The Las Vegas Film Critics Society Names Roma The Best of 2018!


On Friday, the Las Vegas Film Critics named Roma the best film of 2018!

Best Picture
“Roma”

Best Actor
Ethan Hawke, “First Reformed”

Best Actress
Lady Gaga, “A Star is Born”

Best Supporting Actor
Sam Elliott, “A Star is Born”

Best Supporting Actress
Regina King – “If Beale Street Could Talk”

Best Director
Alfonso Cuarón, “Roma”

Best Original Screenplay
Bryan Woods, Scott Beck & John Kransinski, “A Quiet Place”

Best Adapted Screenplay
Debra Granik and Anne Rosellini, “Leave No Trace”

Best Cinematography
Alfonso Cuarón, “Roma”

Best Film Editing
Alfonso Cuarón and Adam Gough, “Roma”

Best Score
Thom Yorke, “Suspiria”

Best Song
“Shallow,” by Lady Gaga & Bradley Cooper, “A Star is Born”

Best Documentary
“Won’t You Be My Neighbor”

Best Animated Film
“Isle of Dogs”

Best Foreign Film
“Roma”

Best Costume Design
“The Favourite”

Best Art Direction
“Isle of Dogs”

Best Visual Effects
“Ready Player One”

Best Action Film
“Mission Impossible: Fallout”

Best Comedy
“Sorry to Bother You”

Best Horror/ Sci-Fi
A Quiet Place”

Best Family Film
“Mary Poppins Returns”

Best Ensemble
“Widows”

Breakout Filmmaker (Director)
Bradley Cooper, “A Star is Born”

Best Youth Male Performance
Ed Oxenbould, Wildlife”

Best Youth Female Performance
Elsie Fisher, “Eighth Grade”

The William Holden Lifetime Achievement Award
Sam Elliott

LVFCS Top 10 Films of 2018
1. Roma
2. A Star is Born
3. Green Book
4. First Reformed
5. BlackkKlansman
6. The Favourite
7. Vice
8. Eighth Grade
9. Wildlife
10. The Rider

Black Panther Is A Favourite With The Los Angeles Online Film Critics Society


The Los Angeles Online Film Critics Society, which is one of the newer critics groups, announced their nominees for the best of 2018 earlier today!  Not only did they really like The Favourite but — as you might expect from a group of online critics — they also embraced Black Panther.  Which is good because, if Black Panther‘s going to make history as the first comic book movie to score a best picture nomination, it’s going to need the critical precursor support that wasn’t given to Deadpool, Wonder Woman, or Logan.

Here are the nominations!

Best Picture

A Star is Born
Eighth Grade
Black Panther
The Favourite
The Hate U Give
BlacKkKlansman
Green Book
Roma
A Quiet Place
Searching

Best Actor

Rami Malek – Bohemian Rhapsody
Bradley Cooper – A Star is Born
Christian Bale – Vice
Ethan Hawke – First Reformed
Viggo Mortensen – Green Book

Best Actress

Toni Collette – Hereditary
Charlize Theron – Tully
Lady Gaga – A Star is Born
Olivia Colman – The Favourite
Nicole Kidman – Destroyer

Best Supporting Actor

Adam Driver – BlacKkKlansman
Mahershala Ali – Green Book
Russell Hornsby – The Hate U Give
Sam Elliott – A Star is Born
Richard E. Grant – Can You Ever Forgive Me?

Best Supporting Actress

Elizabeth Debicki – Widows
Emma Stone – The Favourite
Rachel Weisz – The Favourite
Regina King – If Beale Street Could Talk
Amy Adams – Vice

Best Adapted Screenplay

Bradley Cooper and Eric Roth – A Star is Born
Spike Lee, David Rabinowitz, Kevin Willmott, and Charlie Wachtel – BlacKkKlansman
Barry Jenkins – If Beale Street Could Talk
Audrey Wells – The Hate U Give
Nicole Holofcener and Jeff Whitty – Can You Ever Forgive Me?

Best Original Screenplay

Bryan Woods, Scott Beck, and John Krasinski – A Quiet Place
Bo Burnham – Eighth Grade
Tony McNamara and Deborah Davis – The Favourite
Boots Riley – Sorry to Bother You
Adam McKay – Vice

Best Male Director

Alfonso Cuaron – Roma
Spike Lee – BlacKkKlansman
Yorgos Lanthimos – The Favourite
Bradley Cooper – A Star is Born
Ryan Coogler – Black Panther

Best Female Director

Chloe Zhao – The Rider
Debra Granik – Leave No Trace
Tamara Jenkins – Private Life
Marielle Heller – Can You Ever Forgive Me?
Lynne Ramsay – You Were Never Really Here

Best Animated Film

Incredibles 2
Spider-Man: Into the Spider-Verse
Isle of Dogs
Ralph Breaks the Internet
Mirai

Best Foreign Film

Burning
Cold War
Roma
Shoplifters
Girl

Best Documentary

Free Solo
Minding the Gap
RBG
Three Identical Strangers
Won’t You Be My Neighbor?

Best Visual Effects

Ready Player One
Mission Impossible – Fallout
First Man
Black Panther
Avengers: Infinity War

Best Cinematography

Linus Sandgren – First Man
James Laxton – If Beale Street Could Talk
Alfonso Cuarón – Roma
Robbie Ryan – The Favourite
Rachel Morrison – Black Panther

Best Blockbuster

Avengers: Infinity War
Black Panther
Deadpool 2
Mission: Impossible Fallout
Ready Player One

Best Independent Film

Eighth Grade
First Reformed
Sorry to Bother You
Ben Is Back
If Beale Street Could Talk

Best First Feature

Bo Burnham – Eighth Grade
Bradley Cooper – A Star is Born
Ari Aster – Hereditary
Paul Dano – Wildlife
Aneesh Chaganty – Searching

Best Comedy/Musical

Crazy Rich Asians
Game Night
Mamma Mia! Here We Go Again!
The Favourite
Bohemian Rhapsody

Best Action Film

Mission: Impossible -Fallout
Black Panther
Avengers: Infinity War
Deadpool 2
Widows

Best Sci-Fi/Horror

A Quiet Place
Annihilation
Halloween
Hereditary
Suspiria

Best Performance by an Actor 23 and Under

Alex Wolff – Hereditary
Lucas Hedges – Boy Erased
Lucas Hedges – Ben Is Back
Noah Jupe – A Quiet Place
Timothée Chalamet – Beautiful Boy

Best Performance by an Actress 23 and Under

Amandla Stenberg – The Hate You Give
Elsie Fisher – Eighth Grade
Millicent Simmonds – A Quiet Place
Milly Shapiro – Hereditary
Thomasin McKenzie- Leave No Trace

Best Breakthrough Performance

Elsie Fisher – Eighth Grade
John David Washington – BlacKkKlansman
Lady Gaga – A Star is Born
Yalitza Aparicio – Roma
Amandla Stenberg – The Hate U Give

Best Cast

Black Panther
The Favourite
BlacKkKlansman
Crazy Rich Asians
Widows

Best Stunt Work

Avengers: Infinity War
Mission: Impossible – Fallout
Black Panther
Deadpool 2
Upgrade

Best Score

Justin Hurwitz – First Man
Nicholas Britell – If Beale Street Could Talk
Alexandre Desplat – Isle of Dogs
Ludwig Göransson- Black Panther
Terence Blanchard – BlacKkKlansman

Best Original Song

All the Stars – Black Panther
Shallow – A Star is Born
Hollywood Ending – Anna and The Apocalypse
Revelation – Boy Erased
Hearts Beat Loud – Hearts Beat Loud

Best Editing

Adam Gough and Alfonso Cuarón – Roma
Nicholas D. Johnson and Will Merrick – Searching
Yorgos Mavropsaridis – The Favourite
Barry Alexander Brown – BlacKkKlansman
Hank Corwin – Vice

Best Visual Effects or Animated Performance

Ben Whishaw – Paddington 2
Jason Liles – Rampage
Josh Brolin – Avengers: Infinity War
Phoebe Waller-Bridge – Solo: A Star Wars Story
Tom Hardy – Venom

 

Lisa Marie’s Too Early Oscar Predictions for May!


It’s time for me to post my monthly Oscar predictions!

As always, the usual caveats apply.  It’s way too early for me to try to make any predictions.  Most of the films listed below haven’t even been released (or screened) yet and it’s totally possible that a big contender might come out of nowhere in the fall.  That seems to happen almost every year.

So, take these predictions with a grain of salt.  These are my guesses.  Some of them are based on instinct.  Some of them are just there because I think it would be a really, really neat if that movie or performer was nominated.  However, I will say this: I do think that if a comic book movie is ever nominated for best picture, it will be Black Panther.

(I actually preferred Avengers: Infinity War to Black Panther — sorry, Ryan — but, much like Get Out, Black Panther has gone beyond being a movie.  It’s become a cultural signpost, in a way that Infinity War never will.)

The Cannes Film Festival is going on right now and one potential Oscar contender — Spike Lee’s BlackkKlansman — is due to make its debut in the upcoming days.  Right now, I don’t have BlackkKlansman listed in my predictions, mostly because the Academy hasn’t exactly embraced Lee in the past.  But I will be interested to see how Cannes reacts to the film.

(Check out my predictions for January, February, March, and April!)

Best Picture

At Eternity’s Gate

Black Panther

Boy Erased

First Man

If Beale Street Could Talk

Mary, Queen of Scots

The Other Side of the Wind

A Quiet Place

Widows

Wildfire

Best Director

Damien Chazelle for First Man

Ryan Coogler for Black Panther

Barry Jenkins for If Beale Street Could Talk

Steve McQueen for Widows

Josie Rourke for Mary, Queen of Scots

Best Actor

Steve Carell in Beautiful Boy

Willem DaFoe in At Eternity’s Gate

Ryan Gosling in First Man

Lucas Hedges in Boy Erased

Robert Redford in Old Man and the Gun

Best Actress

Viola Davis in Widows

Felicity Jones in On The Basis of Sex

Melissa McCarthy in Can You Ever Forgive Me?

Saoirse Ronan in Mary. Queen of Scots

Kristen Stewart in JT LeRoy

Best Supporting Actor

Russell Crowe in Boy Erased

Sam Elliott in A Star Is Born

Oscar Isaac in At Eternity’s Gate

Michael B. Jordan in Black Panther

Forest Whitaker in Burden

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Margot Robie in Mary, Queen of Scots

Sissy Spacek in Old Man And The Gun

 

 

Lisa’s Way, Way, Way Too Early Oscar Predictions For February


Could Black Panther be the first comic book movie to receive an Oscar nomination?

Last year, around this time, we were asking the exact same question about LoganLogan didn’t pick up a Best Picture nomination but it was nominated for Best Adapted Screenplay, which would seem to suggest that the Academy is slowly coming around to accepting that so-called “Super Hero Films” can also be legitimate Oscar contenders.

As for Black Panther, it is currently the most critically acclaimed and financially successful film of 2018.  For those who say that there’s no way the Academy will ever nominate a comic book film for best picture, it should be remembered that there was a time when people said that Academy would never nominate a horror comedy for Best Picture.  Much like Get Out, Black Panther could prove the naysayers wrong.

Anyway, here are my Oscar predictions for February.  As always, it ‘s really way too early to be making these predictions.  Usually, Sundance provides at least a little bit of a guide but this year, Sundance was pretty low-key.  The most obvious Sundance Oscar contender — Burden — doesn’t even have a release date yet.

Also, the uncertain status of The Weinstein Company has thrown a lot of films into limbo.  Some of the unreleased TWC films might find homes with other studios.  Others will probably be left in limbo.  Then again, even if those films do get a release, I doubt the Academy is going to nominate any films stained with the noxious fingerprints of the Weinsteins.

Even more than usual, the guesses below are random.  At this time next year, we’ll probably look at this list and laugh.  Some of you might laugh today.

Check out January’s picks here!

Best Picture

Black Panther

Boy Erased

Burden

Colette

First Man

Mary, Queen of Scots

A Star is Born

Where’d You Go, Bernadette?

Widows

The Women of Mawren

Best Director

Ryan Coogler for Black Panther

Andrew Heckler for Burden

Richard Linklater for Where’d You Go, Bernadette?

Steve McQueen for Widows

Josie Rourke for Mary, Queen of Scots

Best Actor

Christian Bale in Untitled Adam McKay/Dick Cheney film

Lucas Hedges in Boy Erased

Ryan Gosling in First Man

Jake Gyllenhaal in Wildfire

Garrett Hedlund in Burden

Best Actress

Cate Blanchett in Where’d You Go, Bernadette?

Viola Davis in Widows

Keira Knightley in Collette

Chloe Grace Moretz in The Miseducation of Cameron Post

Saorise Ronan in Mary, Queen of Scots

Best Supporting Actor

Jeff Bridges in Bad Times at the El Royale

Robert Duvall in Widows

Michael B. Jordan in Black Panther

Rami Malek in Papillon

Forest Whiteaker in Burden

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Leslie Mann in The Women of Mawren

Lupita Nyong’o in Black Panther

Margot Robie in Mary, Queen of Scots

Lisa’s Way Too Early Oscar Predictions for January!


How early can one predict the Oscars?

Well, it depends on how you look at it.  You can predict the Oscars at any time during the year.  However, predicting them correctly is next to impossible before October.  That said, I’m going to give it a shot!

Now, to be clear, this is not an attempt to predict who and what will be nominated later this month.  Instead, these are my predictions for what will be nominated next year at this time!  I’ll be updating my predictions every month of this year.

So, with all that in mind, here are my way too early predictions for what will be nominated in January of 2019!  As of right now, these predictions are a collection of instinct and random guesses.  For all we know, some of these films might not even get released in 2018.  In all probability, we’ll look back at this list in December and laugh.

 

Best Picture

Chappaquiddick

First Man

Lizzie

Mary Queen of Scots

The Miseducation of Cameron Post

Mortal Engines

A Star is Born

Widows

Wildfire

The Women of Marwen

 

Best Director

Desiree Akhavon for The Miseducation of Cameron Post

Damien Chazelle for First Man

Paul Dano for Wildfire

Steve McQueen for Widows

Robert Zemeckis for The Women of Marwen

 

Best Actor

Steve Carell in The Women of Marwen

Jason Clarke in Chappaquiddick

Ryan Gosling in First Man

Jake Gyllenhaal in Wildfire

Joaquin Phoenx in Don’t Worry, He Won’t Get Far On Foot

 

Best Actress

Viola Davis in Widows

Chloe Grace Moretz in The Miseducation of Cameron Post

Carey Mulligan in Wildfire

Saoirse Ronan in Mary Queen of Scots

Chloe Sevigny in Lizzie

 

Best Supporting Actor

Jeff Daniels in The Catcher Was A Spy

Bruce Dern in Chappaquiddick

Sam Elliott in A Star is Born

Robert Duvall in Widows

Hugo Weaving in Mortal Engines

 

Best Supporting Actress

Elizabeth Debicki in Widows

Claire Foy in First Man

Leslie Mann in The Women of Marwen

Kate Mara in Chappaquiddick

Kristen Stewart in Lizzie

 

Review: Game of Thrones S2E09 “Blackwater”


“And who are you, the proud lord said,
that I must bow so low?
Only a cat of a different coat,
that’s all the truth I know.
In a coat of gold or a coat of red,
a lion still has claws,
And mine are long and sharp, my lord,
as long and sharp as yours.
And so he spoke, and so he spoke,
that lord of Castamere,
But now the rains weep o’er his hall,
with no one there to hear.
Yes now the rains weep o’er his hall,
and not a soul to hear.” — The Rains of Castamere

If there’s been a complaint (actually more of a nitpick) from fans of the show in regards to Game of Thrones’ second season it would be that a majority of the episodes this season looked to be cutting corners in terms of budget. The show’s first season was already the most expensive  TV series ever and this season things just got more expensive. There was one thing that seemed to have forced the producers of the show into scaling things back for many of the episodes (this season was really about shooting many scenes indoors whether it was inside a castle or tent) and that one thing was tonight’s ninth and penultimate episode of season two: “Blackwater”.

Tonight’s episode is the culmination of everything which has come before it during this season. Sure, we had some machinations that involved Daenerys across the Narrow Sea at Qarth and Jon Snow north of the Wall. Outside of those two subplots which has yet to fully play out this season (most likely extending into season 3), every storyline this second season was about moving the necessary pieces and characters that would affect the outcome of the battle that was going to take place on Blackwater Bay outside King’s Landing. This was a battle that’s been eagerly anticipated by fans of the books. It’s a gamechanger in the novels and after tonight’s episode played out it looks like it also changes the ever shifting dynamics of the tv show.

First things first, all the money being saved by cutting back on outdoor filming during this season looked like it went all in with this episode. Showrunners David Benioff and D.B. Weiss know that they had a great chance of alienating the fans of the books and, most likely, even those of just the show if the most pivotal storyline this season was to be turned into a battle told off-screen and after the fact. No, this battle had to be filmed and done so that it didn’t look cheap. Even writer George R.R. Martin who gave birth to this epic medieval fantasy saga came in to pen tonight’s teleplay in order. The show even decided to go with an outsider to direct tonight’s episode and did they ever hit it out of the park with their choice of veteran genre filmmaker Neil Marshall (Dog Soldiers, Descent, Doomsday, Centurion).

“Blackwater” did something this series has never done and that’s focus the entirety of it’s running time to telling the story of just the one location and tonight it was to be King’s Landing and Blackwater Bay. Every episode in this series has jumped from location to location that viewers have had to learn how to expertly track each storyline just to make sense of the show’s overall narrative. Yet, tonight Martin, the showrunners and, most likely, Marshall himself, knew that jumping the episode from location to location wouldn’t be the smartest of ideas. Tonight had to be about this battle and how it furthers the character growth of many characters in the show.

I was surprised at how well the episode depicted the Battle of Blackwater Bay. We can definitely see Martin’s hand in the writing of tonight’s episode as things gradually built-up from the very moment the intro sequence ended and we come to see the invasion fleet Stannis has brought to King’s Landing just moment’s away from seeing the walls of the city. Even this late in the stage of the siege preparations we get to see how terrified everyone seems to be about the coming siege and battle. Everyone seem to be dealing with the prospect of battle in their own unique way. Tyrion spends it with Shae in his quarters with the notion that this time with Shae might be the last he’ll ever have adding a sense of poignancy to their scene.

Tyrion’s partner-in-crime and lord of the Goldcloaks spends it with some of his men at one of the local taverns with many tankards of good brown ale and the warm companionship of the city’s many prostitutes. Bronn may be acting cavalier about the coming battle, but his behavior and those of his men in the tavern doesn’t seem farfetched as we’ve learned through first-hand accounts of soldiers on the eve of battle trying to make the most of what could be their final hours on Earth. Bronn’s behavior is a stark contrast to that of Sandor “The Hound” Clegane who shows up in the very tavern but not with thoughts of a final night’s of debauchery and merrymaking but instead spending time drinking brown ale in silence and a mood that’s telling in how The Hound sees the prospect of victory in the coming battle. Bronn may think the battle is hopeless but he knows well enough not to waste what time he has left brooding and acting like a Debbie-downer like the bigger Hound.

Even Cersei and Sansa get a chance to show how the battle brings out the best and worst in people. The former’s caustic tongue and even more bitter personality comes to the forefront as she drops any sense of pretense of being the courtly Queen’s Regent. She knows exactly that the battle will not be about glory and honor. The battle will be about bloodshed, destruction and, if the defenders lose, the raping and killing of all the women behind the wall’s of King’s Landing. Cersei is prepared to do what is necessary to keep herself, her children and the women from being raped and murdered, but in doing so loses what semblance of loyalty her handmaidens and courtly allies may have had for her. Sansa, on the other hand, still tries to put up a brave front. Maybe it’s a genuine reaction or one she knows she must put up if just to keep the ladies in the Red Keep where she and Cersei have stashed themselves from running in panic.

As a student of military tactics and history tonight’s episode wasn’t cringe-inducing once the battle itself began. Martin does a great job in condensing the tactics and maneuvers he had written in detail in the novel, but could be confusing to the uninitiated. The episode wasn’t too simplified to the point it hand-held the audience through every step and move both sides made. We knew that Tyrion had a surprise waiting for Stannis’ invasion fleet and that it involved the use of the alchemical concoction “wildfire” (the show’s version of that near-legendary weapon that the Eastern Roman Empire used to defend Constantinople for centuries called “Greek Fire”), but we still had no idea just how the surprise would turn out. Even when the single boat silently approached the vanguard fleet led by Ser Davos we still didn’t know how the wildfire would be used. To say that the surprise Tyrion had for the invasion fleet was jaw-dropping would be an understatement. It was a scene that brought to life how the historical battles like the Battle of Red Cliffs, Siege of Antwerp, the Gravelines, the Battle of the Downs, the Battle of Solebay and the Battle of La Hougue must’ve looked like.

Even the amphibious landing that Stannis’ infantry made to start the siege of King’s Landings’ walls was both accurate in how such a military maneuver was done, but also shot in a way by Neil Marshall to be exciting and chaotic. This battle was chaotic but not in the shaky-cam variety but in how battles was always about the killing and dying of men on the ground who were just feet from each other. It was a bloody execution of the episode’s order of battle that really earns this show that label of epic that fans like to throw at it. Again I must hand it to Martin as episode’s writer for making things accessible to those who have never read the book, but also keep enough of what made this battle exciting to those who have been fans of the novels.

All of this would still have come for naught if the person directing the episode dropped the ball, so to speak. “Blackwater” needed a director who could handle massive action scenes both from a bird’s eye view and from that of the grunt on the ground. Neil Marshall is a filmmaker who has always been great at maximizing the small budget he works with to create thrilling genre films. As the first outsider hired by the show’s producers Marshall was already behind the eightball in that he’s not knowledgeable of the what the show is about. Yet, one couldn’t tell with tonight’s episode. If HBO ever decided to continue this series for many more seasons I hope that they and Benioff and Weiss just hire Marshall to become the default director when it comes to episodes that require that epic hand at the till. Even with the quieter scenes with Cersei and her youngest Tommen as they sat on the Iron Throne waiting for the bad news that she truly thought would come was handled with a filmmaker’s deft touch that most tv directors are rarely able to pull off.

“Blackwater” may be the second to the last episode of this show’s second season, but just like the first season’s penultimate episode with the execution of Ned Stark, fans and audiences of the show have been treated to what could be accurately called the season’s climax. It’s not a bad way to end a season, but as we found out with last season the final episode will have it’s own surprises but also end the season with new avenues of storytelling that would make waiting for the start of season three to arrive be an exercise in agonized waiting. Season one’s second to the last episode might’ve been more traumatic but tonight’s “Blackwater” may have just been it’s best.

A job well done by Martin and Marshall.