s eschew the time-wasting in favor of getting right the fuck down to business —

Twilight Of The Bat is Josh Simmons’ second “unauthorized” take on DC’s most bankable property, following on from his 2007 mini-comic simply titled “Batman” (later re-christened, no doubt for legal reasons, “Mark Of The Bat”), and this time out he’s joined by artist Patrick Keck for a 20-page ‘zine boasting high-quality Risograph printing and an $8.00 price tag set in a post-apocalyptic G _____ City where “The Bat” and his mortal enemy “Joke-Man” are the only survivors. The true nature of the most psychologically complex hero/villain relationship in comics is laid bare in frank and stark terms here, Kek’s rich and no-doubt-time-consuming linework is exceptional, and damn if this story won’t even make you laugh a couple times in spite of yourself. Yeah, okay, the 

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A Movie A Day #334: Charley One-Eye (1973, directed by Don Chaffey)


Welcome to the old west, where life is brutal and unpredictable.  Ben (Richard Roundtree) joined the Union Army so he could kill white men.  When his commanding officer caught Ben in bed with his wife, Ben was forced to commit murder and go on the run.  When Ben stumbles across an unnamed Indian (Roy Thinnes) with a bad leg, Ben forces the Indian to accompany him.  Despite Ben being loud, cruel, and mentally unstable, an unlikely friendship develops between Ben and the Indian, cemented by their mutual hatred of the white man.  When they find a deserted church, Ben and the Indian settle in and start to raise chickens.  The Indian’s favorite chicken is a one-eyed bird that he has named Charley.  Meanwhile, the Bounty Hunter (Nigel Davenport), a British racist, retraces their every step.

Richard Roundtree made Charley One-Eye after shooting to fame as John Shaft.  This film was his attempt to show that he was capable of playing more than just the black private dick that’s a sex machine to all the ladies.  Ben is a world away from Shaft.  There’s nothing smooth or charming about Ben, who never stop laughing or talking about how much he wants to kill a white man.  (Though the character introduces himself as being named “Ben,” the end credits simply read, “The Black Man … Richard Roundtree.”) The Indian is also half-crazy and given to fits of laughter.  The Bounty Hunter never laughs.  Whenever these three aren’t talking, the sound of buzzing flies is heard.  Death and decay are all around.

Don Chaffey was a British director who best known for films like Jason and the Argonauts and One Million Years B.C.  Charley One-Eye was a strange departure for him and he would never make another film like it.  It has elements of the Blaxploitation genre and Spaghetti western fans will recognize Aldo Sambrell in the tiny role of a Mexican bandit.  But it is really neither blaxploitation nor a western.  It’s a slowly paced, sometimes boring character study of two outsiders.  Both Roundtree and Thinnes give good performances, though their characters are sometimes hard-to-take.  The only thing that makes Ben and the Indian tolerable is that their enemies, like the Bounty Hunter, are a hundred times worse.  There is a weird religious subtext running through the entire movie and the ending will leave you wondering whether the director of Jason and the Argonauts was actually calling for armed revolution.  Charley One-Eye is uneven and it goes on for at least thirty minutes too long but it is still an intriguingly strange movie.

One final note: Charley One-Eye was produced by none other than David Frost, the British media personality whose post-presidency interview with Richard Nixon was recreated in Frost/Nixon.

Well-Structured Destruction: Clint Eastwood in THE GAUNTLET (Warner Brothers 1977)


cracked rear viewer

(First off, feast your eyes on the incredibly cool Frank Frazetta poster! Then read on… )

Clint Eastwood’s  directorial credits include some impressive films: THE OUTLAW JOSEY WALES, PALE RIDER, UNFORGIVEN, MYSTIC RIVER, MILLION DOLLAR BABY. While 1977’s THE GAUNTLET may not belong on that list, I feel it’s a very underrated movie deserving a second look. Clint and his lady love at the time Sondra Locke star in this character study of two damaged people disguised as an action comedy, essentially a chase film loaded with dark humor.

Clint plays Ben Shockley, an alcoholic Phoenix cop sent to Las Vegas to extradite Gus Mally, “a nothing witness in a nothing trial”. Gus turns out to be a woman, a hooker in fact, set to testify against a Phoenix mobster. Ben’s suspicions are roused when he learns Vegas oddsmakers are giving 50-1 they don’t make it to Phoenix alive, confirmed…

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Here Are The 2017 Nominations of the San Francisco Film Critics Circle!


Yesterday, the San Francisco Film Critics Circle announced their nominees for the best of 2017!  The winner will be announces tomorrow!

Like almost all of the precursors so far, San Francisco seems to really like The Shape of Water.

Best Picture
CALL ME BY YOUR NAME
THE FLORIDA PROJECT
GET OUT
THE SHAPE OF WATER
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Best Director
Sean Baker  – THE FLORIDA PROJECT
Guillermo del Toro  – THE SHAPE OF WATER
Greta Gerwig  – LADY BIRD
Christopher Nolan  – DUNKIRK
Jordan Peele – GET OUT

Best Actor
Timothee Chalamet – CALL ME BY YOUR NAME
James Franco  – THE DISASTER ARTIST
Daniel Kaluuya  – GET OUT
Gary Oldman – DARKEST HOUR
Andy Serkis  – WAR FOR THE PLANET OF THE APES

Best Actress
Annette Bening – FILM STARS DON’T DIE IN LIVERPOOL
Sally Hawkins – THE SHAPE OF WATER
Frances McDormand  – THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Margot Robbie – I, TONYA
Saoirse Ronan – LADY BIRD

Best Supporting Actor 
Willem Dafoe  – THE FLORIDA PROJECT
Armie Hammer – CALL ME BY YOUR NAME
Richard Jenkins – THE SHAPE OF WATER
Sam Rockwell  – THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Michael Stuhlbarg  – CALL ME BY YOUR NAME

Best Supporting Actress
Holly Hunter – THE BIG SICK
Allison Janney – I, TONYA
Melissa Leo – NOVITIATE
Lesley Manville – PHANTOM THREAD
Laurie Metcalf – LADY BIRD

Best Foreign Language Film
BPM
A FANTASTIC WOMAN
FRANTZ
IN THE FADE
THE SQUARE

Best Animated Feature
THE BREADWINNER
COCO
THE LEGO BATMAN MOVIE
LOVING VINCENT
YOUR NAME

Best Documentary
BRIMSTONE & GLORY
CITY OF GHOSTS
DAWSON CITY: FROZEN TIME
FACES PLACES
JANE

Best Cinematography
BLADE RUNNER 2049 – Roger Deakins
DUNKIRK – Hoyte van Hoytema
THE FLORIDA PROJECT – Alexis Zabe
THE SHAPE OF WATER – Dan Laustsen
WONDER WHEEL – Vittorio Storaro

Best Production Design
BLADE RUNNER 2049  – Dennis Gassner
DUNKIRK  – Nathan Crowley
PHANTOM THREAD  – Mark Tildesley
THE SHAPE OF WATER  – Paul D. Austerberry
WONDERSTRUCK – Mark Friedberg

Best Editing
BABY DRIVER – Paul Machliss and Jonathan Amos
BLADE RUNNER 2049 – Joe Walker
DUNKIRK – Lee Smith
THE POST – Michael Kahn
THE SHAPE OF WATER – Sidney Wolinsky

Best Screenplay (original)
THE BIG SICK – Kumail Nanjiani and Emily V. Gordon
GET OUT – Jordan Peele
LADY BIRD  – Greta Gerwig
THE SHAPE OF WATER  – Guillermo Del Toro and Vanessa Taylor
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI  – Martin McDonagh

Best Screenplay (adapted)
THE DISASTER ARTIST  – Scott Neustadter and Michael H. Weber
CALL ME BY YOUR NAME  – James Ivory
MOLLY’S GAME – Aaron Sorkin
MUDBOUND  – Dee Rees and Virgil Williams
WONDERSTRUCK  – Brian Selznick

Best Original Score
BLADE RUNNER 2049  – Hans Zimmer and Benjamin Wallfisch
DUNKIRK  – Hans Zimmer
PHANTOM THREAD  – Jonny Greenwood
THE SHAPE OF WATER  – Alexandre Desplat
WAR FOR THE PLANET OF THE APES – Michael Giacchino

Special Citation (for that underappreciated indie gem)
BRIMSTONE & GLORY
COLUMBUS
THE OTHER KIDS

Here Are The Nominations From The San Diego Film Critics Society!


The San Diego Film Critics Society announced their nominations for the best of 2017 earlier today!  The actual winners will be announce on December 11th.

Check them out below!

(I know this might seem a little dry to some people but I love lists.)

(By the way, in case you’re wondering which sites I usually put the most trust in when it comes to Oscar coverage, here they are: AwardsWatch and AwardsCircuit.  Two of my favorite sites ever, right there.)

Best Picture
CALL ME BY YOUR NAME
DUNKIRK
GET OUT
LADY BIRD
THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

Best Director
Christopher Nolan, DUNKIRK
Greta Gerwig, LADY BIRD
Guillermo del Toro, THE SHAPE OF WATER
Jordan Peele, GET OUT
Martin McDonagh, THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

Best Actor
Gary Oldman, DARKEST HOUR
James Franco, THE DISASTER ARTIST
James McAvoy, SPLIT
Robert Pattinson, GOOD TIME
Timothée Chalamet, CALL ME BY YOUR NAME

Best Actress
Frances McDormand, THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI
Margot Robbie, I, TONYA
Sally Hawkins, MAUDIE
Sally Hawkins, THE SHAPE OF WATER
Saoirse Ronan, LADY BIRD

Best Supporting Actor
Ethan Hawke, MAUDIE
Oscar Isaac, SUBURBICON
Sam Rockwell, THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI
Willem Dafoe, THE FLORIDA PROJECT
Woody Harrelson, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Best Supporting Actress
Allison Janney I, TONYA
Bria Vinaite, THE FLORIDA PROJECT
Catherine Keener, GET OUT
Holly Hunter, THE BIG SICK
Laurie Metcalf, LADY BIRD

Best Comedic Performance
Daniel Craig, LOGAN LUCKY
Ezra Miller, JUSTICE LEAGUE
James Franco, THE DISASTER ARTIST
Lil Rel Howery, GET OUT
Ray Romano, THE BIG SICK

Best Original Screenplay
Christopher Nolan, DUNKIRK
Greta Gerwig, LADY BIRD
Emily V. Gordon and Kumail Nanjiani, THE BIG SICK
Jordan Peele, GET OUT
Martin McDonagh, THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

Best Adapted Screenplay
James Gray, THE LOST CITY OF Z
James Ivory, CALL ME BY YOUR NAME
Scott Neustadter & Michael H. Weber, THE DISASTER ARTIST
Sofia Coppola, THE BEGUILED
Virgil Williams & Dee Rees, MUDBOUND

Best Documentary
EX LIBRIS: THE NEW YORK PUBLIC LIBRARY
FACES PLACES
JANE
LAST MEN IN ALEPPO
THE WORK

Best Animated Film
COCO
LOVING VINCENT
MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA
MY LIFE AS A ZUCCHINI
THE BOSS BABY

Best Foreign Language Film
BPM (BEATS PER MINUTE)
FACES PLACES
THE OTHER SIDE OF HOPE
THE SQUARE
THELMA

Best Editing
Jonathan Amos & Paul Machliss, BABY DRIVER
Jon Gregory, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Lee Smith, DUNKIRK
Sarah Broshar, Michael Kahn, THE POST
Sidney Wolinsky, THE SHAPE OF WATER

Best Cinematography
Ben Richardson, WIND RIVER
Dan Laustsen, THE SHAPE OF WATER
Darius Khondji, THE LOST CITY OF Z
Hoyte Van Hoytema, DUNKIRK
Roger Deakins, BLADE RUNNER 2049

Best Production Design
Anne Ross, THE BEGUILED
Alessandora Querzola and Dennis Gassner, BLADE RUNNER 2049
Nathan Crowley, DUNKIRK
Paul D. Austerberry, THE SHAPE OF WATER
Sarah Greenwood, BEAUTY AND THE BEAST

Best Visual Effects
BEAUTY AND THE BEAST
BLADE RUNNER 2049
DUNKIRK
THE SHAPE OF WATER
WAR FOR THE PLANET OF THE APES

Best Costume Design
Jacqueline Durran, BEAUTY and the BEAST
Jenny Eagan, HOSTILES
Luis Sesqueria, THE SHAPE OF WATER
Mark Bridges, PHANTOM THREAD
Sonia Grande, THE LOST CITY OF Z
Stacey Battat, THE BEGUILED

Best Use of Music
BABY DRIVER
BEAUTY AND THE BEAST
CALL ME BY YOUR NAME
DUNKIRK
THE SHAPE OF WATER

Breakthrough Artist
Barry Keoghan
Brooklyn Prince
Greta Gerwig
Jordan Peele
Sophia Lillis
Timothée Chalamet

Best Ensemble
GET OUT
LADY BIRD
MUDBOUND
THE POST
THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

The Boston Online Film Critics Name Get Out The Best of 2017!


Earlier today, The Boston Online Film Critics Association announced their picks for the best of 2017!  They really liked Get Out.

Check out their picks below:

Best Picture — Get Out

Best Director — Paul Thomas Anderson, Phantom Thread

Best Actor — Timothee Chalamet, Call Me By Your Name

Best Actress — Frances McDormand, Three Billboards Outside Ebbing, Missouri

Best Supporting Actor — Willem DaFoe, The Florida Project

Best Supporting Actress — Laurie Metcalf, Lady Bird

Best Screenplay — Jordan Peele, Get Out

Best Foreign Language Film — First They Killed My Father

Best Documentary — Faces Places

Best Animated Feature — Coco

Best Cinematography — Roger Deakins, Blade Runner 2049

Best Editing — Lee Smith, Dunkirk

Best Original Score: Alexandre Desplat, The Shape of Water and Johnny Greenwood, Phantom Thread

Best Films of 2017:

  • “Get Out”
  • “The Florida Project”
  • “Call Me By Your Name”
  • “Lady Bird”
  • “Phantom Thread”
  • “Dunkirk”
  • “The Shape of Water”
  • “Three Billboards outside Ebbing, Missouri”
  • “A Ghost Story”
  • “Good Time”

TV Review: The Walking Dead 8.7 “Time For After” (dir by Larry Teng)


This review of the latest episode of The Walking Dead is an example of better late than never.  This episode aired nearly a week ago but I’m only now getting around to watching it.  As I sit here watching and typing this review, it is 2 a.m., Saturday morning.  I’ve just returned from attending two Christmas parties.  I was actually thinking about getting some sleep for once, but then I suddenly realized that I still had an episode of The Walking Dead to watch!

That, of course, wouldn’t have happened in the past.  When The Walking Dead first started, there would have been no way that I would have waited a week to watch the latest episode.  That was before the show settled into its current glacial pace.  At this point, it typically takes this show so long to get from point A to point B that viewers like me spend entire episodes asking, “Are we there yet?”

For example, as I sit here typing this, I am watching Daryl, Michonne, Rosita, and Tara debating about whether or not they should attack the Sanctuary or if they should wait for Rick.  (Rick is currently being held prisoner by the trash people.)  Morgan just walked up and said that he’s tired of talking and he just wants to take action.  YES, MORGAN, YES!  For God’s sake, let’s end the debate and just do something!  No, we don’t need to hear about how Michonne “believes in Rick Grimes.”  We don’t need to hear about how everyone felt when they saw Sasha in that box.  We already know all of this because we’ve spent two seasons listening to everyone have this exact same goddamn conversation over and over again!  Just do something!

The episode is now over and, in all fairness to the show, it should be noted that Daryl did finally do something.  He and Tara crashed a truck through a wall of the Sanctuary, allowing a mass of walkers to enter and chow down on a few Saviors and, even more importantly, it forced the Saviors to waste their bullets defending themselves.  However, since Daryl took this action on his own as opposed to waiting for Rick to get out of the trash prison, the show still had to present it as being some sort of mistake.  The show has too much invested in presenting Rick as being a strategic genius to actually acknowledge that anyone else could actually have a good idea.

Watching the walking dead feast on his new Savior buddies was apparently enough to convince Eugene to (once again) declare his loyalty to Negan.  Despite his recent troubles, Negan still seems to be having fun.  Fortunately, the show’s writers seem to have finally figured out that Negan is more effective the less we see of him.  As for Eugene, well — he’s Eugene.  This episode featured peak Eugene.  If Eugene’s overly convoluted syntax occasionally makes you want to rip your hair out, you were probably bald by the end of this episode.  You have to respect Josh McDermitt’s commitment to the role.  Eugene may be annoying but McDermitt plays the Hell out of him.  Eugene’s ultimate loyalties, of course, still remain questionable.  He knows that Dwight betrayed the Saviors but he still hasn’t told Negan.  He showed some sympathy to Father Gabriel (who is apparently dying because he covered himself with intestines a few episodes ago) but he still declared that he was loyal only to himself.

As for Rick, he did eventually get out of the trash prison and convinced Jadis to join him in his fight against Negan.  Jadis was impressed when Rick killed a walker gladiator.  Jadis also wants to sculpt Rick.  How are the trash people not dead yet?

(Apparently, the trash people prefer to be known as Scavangers.  However, I’m going to continue to call them trash people because they annoy da fug out of me.)

Anyway!  This episode ended with Rick and the trash people rolling up on the Sanctuary.  Oh my God!  There’s a hole in the Sanctuary!  There’s no walkers!  Uh-oh, Daryl did something on his own!  Rick’s never going to let that go…

One more episode before The Walking Dead goes on its mid-season hiatus!  Who will die this Sunday?  My prediction: Father Gabriel.  The show’s never really figured out what to do with Gabriel so now seems like a good time to let him go down as a martyr.

We’ll see what happens!

2017 Year In Review : Top 10 Series


Ryan C.'s Four Color Apocalypse

Okay, let’s keep our best-of-2017 theme going here with a look at the Top 10 ongoing series of the year. A quick refresher on the rules : both ongoing and limited series are eligible in this category, as long as they meet a three-issue minimum. The idea here is to rank comics that are chained to a regular(-ish) production schedule, as opposed to those that come out whenever a cartoonist or creative team has the time and/or finances (in the case of self-publishers) to release them. Those books were all eligible (and, frankly, dominated) the “Top 10 Single Issues” list that I cranked out a couple days ago — and, as with that, this one won’t feature full reviews of each series, nor even ones that graduate to the “capsule” review level, just short summations of why I like ’em.

Sound good? I’m happy if you agree, and frankly could…

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Music Video of the Day: Escape Velocity by the Chemical Brothers (2010, dir by Adam Smith and Marcus Lyal)


Hi there, everyone!

Today’s music video of the day is the video for the 2nd track off of The Chemical Brothers’s Further.  Things pick up exactly where Snow ended, with the woman swimming under water.  (The woman is played by Jenny Godding when she’s swimming and by Romola Garai when she’s not.)  When the woman emerges from the water, she is treated to a light show that should be familiar to anyone who has been lucky enough to see The Chemical Brothers perform live.

I know, I know.  This is the type of music that drives some people crazy.  I happen to love it.  It’s all about the way it makes you feel and it makes me feel like dancing.

Enjoy!