Earlier today, the Boston Society of Film Critics announced their picks for the best of 2018. Along with selecting If Beale Street Could Talk as best picture, they also gave best director to You Were Never Really Here‘s Lynne Ramsay.
Best Film: If Beale Street Could Talk
Runner-up: Shoplifters
Best Director: Lynne Ramsay (You Were Never Really Here)
Runner-up: Yorgos Lanthimos (The Favourite)
Best Actor: John C. Reilly (Stan & Ollie)
Runner-up: Ethan Hawke (First Reformed)
Best Actress: Melissa McCarthy (Can You Ever Forgive Me?)
Runner-up: Sakura Ando (Shoplifters)
Best Supporting Actor: Richard E. Grant (Can You Ever Forgive Me?)
Runners-up (tie): Brian Tyree Henry (If Beale Street Could Talk) and Steven Yeun (Burning)
Best Supporting Actress: Regina King (If Beale Street Could Talk)
Runner-up: J. Smith-Cameron (Nancy)
Best Ensemble: Shoplifters
Runner-up: The Favourite
Best Screenplay: Nicole Holofcener and Jeff Whitty (Can You Ever Forgive Me?)
Runner-up: Tamara Jenkins (Private Life)
Best Documentary: Won’t You Be My Neighbor?
Runner-up: Three Identical Strangers
Best Animated Film: Isle of Dogs
Runner-up: Ralph Breaks the Internet
Best Foreign Language Film: Shoplifters
Runner-up: Cold War
Best New Filmmaker: Bo Burnham (Eighth Grade)
Runner-up: Ari Aster (Hereditary)
Best Cinematography: Alfonso Cuarón (ROMA)
Runner-up: Lukasz Zal (Cold War)
Best Editing: Tom Cross (First Man)
Runner-up: Bob Murawski and Orson Welles (The Other Side of the Wind)
Best Original Score: Nicholas Britell (If Beale Street Could Talk)
Runner-up: Justin Hurwitz (First Man) and Jonny Greenwood (You Were Never Really Here)
On Friday, the Boston Online Film Critics Association announced their picks for the best of 2018! They really liked You Were Never Really Here!
Best Picture
You Were Never Really Here
Best Director
Lynne Ramsay – You Were Never Really Here
Best Actor
Ethan Hawke – First Reformed
Best Actress
Toni Collette – Hereditary
Best Supporting Actor
Richard E.Grant – Can You Ever Forgive Me?
Best Supporting Actress
Regina King – If Beale Street Could Talk
Best Ensemble
Support The Girls
Best Screenplay
First Reformed
Best Foreign Language Film
Roma
Best Documentary
Won’t You Be My Neighbor?
Best Animated Feature
Spider-Man: Into The Spider-Verse
Best Cinematography
Roma
Best Editing
You Were Never Really Here
Best Score
You Were Never Really Here
Top 10 Films Of 2018
1. You Were Never Really Here
2. First Reformed
3. Roma
4. BlacKkKlansman
5. Black Panther
6. Shoplifters
7. Support The Girls
8. The Ballad Of Buster Scruggs
9. Hereditary
10. If Beale Street Could Talk
On Friday, the Chicago Film Critics Association announced their nominations for the best of 2018! The winners will be announced on Saturday night.
Here are the nominees!
BEST PICTURE
The Favourite
First Reformed
Hereditary
Roma
A Star is Born
BEST DIRECTOR Bradley Cooper, A Star is Born
Alfonso Cuarón, Roma
Yorgos Lanthimos, The Favourite
Lynne Ramsay, You Were Never Really Here
Paul Schrader, First Reformed
BEST ACTOR Christian Bale, Vice
Bradley Cooper, A Star is Born
Ethan Hawke, First Reformed
Rami Malek, Bohemian Rhapsody
Joaquin Phoenix, You Were Never Really Here
BEST ACTRESS Yalitza Aparicio, Roma
Toni Collette, Hereditary
Lady Gaga, A Star is Born
Regina Hall, Support the Girls
Melissa McCarthy, Can You Ever Forgive Me?
BEST SUPPORTING ACTOR Mahershala Ali, Green Book
Timothee Chalamet, Beautiful Boy
Richard E. Grant, Can You Ever Forgive Me?
Michael B. Jordan, Black Panther
Steven Yeun, Burning
BEST SUPPORTING ACTRESS Olivia Colman, The Favourite
Elizabeth Debicki, Widows
Zoe Kazan, The Ballad of Buster Scruggs
Regina King, If Beale Street Could Talk
Rachel Weisz, The Favourite
BEST ADAPTED SCREENPLAY BlacKkKlansman by Charlie Wachtel, David Rabinowitz, Kevin Willmott & Spike Lee
Can You Ever Forgive Me? by Nicole Holofcener & Jeff Whitty
The Death of Stalin by Armando Iannucci, David Schneider & Ian Martin
If Beale Street Could Talk by Barry Jenkins
A Star is Born by Eric Roth, Bradley Cooper & Will Fetters
BEST ORIGINAL SCREENPLAY Eighth Grade by Bo Burnham
The Favourite by Deborah Davis & Tony McNamara
First Reformed by Paul Schrader
Roma by Alfonso Cuaron
Vice by Adam McKay
BEST ANIMATED FEATURE Incredibles 2
Isle of Dogs
Ralph Breaks the Internet
Ruben Brandt: Collector
Spider-Man: Into the Spider-verse
BEST DOCUMENTARY Free Solo
Minding the Gap
RBG
Three Identical Strangers
Won’t You Be My Neighbor?
BEST FOREIGN LANGUAGE FILM Burning
Capernaum
Cold War
Roma
Shoplifters
BEST CINEMATOGRAPHY Cold War – Lukasz Zal
The Favourite – Robbie Ryan First Man – Linus Sandgren
If Beale Street Could Talk – James Laxton
Roma – Alfonso Cuaron
BEST ORIGINAL SCORE First Man – Justin Hurwitz
If Beale Street Could Talk – Nicholas Britell
Mandy – Johan Johannson
Suspiria – Thom Yorke
You Were Never Really Here – Jonny Greenwood
MOST PROMISING FILMMAKER Ari Aster, Hereditary
Bo Burnham, Eighth Grade
Bradley Cooper, A Star is Born
Bing Liu, Minding the Gap
Boots Riley, Sorry to Bother You
MOST PROMISING PERFORMER Yalitza Aparicio, Roma
Elsie Fisher, Eighth Grade
Lady Gaga, A Star is Born
Thomasin Harcourt McKenzie, Leave No Trace
John David Washington, BlacKkKlansman & Monsters and Men
The Los Angeles Online Film Critics Society, which is one of the newer critics groups, announced their nominees for the best of 2018 earlier today! Not only did they really like The Favourite but — as you might expect from a group of online critics — they also embraced Black Panther. Which is good because, if Black Panther‘s going to make history as the first comic book movie to score a best picture nomination, it’s going to need the critical precursor support that wasn’t given to Deadpool, Wonder Woman, or Logan.
Here are the nominations!
Best Picture
A Star is Born
Eighth Grade Black Panther
The Favourite
The Hate U Give
BlacKkKlansman
Green Book
Roma A Quiet Place
Searching
Best Actor
Rami Malek – Bohemian Rhapsody
Bradley Cooper – A Star is Born
Christian Bale – Vice
Ethan Hawke – First Reformed
Viggo Mortensen – Green Book
Best Actress
Toni Collette – Hereditary
Charlize Theron – Tully
Lady Gaga – A Star is Born
Olivia Colman – The Favourite
Nicole Kidman – Destroyer
Best Supporting Actor
Adam Driver – BlacKkKlansman
Mahershala Ali – Green Book
Russell Hornsby – The Hate U Give
Sam Elliott – A Star is Born
Richard E. Grant – Can You Ever Forgive Me?
Best Supporting Actress
Elizabeth Debicki – Widows
Emma Stone – The Favourite
Rachel Weisz – The Favourite
Regina King – If Beale Street Could Talk
Amy Adams – Vice
Best Adapted Screenplay
Bradley Cooper and Eric Roth – A Star is Born
Spike Lee, David Rabinowitz, Kevin Willmott, and Charlie Wachtel – BlacKkKlansman
Barry Jenkins – If Beale Street Could Talk
Audrey Wells – The Hate U Give
Nicole Holofcener and Jeff Whitty – Can You Ever Forgive Me?
Best Original Screenplay
Bryan Woods, Scott Beck, and John Krasinski – A Quiet Place
Bo Burnham – Eighth Grade
Tony McNamara and Deborah Davis – The Favourite
Boots Riley – Sorry to Bother You
Adam McKay – Vice
Best Male Director
Alfonso Cuaron – Roma
Spike Lee – BlacKkKlansman
Yorgos Lanthimos – The Favourite
Bradley Cooper – A Star is Born
Ryan Coogler – Black Panther
Best Female Director
Chloe Zhao – The Rider
Debra Granik – Leave No Trace
Tamara Jenkins – Private Life
Marielle Heller – Can You Ever Forgive Me?
Lynne Ramsay – You Were Never Really Here
Best Animated Film
Incredibles 2
Spider-Man: Into the Spider-Verse
Isle of Dogs
Ralph Breaks the Internet
Mirai
Best Foreign Film
Burning
Cold War
Roma
Shoplifters
Girl
Best Documentary
Free Solo
Minding the Gap
RBG
Three Identical Strangers
Won’t You Be My Neighbor?
Alex Wolff – Hereditary
Lucas Hedges – Boy Erased
Lucas Hedges – Ben Is Back
Noah Jupe – A Quiet Place
Timothée Chalamet – Beautiful Boy
Best Performance by an Actress 23 and Under
Amandla Stenberg – The Hate You Give
Elsie Fisher – Eighth Grade
Millicent Simmonds – A Quiet Place
Milly Shapiro – Hereditary
Thomasin McKenzie- Leave No Trace
Best Breakthrough Performance
Elsie Fisher – Eighth Grade
John David Washington – BlacKkKlansman
Lady Gaga – A Star is Born
Yalitza Aparicio – Roma
Amandla Stenberg – The Hate U Give
Best Cast
Black Panther
The Favourite
BlacKkKlansman
Crazy Rich Asians
Widows
Justin Hurwitz – First Man
Nicholas Britell – If Beale Street Could Talk
Alexandre Desplat – Isle of Dogs
Ludwig Göransson- Black Panther
Terence Blanchard – BlacKkKlansman
Best Original Song
All the Stars – Black Panther
Shallow – A Star is Born
Hollywood Ending – Anna and The Apocalypse
Revelation – Boy Erased
Hearts Beat Loud – Hearts Beat Loud
Best Editing
Adam Gough and Alfonso Cuarón – Roma
Nicholas D. Johnson and Will Merrick – Searching
Yorgos Mavropsaridis – The Favourite
Barry Alexander Brown – BlacKkKlansman
Hank Corwin – Vice
Here’s what won at this year’s Cannes Film Festival! As always, the list is full of intrigue and surprises.
Also, as always, it’s debatable whether any of this will actually effect that Oscar race. To be honest, other than The Tree of Life, it’s hard to think of any recent Oscar nominee that was undeniably helped by a victory at Cannes. During the Festival, both Robert Pattinson and Adam Sandler (yes, Adam Sandler) started to receive some Oscar buzz but neither of them — nor their films, Good Time or The Meyerowitz Stories — were honored.
(As enjoyably weird as it would be for Adam Sandler to become an Oscar nominee, I imagine The Meyerowitz Stories will be ignored come Oscar time because it’s a Netflix film. If the Academy couldn’t even give one nomination to the previous Netflix contender — the powerful and important Beasts of No Nation — I doubt that they’re going to surrender their bias for a film starring Adam Sandler and Ben Stiller.)
That said, I am very, very happy to see that one of my favorite artists, Sofia Coppola, was honored! I can’t wait to see The Beguiled!
Here’s the winners:
2017 Main Competition winners:
Palme d’Or: The Square (Ruben Ostlund) Gran Prix: “BPM (Beats Per Minute)” (Robin Campillo) Jury Prize: “Loveless” (Andrey Zvyagintsev) Best Director: Sofia Coppola — The Beguiled Best Actor: Joaquin Phoenix — You Were Never Really Here Best Actress: Diane Kruger — In The Fade Best Screenplay: “The Killing of a Sacred Deer” (Yorgos Lanthimos, Efthimis Filippou) and “You Were Never Really Here” (Lynne Ramsay)
OTHER PRIZES
Camera d’Or: “Jeune femme” (Montparnasse-Bienvenüe) (Léonor Serraille)
Short Films Palme d’Or: “Xiao Cheng Er Yue” (Qiu Yang)
Short Films Special Mention: “Katto” (Teppo Airaksinen)
Un Certain Regard Prize: Mohammad Rasoulof – A Man of Integrity
Best Actress: Jasmine Trinca – Fortunata
Best Poetic Narrative: Mathieu Amalric – Barbara
Best Direction: Taylor Sheridan – Wind River
Jury Prize: Michel Franco – April’s Daughter
2017 International Critics Week winners:
Nespresso Grand Prize: Emmanuel Gras – Makala France 4 Visionary Award: Fellipe Gamarano Barbosa – Gabriel and the Mountain Leica Cine Discovery Prize for Short Film: Laura Ferrés – Los Desheredados Gan Foundation Support for Distribution Award: Fellipe Gamarano Barbosa – Gabriel and the Mountain SACD Award: Léa Mysius – Ava Canal+ Award: Aleksandra Terpińska – The Best Fireworks
2017 Director’s Fortnight winners:
Art Cinema Award: Chloé Zhao – The Rider SACD Award: Claire Denis – Let the Sunshine In, Philippe Garrel – Lover for a Day Europa Cinemas Label Award: Jonas Carpignano – A Ciambra Illy Prize for Short Film: Benoit Grimalt – Back to Genoa City
Two months and one week ago, I started on this journey that we call Embracing the Melodrama, Part II. At the time, I announced that I would be reviewing 126 film melodramas and that I would get it all done in 3 weeks. Well, I was 6 weeks off as far as the timing was concerned but I am going to reach the 126 mark.
(And then I’m going to pass out and sleep for a year…)
We started this series by taking a look at the 1927 silent classic Sunriseand now, 119 reviews later, we have reached the disturbing 2011 film, We Need To Talk About Kevin.
We Need To Talk About Kevin tells the story of Eva (Tilda Swinton). Eva was once a very successful travel writer, who explored the world and lived a life of total independence and sophistication. Now, however, she has a demeaning job at a travel agency. She lives in a dilapidated house that is the frequent target of vandals. Everyone in town views her as a pariah, either deliberately avoiding her or greeting her with open hostility.
You see, Eva is the mother of a teenager named Kevin (Ezra Miller) who is currently in prison. One day, Kevin locked all of his high school classmates in the gym and, using a bow and arrow set that was given to him by his father, Franklin (John C. Reilly), Kevin proceeded to kill or maim them all, one-by-one. When Kevin finally surrendered to police, he looked over at his mother and he smirked.
We Need To Talk About Kevin unfolds in flashback as Eva looks back on her former life and tries to understand how her son could do something so evil. From the time that Kevin was a baby, Eva suspected that there was something wrong with her son and found it impossible to bond with him. While Franklin spoiled him and refused to accept that there was ever anything wrong, Eva went the opposite direction. When Eva became more and more convinced that Kevin was evil, Franklin refused to listen to her.
And, make no mistake about it, Kevin is evil. For the majority of the film, he is one of the most evil characters that you’ve ever seen. (It’s even suggested — though thankfully never shown — that he may have deliberately blinded his little sister.) We, like Eva, wonder if Kevin was born evil or if he became evil as the result of the way he was raised but there’s no doubt that he’s evil.
And then, one day, Eva goes to visit her son in prison and we see a different Kevin. Kevin is about to turn 18, which means that he’ll be transferred to an adult prison. Kevin admits that he’s scared. In this scene, the cocky and hateful Kevin is one. This new Kevin has shaved off his previously unruly mop of hair. His face is bruised and he has a cut above his eye, suggesting that, within the walls of the justice system, he’s no longer the attacker but instead the one being attacked. He no longer smirks or glares at his mother. Instead, he looks lost and vulnerable.
And, at first, I actually felt sorry for Kevin when I saw that scene. I guess it was maybe my own maternal instinct coming out or maybe my own tendency to feel compassion for those who have no freedom. But, at that moment, I felt as if maybe Kevin finally understood that what he did was wrong. Just like Tilda Swinton’s Eve, I suddenly felt compassion for this hateful creature…
Until, of course, it occurred to me that the only time that Kevin showed any fear or regret was when it came to his own situation. As scared as Kevin is, Kevin never expresses any regret over what he did. Instead, he’s scared for himself and upset that he no longer has control of his situation. Though the film never states it, that’s classic sociopath behavior. (One is reminded of the BTK Killer, who unemotionally talked about those he killed but then cried when talked about having to spend the rest of his life in prison.)
At that point, I realized that Kevin hadn’t changed at all. Much like Eve, I wanted to believe that Kevin had changed because that, at least, would give the story some sort of closure. But, unfortunately, the Kevins of the world can never change. We may not know how someone like Kevin is created, whether he’s born evil or becomes evil due to circumstances. But we do know that evil can never change. That’s the burden that both Eve and the audience must carry.
We Need To Talk About Kevin is a lot like Million Dollar Baby.It’s well-directed and fiercely well-acted but, at the same time, it’s so sad and disturbing that I don’t know that I’ll ever be able to watch it again. There are a few moments of very dark humor, mostly connected to just how oblivious everyone, with the exception of Eve, is to Kevin’s evil. But make no mistake, this is a seriously dark film.
(For those keeping track, that’s 120 reviews down and 6 to go.)