Retro Television Review: St. Elsewhere 3.17 “Give The Boy A Hand”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

Oh, Dr. Westphall, what’s got you upset this week?

Episode 3.17 “Give The Boy A Hand”

(Dir by Janet Greek, originally aired on January 23rd, 1985)

Dr. Westphall’s daughter, Lizzie (Dana Short), comes home from college.  At first, Westphall is happy to have her home.  So is Tommy, Westphall’s several autistic son.  Still, he gets the feeling that Lizzie isn’t telling him something and we know he’s right because nothing good ever happens to Dr. Westphall.  Sure enough, Lizzie’s boyfriend shows up unannounced and Westphall discovers that Lizzie is struggling in college.  Lizzie reveals that she’s miserable away from home.  She wants to drop out and return home so that she can take care of Tommy.  Westphall tells her that’s not an option.  Lizzie gets angry and goes back to school.  Westphall ends up sitting in his house, alone and in the dark.

Agck!  Seriously, Dr. Westphall, can you get any more depressing!?

Meanwhile, Mrs. Hufnagle is back in the hospital.  When Dr. Chandler introduces himself as her new doctor, Hufnagle says that she doesn’t want him as her doctor.  “May I ask why?” Chandler asks.  “Because you’re colored,” comes the response.  Chandler explains that he went to Yale and graduated at the top of his class.  Hufnagle says that’s due to Affirmative Action.  In the cafeteria, Chandler begs the other doctors to take over as Hufnagle’s doctor.  “Go away!” the other doctors say.  Chandler is stuck with Hufnagle and, despite her original comments, Hufnagle decides that she’s okay with that.  Maybe she noticed that Dr. Chandler is played by a young Denzel Washington.

Dr. Woodley continues to treat pregnant teenager Maddy (Lycia Naff).  Meanwhile, Maddy’s idiot boyfriend (Timothy Van Patten) tried to set up a drug deal that went to pieces when one of his partners overdosed and was rushed to the ER, where he subsequently died.

Finally, Ehrlich has been on the local news, presenting a daily medical commentary.  However, when he tries to present a commentary about treating the disabled with respect, he tells a joke about a man who went to the hospital, had his legs accidentally amputated, tried to sue, and was told he didn’t have a leg to stand on.  After the station is flooded with complaints, Ehrlich is fired.  He gets the news right before he does his final commentary.  Ehrlich sings I’ve Got To Be Me on the air.  Later, he gets drunk and goes to the hospital, where he tells Dr. Craig that he feels like he’s forgotten what made him love being a doctor in the first place.  Ehrlich thinks he should quit medicine.

“It’s too late for that,” Craig replies.

“That’s it!?” Ehrlich, who was hoping for better advice, replies.

Craig sighs and gives Ehrlich a retractor of his very own.  Ehrlich thanks Craig and then makes a dumb joke.

“Just can’t help yourself,” Craig says.

The Ehrlich stuff was entertaining.  Ed Begley Jr. and William Daniels make for a great team.  Otherwise, this was a somewhat bland episode.  How many times can we watch Dr. Westphall get depressed?  Seriously, the man needs someone to tell him a good joke.

Paging Dr. Ehrlich….

Retro Television Review: St. Elsewhere 3.16 “Saving Face”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, things continue to be awkward in Boston.

Episode 3.16 “Saving Face”

(Dir by Charles Braverman, originally aired on January 16th, 1985)

This episode of St. Elsewhere was even busier than usual.

  • Tough-as-nails Dr. Mary Woodley (Karen Austin) has been hired to oversee the ER.  Dr. Fiscus isn’t happy about it.  He’s going to have to work for a woman?  Agck!
  • Dr. Cavanero is also not happy.  Of course, the last time that St. Eligius hired a new female doctor, Cavanero told everyone at the hospital that she was a lesbian and, for some reason, this led to the doctor having to leave town.  (It was the 80s.)  Maybe, just maybe, there are reasons to have doubts about Cavanero’s professionalism.
  • Dr. Westphall shows Dr. Woodley around the hospital and, as usual, comes across as being the saddest man on the planet.
  • Dr. Westphall informs Jack that he will be allowed to continue on as a resident.  However, Westphall also rather glumly states that he will be watching Jack from now on.  Jack better not screw up or Westphall will “come down” on him.  Personally, I think Westphall is too depressed to really do much of anything.
  • Feeling guilty about Murray’s death, Elliott brings Mrs. Hufnagle a ham.  Mrs. Hufnagle has an allergic reaction and ends up back in the hospital.  “She thinks I tried to kill her!” Elliott says.
  • A teenager (Tim Van Patten) brings in his pregnant girlfriend, who has OD’d.  Dr. Woodley says she is required to call family services.  Myself, I started shouting, “I am da futah!” as soon as Tim “Stegman” Van Patten showed up on the screen.
  • Dr. Caldwell performs extensive plastic surgery on a disfigured young woman.  When Dr. Ehrlich says that the patient looks like she got hit with the “ugly stick,” Caldwell kicks Ehrlich off his team.
  • Nobody wants to work with Ehrlich!  Dr. Craig declines to invite Ehrlich to his 34 year anniversary party.  Cavanero agrees to take Ehrlich as her date.  “What are you doing here!?” Craig snaps as soon as he sees Ehrlich in his living room.
  • Dr. Craig’s younger brother, William (Lou Richards), also shows up.  He was invited at Ellen’s insistence, despite the fact that William and Mark haven’t spoken in over four years.  Mark feels that William has wasted his life and his potential.  But when William proves to be the life of the party, it becomes apparent that Mark is actually jealous of how likable his younger brother is.
  • In the kitchen, Mark and William have a long conversation.  William admits that he’s struggling to pay the bills.  Mark writes him a check.  For a few minutes, the brothers actually reconcile.
  • However, Mark later hears William joking about how much money surgeon’s make and he loses his temper.  In front of the entire party, he calls out William and reveals that he doesn’t have a dime to his name.
  • That night, after everyone else has left and William has gone to the guest room, Ellen tells Mark that he should apologize.  Mark agrees and says he’ll do it in the morning.
  • Later, during the night, Mark steps out of his bedroom and discovers that William has gone home.  He left behind the check, which he ripped in half.  Mark stares at the check and starts to cry.

This was another episode that did a good job balancing the serious and the humorous.  Dr. Ehrlich’s inability to say the right thing will never not be funny.  For that matter, the same can be said of Dr. Craig’s general irritation with everything.  And yet, seeing Dr. Craig break down and cry was truly heartbreaking.  Dr. Craig and Dr. Ehrlich share an inability to socialize and a habit of screwing up even the kindest of gestures.  Even when they try to do the right thing, they somehow always manage to screw it up.

I wanted to cry for all of them.

Retro Television Review: Baywatch 1.13 “Home Cort”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we meet John D. Cort.

Episode 1.13 “Home Cort”

(Dir by Paul Schneider, originally aired on January 12th, 1990)

There’s a new lifeguard on the beach!

His name is John D. Cort (John Allen Nelson) and he’s a former Navy SEAL with a dark and mysterious past.  He drives a motorcycle.  He wears a cowboy hat.  He has a quick smile.  He’s dangerous and he’s now a member of the cast.  I’m going to guess that he was added to bring some mystery to the show.  Originally, Eddie Kramer was supposed to be the dangerous lifeguard with the mysterious past but Billy Warlock was just too earnest and young to really pull that off.  John D. Cort, on the other hand, is at least 40.

Now, I said that Cort was the “new lifeguard on the beach.”  That’s not quite true.  It turns out that he’s actually an old lifeguard who was a friend of Mitch’s and Craig’s.  In fact, it’s insinuated that their friendship is legendary amongst the lifeguards.  Of course, no one’s ever mentioned Cort before but whatever.  Baywatch was never exactly known for its continuity.

Cort says that he’s returned to the beach so that he can work as a lifeguard for ten days and keep his eligibility.  Actually, he’s been hired to retrieve a mysterious package that’s at the bottom of the ocean.  He recruits his old friend, Sam (Bruce Fairbairn), to take him out into the ocean so that he can retrieve the package.  However, an explosion costs Sam his life and forces Cort to deal with the fact that someone wants him dead.  Who wants Cort dead?  Some guy named Jack Burton (Drew Snyder).  Why does he want Cort dead?  Who cares?  I got bored with the whole thing so I missed his motive.  I could go back and find out but, as far as I’m concerned, if the answer was worth knowing, I wouldn’t have gotten bored the first time around.  The story is really just an excuse to introduce Cort.  At the end of the episode, he inherits Sam’s surf shop and makes peace with being a regular member of the cast for at least the rest of the season.

As for the B-plot, Shauni and and Jill go into business selling sandwiches on the beach!  They take a lot of business away from crooked sandwich hustler Buddy Semple (played by George Clooney’s future production partner, Grant Heslov).  Buddy reacts by hiring two women in bikinis to hand out his sandwiches.  That’s the entire plot.

Oh, this episode.  I’ll be so happy when the first season of Baywatch is over with and the show fully and cheerfully embraces the stupidity of its concept.  Until then …. welcome to the beach, John Cort!

The TSL Horror Grindhouse: Chopper Chicks in Zombietown (dir by Dan Hoskins)


An all-women motorcycle gang called the Cycle Sluts roars through the desert. Why are they called the Cycle Sluts? As their leader puts it, they know what people are going to call them so they’re reclaiming the term for themselves. Nobody tells the Cycle Sluts what to do and nobody but the Cycle Sluts decides or defines who the Cycle Sluts are. They’re rebels and they’re singers, making music and fighting the patriarchy as they make their way through the dusty corners of America.  Go, Cycle Sluts, go!

When the Cycle Sluts drive into the small desert town of Zariah, the residents are not happy to see them. Zariah is a peaceful and boring town and the citizens would like to keep it that way.  The citizens are happy having a town where there’s only a few buildings, next to no businesses, and only a few residents.  It’s a town where not much happens and everyone can live in peace, far away from all the evil temptations of the big city and corrupt civilization.  However, the town becomes a lot less peaceful when the local mortician starts to bring the dead back to life. Soon, zombies are wandering through the desert on their way back to their former home and only the Cycle Sluts and a bus full of stranded blind kids can save the town!

That slight plot description probably tells you all you really need to know to get a feel for what type of film 1989’s Chopper Chicks in Zombietown is. It was released by Troma, which means that the humor is crude, the zombie attacks are bloody, and the film’s aesthetic is undeniably cheap. That said, the film itself is enjoyable when taken on its own dumb terms. The action moves quickly, the members of the cast perform their silly roles with an admirable amount of dedication, and the whole thing ends with a message of peace and equality. The townspeople learn how to be tolerant and the Cycle Sluts learn how to trust other people. It’s about as dumb as a movie about about bikers fighting zombies can be but it’s a surprisingly fun movie.  It’s hard not to cheer a little when the Cycle Sluts and the towns people and the blind kids finally set aside their differences and do what has to be done.  They even manage to save the life of a baby and anyone who has seen any other Troma films knows how rare that can be.  In its way, Chopper Chicks in Zombietown serves as a reminded that not every Troma film is as bleak as Combat Shock or Beware!  Children at Play. The Cycle Sluts do a good job and so does the film.

Speaking of doing a good job, keep an eye out for Billy Bob Thornton, making an early appearance as the unfortunate boyfriend of one of the residents of Zariah. Billy Bob seems to be having fun with this early job and his appearance here serves as a reminder that everyone started somewhere.