Late Night Retro Television Review: Degrassi: The Next Generation 2.14 “Careless Whisper”

Posted on April 26, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015! The series can be streamed on YouTube and Tubi.

This week, Ellie figures something out about Marco.

Episode 2.14 “Careless Whisper”

(Dir by Laurie Lynd, originally aired on January 13th, 2003)

This episode opens with Marco, Jimmy, and Spinner playing basketball and Marco staring at the shirtless Spinner until Spinner says, “What are you looking at, fag?”

Later, when Dr. Sally (Sue Johanson) comes to give the Health class her annual sex education talk, Jimmy and Spinner ask her how a dude could be attracted to another dude. At this point, someone in the class could have and perhaps should have pointed out that Jimmy and Spinner seem to spend a lot of time together but instead, everyone just snickers.

Everyone except for Marco. As class ends, Marco is quick to tell Spinner and Jimmy that he hates gay people.

Meanwhile, Ellis is wondering why Marco never seems to show her any affection. They’re hanging out. They’re going to the movies. And yet, she feels like Marco is still more of a friend than a boyfriend….

Yes, this is the episode where Ellie figures out that Marco is gay. When Ellie asks him, “Do you like girls at all?,” Marco replies with, “I don’t know.” As we all yell, “No, Ellie!,” Ellie agrees to continue to pretend to be Marco’s girlfriend so that Spinner and Jimmy won’t make fun of him but she says that this isn’t a permanent arrangement….

Seriously, Ellie was always getting her heart broken on this show. First, she agreed to be Marco’s pretend girlfriend. Then she dated Sean, even though he was obviously still in love with Emma. Then she pursued Craig, who was incapable of loving anyone other than himself. And finally, she fell for that narcissistic college newspaper editor. Ellie deserved better and really, while I have sympathy for Marco’s struggle to accept his sexuality while being best friends with the two biggest homophobes in Canada, Marco was always at his most selfish when it came to Ellie.

That said, both Adamo Ruggiero and Stacey Farber give good performances in this episode, as Marco and Ellis respectively. Today, we kind of take it for granted that every high school-based show is going to have at least a handful of gay characters. (By the end of Degrassi’s Netflix run, almost everyone in the school was LGBTQ.) In 2003, though, an extended storyline like this was still a big deal and it undoubtedly took some guts on the part of the showrunners.

As for the B-story, Toby is totally in love with Kendra. Kendra thinks that Toby is getting a bit too possessive. Toby agrees to back off a little. Kendra, you can do better. Sorry, Tobes.

Retro Television Review: Homicide: Life On The Street 5.7 “The Heart of a Saturday Night”

Posted on April 26, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Whit Stillman directs a story of pain and tragedy.

Episode 5.7 “The Heart of a Saturday Night”

(Dir by Whit Stillman, originally aired on November 15th, 1995)

The Heart of a Saturday Night is a great episode of Homicide, with the exception of one decision that annoyed the Hell out of me.

It’s an experimental episode. We watch as the Homicide detectives work three cases — a carjacking the results in the death of a wife and mother, a bar fight at the Waterfront that results in the death of an alcoholic husband, and the assault and murder of a young woman in East Baltimore. While Bayliss, Giardello, Munch, and Lewis investigate the cases, we see the survivors at a group therapy meeting. Rosanna Arquette plays the widow of the man killed in the bar fight. The great Chris Eigeman is the widower of the carjacking victim. Polly Holliday and Tom Quinn play the parents of the murdered woman.

It’s a bit stagey and talky but it works, largely due to the performances of the guest cast and the intelligent direction of Whit Stillman. As anyone who has seen any of his films can attest, Stillman is unusually skilled at making conversation compelling. It’s a powerful episode because it reminds us that while the Homicide detectives are just doing their job, the cases they investigate leave lasting scars on those left behind. Munch is more concerned with the murder at his bar than the carjacking to which he and Lewis have been assigned but Giardello explains that Munch cannot investigate a crime that occurred at a location that he owns. Giardello investigated the murder at the bar and one gets the feeling that he largely just wants to get out of the office. Lewis becomes obsessed with solving the carjacking but we all know eventually he’ll move on because that’s his job. There’s always going to be another murder. But for the victim’s husband, life is never going to be the same again. He’s angry and bitter, especially since he knows the carjackers will probably never be caught. (At the end of the episode, his wife’s name is the only one still in red on the board,) His words aren’t always pleasant but he has every right to be angry. Chris Eigeman’s performance is incredible and heart-breaking. Even more so than the effective but overwrought Bop Gun, this episode captured the pain of being a survivor.

It’s a powerful episode, up until the the moment that the final member of the therapy group shows up and it turns out to be Dr. Cox. As good as Michelle Forbes has been in the role, this is the third episode-in-a-row in which Cox suddenly takes center stage. It’s hard not to feel that the show is demanding that we love Dr. Cox as much as the writers obviously do. The problem is that this is only Dr. Cox’s third episode. The constant spotlight on Cox feels hamfisted and a bit premature. It reminds me of when The Office tried to make us embrace characters like Robert California and Nellie Bertram. (This is probably the only time in history that The Office and Homicide will ever be compared to each other.)

Other than the awkward inclusion of Dr. Cox at the end, this was a powerful episode. Homicide took a risk and, for the most part, it paid off.

Late Night Retro Television Review: Saved By The Bell 1.19 “Slater’s Friend”

Posted on April 25, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993. The entire show is currently streaming on Prime and Tubi!

This week, we finish up the first season.

Episode 1.19 “Slater’s Friend”

(Dir by Don Barnhart, originally aired on November 28th, 1992)

Who killed Artie?

That’s the question that Zack, Kelly, Jessie, Lisa, and Screech are left to consider when Slater’s pet chameleon Artie dies. Slater specifically asked them to take care of Artie while he was out of town. When Slater returns to Bayside, both Zack and the girls attempt to fool him with a duplicate chameleon because no one on this show ever just tells the truth. When Slater figures out that Artie is dead, he’s bitter and he’s angry and he even disrupts Coach Rizzo’s (Frankie Como) speech class. Belding, of all people, emerges as the hero, telling Slater that it’s okay to be sad. In the end, Artie is given a funeral and the cast sings Artie Boy.

This episode has long had a reputation for being the worst episode of Saved By The Bell. NBC was so embarrassed by it that they actually didn’t air it until four years after it was filmed. In his highly-suspect autobiography, Dustin Diamond claimed that everyone was trying not to laugh during the funeral scene.

Well, you know what? This episode — as silly as it is — kind of works. If you’ve ever lost a pet, you can relate to Slater’s grief. And really, Slater having a pet chameleon makes sense when you consider the fact that he spent his entire childhood traveling from one military base to another. It’s not like he could really own a cat or even a dog under those circumstances. A lizard on the other hand….

This episode is actually a good example of how good Mario Lopez actually was in the role of A.C. Slater. When Slater says, “It’s just a dead lizard,” your heart breaks for him. When he hugs Mr. Belding, you feel Slater’s pain. Even in an episode that ends with everyone singing a song about a chameleon, Mario Lopez gave it his all.

Worst episode ever? Not hardly! We’ve still got the Tori episodes to review, after all. In fact, my only complaint about this episode is that Coach Rizzo was never brought back. He was my favorite teacher at Bayside!

Next week, we’ll start season 2!

Lisa Marie’s Week In Television: 4/19/26 — 4/25/26

Posted on April 25, 2026 by Lisa Marie Bowman

Boy Band Confidential (HBOMax)

Another week, another special about boy bands. I watched this 3-hour, two-part documentary on Wednesday and Thursday. Joey Fatone was one of the producers so it’s not a surprise that a major theme of the documentary was that Joey Fatone was a pretty cool guy. This show hit all the usual points — hey, there’s Lou Pealman! — without adding much new insight.

Crime Story (Tubi)

My review will drop this upcoming Monday.

Degrassi: The Next Generation (Tubi)

My review will drop tomorrow night.

Hollywood Demons (HBOMax)

I watched two episodes. The first one was about Stephen Collins (yikes!). The second was about Jerry Springer. Now that Jerry is dead and his show is definitely never coming back, all of his producers are trying to cash in by letting you know that they were anti-Jerry the whole time. It all feels a bit self-serving.

Homicide: Life on the Street (Peacock)

My review will drop tomorrow.

Saved By The Bell (Tubi)

Along with this week’s review episode (which will be dropping shortly), I also watched three Patrick Muldoon episodes on Friday. RIP.

Watched and Reviewed:

Retro Television Review: Baywatch 1.21 “The End?”

Posted on April 25, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week, we finish off the first season of Baywatch.

Episode 1.21 “The End?”

(Dir by Reza Badiyi, originally aired on April 6th, 1990)

This the end, my only friend, the end….

Earthquake! The ground shakes in Los Angeles and the result is pure chaos. While Mitch oversees the rescue operations, Shauni tries to get over her fear of natural disasters, Eddie helps a pregnant woman deliver twins in his lifeguard tower, Gina finds herself pinned under a shelf at the loft, and Craig and Cort are trapped in an underwater cave. Have none of these people noticed that hanging out with Cort always leads to stuff like this happening?

We see a news report that says that five people died in the earthquake. Fortunately, none of those people were a character on Baywatch. (Though, now that I think about it, when was the last time anyone saw Trevor?) The LAPD dive team saves Cort and Craig. Hobie helps Gina get out from underneath that shelf. Eddie and Shauni work together to help deliver those twins and then, as the sun sets behind them, Eddie asks, “Will you marry me?” Shauni nods as the theme music starts up….

Was this the end? It was meant to be. After a season of declining ratings and raising production costs, NBC decided to cancel Baywatch. I guess the executives figured that, if even a shark attack failed to get people to watch, it was best just to move on. Baywatch decided to go out with an episode about an earthquake because it was a California show and California is all about the ground moving under your feet. It actually turned out to be one of the better episodes of the first season, specifically because it focused on lifeguards and other first responders doing their job. There were no silly plots about gamblers or Mitch’s love life or anything else. This was Baywatch the way it probably should have been. But it was too late to keep the show alive on network television.

That said, the Hoff believed in Baywatch and, working with the show’s producers, he brought it back in syndication. This episode was the end of Baywatch on NBC but it was just the beginning of the show that would go on to epitomize a decade.

We’ll start season 2 next week.

Late Night Retro Television Review: Freddy’s Nightmares 2.10 “Do You Know Where Your Kids Are?”

Posted on April 24, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, we get a sequel to a previous episode.

Episode 2.10 “Do You Know Where Your Kids Are?”

(Dir by Bill Froehlich, originally aired on December 10th, 1989)

In this sequel to Bloodlines, an episode that I didn’t particularly care for, Patty Burton (Courtney Gebhart) is still locked up in the basement of the Burton home. When college student Lisa Wax (Suzanne Tara) comes over to babysit little Will Burton (Christopher Finefrok), she is not happy to learn that there is apparently a crazy woman in the basement. Lisa keeps falling asleep and having nightmares about being dragged into the basement. Then, she actually is dragged into the basement and Patty, who now looks like Lisa, escapes. By an amazing coincidence, Patty ends up at Lisa’s house, where Lisa’s mom (Sharon Farrell) assumes that Patty is Lisa. When the real Lisa manages to escape from the basement, she shows up at home and is shot and killed by her own mother. Patty then returns to her home and exiles her parents (Chris Nash and Jeannine Lewis) to the basement. The episode ends with Patty approaching Will.

Yikes!

This was a dark episode. I wouldn’t necessarily say it was scary. The scenes where Lisa (hey, that’s my name!) hears Patty in the basement are so overdone that they inspired more laughter than chills. But the idea of someone stealing your identity and then getting your own mother to shoot you because she doesn’t recognize you? That’s definitely creepy!

As for the ending …. I never liked the Burtons. I didn’t like them in Bloodlines and I didn’t like them here. I feel bad for Will but the parents? They got what they deserved.

Retro Television Review: St. Elsewhere 3.17 “Give The Boy A Hand”

Posted on April 24, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

Oh, Dr. Westphall, what’s got you upset this week?

Episode 3.17 “Give The Boy A Hand”

(Dir by Janet Greek, originally aired on January 23rd, 1985)

Dr. Westphall’s daughter, Lizzie (Dana Short), comes home from college. At first, Westphall is happy to have her home. So is Tommy, Westphall’s several autistic son. Still, he gets the feeling that Lizzie isn’t telling him something and we know he’s right because nothing good ever happens to Dr. Westphall. Sure enough, Lizzie’s boyfriend shows up unannounced and Westphall discovers that Lizzie is struggling in college. Lizzie reveals that she’s miserable away from home. She wants to drop out and return home so that she can take care of Tommy. Westphall tells her that’s not an option. Lizzie gets angry and goes back to school. Westphall ends up sitting in his house, alone and in the dark.

Agck! Seriously, Dr. Westphall, can you get any more depressing!?

Meanwhile, Mrs. Hufnagle is back in the hospital. When Dr. Chandler introduces himself as her new doctor, Hufnagle says that she doesn’t want him as her doctor. “May I ask why?” Chandler asks. “Because you’re colored,” comes the response. Chandler explains that he went to Yale and graduated at the top of his class. Hufnagle says that’s due to Affirmative Action. In the cafeteria, Chandler begs the other doctors to take over as Hufnagle’s doctor. “Go away!” the other doctors say. Chandler is stuck with Hufnagle and, despite her original comments, Hufnagle decides that she’s okay with that. Maybe she noticed that Dr. Chandler is played by a young Denzel Washington.

Dr. Woodley continues to treat pregnant teenager Maddy (Lycia Naff). Meanwhile, Maddy’s idiot boyfriend (Timothy Van Patten) tried to set up a drug deal that went to pieces when one of his partners overdosed and was rushed to the ER, where he subsequently died.

Finally, Ehrlich has been on the local news, presenting a daily medical commentary. However, when he tries to present a commentary about treating the disabled with respect, he tells a joke about a man who went to the hospital, had his legs accidentally amputated, tried to sue, and was told he didn’t have a leg to stand on. After the station is flooded with complaints, Ehrlich is fired. He gets the news right before he does his final commentary. Ehrlich sings I’ve Got To Be Me on the air. Later, he gets drunk and goes to the hospital, where he tells Dr. Craig that he feels like he’s forgotten what made him love being a doctor in the first place. Ehrlich thinks he should quit medicine.

“It’s too late for that,” Craig replies.

“That’s it!?” Ehrlich, who was hoping for better advice, replies.

Craig sighs and gives Ehrlich a retractor of his very own. Ehrlich thanks Craig and then makes a dumb joke.

“Just can’t help yourself,” Craig says.

The Ehrlich stuff was entertaining. Ed Begley Jr. and William Daniels make for a great team. Otherwise, this was a somewhat bland episode. How many times can we watch Dr. Westphall get depressed? Seriously, the man needs someone to tell him a good joke.

Paging Dr. Ehrlich….

Late Night Retro Television Review: Hunter 1.2 “Hard Contract”

Posted on April 23, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!

This week, Hunter breaks rules and shoots people.

Episode 1.2 “Hard Contract”

(Dir by Bruce Kessler, originally aired on September 28th, 1984)

When McCall calls in sick and says that she’s taking the week off, Capt. Cain (now played by Arthur Rosenberg) assigns Hunter to work with bowtie-wearing Bernie Terwilliger. Cain sees this as an opportunity to get rid of Hunter. He tells Bernie to write down every policy that Hunter breaks throughout the day.

Terwilliger wants to spend the day tracking down whoever is leaving graffiti in the park. Hunter’s not interested in that. He wants to know what’s going on with McCall. Mostly, Hunter wants to find an excuse to draw his gun. The only thing he gets out of the trip to the park is a chance to arrest a man trying to rob a hot dog vendor. Hunter gets a hot dog, of course.

Eventually, Hunter drags Terwilliger to a bar where they discover McCall hanging out. After a bar fight, Hunter and McCall abandon Terwilliger and go after Gus (David Ackroyd), McCall’s former partner. Gus was McCall’s mentor and she’s still close to Gus and his wife. However, Gus has fallen on hard times and now, he’s looking for work as a contract killer.

The most interesting thing about this episode is that, even though Gus and McCall are old friends, they’re still totally willing to shoot each other. That seems to be a recurring theme with Hunter. Everyone likes to shoot everyone else.

I enjoyed this episode. It was very, very simple but Fred Dryer and Stepfanie Kramer got to show off their chemistry and there was plenty of humor involving poor old Bernie. Sometimes, it’s enjoyable to watch something that doesn’t require you to do much thinking and that was certainly the case here.

Retro Television Review: Decoy 1.28 “Ladies Man”

Posted on April 23, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

Episode 1.28 “Ladies Man”

(Dir by Stuart Rosenberg, originally aired on April 21st, 1958)

A man named (Michael Tolan) approaches Pearl Dillard (Chris Kane) at a subway station and gives her a box that he claims is an x-ray camera. The man claims to be an insurance investigator and he says that he’s pursuing a woman (Lois Nettleton) who has stolen some diamonds. He says that he needs Pearl to take a picture of the woman. Because it’s an X-ray camera, it will reveal that she has the diamonds on her. While the woman waits for her train, Pearl points the box at her and pushes a button. However, it turns out that the box is not hiding a camera but a gun! Pearl shoots the woman in the back.

The woman is named Lois and the man was her husband, Mike. The police get a tip that Mike is hiding out at an upstate hunting lodge. Casey, who pretends to be a lost tourist, heads up to the lodge. Mike is indeed there. With Mike is his new girlfriend (Joan Harvey), who refuses to believe that Mike could have done anything wrong.

This episode was a bit more melodramatic than the typical episode of Decoy. I found it hard to believe that anyone would fall for Mike’s camera-box lie but I guess there are probably people out there who would be naive enough to believe him. (I might accept the box from Mike but I would throw it away the first chance I got.) Unfortunately, once Casey tracked Mike down, Michael Tolan’s performance was so over-the-top that it became difficult to take him or the episode seriously.

Decoy worked better as a low-key, melancholiac show. I usually love melodrama but this episode didn’t work for me.