Game of Thrones Season 4 “Foreshadowing”


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April 6, 2014 is when we return to the Seven Kingdoms of Westeros. We will see a continuation of the war and the storm of swords which troubles the lands. The Red Wedding will pose consequences for those who participated and across the Narrow Sea the Mother of Dragons begins her conquest and plans her inevitable return to reclaim the Iron Throne that is her birthright.

Here is a 14-minute sneak peek that foreshadows the events foretold for the upcoming season where Winter is still coming.

Trailer: Game of Thrones – Season 3 (2nd Trailer)


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It’s less than two weeks before we get to the premiere of HBO’s third season of Game of Thrones.

This latest trailer marketing the premium cable channel’s latest epic hit series brings everyone back who survived Season 2 and introduces a couple more people (Mance Rayder being one of them). We also get to see just how much the baby dragons of Daenerys Stormborn’s have gotten not to mention the army she has acquired since the end of Season 2 (I’m guessing these are the Unsullied).

This third season looks to lean heavily on the third novel in the series, A Storm of Swords, and for those who have read that massive tome will await this third season with both anticipation and trepidation. One thing the show has taught viewers has been to not get so fixated on characters. George R.R. Martin is more than willing to kill off beloved character and it looks like showrunners of the show have learned to do the same.

Game of Thrones Season 3 is set to premiere on March 31, 2013.

Review: Game of Thrones S2E10 “Valar Morghulis”


“We are the watchers on the Wall.” — Qhorin Halfhand

[spoilers within]

With last week’s explosive ninth episode, “Blackwater”, it was going to take much to make tonight’s season finale to really stand out. Just like the first season’s finale we get an episode that deals with the aftermath of the previous episode and also goes a long way into setting up events for the upcoming third season.

“Valar Morghulis” is the title of tonight’s episode and it’s spoken by Jaqen H’ghar to Arya as the two part ways. It’s a saying in Essos from ancient High Valyrian (a Roman Epire-like civilization which perished centuries before the series’ timeline) that translated means “All men must die”. Jaqen sees potential in Arya in becoming like him, a Faceless Man, assassins who follow the teaching of the so-called Many-Faced Gods. While Arya seems intrigued by the offer her need to re-connect with her family takes precedence over everything else. As the two part ways Jaqen imparts to Arya a coin that should she ever need passage to Braavos to start her journey into becoming a Faceless Man. In another instance that this series still has magic in it’s DNA we finally see why Jaqen is a Faceless Man as he walks away from Arya and her group wearing a new face.

Tonight’s episode lays the foundation that next season magic and sorcery may become more common place than the first two season of the series. We see Daenerys finally make her way into the House of the Undying to retrieve her dragonlings from the warlocks of Qarth. It’s a sequence that’s akin to spirit journey for the Targaryen Queen-to-be and Mother of Dragons as she walks the darkened halls and corridors of the House of Undying until an egress suddenly takes her North of the Wall to find a Dothraki tent where she discovers the two most precious things she has lost since coming to Essos. In what I could only see as a surprise that was kept by showrunners Benioff and Weiss from the press and bloggers (a feat nowadays) Daenerys sees her husband Khal Drogo and who could only be their son both alive and waiting for her.

Her reaction to this event was both poignant and tragic in that she finally has a chance to be with those she loves most but must give up the quest to retake Westeros with her dragons. Her decision to leave the tent and leave behind those she loves comes as her character finally realizing that sentimentality and the needs of her heart must take a back seat and wait. Daenerys comes out the other side a more confident ruler and one whose magic really is stronger than those warlocks who scheme to keep her and her dragons captive for themselves. It really sets up the Daenerys character on a much stronger footing for next season just like last season’s finale did. For all the moping around Daenerys did for most of season 2 the pay off in the end goes a long way into forgiving the show’s writers in their inability to write her character’s motivations consistently. Most likely the naive young girl being used by others for their own agendas and ends would be seen less and less next season while the Mother of Dragons reasserts her authority.

The same can’t be said for one of the five kings vying for control of Westeros. For those who have read the third novel the scenes with King Robb Stark were full of sentimentality but lacking in the cold-hearted logic that rulers must use in order to play the game of thrones successfully. Even his mother, Catelyn Stark, sees danger in Robb’s actions with the Volanti healer Talisa Maegyr. Catelyn knows well enough that Robb could destroy everything he has won and worked for since war begun because he has thought with his heart and not with his head. In what could almost be seen as more doom coming for the House of Stark, Robb cements his relationship with Talisa in secret even though we’ve come to learn through two season of this show that nothing ever remains secret for long.

Back in King’s Landing we see the balance of power shift once more as Tywin Lannister’s opportune arrival to take victory from the jaws of defeat at the end of last week’s episode sees him back as Hand of the King to Joffrey. Tyrion has lost all the advantages he had worked and gamed for all season as even Bronn has been removed as Commander of the Goldcloaks. We’ve not seen Tyrion laid so low as we have in this episode and the horrible scarring of his face looks to go deeper as he finally realizes that as much as he would enjoy running away with Shae and leave the politicla intrigues and backstabbing of the kingdom it’s something that he would miss terribly because it’s the one thing he’s best at. With Tywin now in charge of the kingdom and Petyr Baelish having earned himself the king’s good graces for manufacturing the alliance between the two most powerful houses in the kingdom with the Lannisters (Baratheon by name only) and the Tyrell’s of Highgarden. It’s going to be interesting to see how Tyrion readjusts to the new power dynamics in King’s Landing for season 3. If there’s one thing we’ve come to learn about Tyrion over two season’s worth of episodes it’s that he’s a survivor first and foremost.

Lastly, we come to Jon Snow and his dilemma North of the Wall. A captive of the wildlings and seen as someone very important for the still unseen Mance Rayder the so-called King-beyond-the-Wall, Jon must do the only logical thing (something Qhorin halfhand agrees as the only thing that could save Jon and maybe give him time to warn the Wall) and earn the trust of Ygritte, Rattleshirt and the rest of the wildlings even if it means killing one of his own to do so. In what would be one of several sweeping scenes that show the epic nature of this series lest we forget Ygritte shows Jon over the lip of a glacier the army of wildlings Mance Rayder has gathered.

Yet, it’s not that army that gives tonight’s episode that cliffhanger send-off that last season’s finale did with Daenerys coming out of the funeral pyre with her three dragonlings perched on her unharmed body. No, tonight’s episode gets a cliffhanger that is more ominous and reinforces the House Stark motto of “Winter Is Coming”. We see poor Samwell Tarly (having been abandoned by the two other Night’s Watch Brothers once they heard the three horn blasts in the distance) scared out of his wits as he realizes that the three horn blasts that hasn’t been heard for thousands of years could only mean one thing: the White Walkers are on the march towards the Wall. In a final acknowledgement that as realistically the show has tried to portray the series in terms of warfare and political intrigue there’s no getting away from the fact that magic is still alive in this world born out of George R.R. Martin’s fevered mind as a massive army of undead slouches south towards the Wall and the kingdoms beyond it.

This scene just ups the ante on what we could only imagine what would be season three of the show. Across the Narrow Sea we have Daenerys Stormborn gradually detaching sentimentality from how she operates and this could only mean more bad news for the warring kingdoms of Westeros. The power struggles against King Joffrey looks to be going the mad king’s way as Lannisters and Tyrells ally together to retake the rest of the rebelling kingdoms. Now we have two armies, one living and preparing to go south towards the Wall (most likely to get away from the gathering White Walker horde) and the other undead and also heading towards the only bastion (one that is ridiculously undermanned) protecting the southern kingdoms from a gathering darkness.

If there was a complaint about this season’s storytelling it was that so much of the novel this season was based on was condensed to make it fit in a ten-episode season. Despite lulls in character development with Jon Snow and Daenerys we get major pay-offs for these two with tonight’s season finale. It’s good news that showrunner Benioff and Weiss has decided to split book three, A Storm of Swords, into two with the first half comprising season three with the latter half set aside for season four. Even with missteps along the way tonight’s season finale goes a long way into proving that HBO’s Game of Thrones is currently the best genre show on tv and one of the best tv shows airing now.

Now we have ten months of waiting to see how Westeros and Essos will deal with the events that ended season two. One thing for sure is that we’ll see more people die before all questions get answered if ever.

Review: Game of Thrones S2E09 “Blackwater”


“And who are you, the proud lord said,
that I must bow so low?
Only a cat of a different coat,
that’s all the truth I know.
In a coat of gold or a coat of red,
a lion still has claws,
And mine are long and sharp, my lord,
as long and sharp as yours.
And so he spoke, and so he spoke,
that lord of Castamere,
But now the rains weep o’er his hall,
with no one there to hear.
Yes now the rains weep o’er his hall,
and not a soul to hear.” — The Rains of Castamere

If there’s been a complaint (actually more of a nitpick) from fans of the show in regards to Game of Thrones’ second season it would be that a majority of the episodes this season looked to be cutting corners in terms of budget. The show’s first season was already the most expensive  TV series ever and this season things just got more expensive. There was one thing that seemed to have forced the producers of the show into scaling things back for many of the episodes (this season was really about shooting many scenes indoors whether it was inside a castle or tent) and that one thing was tonight’s ninth and penultimate episode of season two: “Blackwater”.

Tonight’s episode is the culmination of everything which has come before it during this season. Sure, we had some machinations that involved Daenerys across the Narrow Sea at Qarth and Jon Snow north of the Wall. Outside of those two subplots which has yet to fully play out this season (most likely extending into season 3), every storyline this second season was about moving the necessary pieces and characters that would affect the outcome of the battle that was going to take place on Blackwater Bay outside King’s Landing. This was a battle that’s been eagerly anticipated by fans of the books. It’s a gamechanger in the novels and after tonight’s episode played out it looks like it also changes the ever shifting dynamics of the tv show.

First things first, all the money being saved by cutting back on outdoor filming during this season looked like it went all in with this episode. Showrunners David Benioff and D.B. Weiss know that they had a great chance of alienating the fans of the books and, most likely, even those of just the show if the most pivotal storyline this season was to be turned into a battle told off-screen and after the fact. No, this battle had to be filmed and done so that it didn’t look cheap. Even writer George R.R. Martin who gave birth to this epic medieval fantasy saga came in to pen tonight’s teleplay in order. The show even decided to go with an outsider to direct tonight’s episode and did they ever hit it out of the park with their choice of veteran genre filmmaker Neil Marshall (Dog Soldiers, Descent, Doomsday, Centurion).

“Blackwater” did something this series has never done and that’s focus the entirety of it’s running time to telling the story of just the one location and tonight it was to be King’s Landing and Blackwater Bay. Every episode in this series has jumped from location to location that viewers have had to learn how to expertly track each storyline just to make sense of the show’s overall narrative. Yet, tonight Martin, the showrunners and, most likely, Marshall himself, knew that jumping the episode from location to location wouldn’t be the smartest of ideas. Tonight had to be about this battle and how it furthers the character growth of many characters in the show.

I was surprised at how well the episode depicted the Battle of Blackwater Bay. We can definitely see Martin’s hand in the writing of tonight’s episode as things gradually built-up from the very moment the intro sequence ended and we come to see the invasion fleet Stannis has brought to King’s Landing just moment’s away from seeing the walls of the city. Even this late in the stage of the siege preparations we get to see how terrified everyone seems to be about the coming siege and battle. Everyone seem to be dealing with the prospect of battle in their own unique way. Tyrion spends it with Shae in his quarters with the notion that this time with Shae might be the last he’ll ever have adding a sense of poignancy to their scene.

Tyrion’s partner-in-crime and lord of the Goldcloaks spends it with some of his men at one of the local taverns with many tankards of good brown ale and the warm companionship of the city’s many prostitutes. Bronn may be acting cavalier about the coming battle, but his behavior and those of his men in the tavern doesn’t seem farfetched as we’ve learned through first-hand accounts of soldiers on the eve of battle trying to make the most of what could be their final hours on Earth. Bronn’s behavior is a stark contrast to that of Sandor “The Hound” Clegane who shows up in the very tavern but not with thoughts of a final night’s of debauchery and merrymaking but instead spending time drinking brown ale in silence and a mood that’s telling in how The Hound sees the prospect of victory in the coming battle. Bronn may think the battle is hopeless but he knows well enough not to waste what time he has left brooding and acting like a Debbie-downer like the bigger Hound.

Even Cersei and Sansa get a chance to show how the battle brings out the best and worst in people. The former’s caustic tongue and even more bitter personality comes to the forefront as she drops any sense of pretense of being the courtly Queen’s Regent. She knows exactly that the battle will not be about glory and honor. The battle will be about bloodshed, destruction and, if the defenders lose, the raping and killing of all the women behind the wall’s of King’s Landing. Cersei is prepared to do what is necessary to keep herself, her children and the women from being raped and murdered, but in doing so loses what semblance of loyalty her handmaidens and courtly allies may have had for her. Sansa, on the other hand, still tries to put up a brave front. Maybe it’s a genuine reaction or one she knows she must put up if just to keep the ladies in the Red Keep where she and Cersei have stashed themselves from running in panic.

As a student of military tactics and history tonight’s episode wasn’t cringe-inducing once the battle itself began. Martin does a great job in condensing the tactics and maneuvers he had written in detail in the novel, but could be confusing to the uninitiated. The episode wasn’t too simplified to the point it hand-held the audience through every step and move both sides made. We knew that Tyrion had a surprise waiting for Stannis’ invasion fleet and that it involved the use of the alchemical concoction “wildfire” (the show’s version of that near-legendary weapon that the Eastern Roman Empire used to defend Constantinople for centuries called “Greek Fire”), but we still had no idea just how the surprise would turn out. Even when the single boat silently approached the vanguard fleet led by Ser Davos we still didn’t know how the wildfire would be used. To say that the surprise Tyrion had for the invasion fleet was jaw-dropping would be an understatement. It was a scene that brought to life how the historical battles like the Battle of Red Cliffs, Siege of Antwerp, the Gravelines, the Battle of the Downs, the Battle of Solebay and the Battle of La Hougue must’ve looked like.

Even the amphibious landing that Stannis’ infantry made to start the siege of King’s Landings’ walls was both accurate in how such a military maneuver was done, but also shot in a way by Neil Marshall to be exciting and chaotic. This battle was chaotic but not in the shaky-cam variety but in how battles was always about the killing and dying of men on the ground who were just feet from each other. It was a bloody execution of the episode’s order of battle that really earns this show that label of epic that fans like to throw at it. Again I must hand it to Martin as episode’s writer for making things accessible to those who have never read the book, but also keep enough of what made this battle exciting to those who have been fans of the novels.

All of this would still have come for naught if the person directing the episode dropped the ball, so to speak. “Blackwater” needed a director who could handle massive action scenes both from a bird’s eye view and from that of the grunt on the ground. Neil Marshall is a filmmaker who has always been great at maximizing the small budget he works with to create thrilling genre films. As the first outsider hired by the show’s producers Marshall was already behind the eightball in that he’s not knowledgeable of the what the show is about. Yet, one couldn’t tell with tonight’s episode. If HBO ever decided to continue this series for many more seasons I hope that they and Benioff and Weiss just hire Marshall to become the default director when it comes to episodes that require that epic hand at the till. Even with the quieter scenes with Cersei and her youngest Tommen as they sat on the Iron Throne waiting for the bad news that she truly thought would come was handled with a filmmaker’s deft touch that most tv directors are rarely able to pull off.

“Blackwater” may be the second to the last episode of this show’s second season, but just like the first season’s penultimate episode with the execution of Ned Stark, fans and audiences of the show have been treated to what could be accurately called the season’s climax. It’s not a bad way to end a season, but as we found out with last season the final episode will have it’s own surprises but also end the season with new avenues of storytelling that would make waiting for the start of season three to arrive be an exercise in agonized waiting. Season one’s second to the last episode might’ve been more traumatic but tonight’s “Blackwater” may have just been it’s best.

A job well done by Martin and Marshall.

Review: Game of Thrones S2E08 “The Prince of Winterfell”


“One game at a time my good friend.” — Tyrion Lannister

The second season of HBO’s Game of Thrones has been quite similar to the first season in that for every great episode we get one not so great, but still one that’s needed to help further the season’s narrative to it’s conclusion. This season it’s the effect that the War of the Five Kings has had one everyone from those vying for the Iron Throne to the lowly peasant who must endure the war that has engulfed Westeros. Even the lands of Essos across the Narrow Sea has felt the ripple effect of this war as we see Daenerys Targaryen struggle in her attempts to gain allies in a land content to see the kingdoms of Westeros fight each other into disunity.

Tonight’s eight episode of the season, “The Prince of Winterfell”, was not a great episode but it was crucial in further fleshing out some of the main characters who continues to have an effect on the war. The title itself as meaning one of the Stark sons, but in this episode this label could mean so many characters.

It could mean Theon Greyjoy who has made himself the new Lord of Winterfell as he and his score of Ironborn have forcibly taken the capital of the North a couple episodes back. We’ve seen him play the role of lord, or more like play-act the role, since taking Winterfell, but his decisions since then has made him even more petty than we’ve ever seen him through all of season 1. His behavior is a constant reminder that while he spent most of his life amongst the Starks — as part of his father’s punishment for rebelling against Robert Baratheon — he never picked up the concept of honor fom Ned Stark or through the actions of Ned’s boys. He’s like a spoiled young boy trying to please everyone and show them that he’s worthy of praise when what he’s done just makes him look more and more pathetic to those he’s trying to impress.

The scene between Theon and his sister Yara was quite illuminating in how the former went against his father’s orders and his people’s method of warfare because he envies the sort of respect and influence his sister has over the Ironborn men. Influence that goes against everything Theon thinks how a woman should be and that’s naked and subservient to him, or at least to men. Yara doesn’t resent her brother and actually cares for him in her own fashion. She even understands why he does what he does and how their shared experiences with their father, Balon Greyjoy, binds them closer than Theon would like to think.

Theon has been given chances and opportunities to think things more logically and with a keen mind, but he has squandered all these chances (one even coming from the sister he thinks doesn’t respect him) and just continues to dig the proverbial grave he might just find himself in. He may be the Lord and Prince of Winterfell now, but only he seems to believe that to be true.

On the other hand, we have Robb Stark down south, King of the North by his bannermen’s acclaim, but still just a Prince of Winterfell who would like nothing but to return to his birthplace and take up the duties now given onto him by the death of his father. He would rather return to guarding the North and supporting the Night’s Watch aat the Wall than continue to fight a war that he has lost much desire to fight. But he knows he must continue his campaign against King Joffrey and the Lannisters. Too much blood has been spilt by men under his banner and the honor and duty he learned from his father means he must set aside sentimental things (like running back North to retake Winterfell and free his younger brothers). The fact that he understands the damage Catelyn’s actions in regards to the Kingslayer and his orders to have her guarded like a prisoner means he has learned to set aside familial feelings for the greater good.

Robb Stark has learned much to be like his father and while much of it has been to his advantage in prosecuting the war and keeping his alliance of bannermen together he has also picked up his father’s flaw of allowing his heart to dictate an action that may just jeopardize everything he has gained since the war began. Even knowing that he’s arranged to marry one of the Frey daughters as price to move his army down south his feelings for Talisa (the camp chirurgeon and a lady of Volantis herself) finally overrides his reason and duty. For those who have read the book this scene was both touching and maddening. For those who have never read the book this scene will still be touching in that Robb followed his heart, but also maddening in that he puts in danger the alliances with the important House of Frey to satisfy his heart.

The rest of “The Prince of Winterfell” was more about moving the pieces on the board closer to that inevitable clash between the armies of Joffrey at King’s Landing and Stannis Baratheon with his fleet bearing down on the capital. All these build-up scenes added to subplots that has grown since the beginning of the season. If there was one sequence that seemed very out of place and felt like just spinning wheels in place it would be with Daenerys at Qarth as she once again agonizes about her kidnapped “babies” and how she must get them back. Now that she knows that the warocks of Qarth have the dragonlings sequestered in the Tower of the Undying one would think she would have tried to get them back, but instead we get more scenes of her and Jorah debating on the need to have the dragon’s back. While this part of the season doesn’t come close to being the “Sophia in the Barn” frustrating it’s getting close.

We now have two more episodes left in the season and it looks like the Battle of Blackwater Pass from the novels may just arrive with the next episode. Will Tyrion be able to beat back Stannis’ siege of King’s Landing? Will Theon survive the season as Lord of Winterfell? Will Robb’s actions with Talisa destroy everything he has built since the war began? There’s so much questions and with two episodes left it will be quite the juggling act for the show’s writers to answer them all without having them seemed rushed.

Review: Game of Thrones S2E07 “A Man Without Honor”


“It’s hard to put a leash on a dog once you put a crown on it’s head.” — Tyrion Lannister

“A Man Without Honor” is the name of tonight’s episode which also happens to be the season’s seventh. How time flies when one is enjoying a series, but this is amplified when it’s a series that only runs ten episodes a season. Considering that HBO’s other hit series in True Blood gets twelve episodes a season makes giving the channel’s biggest hit and moneymaker only ten a season an interesting choice. Having ten episodes a season definitely allows for the series to not dawdle on too many subplots, but it also means certain characters and events in the book source either got dropped (some for the better and others not so well-handled) or amalgamated with others to create something wholly different. Tonight we got some great examples of how changes from book-to-screen made for a better narrative.

Tonight’s episode moved from place to place. We get to spend some time with Jon Snow north of the Wall with his wildling prisoner Ygritte. There’s some definite sexual tension between these two young people as Ygritte constantly baits Jon about their night spent close together (only for warmth as Jon kept trying to tell the young lass) and how Snow and his brother Crows must either be having congress with each other (something Jon denies very loudly) or with the local goat population (for some reason his denials about this weren’t as loud). Throughout their exchanges Jon continues to act the honorable man he was brought up to be by his father Ned Stark and he even tells Ygritte this though something he wishes he kept to himself if her reaction to the information was any indication.

Jon’s honorable behavior during his time with Ygritte and the consequence of it at the end of their part in tonight’s episode was a constant reminder about how Ned Stark’s brand of honor and intractable principles really has no place in the world created by George R.R. Martin. It’s idealism that masks the truth of the reality around them and Jon Snow, like his father before him, might be too late in learning the true costs of his idealism.

The same could be said about Daenerys over at Qarth as she has to deal with more of her followers dead because they decided to trust and follow her. Then there’s the little thing about her dragonlings still missing and taken by one of the Thirteen. It’s easy enough to surmise that the warlocks of Qarth had taken her dragons, but as to the reason other than wanting them still eludes the young Targaryen Queen-to-be. It’s left to her guardian knight and close adviser Ser Jorah Mormont to try and talk some sense into her, but as her experiences in Essos has clearly been teaching her it’s trust that she can’t afford to have anymore. Whether it’s others offering their trust or her being asked to trust in others. Here we see Ser Jorah testing the boundaries of Daenerys’ trust towards him and we see even more clearly that he has had and continues to have some very strong feelings towards his khaleesi that even Daenerys begins to suspect.

Unlike Jon up North, at least Daenerys has begun to shed some of the idealism she started this series with and looking towards learning how to truly become a ruler of people. Once again idealism was the casualty in this part of the episode but one that might help Daenerys survive a little longer in this deadly game of thrones.

Tonight’s episode also sees the return of the Kingslayer. He still remains a captive of the Starks, but now has a jailhouse companion in a distant relative the young Alton Lannister who once squired for him in years past. This section of the episode was really one extended exposition done well as we get a deeper look into the backstory of Jaime Lannister. He’s much more than the male half of the twincest pairing of the show, but unlike Cersei he seems to have accepted his lot in life and the sort of figurative bastard he has turned out. His reminiscing to Alton about his own time as a young squire was quite honorable in putting the young man at ease, but once again Jaime continues to be this show’s rare survivor in that he uses everyone he thinks could be of use to help him survive one day longer even if it means killing several young men in less than a night and throwing the hypocrisy of the Stark honor back at Catelyn’s face.

Jaime might be a villain, but he’s one who doesn’t blame his lot in life for turning him so and sees clearly how those who try to look down on him might be just as sullied and dishonorable as he is. He just happens to admit to it.

The best part of tonight’s episode once again come from one of the major changes from book-to-tv. It’s an extended scene between Tywin Lannister and Arya as the two sit down for a meal and talk. It never happened in the novel, but the fact that the showrunners thought this peculiar relationship between the elder Lannister and the young Stark daughter would make for some strong scenes and dialogue was a change that I fully accept. The back and forth between Charles Dance as Tywin and Maisie Williams as the young Arya was great. Whenever Tywin makes mention of how observant and learned his cupbearer seem to be Arya would have a ready-made reply. Even when Tywin makes it known that he believes her to be more than a local peasant girl but more akin to a noble-born Arya doesn’t break stride and continues her charade.

What’s great about this scene is how we’re able to believe Arya’s deft ability to stay in character even when she knows she might have been found out. She’s learned to play the part to help her survive and even gotten better to hide her true feelings from her face. Even Tywin seem to be quite impressed by Arya and even though he might have some suspicions about her true upbringing he’s still not fully sure about the truth of it so he bides his time. The two characters really look like they would’ve made the perfect father and daughter if not for their present situation.

Finally, we see just how low a man without honor can go. Back in Winterfell we see “Prince” Theon blaming everyone but himself for allowing the two young Stark boys to escape the castle. We see how he’s turned to violence as a way to court respect from his men when all it does is just show just how much a child playing at ruler he truly looks. What’s worst is how the episode ends with what looked like two young figures burnt beyond recognition and hanged above the castle gates and Theon looking like he had a hand in it. If people had any sort of sympathy for the Greyjoy son tonight’s episode did much in burning those bridges.

Tonight’s episode did much to grow some of the characters in the show, but also show how the war between the five kings have shown particular characters faults and virtues. With just three more episodes remaining in the season we’re getting close to the culmination of the war or, at the very least, narrowing down even more pretenders to the rule of Westeros before we look towards season 3 of HBO’s Game of Thrones.

Review: Game of Thrones S2E06 “The Old Gods and the New”


“Gods help you Theon Greyjoy. Now you’re truly lost.” — Ser Rodrik Cassel

Tonight we saw season 2 of HBO’s Game of Thrones series hit it’s second half running towards what could only be a climactic season ender of epic proportions. The show took a sort of misstep with an wheel’s turning previous episode that was mostly set-up. The show has been that way from the very start of the season, but last week’s entry was even moreso. Tonight’s sixth episode was titled “The Old Gods and the New” and it was a theme of faith that ran throughout the episode.

When I say faith I don’t mean of the religious kind but the faith one puts into the actions of others. Whether that faith is deserving or not is irrelevant. We see the youngest characters of the series with their faith tested from beginning to end. While it was mostly the Stark kids both legitimate and illegitimate who had to suffer in tonight’s episode we also got to see Daenerys Stormborn tested as her stay in the city-state of Qarth begins to turn for the worst and her inability to think with her mind instead of her heart has put her in a precarious situation.

The episode begins with Bran’s dream from last week finally coming into fruition as the seas has come to Winterfell and gone over the walls. It’s Theon Greyjoy and his merry band of Ironborn reavers who have taken advantage of a defenseless Winterfell. Any lingering doubts as to which house his loyalty lies now ends with his taking of Winterfell and imposing himself as it’s lord. Theon has bought into his biological father’s Ironborn way of life as he’s taken his own lordship through the “iron price” and not gold. Yet, this part of the episode also show’s that Theon has much to learn about being a ruler as some of his petty behavior comes to the forefront in his treatment of Rodrick Casell and being fooled by the wildling Osha. Just like Renly Baratheon before him, Theon likes to play at being a lord and someone who thinks they have power over the people when it’s all just in his head.

The same goes for King Joffrey over at King’s Landing who witness first-hand that his maniacal, iron-fisted rule of the realm has weakened what had been a strong realm and which is now ripe for all-out rebellion from within the city’s walls and not just from without. A riot of his own making doesn’t end even with his shouts to his Kingsguard and the Gold Cloaks to kill everyone when they’re outnumbered despite their armor and weapons. Joffrey begins to see what his Hand has seen and that’s the people of King’s Landing don’t see him as their rightful ruler and would rip the city and those who follow him apart (like the poor Maester who got the zombie feeding frenzy treatment) even if they die doing so.

For a moment Sansa Stark doesn’t understand why the people hate her as much as Joffrey and season 1 Sansa petulantly peeks out after her close brush with rape and death at the hands of the mob. It takes some wise counsel from her handmaiden Shae to educate her as to why they hate her so. Whether Sansa will learn from tonight’s events or not will show whether her character has grown from the shallow, fashion plate and status obsessed young teen or season 1 to the more savvy and leery young lady who has been quite adept at steering through the maze that makes up the game of thrones within the castle walls. One thing for sure is that she seems to have gained herself a protector in The Hound.

Over and north of the Wall we find Jon Snow and the small band of Rangers led by Qhorin Halfhand doing a sort of long-range recon patrol deeper into wildling territory to find out just exactly what’s going on with the wildlings and their self-proclaimed king Mance Rayder. We see Jon get a lesson in the importance of being a Crow delivered not so delicately by the veteran Qhorin who also seem to see something important about Jon, but who also sees an idealist who may not survive the Wall if he continues to think like someone who lives South of the Wall instead of on and North of it. It’s easy to say that Jon learns his lesson, but as we see after a successful ambush of a wildling patrol Jon still hangs onto too much of the chivalry and nobility of the the southern realms instead of the reality of the Wall and the North. He’s been a frustrating character since the first season and his steadfast “Ned Stark-ness” almost gets him killed and has saddled him with a pretty, wild redhead who may just be the death of him before he reaches his potential.

We now come to the Arya and Daenaerys portion of tonight’s episode. These are two young girls who have been thrust into situations not of their making and trying to make the best of it.

At Harrenhal we see Arya continue her indentured servitude to Tywin Lannister who seem to treat her with more respect than he does his own commanders. Whether he suspects who Arya truly is he does seem to treat her less a servant and more like an unofficial sounding board. The conflict of emotions this treatment from Tywin was quite evident in Arya’s face as she smiles behind Tywin and his council’s back when he compliments her and berates one his generals. Her situation gets really precarious as one Littlefinger appears in Harrenhal to talk shop with Tywin. This scene was masterfully done by veteran tv director David Nutter who milks the tension Arya feels at the prospect of being found out by the duplicitous, but observant Littlefinger. Her faith in the enigmatic Jaqen H’ghar seems well-deserved as she gives him a second name and sees that name given over to Death as Jaqen has promised. With each day in Harrenhal it looks like Arya looks to be the one of the all the youngsters in Game of Thrones who has begun to see the reality of the world instead of the ideals she has been taught growing up.

Far across the Narrow Sea we come to Daenaerys who is still trying to fend off the advances of Xaro Xhoan Daxos and the other merchant lords of Qarth who wish to put their hooks into her if she ever wants their help in getting across to Westeros to take back the Iron Throne she sees as rightfully hers. Where Arya has learned to think with her head instead of her heart to put herself into situations to her advantage the same cannot be said about Daenerys who still believes that her rightful claim to the Iron Throne and being the Mother of Dragons would make everyone bow at her young feet and give her everything she needs to get what she wants. When diplomacy doesn’t get her what she wants she reverts back to threats and actually sounding more and more like her dead brother Viserys who also used too much empty threats to try and get what he thinks was due to him. The episode sees her with even less retainers than what she had going into Qarth and worst yet minus the three dragonlings.

While “The Old Gods and the New” was still a set-up episode it also contained much character growth for the young cast. We see them learn the hard way that being a ruler of a realm and of men doesn’t come easy or come across as a game without consequences. Idealism gets tested and for most of the episode comes off less a virtue and more of a near-fatal flaw that cannot survive in the war-torn lands of Westeros let alone the intrigues of the city-states of Essos across the Narrow Sea. Faith has been tested as Bran sees firsthand as he sees what he thought was a brother to him and his family turn against them in a fit of pettiness and need to prove himself to his biological sire.

With more pieces being moved across the board it’s getting much clearer now that the war for the Iron Throne is close to being decided, but it doesn’t mean peace will come to Westeros. While the elders fight the wars begun by a child and being won by another it looks like tonight’s episode also shows that no matter how things turn out this season it’s the children of the series who have been forced to grow up by the war who will have to pick up the pieces. Tonight we see that some look ready to do so while most still look ill-equipped to survive it.