Game of Thrones Season 4 “Foreshadowing”


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April 6, 2014 is when we return to the Seven Kingdoms of Westeros. We will see a continuation of the war and the storm of swords which troubles the lands. The Red Wedding will pose consequences for those who participated and across the Narrow Sea the Mother of Dragons begins her conquest and plans her inevitable return to reclaim the Iron Throne that is her birthright.

Here is a 14-minute sneak peek that foreshadows the events foretold for the upcoming season where Winter is still coming.

Trailer: Game of Thrones – Season 3 (2nd Trailer)


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It’s less than two weeks before we get to the premiere of HBO’s third season of Game of Thrones.

This latest trailer marketing the premium cable channel’s latest epic hit series brings everyone back who survived Season 2 and introduces a couple more people (Mance Rayder being one of them). We also get to see just how much the baby dragons of Daenerys Stormborn’s have gotten not to mention the army she has acquired since the end of Season 2 (I’m guessing these are the Unsullied).

This third season looks to lean heavily on the third novel in the series, A Storm of Swords, and for those who have read that massive tome will await this third season with both anticipation and trepidation. One thing the show has taught viewers has been to not get so fixated on characters. George R.R. Martin is more than willing to kill off beloved character and it looks like showrunners of the show have learned to do the same.

Game of Thrones Season 3 is set to premiere on March 31, 2013.

Review: Game of Thrones S2E09 “Blackwater”


“And who are you, the proud lord said,
that I must bow so low?
Only a cat of a different coat,
that’s all the truth I know.
In a coat of gold or a coat of red,
a lion still has claws,
And mine are long and sharp, my lord,
as long and sharp as yours.
And so he spoke, and so he spoke,
that lord of Castamere,
But now the rains weep o’er his hall,
with no one there to hear.
Yes now the rains weep o’er his hall,
and not a soul to hear.” — The Rains of Castamere

If there’s been a complaint (actually more of a nitpick) from fans of the show in regards to Game of Thrones’ second season it would be that a majority of the episodes this season looked to be cutting corners in terms of budget. The show’s first season was already the most expensive  TV series ever and this season things just got more expensive. There was one thing that seemed to have forced the producers of the show into scaling things back for many of the episodes (this season was really about shooting many scenes indoors whether it was inside a castle or tent) and that one thing was tonight’s ninth and penultimate episode of season two: “Blackwater”.

Tonight’s episode is the culmination of everything which has come before it during this season. Sure, we had some machinations that involved Daenerys across the Narrow Sea at Qarth and Jon Snow north of the Wall. Outside of those two subplots which has yet to fully play out this season (most likely extending into season 3), every storyline this second season was about moving the necessary pieces and characters that would affect the outcome of the battle that was going to take place on Blackwater Bay outside King’s Landing. This was a battle that’s been eagerly anticipated by fans of the books. It’s a gamechanger in the novels and after tonight’s episode played out it looks like it also changes the ever shifting dynamics of the tv show.

First things first, all the money being saved by cutting back on outdoor filming during this season looked like it went all in with this episode. Showrunners David Benioff and D.B. Weiss know that they had a great chance of alienating the fans of the books and, most likely, even those of just the show if the most pivotal storyline this season was to be turned into a battle told off-screen and after the fact. No, this battle had to be filmed and done so that it didn’t look cheap. Even writer George R.R. Martin who gave birth to this epic medieval fantasy saga came in to pen tonight’s teleplay in order. The show even decided to go with an outsider to direct tonight’s episode and did they ever hit it out of the park with their choice of veteran genre filmmaker Neil Marshall (Dog Soldiers, Descent, Doomsday, Centurion).

“Blackwater” did something this series has never done and that’s focus the entirety of it’s running time to telling the story of just the one location and tonight it was to be King’s Landing and Blackwater Bay. Every episode in this series has jumped from location to location that viewers have had to learn how to expertly track each storyline just to make sense of the show’s overall narrative. Yet, tonight Martin, the showrunners and, most likely, Marshall himself, knew that jumping the episode from location to location wouldn’t be the smartest of ideas. Tonight had to be about this battle and how it furthers the character growth of many characters in the show.

I was surprised at how well the episode depicted the Battle of Blackwater Bay. We can definitely see Martin’s hand in the writing of tonight’s episode as things gradually built-up from the very moment the intro sequence ended and we come to see the invasion fleet Stannis has brought to King’s Landing just moment’s away from seeing the walls of the city. Even this late in the stage of the siege preparations we get to see how terrified everyone seems to be about the coming siege and battle. Everyone seem to be dealing with the prospect of battle in their own unique way. Tyrion spends it with Shae in his quarters with the notion that this time with Shae might be the last he’ll ever have adding a sense of poignancy to their scene.

Tyrion’s partner-in-crime and lord of the Goldcloaks spends it with some of his men at one of the local taverns with many tankards of good brown ale and the warm companionship of the city’s many prostitutes. Bronn may be acting cavalier about the coming battle, but his behavior and those of his men in the tavern doesn’t seem farfetched as we’ve learned through first-hand accounts of soldiers on the eve of battle trying to make the most of what could be their final hours on Earth. Bronn’s behavior is a stark contrast to that of Sandor “The Hound” Clegane who shows up in the very tavern but not with thoughts of a final night’s of debauchery and merrymaking but instead spending time drinking brown ale in silence and a mood that’s telling in how The Hound sees the prospect of victory in the coming battle. Bronn may think the battle is hopeless but he knows well enough not to waste what time he has left brooding and acting like a Debbie-downer like the bigger Hound.

Even Cersei and Sansa get a chance to show how the battle brings out the best and worst in people. The former’s caustic tongue and even more bitter personality comes to the forefront as she drops any sense of pretense of being the courtly Queen’s Regent. She knows exactly that the battle will not be about glory and honor. The battle will be about bloodshed, destruction and, if the defenders lose, the raping and killing of all the women behind the wall’s of King’s Landing. Cersei is prepared to do what is necessary to keep herself, her children and the women from being raped and murdered, but in doing so loses what semblance of loyalty her handmaidens and courtly allies may have had for her. Sansa, on the other hand, still tries to put up a brave front. Maybe it’s a genuine reaction or one she knows she must put up if just to keep the ladies in the Red Keep where she and Cersei have stashed themselves from running in panic.

As a student of military tactics and history tonight’s episode wasn’t cringe-inducing once the battle itself began. Martin does a great job in condensing the tactics and maneuvers he had written in detail in the novel, but could be confusing to the uninitiated. The episode wasn’t too simplified to the point it hand-held the audience through every step and move both sides made. We knew that Tyrion had a surprise waiting for Stannis’ invasion fleet and that it involved the use of the alchemical concoction “wildfire” (the show’s version of that near-legendary weapon that the Eastern Roman Empire used to defend Constantinople for centuries called “Greek Fire”), but we still had no idea just how the surprise would turn out. Even when the single boat silently approached the vanguard fleet led by Ser Davos we still didn’t know how the wildfire would be used. To say that the surprise Tyrion had for the invasion fleet was jaw-dropping would be an understatement. It was a scene that brought to life how the historical battles like the Battle of Red Cliffs, Siege of Antwerp, the Gravelines, the Battle of the Downs, the Battle of Solebay and the Battle of La Hougue must’ve looked like.

Even the amphibious landing that Stannis’ infantry made to start the siege of King’s Landings’ walls was both accurate in how such a military maneuver was done, but also shot in a way by Neil Marshall to be exciting and chaotic. This battle was chaotic but not in the shaky-cam variety but in how battles was always about the killing and dying of men on the ground who were just feet from each other. It was a bloody execution of the episode’s order of battle that really earns this show that label of epic that fans like to throw at it. Again I must hand it to Martin as episode’s writer for making things accessible to those who have never read the book, but also keep enough of what made this battle exciting to those who have been fans of the novels.

All of this would still have come for naught if the person directing the episode dropped the ball, so to speak. “Blackwater” needed a director who could handle massive action scenes both from a bird’s eye view and from that of the grunt on the ground. Neil Marshall is a filmmaker who has always been great at maximizing the small budget he works with to create thrilling genre films. As the first outsider hired by the show’s producers Marshall was already behind the eightball in that he’s not knowledgeable of the what the show is about. Yet, one couldn’t tell with tonight’s episode. If HBO ever decided to continue this series for many more seasons I hope that they and Benioff and Weiss just hire Marshall to become the default director when it comes to episodes that require that epic hand at the till. Even with the quieter scenes with Cersei and her youngest Tommen as they sat on the Iron Throne waiting for the bad news that she truly thought would come was handled with a filmmaker’s deft touch that most tv directors are rarely able to pull off.

“Blackwater” may be the second to the last episode of this show’s second season, but just like the first season’s penultimate episode with the execution of Ned Stark, fans and audiences of the show have been treated to what could be accurately called the season’s climax. It’s not a bad way to end a season, but as we found out with last season the final episode will have it’s own surprises but also end the season with new avenues of storytelling that would make waiting for the start of season three to arrive be an exercise in agonized waiting. Season one’s second to the last episode might’ve been more traumatic but tonight’s “Blackwater” may have just been it’s best.

A job well done by Martin and Marshall.

Review: Game of Thrones S2E07 “A Man Without Honor”


“It’s hard to put a leash on a dog once you put a crown on it’s head.” — Tyrion Lannister

“A Man Without Honor” is the name of tonight’s episode which also happens to be the season’s seventh. How time flies when one is enjoying a series, but this is amplified when it’s a series that only runs ten episodes a season. Considering that HBO’s other hit series in True Blood gets twelve episodes a season makes giving the channel’s biggest hit and moneymaker only ten a season an interesting choice. Having ten episodes a season definitely allows for the series to not dawdle on too many subplots, but it also means certain characters and events in the book source either got dropped (some for the better and others not so well-handled) or amalgamated with others to create something wholly different. Tonight we got some great examples of how changes from book-to-screen made for a better narrative.

Tonight’s episode moved from place to place. We get to spend some time with Jon Snow north of the Wall with his wildling prisoner Ygritte. There’s some definite sexual tension between these two young people as Ygritte constantly baits Jon about their night spent close together (only for warmth as Jon kept trying to tell the young lass) and how Snow and his brother Crows must either be having congress with each other (something Jon denies very loudly) or with the local goat population (for some reason his denials about this weren’t as loud). Throughout their exchanges Jon continues to act the honorable man he was brought up to be by his father Ned Stark and he even tells Ygritte this though something he wishes he kept to himself if her reaction to the information was any indication.

Jon’s honorable behavior during his time with Ygritte and the consequence of it at the end of their part in tonight’s episode was a constant reminder about how Ned Stark’s brand of honor and intractable principles really has no place in the world created by George R.R. Martin. It’s idealism that masks the truth of the reality around them and Jon Snow, like his father before him, might be too late in learning the true costs of his idealism.

The same could be said about Daenerys over at Qarth as she has to deal with more of her followers dead because they decided to trust and follow her. Then there’s the little thing about her dragonlings still missing and taken by one of the Thirteen. It’s easy enough to surmise that the warlocks of Qarth had taken her dragons, but as to the reason other than wanting them still eludes the young Targaryen Queen-to-be. It’s left to her guardian knight and close adviser Ser Jorah Mormont to try and talk some sense into her, but as her experiences in Essos has clearly been teaching her it’s trust that she can’t afford to have anymore. Whether it’s others offering their trust or her being asked to trust in others. Here we see Ser Jorah testing the boundaries of Daenerys’ trust towards him and we see even more clearly that he has had and continues to have some very strong feelings towards his khaleesi that even Daenerys begins to suspect.

Unlike Jon up North, at least Daenerys has begun to shed some of the idealism she started this series with and looking towards learning how to truly become a ruler of people. Once again idealism was the casualty in this part of the episode but one that might help Daenerys survive a little longer in this deadly game of thrones.

Tonight’s episode also sees the return of the Kingslayer. He still remains a captive of the Starks, but now has a jailhouse companion in a distant relative the young Alton Lannister who once squired for him in years past. This section of the episode was really one extended exposition done well as we get a deeper look into the backstory of Jaime Lannister. He’s much more than the male half of the twincest pairing of the show, but unlike Cersei he seems to have accepted his lot in life and the sort of figurative bastard he has turned out. His reminiscing to Alton about his own time as a young squire was quite honorable in putting the young man at ease, but once again Jaime continues to be this show’s rare survivor in that he uses everyone he thinks could be of use to help him survive one day longer even if it means killing several young men in less than a night and throwing the hypocrisy of the Stark honor back at Catelyn’s face.

Jaime might be a villain, but he’s one who doesn’t blame his lot in life for turning him so and sees clearly how those who try to look down on him might be just as sullied and dishonorable as he is. He just happens to admit to it.

The best part of tonight’s episode once again come from one of the major changes from book-to-tv. It’s an extended scene between Tywin Lannister and Arya as the two sit down for a meal and talk. It never happened in the novel, but the fact that the showrunners thought this peculiar relationship between the elder Lannister and the young Stark daughter would make for some strong scenes and dialogue was a change that I fully accept. The back and forth between Charles Dance as Tywin and Maisie Williams as the young Arya was great. Whenever Tywin makes mention of how observant and learned his cupbearer seem to be Arya would have a ready-made reply. Even when Tywin makes it known that he believes her to be more than a local peasant girl but more akin to a noble-born Arya doesn’t break stride and continues her charade.

What’s great about this scene is how we’re able to believe Arya’s deft ability to stay in character even when she knows she might have been found out. She’s learned to play the part to help her survive and even gotten better to hide her true feelings from her face. Even Tywin seem to be quite impressed by Arya and even though he might have some suspicions about her true upbringing he’s still not fully sure about the truth of it so he bides his time. The two characters really look like they would’ve made the perfect father and daughter if not for their present situation.

Finally, we see just how low a man without honor can go. Back in Winterfell we see “Prince” Theon blaming everyone but himself for allowing the two young Stark boys to escape the castle. We see how he’s turned to violence as a way to court respect from his men when all it does is just show just how much a child playing at ruler he truly looks. What’s worst is how the episode ends with what looked like two young figures burnt beyond recognition and hanged above the castle gates and Theon looking like he had a hand in it. If people had any sort of sympathy for the Greyjoy son tonight’s episode did much in burning those bridges.

Tonight’s episode did much to grow some of the characters in the show, but also show how the war between the five kings have shown particular characters faults and virtues. With just three more episodes remaining in the season we’re getting close to the culmination of the war or, at the very least, narrowing down even more pretenders to the rule of Westeros before we look towards season 3 of HBO’s Game of Thrones.

Review: Game of Thrones S2E06 “The Old Gods and the New”


“Gods help you Theon Greyjoy. Now you’re truly lost.” — Ser Rodrik Cassel

Tonight we saw season 2 of HBO’s Game of Thrones series hit it’s second half running towards what could only be a climactic season ender of epic proportions. The show took a sort of misstep with an wheel’s turning previous episode that was mostly set-up. The show has been that way from the very start of the season, but last week’s entry was even moreso. Tonight’s sixth episode was titled “The Old Gods and the New” and it was a theme of faith that ran throughout the episode.

When I say faith I don’t mean of the religious kind but the faith one puts into the actions of others. Whether that faith is deserving or not is irrelevant. We see the youngest characters of the series with their faith tested from beginning to end. While it was mostly the Stark kids both legitimate and illegitimate who had to suffer in tonight’s episode we also got to see Daenerys Stormborn tested as her stay in the city-state of Qarth begins to turn for the worst and her inability to think with her mind instead of her heart has put her in a precarious situation.

The episode begins with Bran’s dream from last week finally coming into fruition as the seas has come to Winterfell and gone over the walls. It’s Theon Greyjoy and his merry band of Ironborn reavers who have taken advantage of a defenseless Winterfell. Any lingering doubts as to which house his loyalty lies now ends with his taking of Winterfell and imposing himself as it’s lord. Theon has bought into his biological father’s Ironborn way of life as he’s taken his own lordship through the “iron price” and not gold. Yet, this part of the episode also show’s that Theon has much to learn about being a ruler as some of his petty behavior comes to the forefront in his treatment of Rodrick Casell and being fooled by the wildling Osha. Just like Renly Baratheon before him, Theon likes to play at being a lord and someone who thinks they have power over the people when it’s all just in his head.

The same goes for King Joffrey over at King’s Landing who witness first-hand that his maniacal, iron-fisted rule of the realm has weakened what had been a strong realm and which is now ripe for all-out rebellion from within the city’s walls and not just from without. A riot of his own making doesn’t end even with his shouts to his Kingsguard and the Gold Cloaks to kill everyone when they’re outnumbered despite their armor and weapons. Joffrey begins to see what his Hand has seen and that’s the people of King’s Landing don’t see him as their rightful ruler and would rip the city and those who follow him apart (like the poor Maester who got the zombie feeding frenzy treatment) even if they die doing so.

For a moment Sansa Stark doesn’t understand why the people hate her as much as Joffrey and season 1 Sansa petulantly peeks out after her close brush with rape and death at the hands of the mob. It takes some wise counsel from her handmaiden Shae to educate her as to why they hate her so. Whether Sansa will learn from tonight’s events or not will show whether her character has grown from the shallow, fashion plate and status obsessed young teen or season 1 to the more savvy and leery young lady who has been quite adept at steering through the maze that makes up the game of thrones within the castle walls. One thing for sure is that she seems to have gained herself a protector in The Hound.

Over and north of the Wall we find Jon Snow and the small band of Rangers led by Qhorin Halfhand doing a sort of long-range recon patrol deeper into wildling territory to find out just exactly what’s going on with the wildlings and their self-proclaimed king Mance Rayder. We see Jon get a lesson in the importance of being a Crow delivered not so delicately by the veteran Qhorin who also seem to see something important about Jon, but who also sees an idealist who may not survive the Wall if he continues to think like someone who lives South of the Wall instead of on and North of it. It’s easy to say that Jon learns his lesson, but as we see after a successful ambush of a wildling patrol Jon still hangs onto too much of the chivalry and nobility of the the southern realms instead of the reality of the Wall and the North. He’s been a frustrating character since the first season and his steadfast “Ned Stark-ness” almost gets him killed and has saddled him with a pretty, wild redhead who may just be the death of him before he reaches his potential.

We now come to the Arya and Daenaerys portion of tonight’s episode. These are two young girls who have been thrust into situations not of their making and trying to make the best of it.

At Harrenhal we see Arya continue her indentured servitude to Tywin Lannister who seem to treat her with more respect than he does his own commanders. Whether he suspects who Arya truly is he does seem to treat her less a servant and more like an unofficial sounding board. The conflict of emotions this treatment from Tywin was quite evident in Arya’s face as she smiles behind Tywin and his council’s back when he compliments her and berates one his generals. Her situation gets really precarious as one Littlefinger appears in Harrenhal to talk shop with Tywin. This scene was masterfully done by veteran tv director David Nutter who milks the tension Arya feels at the prospect of being found out by the duplicitous, but observant Littlefinger. Her faith in the enigmatic Jaqen H’ghar seems well-deserved as she gives him a second name and sees that name given over to Death as Jaqen has promised. With each day in Harrenhal it looks like Arya looks to be the one of the all the youngsters in Game of Thrones who has begun to see the reality of the world instead of the ideals she has been taught growing up.

Far across the Narrow Sea we come to Daenaerys who is still trying to fend off the advances of Xaro Xhoan Daxos and the other merchant lords of Qarth who wish to put their hooks into her if she ever wants their help in getting across to Westeros to take back the Iron Throne she sees as rightfully hers. Where Arya has learned to think with her head instead of her heart to put herself into situations to her advantage the same cannot be said about Daenerys who still believes that her rightful claim to the Iron Throne and being the Mother of Dragons would make everyone bow at her young feet and give her everything she needs to get what she wants. When diplomacy doesn’t get her what she wants she reverts back to threats and actually sounding more and more like her dead brother Viserys who also used too much empty threats to try and get what he thinks was due to him. The episode sees her with even less retainers than what she had going into Qarth and worst yet minus the three dragonlings.

While “The Old Gods and the New” was still a set-up episode it also contained much character growth for the young cast. We see them learn the hard way that being a ruler of a realm and of men doesn’t come easy or come across as a game without consequences. Idealism gets tested and for most of the episode comes off less a virtue and more of a near-fatal flaw that cannot survive in the war-torn lands of Westeros let alone the intrigues of the city-states of Essos across the Narrow Sea. Faith has been tested as Bran sees firsthand as he sees what he thought was a brother to him and his family turn against them in a fit of pettiness and need to prove himself to his biological sire.

With more pieces being moved across the board it’s getting much clearer now that the war for the Iron Throne is close to being decided, but it doesn’t mean peace will come to Westeros. While the elders fight the wars begun by a child and being won by another it looks like tonight’s episode also shows that no matter how things turn out this season it’s the children of the series who have been forced to grow up by the war who will have to pick up the pieces. Tonight we see that some look ready to do so while most still look ill-equipped to survive it.

Review: Game of Thrones S2E04 “Garden of Bones”


“A naked man has few secrets. A flayed man has none.” — Lord Roose Bolton of Dreadfort

I will say that tonight’s latest episode of HBO’s medieval fantasy series, Game of Thrones, probably qualifies as a set-up episode. The episode was quite good, but it was also one that moved around the world of the series to help establish some upcoming storylines for characters in the show. What each of these set-ups had in common was how much they dealt with death both the past, present and future. Tonight’s episode lacked any sort of balance to it’s downbeat and doom-laden tone.

“Garden of Bones” was the title of tonight’s episode and it comes from the description the people of Qarth called the area outside their city-state’s walls. It’s an area full of death and the bones left behind by the enemies and unfortunate individuals who were barred from entering the city’s gates. The show has been very good with introducing those fans who have never read the book to the culture of the many peoples in Game of Thrones. While these many disparate cultures have differences that make them unique they also seem to have a common denominator and that’s with how they view the concept of death. This is a world where death has become the norm and almost a currency for those in power. It’s no wonder that death would be described in such interesting and flowery ways.

We see death on the battlefield as Robb Stark’s army opens up the episode with another major victory over forces of Tywin Lannister and his bannermen. While the battle itself wasn’t shown the aftermath is something we do see in very grim and detail. Bodies of the dead from both sides litter the battlefield and we get a mention about how the butcher’s bill for the battle itself was 5 Lannister men dead for every Stark men. It’s a grim reminder that the world Martin has created with his novels is one that doesn’t glorify or sugarcoat the nature of warfare, especially the medieval kind, and how it grinds away men both soldier and civilian alike. We get a sense of how even the very one king out of the five vying for control in this season has no clue as to the consequences of his actions. A nurse who is tending to the wounded and crippled of the battle’s aftermath pretty much calls bullshit on Robb Stark’s assertion that he’s the good guy in this war. A good guy the nurse calls out for not having a proper exit plan if and when Robb defeats Joffrey. Even Robb’s compassion towards his defeated enemies seem to ring hollow considering that it’s his reaction to his father’s death which has brought about all the death we see in this episode’s beginning.

It’s that exit plan that Tyrion seems to be working on whether his family wins the war or not. Once again it’s the one person everyone (well except Bronn) seems to not take seriously due to his appearance and undeserved reputation who sees clearly that if the war continues the only one who would have won would be the dead and that’s because they won’t have to deal with the post-war mess Joffrey and the other claimants to the Iron Throne (or carving out their own kingdoms from the ashes) have made with the execution of Ned Stark in season 1.

The theme of death continues to permeate even when it comes to the younger roles in the show. Across the Narrow Sea we see Daenerys and her khalasar on the brink of starvation and death until news comes from one of her outriders that the city-state of Qarth wants to meet with her. It’s a meeting that doesn’t go well for the young Targaryen queen as those in power in the city (a city of merchants) are not overly impressed by the so-called Mother of Dragons. It’s a misstep in her attempts to negotiate diplomatically that threatens to add her and her khalasar to the ever-growing Garden of Bones which encircles the walls of Qarth.

It’s from the youngest of the Stark daughters that we see the death and brutality of this war come into vivid view as Arya arrives with the rest of the prisoners into the cursed castle of Harrenhal. We see torture in full display as a prisoner is brought into questioning as Harrenhal’s current lord wants information on a band of warriors who call themselves “The Brotherhood” who continue to harry the Lannisters in the region. Arya’s journey from being the rambunctious and wild young daughter of Ned Stark in season 1 to the damaged and old-before-her-time survivor continues as she witnesses the torture of the prisoners and the utter disregard for human life some of the men of Harrenhal have towards the prisoners and villagers living nearby. It’s ironic that the very person who actually shows a semblance of compassion (though probably less compassion and more of a pragmatist who sees waste in killing of prisoners) would be the head of the house which killed her father and took her away from family and home. Yet, it’s her near-ritualistic repeating of the names of everyone who has wronged her from Joffrey and the Lannisters to Ser Amory Loch who killed Yoren in the previous episode.

Tonight’s episode doesn’t treat it’s young characters with kid gloves and with Arya we see how much she’s becoming accustomed to all the death around her and even uses it to keep herself focused on her personal quest of vengeance. For one of the youngest characters in the show she’s turning out to be the one who is learning to understand the power the concept of death has over everyone. It’ll be interesting to see if the show does the brave thing and really follows the novel in terms of Arya’s journey into what I can only call the dark side.

“Garden of Bones” wasn’t as streamlined as the previous two episodes this season, but it does set-up some major plot threads for the rest of the season. While it they all seem to be lines of story that look to not interconnect they all seem to agree on the fact that more death will be forthcoming as the season heads toward what I can only see as a bloody, fiery conclusion. Oh, plus it did have quite a major turning point in the show and another step towards making magic and the supernatural part of the show’s narrative fabric as Melisandre show’s Ser Davos Seaworth the true extent of her powers.

Notes

  • We get two new locations and clockwork cities in the show’s intro sequence: Harrenhal and Qarth.
  • Love the detail of the clockwork Harrenhal being made to look like the dead and cursed castle and land that it is with no clockwork motions given to it in the intro.
  • Another battle that is done off-screen. The Battle of Blackwater Pass better be epic.
  • Great to see Greywind actually being used as part of Robb Stark’s army.
  • We get another new character introduced that fans of the books should know very well: Lord Roose Bolton of Dreadfort
  • Joffrey takes another step into Emperor Nero-level of royal madness.
  • If anyone ever wonder just how crazy the Mad King Targaryen was then Joffrey may be giving glimpses of that very madness when it was still in it’s early stages.
  • Fans of the show may still not be enamored with Sansa Stark, but Tyrion is beginning to understand just how much a survivor she’s becoming in the dangerous world Joffrey has turned Westeros into.
  • Tyrion and Bronn continue to be one of the highlight’s of this new season with Tyrion once again having some of the best dialogue. You’d think the show’s writers were making sure Dinklage wins another Emmy for his work on this show.
  • Natalie Dormer in the role of Margaery Tyrell continues to own the role as she more than holds her own during a verbal joust with Littlefinger in the Renly war camp.
  • We hear the first mention of something called “The Brotherhood”. It will be interesting if the writers decide to make them a major part of the tv series considering it would add another half dozen or so characters to an already large cast for the season.
  • We see how much Daenerys has to go to be a political queen as she deals with the Thirteen of Qarth.
  • Some more great work from young Maisie Williams as Arya Stark in tonight’s episode. She continues to be the star of the cast of young actors on this show.
  • Stannis may be a rigid man in terms of whats right and wrong, but not when it comes to battle or war it seems.
  • Davos’ reaction to what Melisandre has planned all along in the secret mission Stannis has sent him on was classic. It had all sort of WTF written all over his face.
  • One of the most important scenes in Martin’s story was done quite well and disturbingly so.
  • Which ends the episode that was shorter by a few minutes than previous ones.

RANT BEGINS

Some major changes in tonight’s episode in regards to the books and in this season as a whole. I’ve seen many on Twitter complain about this. All I can say to these people: they had to be made and Martin has been involved in making sure they fit into the overall story he’s been telling. Either stop watching the show looking for the next book-to-tv change and bitch and moan about it when it happens or just treat the show as it’s own thing separate from the books they love so much. As a fan of the book series from the very beginning I understand the changes for tv and don’t see it as making the novels worse in the end.

What’s the point of watching something that’s suppose to entertain and bring about discussion when one already going into with a negative bias about the show. Get off the show’s jock and watch something else if you can’t get passed the changes. No point in spoiling things for those who have never read the book and must read and listen to the complaints.

RANT ENDS

Review: Game of Thrones S2E03 “What Is Dead May Never Die”


“For they are the Knights of Summer and Winter is coming.” — Catelyn Stark

Yes, they are the Knights of Summer and Winter is coming. It’s a foreboding observation made by Catelyn Stark as she visits Renly Baratheon who also happens to be one of the five kings jockeying for control of parts or all of the Kingdom of Westeros. It’s an observation that perfectly fits tonight’s episode (third of the new season) as we see characters who are either better prepared for the war coming or still just playing at war. It’s a war that doesn’t just fit North versus South or Ironborn versus Wolves, but a war that’s coming straight down from beyond the Wall to engulf everyone in the kingdom no matter one’s allegiances.

“What Is Dead May Never Die” is part of the religious ritual performed by those of House Greyjoy and those who live and die on the Iron Isles. We see Theon Greyjoy having to prove himself worthy of his father and family’s trust that he is still an Ironborn and not the throwaway son turned soft by the Wolves of the North. It doesn’t help Theon’s confidence that his own sister Yara (forever Asha in my opinion) has been put above him in both succession and power by the very father who gave him up and bent knee to the people who he grew up with. He’s a prodigal son whose return to his family is not just wanted but ridiculed. Whether his taking of the oaths to become Ironborn in the ceremony of the Drowned God will show his true allegiance or further show that his father was correct about him and how he has changed from one who “Doesn’t Sow” to someone who has turned soft through the teachings of the Wolves and the Westerosi.

Theon is definitely not ready for the true war about to descend on Westeros.

In Winterfell, we get a brief interlude with Bran confessing to Maester Luwin about his peculiar dream where he sees himself running through the Godswood but not as himself but as an animal (most likely his direwolf Summer). This part of tonight’s episode once again shows that while the show hasn’t been focusing very much on the supernatural and magic which seem to still exist in Westeros and beyond it is definitely going to be part of the main narrative being spun since season one. Bran has begun to accept that he is more than just a young boy playing as lord of his House, but someone who has been tapping into something old and clearly forgotten (or dismissed as old supersitions by many). It’s a thing of the Children of the Forest and something that doesn’t frighten Bran. Even in this interlude we see Bran as someone more prepared for the true nature of the winter coming while those he looks to for counsel remain still a knight of summer.

While we’re up north, we finally get to see Jon Snow’s fate after last week’s episode. He’s definitely not dead, but he probably wishes he was as Craster evicts all the Night’s Watch from his home after Jon’s curiosity about what happens to boys born from Craster’s incestuous pairings with his daughter-wives. The reaction he was hoping to get from his Lord Commander wasn’t what he expected. Once again Jeor Mormont gives Jon a lesson in leadership and how with it comes the responsibility of having to make some very tough decisions for the greater good. A greater good that sometimes supersedes the evil next door as long as it that evil remains a convenient ally North of the Wall. It is a lesson that could go a long way into making Jon someone truly prepared for the Winter that is coming or fail to temper his idealism and put him on the path of failure.

But the true signs of power being wielded comes from characters in the South.

At The Reach we see Renly Baratheon and his queen, Margaery Tyrell (played by Natalie Dormer), holding court at a knight’s tournament where we also see the introduction of fan favorite (of the books, at least) Brienne of Tarth. A lady knight who seem to best even the talented Knight’s Flower, Loras Tyrell, and thus earn the right to become one of Renly’s Seven Kingsguard. It is not Brienne’s ability to fight the coming conflict that we see in this part of tonight’s episode but that of two powerful women trying to guide their respective king’s through the murky and dangerous waters of power. On one hand, we have Catelyn Stark who has arrived to offer terms of alliances with Renly for her son Robb Stark. On the other side we have Margaery Tyrell whose grasp of political intrigue surpasses that of her husband king and could be more than a match for both Catelyn and Cersei over at King’s Landing.

Catelyn doesn’t seem overly impressed by Renly’s show of power or his declaration that he has under his command over a hundred thousand men ready to march toward’s King’s Landing and take the Iron Throne and/or that of Joffrey’s head. What Catelyn sees around her are the Knight’s of Summer. Young men as bold and full of idealistic fire as their king, but wholly unprepared for the true nature and horrors that war brings. It doesn’t matter whether it’s war against the Lannisters or the true war that the gathering wildlings would give everyone south of the Wall. In the end, Catelyn Stark knows that for all the pomp and shows of strength that Renly has displayed at her arrival would count for nothing if their unpreparedness gets everyone butchered. To say that this doesn’t sit well with the young king would be an understatement.

Then there’s Margaery Tyrell who knows more about her husband’s personal proclivities in the bedroom than he thought she knew. She understands that despite the men rallying to Renly’s banner his hold on power remains tenuous if he’s unable to secure a line of succession by conceiving a son with her. This would be a difficult proposition considering how much Renly prefers Margaery’s brother Loras, but showing some iron strength as a queen she’s willing to do whatever it takes to give Renly that very son to secure their hold on the Iron Throne. She’s go to such lengths that she’ll invite Loras to their bedchamber if that would make Renly perform his kingly duties more comfortably.

Catelyn Stark and Margaery Tyrell may be two women who don’t wield weapons of war on the field, but they show that they’re two individuals who know the stark realities of the current state of the kingdom and more than willing to do the necessary steps to ensure success for their respective rulers. They’re definitely not knights of summer.

Finally, we return to King’s Landing where one Tyrion Lannister has begun to flex the very power that the Hand of the King wields in the kingdom. He may be sitting in the role because his father is off fighting Robb Stark, but Tyrion fully intends to do the job without interference from those inside the castle whose allegiance is more with his sister Cersei than with him. Tyrion has shown that while he detest having to play around in the circles of power in King’s Landing he has grown to be quite adept to it. His plan to root out Cersei’s spies amongst the Small Council was the highlight of tonight’s episode. His manipulation of Maester Pycelle, Varys and Littlefinger was some of the best performances Peter Dinklage has had in the role of Tyrion. With his plans and sting Tyrion has shown not just Cersei that he was someone not to be trifled with and at the same time show that he more than knows how the Game of Thrones works and as good playing such a dangerous game as Cersei, Varys or Littlefinger. He may have made enemies with those involved, but he’s also put them on notice that he is once again not Ned Stark and he may be better at this game than them.

The episode ends not with a character exercising their power over others or failing to do so, but of one of the youngest beginning to understand that in times of war even the young must begin to set aside childish things for hardship and violence. It is fitting that we see the episode end with Arya as she loses another valued mentor to violence, but shows her capacity to play those who think they have power over her. It’s another step that fans of the book will recognize that would lead this fan favorite (of both show and book) to places and sights, seen and unseen, that would make her one of the most important characters in George R.R. Martin’s medieval fantasy saga.

Notes

  • Great performance by James Cosmo as Lord Commander Jeor Mormont in the scene with Jon Snow after Craster kicks them out of his home. We see the weight of command of the Night’s Watch etched in every line on his weather-beaten face as he Jon’s news about what Craster does with newborn baby boys doesn’t come as a surprise. This is a man who pragmatism has become his new religion as he sees their true war against those North of the Wall has superseded what idealism he might have had when he first arrived on the Wall. This dawns on Jon Snow’s face during their conversation and it’ll be interesting if Jon sees what could happen to him when he looks at Jeor Mormont.
  • A sweet moment with Sam and Gilly, one of Craster’s young daughter-wives.
  • We have a Hodor sighting! HODOR! HODOR! HODOR!
  • We get the introduction of two new faces to the growing cast this second season: Natalie Dormer as Margaery of House Tyrell and Gwendoline Christie as the very imposing Brienne of Tarth.
  • Dormer definitely makes quite a first appearance as Margaery in something that Jennifer Lopez would consider quite the daring fashion. The fact that even with such a plunging neckline it doesn’t detract from the skill and power she wields to keep her peculiar husband from misstepping when it comes to prosecuting the war against King Joffrey (most likely against his older brother Stannis as well) and cementing their hold on the Iron Throne with a clear line of succession.
  • Christie’s first appearance as Brienne of Tarth was pitch perfect. This was a role that fans of the novels were going to scrutinize from the time it was announced who would play the Brienne the Beauty to how she would look in her knight’s armor. When I say she’s quite imposing it wasn’t being colored by hyperbole. She literally towers over Loras and Renly and probably most of the men in the scene she was in. She shows the same stance towards honor and duty tha Ned Stark showed during season 1. Time will tell whether this honor and duty-bound warrior would suffer the same fate as Ned Stark before the war sees it’s end.
  • We get a Sansa Stark sighting. Sophie Turner continues to play the role of Joffrey’s hesistant queen beautifully. People may hate her for how she acted during most of season 1, but this season has shown that Sansa has learned to navigate the dangerous corridors of King’s Landing in order to keep her true feelings about Joffrey, Cersei and the Lannisters from getting her killed. Like Theon, she becomes more and more sympathetic with each appearance this season.
  • Peter Dinklage is the man. The Emmy’s should just put his name on the best supporting actor in a drama series (or maybe on best lead actor) in the next awards show. His scenes with Pycelle, Varys, Littlefinger and Cersei wasn’t just fun to watch but a marvel as well.
  • Outmaneuvering the slippery Littlefinger made for quite the verbal joust between Dinklage and Aiden Gillen. It must be such a blow to Littlefinger’s ego to have not just one Lannister show where true power lies, but now a second has manipulated him not through violence but through intrigue.
  • Interesting to note how Tyrion treats the whores he comes across with more respect and care than those in power he finds himself surrounded with.
  • Tyrion and Varys may not like each other but tonight’s episode shows that they have come to respect each other’s abilities. Quite the odd couple the two make.
  • The show continues to show more than imply the relationship between Renly and Loras. Some fans of the books may howl at this, but it made the scene which comes after Loras leaves Renly’s bedchamber that much more powerful as Margaery literally throws Renly’s relationship with her brother back at her king and doesn’t see anything wrong with it as long as he performs his kingly duty with her. Loras may be the Knight’s Flower of Highgarden but Margaery is the true steel of this House.
  • Once again Gemma Whelan continues to impress in the role of Yara Greyjoy. She continues to be one of the stronger new faces this season. Her treatment of Theon in tonight’s episode has made who had been an annoying hanger-on to Robb Stark with a wide streak of misogyny to someone brought low by his family less than gracious welcome. We’re seeing in how Gemma Whelan plays Yara why Balon Greyjoy prefers her over his only son, but at the same time she has also made Theon a sympathetic figure.
  • While Theon continues to get browbeaten by both Yara and Balon he at least gets a shot in at Balon. He reminds the old man that for all his talk of the Greyjoy’s taking what they want he’s still somewhat of a hypocrite for bending knee to Robert Baratheon after his failed rebellion a decade’s past. Not just bending knee but giving up his remaining son to live amongst the very people who defeated him.
  • His decision in the end to take the oath and not warn Robb puts Theon on a collision course with the very person he calls brother and a House he’s known longer than his own birth.
  • “What is dead may never die but rises again.”
  • This Drowned God ritual takes on a more symbolic gesture than how it appears in the novels which literally involves
  • Yoren of the Night’s Watch, just like Syrio Forel of Braavos, you went out like a BOWSE. Arya may have lost another badass mentor, but she’s now been taught by them both how to survive and tell death not today.
  • Jaqen H’ghar appears briefly and I wouldn’t be surprised if he shows up more as the season continues.
  • Gendry is going to miss that bull’s helm.
  • Last and most important observation, the men may hold the power in Westeros but there seem to be a very powerful woman standing behind each and every throne and seat of power: Catelyn Stark with Robb, Melisandre with Stannis, Margaery with Renly and Cersei with Joffrey.

Review: Game of Thrones S2E01 “The North Remembers”


“The night is dark and full of terrors old man, but the fire burns them all away.” — Melisandre

George R.R. Martin’s medieval fantasy epic novel series, A Song of Ice and Fire, made a triumphant debut on HBO with Game of Thrones in the Spring of 2010. The show was headed to be a big success due to the huge fan-base that have read and re-read the novels, but the show was able to attract those who wouldn’t know George R.R. Martin or his books. This was the show that further cemented the notion that genre has become the ruling king of quality tv.

A new season of Game of Thrones now arrives with the premiere episode titled “The North Remembers” and while it shows Robb Stark (now proclaimed King of the North by his bannerman and liegelords) flush with success against the forces of House Lannisters and thus King Joffrey at King’s Landing the episode also weaves in an ominous tone that looks to dominate this second season. It’s a season based mostly on the second novel in the series titled A Clash of Kings and tonight’s episode has set-up not just King Robb Stark of the North against King Joffrey Baratheon at King’s Landing, but the old king’s two surviving brothers (elder brother Stannis Baratheon at the Isle of Dragonstone and younger brother Renly Baratheon at Storm’s End) as these four kings begin their path into a clash for the Iron Throne.

One thing to be said about tonight’s episode is just how much happens throughout it’s running time. We see how life since the execution of Ned Stark has changed the kingdom of Westeros for the worst as refugees fleeing the war between Lannister and Stark has made things near-untenable in King’s Landing. While the peasants and commoners of the kingdom suffer we’re quickly re-introduced to the author of the war in King Joffrey (played with an almost psychotic glee by Jack Gleeson) who hold’s knightly games to commemorate his naming day and plays at being a conquering monarch by redecorating the throne room. Trying to manage this petulant boy king is both his manipulative mother, Cersei Lannister, and his dwarf uncle Tyrion Lannister who also has been appointed the latest Hand of the King to help advise.

While we see the North with Robb sending peace offerings and terms to the Lannisters in the hope of getting his sisters (Sansa and Arya) back we also see him in a nice scene confronting Jaime Lannister still his prisoner and still trying to gain an upper-hand on the young king. It’s a huge difference winning battles can do to a young man’s confidence as Jaime’s veiled insults about his age only amuses Robb. It helps that his direwolf looks to have grown double in size since we last saw Greywind. The episode went a long way to showing Robb not just becoming King of the North in name, but also in manner and deeds.

Tonight’s episode might have been called “The North Remembers” but it’s the arrival of Melisandre of Asshai (Carice van Houten), the priestess of R’hllor (Lord of the Light) and her sway over Stannis Baratheon that adds a sense of the magical to what had been a series steeped heavily in medieval realism. It’s the addition of Melisandre and her seeming real gift for magic plus a glimpse of Daenerys’ dragons that offers glimpses to a world of magic and shadows behind the reality of war and the suffering it puts a kingdom’s people through.

As one could see this is quite a lot for one episode to juggle, but series director Alan Taylor has done a great job of keeping things from becoming too confusing to follow. Even the dark turn into infanticide and bloody purge in the end of the episode was a consequence born out of one of the king’s advisors in Petyr Belish (aka Littlefinger) who thought himself witty and clever by telling the Queen Regent Cersei that he knew exactly what had gone on between her and Jaime and the true parentage of King Joffrey. Taylor kept the episode from being bogged down in one area but at the same time still gives each character in the episode some character growth. Everyone looks to have aged and grown since last season and some for the better (Tyrion enjoying the fruits of being Hand of the King but also reveling in the fact that of all his father’s children it is he who is now trusted and not the disappointment) while others for the worst (Joffrey continuing his path towards Caligula-level mania).

One thing tonight’s busy episode has done is re-introduce the show’s audience to the world of the Seven Kingdoms and it’s many interesting characters and stories that came out of season one. It’s a world that continues to be a complex web of intrigue, moral greyness and ambiguity. While we see certain character on the extreme spectrum of right and wrong (Stannis and Joffrey respectively) we’re truly shown by tonight’s season premiere that everyone has their own agenda. Even characters we might have been led to believe as good show signs of cruelty while those we’re to see as amoral show signs of benevolence.

“The North Remembers” was a great start to what looks to be a season that will blow the first season out of the water (I don’t just mean because of the epic Battle of Blackwater that would highlight the season), but it also showed that despite being a show that had a legion’s worth of characters and subplots it still remained must-see and captivating to watch. Let the clash of kings commence.

Notes

  • It was great to see the opening title sequence once more and this time with the addition of Dragonstone to the stable of clockwork strongholds that has become famous.
  • We see Sansa Stark still pretty much a hostage of King Joffrey and trying to keep her head by parroting what he wants to hear. She did redeem herself somewhat by keeping a drunkard looking to become a knight from being drowned to death in wine and instead becoming Joffrey’s latest court fool.
  • Tyrion’s entrance in the same scene may not have had him slapping Joffrey (a meme that grew out of a slapping scene early in season 1), but his veiled insults at Joffrey’s ability to rule as king shows us why Peter Dinklage was deserving of winning that Emmy for his role as Tyrion Lannister.
  • The scene with Tyrion visiting his mistress Shae in the manor he had set her up in King’s Landing was brief but showed just how much Tyrion seemed happiest when close to her. Though it still doesn’t stop him from keeping her secret from everyone especially his father.
  • Once again I like to point out just how huge the direwolf looked as it growled menacingly at Jaime Lannister while Robb Stark held onto it. It’s almost as if Robb had to keep Greywind from lunging forward to rip the Kingslayer’s throat out. Maybe Greywind thinks Jaime was partly responsible for the death of Sansa’s direwolf Lady in the first season.
  • Speaking of direwolves…we get more clues that the Stark boys may be closer to their direwolves more than we thought as Bran Stark back in Winterfell dreams of roaming the forest near the God’s Wood and seeing it all through the eyes of his direwolf Summer.
  • HODOR! HODOR! HODOR!
  • Great sequence between Littlefinger and Cersei in the castle courtyard. Littlefinger may think of himself as the smartest and cleverest man in King’s Landing, but he still finds himself outmaneuvered, manipulated and laid low by Cersei. Those who doubted that Lena Headey would make for a great Cersei shouldn’t be having any more doubts about that casting choice with tonight’s episode.
  • We get a hint at the future introduction of what could be another self-proclaimed king in what looks to be quite a busy batch already with Theon Greyjoy asking to be sent back to the Iron Isle to speak with his father, Balon Greyjoy, on behalf of Robb who will need those hundred of Greyjoy ships to take on King’s Landing.
  • Was surprised to see Robert Pugh as Craster. I thought he looked like Shipmaster Mr. Allen from Master and Commander.
  • Also great to see Liam Cunningham as Ser Davos the Onion Knight who looks to be the clear-headed counsel to Stannis Baratheon.
  • Was disappointed there was very little of one of the show’s more interesting players in Varys the Spider, but it looks like he gets to have a juicy little scene in next week’s episode, “The Night Lands”.

Review: Game of Thrones Ep. 05 “The Wolf and The Lion”


For those bemoaning the fact that the last couple episodes of Game of Thrones had been lacking in the action department and had veered into exposition territory should be sated by the events of the fifth episode simply titled, “The Wolf and The Lion”. This episode still retains much of the excellent writing and storytelling done by showrunner David Benioff and D.B. Weiss, but it also brings to the forefront the violent conflict that will soon engulf the Seven Kingdoms of Westeros.

George R.R. Martin’s books of which this show’s based on never lacked for brutality and medieval violence on a scale not seen often in fantasy. “The Wolf and The Lion” finally brings to this series the two lead houses which becomes the spark for the show’s upcoming conflict. The episode adds more intrigue to the proceedings even as it begins a hard boil into the climactic end that should make the second half of this series to finally and fully hooked it’s viewers.

We see Lady Catelyn and her entourage on the road as they travel to her sister’s realm at the Vale to conduct a trial of Tyrion Lannister who she has accused of conspiring to assassinate her young son Bran. It’s while on the road we see a hint at how violent this show can get as brigands from the hill tribes on the road to the Eyrie in the Vale ambushes her group. Blood flows and even Tyrion gets a chance to prove his martial prowess in defense of the very woman who has accused and planning to pass judgment on him. I must say that his scene with the kite shield and the head of a hill tribesman probably brought more than a golf-clap and courtesy cheer from fans of Peter Dinklage.

This episode also continues the show’s growing habit of inserting more backstory to supporting characters like Theon Greyjoy who we see visiting his favorite redhead Ros outside of Winterfell. This scene may seem out of left field for those who have never read the book, but for those who have it’s a nice touch seeing the seed of doubt enter Theon’s mind about his relationship with House Stark and his role as a noble son of House Greyjoy of the Iron Islands. Though I must say I think I became temporarily blinded when the camera failed to pan up and audiences were shown Greyjoy junk flapping in the breeze.

The rest of the episode really centers on the Wolf, the Lion and the Stag. The wolf would be Ned Stark who continues his investigation on the true reason why the former King’s Hand was killed. Each question answered brings up new ones and we begin to see Ned finally begin to notice that he is definitely out of his element. Intrigues, schemes and shadow-games surround him and for a man used to fighting enemies he knows and sees this revelation really knocks him back. The final nail in his growing fear that he made a mistake coming south is brought to bear by his friend and king.

A council meeting conducted by Robert himself brings the question of what to do with the newly pregnant Daenarys Targaryen. While Daenarys doesn’t appear in this episode her presence still looms large over the episode’s many subplots and threads. She’s deemed a danger to the Seven Kingdoms and Robert is willing to do the unthinkable (in the mind of Ned, at least) to make sure Daenarys never crosses the Narrow Sea with an army of 40,000 Dothraki horsemen and the might Khal Drogo to take back the Iron Throne. It’s this decision by Robert and his council to expedite Daenarys with extreme prejudice that finally convinces Ned that it’s time to go back North where the real danger to the Seven Kingdoms lie waiting for winter to arrive.

I won’t spoil the rest of the episode. Especially the last five minutes which really amps the action for this series. For fans of the books this sequence should be a delight. The show has been readily accepted by the book’s fans despite some changes in how certain characters have been introduced and allowed to grow. While these very fans understand the nature of adapting a novel of over 800 pages into a 10-episode series of an hour per they still worry that too much cutting and trimming will occur to fit the first novel into this season. I’m happy to say that the series and the book have met pretty much in the same place in terms of storytelling and further trepidations about how the showrunners ar ehandling the adaptation should really go away by now. If one is a fan of the book and has stayed with this series up to it’s halfway mark then complaining about changes and tweaks to characters and storylines is just nitpicking. For those who are new to the work of George R.R. Martin then this episode should whet their appetites even more for more action, intrigue and, of course, sex as the show moves inexoribly towards a boiling point and the explosion of war and violence when it finally occurs.

It will be interesting to see the second half of the first season of Game of Thrones play out as we finally begin to see battle lines being drawn. House Stark and it’s allies on one side and House Lannister and the lesser houses and bannerman loyal to them in the other. Then there’s the King Robert himself stuck in the middle trying to keep the Seven Kingdoms from imploding as the threat of a Targaryen with an army of Dothraki horsemen looms dangerously on Westeros across the Narrow Sea. This episode didn’t even mention anything about the problems at The Wall and what lies beyond it to the north. Not once did this episode mention anything about “winter is coming” yet that unspoken warning also looms like a shadow over everyone.

It’s going to be a very long wait til the next episode and, for those who have HBOGO, the next two episodes. Up next week will see the return of Daenarys and her idiot brother Viserys in the sixth episode titled, “A Golden Crown”.

Review: Game of Thrones Ep. 04 “Cripples, Bastards and Broken Things”


We’ve now come to the fourth episode of HBO’s very ambitious and expensive medieval fantasy series based on author George R.R. Martin’s “A Song of Ice and Fire” saga of which the first  book make’s up the first season. The first three episodes have done a great job at not just setting up the rules which govern this fantasy world of Martin’s but has deftly handled the many characters both main and supporting. It’s always been one of the many trepidations by fans of the books that the show may dumb down and simplify all these personalities both big and small for the tv screen. Luckily, for both fans and non-fans of the book the writers of the show have kept much of these characters intact.

“Cripples, Bastards and Broken Things” is quite an apt title for this latest episode as it deals with exactly just that. The show explores those three subjects. We begin with both cripple and bastard finding a common ground as Tyrion (Peter Dinklage in what could only be an Emmy-winning performance as the Lannister Imp) shows compassion instead of pity to the crippled Bran Stark despite his very own suspicion as to the cause of Bran’s fall. It’s also in these scene where we see the appearance of fan favorite Hodor (Kristian Nairn). Hodor’s introduction is one of several instances which has allayed my concerns that such minor characters would be trimmed from the book as it makes its way onto the show. While I’m sure the show will not introduce every name from the book at least they’ve taken a deep understanding as to which of the supporting cast in the book must remain even if they are quite minor.

The rest of this episode really deals with the “Broke Things” of the title. We see just how broken the situation has become not just in Castle Black with the Night’s Watch but all across the Seven Realms of Westeros. The king’s insistence in holding a tourney for his newest Hand has led to more debt as more people flood into King’s Landing to witness this event. We see the broken relationships between family members in the houses of Stark, Lannister and Targaryen. It’s these cracks which has led to corruption and intrigue which could only lead to tragedy for the current holder of the Iron Throne and for all of the Westeros.

Even some of the characters themselves show signs of being broken things with the most visible being Jaime Lannister (Nikolaj Coster-Waldau) whose cocky and self-absorbed personality shows hints of humanity. He sees what his king has been doing to hurt not just the kingdom he serves but to his sister Cersei whom he loves. There’s a brief hint in his expression as he stands guard outside Robert’s bedroom as whores attend his brother-in-law knowing he cannot do anything to fix it without living up once more to his infamous moniker of Kingslayer.

This episode introduces several new characters that should have some impact in the coming weeks as the show leads to it’s climactic season finale. One character which should please fans and make non-fans of the book lean with interest is the “Mountain”. Gregor Clegane is aptly named and comes in as Sandor “The Hound” Clegane’s (Joffrey Bieber’s personal guard with the half0burned face) older and much more brutal brother. We don’t hear him speak, but his entrance and what he does during the jousting tournament looms large in that sequence. It helps that Petyr Baelish (Aidan Gillen great in the role) gives Sansa a brief tale concerning the “Mountain” and the “Hound” which adds some mystery to the two siblings which the writers will hopefully explore further as the series moves along this season and the next.

The other new character that gets some major time in this episode was one of the stronger ones in terms of portrayal. Samwell Tarly (John Bradley-West sticking the role almost perfectly) is the latest recruit to don the black of the Night’s Watch and he’s as far from the ideal candidate for the black as any this show has shown. He’s fat, cowardly and almost effeminate in his behavior, but the character comes in as a broken thing. He’s forced to join the only thing he knows would accept him despite his shortcomings and the only haven from the suffering he has endured from his own family. At first it seems like pity that forces Jon Snow to take Sam under his wing for protection, but as he learns more of Sam’s background from Sam himself the more he sees similarities between the two of them. Only the turn of the fate having put Jon in the compassionate care of Eddard Stark has made him into the young man he is and becoming. It’s this growing rapport between Jon and Sam which really governs the Night’s Watch part of Game of Thrones.

But the show is not all about cripples, bastards and broken things. We see the beginning of the inner fires in both Daenerys Targaryen and Catelyn Stark in this episode. With the former we see how much she continues to grown into the role of Khaleesi of the Dothraki Horde. The confrontation between her and her older brother Viserys should begin to allay fears fans have had about how the writers have been handling the Daenerys character. Yes, the first three episodes haven’t really shown Daenerys being strong and kickass, but even in the book she wasn’t written to be such a character right from the onset. In both book and show her growing confidence still takes time. It just happens that the show just made her quite pliable and weak to start off with. I think that by the time this season ends Daenerys will grow into the confident character fans have been waiting to see.

With Catelyn Stark the situation has been a bit more complex as her character has been given several more layers of complexities with her book counterpart didn’t have. In the book she’s almost Ned Stark’s equal in almost everything, but lost in that was an emotional core which the show has given her. It’s this emotional layer which has added a loving motherly aspect to the character. It sometimes came off as helplessness in the previous episodes, but what mother wouldn’t feel so frozen with worry and inaction for the tragedy to have struck one of her sons. The fire that fans have been waiting for begins to fan as Catelyn sees herself confronting one of the very Lannister’s who she believes had a hand in the assassination attempt on her crippled son, Bran. Her reciting the many different bannermen who are loyal to her house and to her husband’s house was very inspiring and just a hint of what will come next as a storm of swords and a clash of kings loom over the horizon of Westeros.

Overall, “Cripples, Bastards and Broken Things” continues a streak of excellent episodes in the premiere season for Game of Thrones. We see more intrigue and machiavellian machinations than action, but it’s entertaining and thrilling nonetheless. This show has shown that fantasy, especially on TV, doesn’t have to be always about battles and bloodshed (though the spearing of the knight at the joust was done bloody well enough). It’s the political maneuverings and intrigues which will ultimately drive this show towards the very battles and bloodshed fans of these type of shows end up craving for.

Next week’s episode will be “The Wolf and The Lion”.


PS: It was great to see Jon Snow’s direwolf finally appear in its grown form. We’ve already it as an albino pop, but not grown like we’ve already seen with Summer, Nymeria and Lady. Ghost will soon become a favorite with the show’s fans the more he appears. The only one’s we haven’t seen are Robb Stark’s Grey Wind and Rickon Stark’s Shaggydog.