James Woods was recently asked on X if he would have enjoyed starring in a sequel to one of his movies!
His response… “John Carpenter’s VAMPIRES, because it was just so much fun to do!”
As a huge fan of Woods going back to the 80’s, I saw VAMPIRES when it played in the movie theater. I really enjoyed it, and I’ve even written a review for the film for this website. (On a side note, I shared that review with Mr. Woods, and he thanked me for it.) One of the main reasons I like the film is the badass opening sequence. Woods couldn’t have looked any cooler, and Carpenter’s guitar sets the macho mood perfectly. Today I thought it would be fun to share that scene with all of you. It’s a long clip, but it’s still awesome. Enjoy!
In celebration of the 77th birthday of the great Director John Carpenter, I decided to watch his 1998 film VAMPIRES, starring one of my favorite actors in James Woods. I specifically remember the first time I ever read that this movie was being made and that it would star Woods. It was 1996, and I had just been hired to work for a company called Acxiom Corporation in Conway, Arkansas. It was at this job that I first had access to this new thing called the Worldwide Web. As far as I know, it was the first time I had ever looked at the internet. Of course, I immediately started completing searches on some of my favorite actors, including James Woods, when I came across VAMPIRES as a movie currently in production. These were the first times in my life that I was able to find out about new film projects without looking in a magazine or watching shows like Entertainment Tonight.
In VAMPIRES, James Woods stars as Jack Crow, the leader of team of vampire hunters who get their funding from the Vatican. We’re introduced to the team when they go into a house in New Mexico and proceed to impale and burn a nest of vampires. While the rest of the team celebrates the mission that night in a hotel filled alcohol, drugs, and whores, Jack can’t escape the feeling that something isn’t right, as he doesn’t believe they got the “master vampire” of the group. Unfortunately, Jack is right to worry. As they’re partying, the master vampire Valek (Thomas Ian Griffith) interrupts the fun and proceeds to kill everyone there, with the exception of Jack, his partner Tony (Daniel Baldwin), and Katrina (Sheryl Lee), a prostitute he decided to just bite on. Valek isn’t just a regular old master vampire, either. As it turns out, he’s the original vampire, and he’s on a quest to find the Berziers Cross, an ancient Catholic relic, that will allow him and other vampires to walk in the daylight. Against this backdrop, Jack, Tony, and a priest named Adam (Tim Guinee) use Katrina, who now has a psychic link with Valek, to try to kill the ultimate master vampire Valek, his cleric accomplice Cardinal Alba (Maximillian Schell), and just hopefully, save mankind in the process!
I know that VAMPIRES is not the most well-known or beloved John Carpenter film. He’s done so many great movies, but VAMPIRES is special to me as it was the first of his films that I ever saw in the movie theater. And the opening 30 minutes of the film is as badass as it gets. Carpenter is a master of the set-up. There’s lots of slow motion as Carpenter’s guitar riffs rock the soundtrack and the camera moves in on James Woods, with his cool sunglasses and black leather jacket, just before his team goes in and destroys a vampire nest at the beginning of the film. I also think the set-up of Thomas Ian Griffith as Valek is awesome, as he strolls up to the hotel room while the vampire hunters celebrate, completely unaware of the carnage about to befall them. Griffith has never looked cooler than he did in his long black coat and long hair, both blowing in the wind. These were awesome moments that illustrated Carpenter’s ability to project a sense of visual cool and power that I was mesmerized with. I wanted to see what happens next. And as a 25-year-old man at the time of VAMPIRE’s Halloween release in 1998, I also gladly admit that I really enjoyed the beauty of a 31-year-old Sheryl Lee. I would have definitely done everything I could do to save and protect her. The remainder of the film may have not been able to keep the same momentum as those first 30 minutes, but it’s a solid, enjoyable film, buoyed by the intense performance of Woods!
Vampires (1998)
Directed by John Carpenter
Shown: Thomas Ian Griffith, Sheryl Lee
There are several items of trivia that interest me about VAMPIRES:
John Carpenter had a good working relationship with James Woods on the set, but they had a deal: Carpenter could film one scene as it is written, and he would film another scene in which Woods was allowed to improvise. The deal worked great, and Carpenter found that many of Woods’ improvised scenes were brilliant.
VAMPIRES was John Carpenter’s only successful film of the 1990’s. Its opening weekend box office of $9.1 million is the highest of any John Carpenter film.
The screenplay for VAMPIRES is credited to Don Jakoby. Jakoby has some good writing credits, including the Roy Scheider film BLUE THUNDER (1983), the Cannon Films “classic” LIFEFORCE (1985), and the Spielberg produced ARACHNAPHOBIA (1990). The reason Don Jakoby interests me, however, is the fact that he had his name removed from the film I’ve seen more than any other, that being DEATH WISH 3 (1985), starring Charles Bronson. Even though Jakoby provided the script for DEATH WISH 3, due to the drastic number of changes, Jakoby insisted his name be removed. The script is credited to the fake “Michael Edmonds” instead.
As I was typing up my thoughts on VAMPIRES today, I learned of the death of the director David Lynch. This brings special poignancy to the fact that John Carpenter cast Sheryl Lee after seeing her on Lynch’s T.V. series TWIN PEAKS (1990).
Frank Darabont, who directed one of the great films of all time, THE SHAWSHANK REDEMPTION (1994), has a cameo as “Man with Buick.” Fairly early in the film, after Crow, Montoya, and Katrina crash their truck escaping the hotel massacre, they encounter the man at a gas station and forcefully take the Buick. This is a strong sign of just how respected John Carpenter was by other great filmmakers at the time.
John Carpenter has directed some absolute classics like ASSAULT ON PRECINCT 13 (1976), HALLOWEEN (1978), ESCAPE FROM NEW YORK (1981), THE THING (1982), and BIG TROUBLE IN LITTLE CHINA (1986). There’s no wrong way to celebrate a man who has brought such joy into our lives through his work. Today, I’m just thankful that he has been given the opportunity to share his talents with us!
The so-called Texas Killing Fields are a stretch of land situated off of Interstate-45 and about 26 miles southeast of Houston. Despite being surrounded by oil refineries and being near one of Texas’s busier interstates, it’s a location where one can easily disappear. Since 1971, over 30 bodies have been found in the Texas Killing Fields, the majority of them being girls and young women. Many of them came from the surrounding area but others were last seen far away from Houston. Kelli Cox, for instance, disappeared from Denton. Jessica Cain was last seen in a suburb of Fort Worth. Michelle Garvey disappeared from Connecticut, just for her body to later be discovered in the Texas Killing Fields.
Because of the number of bodies and the length of time, it’s believed that multiple serial killers use the killing fields as a dumping ground for their victims. Over the years, there’s been many suspects and a few convictions. Most recently, a trucker named William Reece was convicted of three of the Killing Fields murders. Another person convicted of committing two of the murders, Michael Self, is now believed to have been innocent and to have only confessed after being tortured by the police. Unfortunately, Self died in prison while waiting for his appeal to be heard.
The 2011 film, Texas Killing Fields, is very loosely based on the murders and the area’s reputation for being a serial killer dumping ground. Sam Worthington plays Detective Mike Souder and Jeffrey Dean Morgan plays his partner, Detective Brian Heigh. (The characters are based on real-life detectives Brian Goetschius and Mike Land.) Brian is originally from New York and is a devout Catholic who views his work as almost being a holy crusade. Mike is from Texas and is a bit more cynical. He’s not happy that Brian insists on helping out Mike’s ex-wife, Detective Pam Stall (Jessica Chastain), whenever a body is found in Pam’s jurisdiction.
The discovery of a dead sex worker leads to Mike and Brian pursuing two pimps (played by Jason Clarke and Jon Eyez). However, it soon becomes apparent that the pimps aren’t the only murderers stalking the area and using the fields as a dumping ground. A young mother is attacked in her house and, when interrogated by Mike and Brian, demands to know why they aren’t out on the streets, looking for the men who attacked her. Later, a mysterious phone call leads Mike, Brian, and Pam out to the killing fields, where they discover another body.
While this is going on, Brian also tries to look after Anne Sliger (Chloe Grace Moretz), a 12 year-old girl who spends her time wandering around town because it’s preferable to spending any time at her home with her mother (Sheryl Lee) or her mother’s creepy boyfriend (Stephen Graham). When Anne is kidnapped, Brian and Mike head into the Killing Fields to find her.
Directed by Ami Canaan Mann, The Texas Killing Fields is an atmospheric film in which every frame is full of a sense of dread. Much as David Fincher did with Zodiac, Mann creates a feeling of a world that has been taken over by evil. Unfortunately, the film itself gets bogged down with a few subplots that don’t really go anywhere. (Jessica Chastain’s character and her relationship with Mike felt somewhat superfluous.) As well, the film’s examination of both Mike’s atheism and Brian’s Catholicism felt a bit shallow at best, as if it was added at the last minute to try to give this thriller some theological heft. The identity of all the killers is pretty obvious from the start. That said, Ami Canaan Mann gets good performances out of her cast and the action scenes are well-executed.
As a final note, the film was not actually shot in the actual Texas Killing Fields. Instead, much like the same year’s Killer Joe and 2013’s Dallas Buyers Club, it was filmed in Louisiana and, to be honest, it looks like it was filmed there as well. There’s little about the film that feels authentically Texan, though it does do a good job of capturing the atmosphere of the bayous.
One of the things that makes David Lynch so special is that he’s willing to take risks and somehow, he always manages to get away with the type of things that would drive you crazy if any other director tried them. For instance, what other director could end an 18-hour film on a note of ominous and disturbing ambiguity and have viewers say, “That was perfect!”
That’s the talent of David Lynch.
Today’s scene that I love comes from Twin Peaks: The Return. Agent Cooper returns someone who might be Laura Palmer to her home in Twin Peaks. However, it appears that the Palmers have either left the house or perhaps they haven’t even moved in yet.
“What year is this?” Cooper asks.
In the night, someone says, “Laura?”
Laura screams.
I know there are some who says that we need a new season of Twin Peaks to explain all of this. I’m not sure that I agree, though I’d love to see everyone again. But, to be honest, I feel this is the perfect ending to Lynch’s American dream.
Wow, there certainly are a lot of vampires in New Mexico!
Well, I guess I can understand the logic behind it. My family used to visit New Mexico frequently. We even lived there for a few months when I was a kid. If you’re looking for a place to hide out, New Mexico is a good place to do it. You can drive for hours without seeing another car or another person. Add to that, New Mexico is state where people respect your privacy. No one’s going to show up at your house demanding to know why you only come out at night.
Of course, if I was a vampire, I might avoid New Mexico because of the bright sunlight. Seriously, if you’re trying to escape being touched by the sun, the New Mexico desert might not be the ideal place to hide out. I don’t know, though. I’ve never been a vampire.
In John Carpenter’s 1998 film, Vampires (actually, John Carpenter’s Vampires because everyone know the power that the Carpenter name holds for horror fans), Jan Valek (Thomas Ian Griffith) is the world’s oldest vampire and he’s looking to perform a ceremony that will take care of that whole sunlight issue. If he can perform the ceremony, he’ll be the most powerful creature in the world.
Fortunately, the Vatican has put together a team of ruthless vampire exterminators. Led by Jack Crow (James Woods), these guys have no problem tracking down vampires and riddling their undead bodies with bullets that have probably been dipped in holy water. Unfortunately, with the exception of Jack and his second-in-command, Tony (Daniel Baldwin), the vampires hunters aren’t too smart because Valek gets the drop on them while they’re partying at a hotel with a bunch of prostitutes. The only survivors are Tony, Jack, and Katrina (Sheryl Lee), a prostitute who was previously bitten by Valek.
After teaming up with an enthusiastic but inexperienced priest named Father Guiteau (Tim Guinee), Jack tries to find a way to stop Valek. Meanwhile, Tony finds himself falling for Katrina despite the fact that Katrina will soon be transforming into a vampire and he and Jack have pledged to destroy every vampire that they come across. It leads to several chases, several bloody shootouts, and a lot of panoramic shots of the New Mexico desert.
The first time I ever watched Vampires, I thought it had its moments of demented fun and I thought that James Woods gave a wonderfully frantic performance as Jack Crow but overall, I got a little bit bored with the film’s constant violence. There’s only so many times that you can watch people die in slow motion before you get tired of it. The second time I watched the movie, I was able to better appreciate the film’s self-awareness. As directed by John Carpenter, it’s intentionally over-the-top in just about every regard and it’s definitely not meat to be taken seriously. It’s a mix of a western and a vampire film and Carpenter is basically saying, “If we’re going to do this, let’s go crazy with it.” The film still has its flaws, of course. Daniel Baldwin seems lost in the role of Tony and the film is oddly paced, It ends awkwardly, with the promise of a direct sequel that was never made. (There were sequels, don’t get me wrong. But Jon Bon Jovi is no substitute for James Woods at his most nervy.) But the important thing is that, on a second viewing, those flaws were overshadowed by John Carpenter’s kinetic direction and the performances of James Woods, Sheryl Lee, and Thomas Ian Griffith.
The first time I watched the film, I thought it was just another movie about modern-day vampires killing people while being hunted by unconventional extrerminators. However, the second time that I watched it, I found myself considering that Vampires is actually a movie about Catholics kicking ass! Yay! The lesson here is to always do a second viewing. Flaws and all, Vampires was far better than I remembered.
Through the Shattered Lens 