TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch)


Why am I posting this review so late?  Check out my previous Twin Peaks post for the explanation.

I have to admit that I’m kind of kicking myself for taking so long to watch Part 15 of Twin Peaks.  This was one of the best episodes of the revival.  It was a deeply intriguing episode, mixing moments of soaring romance with haunting creepiness.  In short, this episode was David Lynch and Twin Peaks at their considerable best.  Because I’m pressed for time and I need to get this written and posted before Part 16 premieres later tonight, I don’t know if I’ll be able to do full justice to how wonderful this episode was.  I’ll try, though.  Be sure to check out Ryan’s thoughts on Part 15, as well.

Things begin, as they so often do, with a one-eyed woman and a shovel…

Nadine Hurley (Wendy Robie) walks through Twin Peaks, carrying her golden shovel with her.  She stops at Big Ed’s Gas Farm and tells Big Ed (Everett McGill) that she’s changed.  She says that she loves Ed but she knows that she’s been a “selfish bitch” and that Ed has “been a saint.”  Nadine explains that she’s using her shovel to “dig” herself “out of the shit” and tells Big Ed that she wants him to be with Norma.  “True love,” Nadine says, “is about giving others what they need to be happy.”

What follows is Lynch at his most deliriously romantic.  Ed drives to the Double R and tells Norma (Peggy Lipton) that he loves her and he wants to marry her.  However, Norma is busy conducting one of her corner booth business meetings with Walter (Grant Goodeve).  She not only allows Walter to buy her out but she also dumps him.  “Family reasons,” she explains before kissing Ed.  A song about love plays in the background.  The wind blows through the trees.  The sun shines through the clouds above.  Briefly, all is right with the world of Twin Peaks…

…so, of course, the very next scene is the Doppelganger (Kyle MacLachlan) driving down a dark road.  Of course, the Doppelganger is always bad news but, for whatever reason, driving always seems to put him in an even worse mood than usual.

The Doppelganger pulls up at the gas station that, way back in Part 8, we saw taken over by the Woodsmen.  (The music playing in the background is “Threnody for the Victims of Hiroshima.”)  With electricity crackling all around, the Doppelganger enters the gas station, approaches a woodsman, and says that he is looking for Philip Jeffries.  The Doppelganger is led to a dark room that is occupied by a strange metal device.  Jeffries’s Southern-accented voice emanates from the device.

Considering the amount of time that these two have apparently spent trying to kill each other, it’s actually a relatively polite conversation.  I have to admit that it caught me off guard seeing the Doppelganger asking questions for once.  I always assumed the Doppelganger knew everything.  (As the Doppelganger and Jeffries talk, Lynch inserts a flashback of David Bowie from Twin Peaks: Fire Walk With Me.)  When the Doppelganger asks if Jeffries was the one who called him, Jeffries replies that he does not have the Doppelganger’s number.  Jeffries says that he and the Doppelganger used to talk regularly.

“You are Cooper?” Jeffries asks.

“Why didn’t you want to talk about Judy?” the Doppelganger asks, “Who is Judy?  What does Judy want from me?”

Jeffries tells the Doppelganger to ask her himself.

Suddenly, a phone rings.  The Doppelganger sees an old landline phone in the corner of the room.  When the Doppelganger answers, this is a loud surge of static and the Doppelganger suddenly finds himself outside the gas station…

And there’s Richard Horne (Eamon Farren), holding a gun on him and saying that he recognized the Doppelganger from a picture that his mother (who we all know is Audrey) used to carry with her.  “You’re FBI!” Richard announces.  (He’s probably Richard’s father, as well.)  The Doppelganger proceeds to rather easily kick Richard’s ass and then tells him to get in the truck.  “We’ll talk on the way,” the Doppelganger explains.

As they drive away, the gas station vanishes.

In the woods around Twin Peaks, Steve (Caleb Landry Jones) and Gersten Hayward (Alicia Witt) are freaking out.  Steven has a gun and keeps saying that he did it.  “You didn’t do anything!” Gersten says, “you were fucking stoned!  What did she give you!?”  Steven loads the gun and, as Gersten begs him to stop, he says that he’s going to end it.  Steven starts to talk about how much he loves fucking Gersten when suddenly, a guy walking his dog wanders by.  Gersten runs and hides behind a tree.  Off screen, there is a gunshot.  (This short but intense scene features some amazing acting from both Alicia Witt and Caleb Landry Jones.)

At the trailer park, Carl (Harry Dean Stanton) meets with the man who was walking his dog.  We see the man point at Steve and Becky’s trailer.

That night, at the Roadhouse, the very excited Emcee (J.R. Starr, who is quickly becoming one of my favorite minor characters) announces that they will be playing “one of our favorites — Sharp Dressed Man by ZZ Top!”  He even has a cardboard volume meter to show how excited he is over the song.  The Emcee starts to dance along to the song.  He’s so adorable!

What’s less adorable is what happens when James (James Marshall) and Freddie (Jake Wardle) are attacked by Chuck (Rod Rowland), who is Renee’s husband.  Freddie, who is wearing his power glove, knocks Chuck unconscious with one punch.

In Las Vegas, Agent Wilson (Owen Rhys-Davies) tells Agent Headley (Jay R. Ferguson) that he’s brought in another Douglas Jones for interrogation.  Apparently, Wilson and Headley are just tracking down everyone named Douglas Jones who lives in Vegas.  However, as quickly becomes apparent when Headley goes down to the interrogation room, they have yet to track down our Dougie Jones.

Elsewhere in Vegas, Chantal (Jennifer Jason Leigh) assassinates both Duncan Todd (Patrick Fischler) and Roger (Joe Adler).  Afterwards, she and Hutch (Tim Roth) eat out in their car and casually discuss the pros and cons of torture.

Back in Twin Peaks, both James and Freddie are led to a jail cell.  Interestingly, the last time we saw James arrested was in the Pilot.  James was put in a cell with Bobby Briggs (Dana Ashbrook).  This time, it’s Bobby leading James to the cell.

Back in Vegas, our Dougie (Kyle MacLachlan) eats a piece of cake and watches Sunset Boulevard on television.  When he hears Cecil B. DeMille mention the name “Gordon Cole,” Dougie responds by crawling across the floor and sticking his fork into an electrical socket.

(It’s interesting to note that, in the scene from Sunset Boulevard, DeMille and Gloria Swanson — in the role of Norma Desmond — were talking about getting everyone back together again and making another picture, despite the fact that Hollywood had changed quite a bit since Desmond’s heyday.  In many ways, that’s exactly what David Lynch is doing with Twin Peaks: The Return.)

In Twin Peaks, The Log Lady (Catherine E. Coulson) calls Hawk (Michael Horse) one last time and tells him that she is dying.  “You know about death,” she says, “that it’s just a change.  Not an end.  It’s time.  There’s some fear, some fear in letting go.  Remember what I told you.  I can’t say more over the phone.  But you know what I mean, for our talks, when we  were able to speak face to face.  Watch for that one, the one I told you about, the one under the moon on Blue Pine Mountain.  Hawk, my log is turning gold.  The wind is moaning.  I’m dying.  Goodnight, Hawk.”

“Goodnight, Margaret,” Hawk replies, “Goodbye, Margaret.”

Later, Hawk tells Andy (Harry Goaz), Lucy (Kimmy Robertson), and Truman (Robert Forster) that “Margaret Lanterman passed away tonight.”

“The Log Lady’s dead?” Lucy replies, and there’s something so heart-breaking about the way Robertson delivers this line.

(It’s made even more heart-breaking by the fact that Coulson died shortly after filming her scenes for the revival.  This episode is not only about the residents of Twin Peaks saying goodbye to Margaret Lanterman.  It’s also about Lynch saying goodbye to his longtime friend, Catherine Coulson.)

Meanwhile, Charlie (Clark Middleton) and Audrey (Sherilyn Fenn) continue to argue about going to the Roadhouse to look for Billy.  Audrey complains about the way that Charlie talks to her.  Billy never talks to her like that.

“I am Charlie,” Charlie says, “and he is Billy.”

“Yes,” Audrey replies, “and I like Billy better.”

“Sensational,” Charlie replies.

They argue a bit more.  Audrey eventually ends up pouncing on Charlie while screaming, “I hate you!  Do you realize how much I fucking hate you!”

At the Roadhouse, the Veils sing a song about drugs.  A woman, Ruby (Charlyne Yi), sits in a booth.  When two men tell her to move, she replies that she’s waiting someone.  The men literally lift her out of the booth and drop her on the floor.  Ruby crawls across the dance floor and screams.

The end credits role over an image of that gas station siting in the middle of nowhere.  “Dedicated to Margaret Lanterman” the final credit reads.

Margaret Lanterman (a.k.a. The Log Lady)

Only three more episodes (and, because the final two are being shown on the same night, only two weeks) left!  That makes me sad.  I’m going to miss Twin Peaks.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman

 

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24 Initial Thoughts About Twin Peaks The Return Part 15 (dir by David Lynch)


Obviously, I’m running very far behind when it comes to watching and reviewing Part 15 of Twin Peaks: The Return.  Erin and I spent last weekend up at Lake Texoma so I set the DVR to record Part 15 so that I could watch it once we returned.  However, this has been the craziest week and, as ashamed as I am to admit it, I just didn’t get a chance to sit down and watch Part 15 until around four this morning.

So, forgive the lateness of this review.  Fortunately, the Trashfilm Guru watched and reviewed Part 15 when it aired and you can read his review by clicking here.  As for me, despite being a week late with this review, I’m going to follow my usual format.  I’m going to post the initial thoughts that I had while watching the latest episode for the first time and then I’m going to rewatch Part 15 and write out a full recap sometime later today (hopefully, before Part 16 airs later tonight on Showtime!).

  1. As I watched the opening credits, I found myself thinking about the fact that, not counting this one, there’s only three episodes left.  I no longer worry about whether or not the show’s “story” is going to reach any sort of resolution.  That’s really not what Twin Peaks is about.
  2. Do you think Nadine just carries that shovel with her everywhere?
  3. Admit it.  At least once in your life, you’ve wished that you had a golden shovel that you could use to dig your way out of the shit.
  4. Oh my God, this scene between Norma and Big Ed…so beautifully performed and directed.
  5. And then to go from the grand romanticism of Norma and Ed to the nihilistic hatred that is symbolized by the Doppelganger.  It’s quite a contrast.  The brilliance of Lynch can be found in his ability to create a world where both romance and evil feel absolutely natural.
  6. The scene where the Doppelganger talks to Jeffries is exceptionally creepy, even by the standards of Twin Peaks.
  7. Oh fuck you, Richard Horne.  You couldn’t even intimidate Red.  What the Hell do you think you’re going to be able to do against the Doppelganger?
  8. Of course, I think we’ve all pretty much figured out that the Doppelganger is Richard’s father.
  9. C’mon, Gersten!  You can do better than Steven!
  10. As I listened to Steven blame everything on being stoned, I wondered if he was buying his weed from Jerry Horne.
  11. I don’t know if David Lynch is planning on ever doing another television series after this (probably not) but if he does, might I suggest a show where Carl Rodd travels across America and gets involved in the lives of random strangers?
  12. Am I the only one fascinated by J.R. Starr’s performance as the Roadhouse’s emcee?
  13. I guess that takes care of Duncan Todd.  Too bad about Roger.
  14. James is in jail with a bunch of people making weird noises.  Some things never change.
  15. Sunset Boulevard!
  16. It was nice of this episode to acknowledge that the name Gordon Cole was taken from Sunset Boulevard.  The original series also featured an insurance agent named Walter Neff.
  17. Agck!  Did Dougie just electrocute himself?
  18. This final scene between Hawk and the Log Lady is heartbreaking, both because the Log Lady was such an iconic character (for many people, she was the ultimate symbol of the show’s sensibility) and that Catherine E. Coulson herself passed away shortly after filming her scenes.  Coulson worked on Lynch’s very first film, Eraserhead.  She was also once married to Jack Nance, who played Pete Martell on the first two seasons of Twin Peaks.
  19. It’s said that, during the making of Eraserhead, Lynch looked at Coulson and told her that he had just had a vision of her holding a log and that someday, he would write a role for her where she would do just that.  That’s an apocryphal story that I hope is true.
  20. Kimmy Robertson’s delivery of the line: “The Log Lady’s dead?” was one of the best moments of the entire season.
  21. Am I the only one who wants Cooper to get back to normal so that he can go to Twin Peaks and beat up Charlie?
  22. Tonight’s musical guest: The Veils.  The Roadhouse gets all the best performers.
  23. Oh my God, the screaming!  When that woman started screaming, our cat jumped off the couch and went ran from the room.
  24. Okay. time to get an hour or two of sleep and then I’ll be back to rewatch Part 15 and post a full recap.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)

TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch)


There are only five hours left in Twin Peaks: The Return and yet, there are still many mysteries to be resolved.  Considering that this is a David Lynch production, it’s entirely possible and probably rather probable that a good deal of those mysteries will never be resolved.

That said, all of the disparate elements of Twin Peaks: The Return have slowly been coming together, providing evidence — if any was needed — that Lynch knows exactly what he’s doing.  In some ways, tonight’s episode was Twin Peaks at its most straightforward.  And yet, nothing can ever be totally straight forward when it comes to Twin Peaks.

We wouldn’t want it any other way.

Tonight’s episode begins with joyful music playing in Las Vegas.  As Anthony Sinclair (Tom Sizemore) watches from his office, the Mitchum Brothers (James Belushi and Robert Knepper) dance down the hallways.  The three ladies in pink are with them.  And so is … Dougie Jones (Kyle MacLachlan), the man who Anthony was supposed to trick the Mitchums into killing!

The Mitchums have come to see Bushnell Mullins (Don Murray) and they’ve brought him gifts, all to thank him for introducing them to Dougie and for helping them to make money off of that insurance claim.  “A wrong has been made right and the sun is shining bright!” Bradley Mitchum declares.

Meanwhile, in his office, Anthony calls Duncan Todd (Patrick Fischler) and tells him that Dougie is still alive.  Todd replies that it’s now Anthony’s responsibility to kill Dougie and he only had one day to do it, not the two days that he promised earlier.

The generosity of the Mitchums continues as both a new car and a jungle gym are delivered to Dougie’s house.  It’s quite a jungle gym as well.  It’s big, it’s lit up with neon, and everything about it just screams Vegas.  Sonny Jim (Pierce Gagnon) is quite happy.  So is Janey-E (Naomi Watts), which is good.  They deserve some happiness.

The next morning, in Montana, the evil Doppelganger Cooper arrives at a compound called The Farm.  Ray (George Griffith) has been hiding out at the Farm with Renzo (Derek Mears) and his men.  When they see the Doppelganger pull up, Ray comments that he killed the Doppelganger.  “You didn’t kill him too good, Ray,” Renzo replies.

Anyway, Ray volunteers to kill the Doppelganger a second time but it turns out that Renzo is something of an arm wrestling fanatic.  Renzo explains that if the Doppelganger can beat him, he’ll get control of the Farm and Renzo’s entire crew.  The only catch is that Renzo has never been defeated.  The Doppelganger says he doesn’t want the farm, he just wants Ray.

The arm wrestling goes about how you would imagine it would go — Renzo ends up getting his arm broken and then his face literally smashed in by one punch from the Doppelganger.  As for Ray, he confesses that it was Phillip Jeffries who hired him to kill the Doppelganger.  Ray explains that he never met Jeffries, he just talked to him on the phone.  Jeffries told Ray that the Doppelganger had something inside of him that “they” wanted.  (Killer BOB, perhaps?  BOB was seen directly inside of the Doppelganger during Part 8.) Ray holds up a ring that he was supposed to put on the Doppelganger’s finger.  Ray says that he got it from a prison guard right before they escaped.  The Doppelganger makes Ray put on the ring.  Ray then gives the Doppelganger a piece of paper with the coordinates that he says he got from Bill Hastings and his secretary (that would be Ruth Davenport).  The Doppelganger asks Ray where Phillip Jeffries is.  Ray says Philip is at a place called “The Dutchman’s.”  The Doppelganger proceeds to shoot Ray in the face.

And guess whose watching all of this unfold?  Richard Horne (Eamon Farren)!  Apparently, ever since fleeing Twin Peaks, Richard has been hiding out in Montana.  So, does that mean that the Farm and the late Renzo had a connection to Red?  If so, how is Red going to react to the Doppelganger killing Renzo and becoming The Farm’s new boss?  And does Richard looked so shocked because he never thought anyone would ever beat Renzo at arm wrestling (not to mention kill him) or is it because he realizes that the Doppelganger is probably his father?

Ray’s body appears inside the Black Lodge.  MIKE (Al Strobel) takes the ring and puts it on a marble table.

Back at the Las Vegas Metropolitan Police HQ, something weird’s going on in the background.  We can hear a woman yelling as she apparently defecates on the floor.  She’s tased and screams, “I want to report a cop!”  Sitting in their office, the Fuscos aren’t too concerned.  It doesn’t even bother them when they receive a report that Dougie has the same fingerprints as both an escapee from a South Dakota prison and a missing FBI agent.  They laugh and throw the report away.

They barely notice as Anthony Sinclair wanders through the station, looking for Detective Clark (John Savage).  Clark is outside smoking a cigarette and he doesn’t appear to be very enthusiastic about the prospect of talking to Anthony.  Anthony asks Clark for the name of a good poison, one that would be undetectable.  Apparently, Clark also works for Duncan Todd.  Clark agrees to help Anthony get the poison.

In South Dakota, Chantal (Jennifer Jason Leigh) and Hutch (Tim Roth) drive down the interstate and, as they enter Utah, discuss what it must be like to be a Mormon.

The next morning, after Janey-E drops him off at work, Dougie runs into Anthony.  A nervous Anthony offers to buy Dougie a cup of coffee at the pastry shop.  Since Dougie is obsessed with coffee, he agrees.  When Dougie gets distracted by a cheery pie in a display case and stands up to go stare at it, Anthony puts the poison in Dougie’s coffee.

When Dougie returns to the table, he is distracted by the dandruff on the back of Anthony’s suit.  Dougie places his hands on Anthony shoulders.  Mistaking this for a sign of friendship, Anthony breaks down into tears and shouts that he never meant to hurt anyone.  He pours out Dougie’s poisoned coffee.  Dougie responds by drinking Anthony’s coffee instead.

In Twin Peaks, at the Double R, Shelley (Madchen Amick) gets a call from Becky (Amanda Seyfried).  Becky’s in tears.  Steven, the man she tried to shoot, hasn’t come home in two days.

Back in Vegas, Anthony sits in Bushnell’s office and says that he’s come to confess.  Standing to the side, Dougie blankly repeats, “Confess.”  Anthony confesses to Bushnell that he’s been working for Duncan Todd and that he’s been lying to Bushnell for years.  Bushnell says that Dougie revealed all of this to him yesterday.  Bushnell asks if Anthony is prepared to testify against Duncan Todd.  Anthony says that he is.

Bushnell asks if Anthony is willing to testify “against the two cops that Dougie found.”

“He know about them too!?” Anthony says.

“Them too,” Dougie blankly repeats.

Anthony says he only wants to fix the mess that he made.  He says that Dougie saved his like.  “Thanks, Dougie!”

“Thank Dougie,” Dougie says.

In tears, Anthony does just that.

At the Double R, Norma (Peggy Lipton) has a meeting with the somewhat oily Walter Lawford (Grant Goodeve).  Apparently, Norma’s Double R is a franchise now.  Walter says that there are several profitable locations in Washington State but Norma is concerned that those locations are using inferior ingredients.  Walter argues that it makes good business sense to cut costs.  This entire scene, of course, feels like Lynch’s commentary on the studio executives who constantly tried to interfere with Twin Peaks the first time around.

Norma and Walter are apparently a couple, as well.  As they talk, they are watched by both Deputy Bobby Briggs (Dana Ashbrook) and Big Ed Hurley (Everett McGill), Norma’s former (?) lover and the husband of Nadine (Wendy Robie).

Speaking of Nadine, she is leaving her silent drape store when who should show up but Dr. Jacoby (Russ Tamblyn)!  As we’ve already seen, Nadine is a huge fan of Jacoby’s podcast.  She even has her own golden shovel hanging in the window of her store.  Dr. Jacoby says that the last time he saw Nadine, she was on her hands and knees, looking for a potato.

At the Palmer House, Sarah (Grace Zabrikie) is drunk and watching a boxing match.  Or, actually, I should say that she’s watching 30 second of a boxing match on a continious loop.  The announcer says, several times: “Oh the right hand catches the big guy by the ear!  And he finally goes down, hanging on the ropes.  Oh, the gentleman asks if he’s okay.  Look like, uh, round number one and two on the way.  Now, it’s a boxing match again.”

Elsewhere, Audrey (Sherilyn Fenn) yells at Charlie (Clark Middleton).  An emotional Audrey says that she feels like she’s somewhere else, like she’s not sure who she is.  Charlie says, “This is Existentialism 101.” Audrey’s not amused and demands to know what she’s supposed to do if she can’t trust anyone and she’s not sure who she is.  Charlie replies that she’s supposed to go to the Roadhouse and look for Billy.  Audrey demands to know where the Roadhouse is.

“Are you going to stop playing games?” Charlie asks, “or am I going to have to end your story, too?”

Audrey starts to cry.

At the Roadhouse, none other than James Hurley (James Marshall) performs the song You and I.  Accompanying him are two backup singers who look like they could be Donna and Maddy.  Considering that the scene during the second season, in which James, Donna, and Maddy performed You And I, is regularly ridiculed by even the show’s biggest fans, you have to wonder if David Lynch is doing some deliberate trolling here.  Well, it does’t matter.  It’s a lovely song, one that perfectly captures the aching feeling of loss that runs through every minute of Twin Peaks: The Return.

At the gas station, Big Ed Hurley sits alone, staring at his gas pumps.

And that’s how Part 13 ends.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)

TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch)


I’m getting a late start on this recap and I imagine that, by the time I’m finished rewatching the latest episode of Twin Peaks and typing all this up, I’ll probably barely be able to keep my eyes open.  Dexedrine is a wonderful and helpful tool but it can only do so much.

(Don’t freak out, I take it for my ADD.  It helps me focus.  The endless energy is just a nice side benefit.)

So, I better not waste any time!  Let’s talk about Part 10 of Twin Peaks!

We open in Twin Peaks, at the trailer park to be exact.  Richard Horne (Eamon Farren) pulls up outside the trailer of Miriam (Sarah Jean Long), the poor woman who was unlucky enough to see him running down that little boy a few episodes ago.  As this episode will demonstrate, Richard is perhaps the most loathsome character to ever appear in a David Lynch film.  Even Blue Velvet‘s Frank Booth never ran down a child while driving around Lumberton.

From inside her trailer, Miriam yells at Richard that not only has she gone to the police but that she also wrote Sheriff Truman a letter, telling him that, if anything happens to her, Richard is the one responsible.  Richard responds by rushing into the trailer and beating Miriam to death.

As Richard walks away from the trailer, he calls his Deputy Chad (John Pirruccello) and orders him to intercept the letter and keep Truman from reading it.

Elsewhere in the trailer park. Carl (Harry Dean Stanton) sits in front of the manager’s office, plays his guitar, and sings.  The gentleness of Carl’s voice provides a stark contrast to the rest of the episode.

Carl’s song is interrupted by the sound of Steve (Caleb Landry Jones), in another trailer, yelling at Becky (Amanda Seyfried) and throwing stuff out the window.  Becky is not only Shelley’s daughter but apparently, she’s found herself married to a modern-day Leo Johnson as well.  Just like Leo, Steve is upset because he feels Becky isn’t keeping their home clean enough.

(Whatever happened to Leo?  I assume all those tarantulas eventually fell on his face and killed him.)

In Las Vegas, Candie (Amy Shiels) — wearing her iconic pink dress — attempts to kill a fly by hitting it with a remote.  Unfortunately, the fly happens to be on the face of Rodney Mitchum (Robert Knepper), which leads to him getting smacked.  Bradley (James Belushi) rushes into the room the make sure that Rodney is okay, while Candie screams and sobs. The fly, I believe, escaped unharmed.

Janey-E (Naomi Watts) and Dougie (Kyle MacLachlan) visit with Dr. Ben (John Billingsley).  While Dougie continues to stare blankly forward, Janey-E explains that he’s been acting strangely for a few days.  Janey-E explains that Dougie has a drinking and gambling problem.  Dr. Ben is bemused by Dougie’s weight loss.  Janey-E agrees that Dougie has lost a lot of weight … “in a good way.”  Dr. Ben announces that Dougie appears to be in perfect health.  “Remarkable,” Janey-E says while looking at the shirtless Dougie.

Back the Mitchum place, Candie is still crying while Rodney assures her that he’s fine.  On the TV, Bradley and Rodney watch a news story about both Dougie and the arrest of Ike the Spike.

“Brad,” Rodney says, “remind me to call off that hit on Ike.”

“Saved us a wad of dough!” Bradley agrees, “Niiiiiiiice!”

Bradley recognizes Dougie from the news.  “That’s our Mr. Jackpots,” Bradley says.

At the Jones house, Janey-E watches Dougie eat cake.  She asks if he finds her attractive.  Dougie says nothing, entranced by the cake.  Janey-E tells him that she finds him attractive.  Dougie stares at her blankly.  Janey-E takes Dougie upstairs, where she rides him while he lays underneath her in a state of stunned euphoria.  (Dougie/Cooper, of course, is experiencing all of this for the first time.)  Afterward, she tells Dougie, “I love you.”  “Love you,” Dougie blankly repeats.

In Twin Peaks, Dr. Jacoby (Russ Tamblyn) rants on his podcast about pharmaceutical companies.  Nadine (Wendy Robie) listens approvingly.  We see that she’s sitting in her own store, Run Silent Run Drapes.  Yay!  Nadine finally perfected her drape runners!

It’s morning in Vegas.  As Sonny Jim (Pierce Gagnon), fresh from being traumatized by all the noise his parents made while he was trying to get some sleep, waits in the car, Janey-E tells Dougie that she can’t stop thinking about last night.  Dougie blankly nods.

In the wilderness outside Twin Peaks, Jerry (David Patrick Kelly) is still lost.  “You can’t fool me!” he yells, “I’ve been here before!”

At the Sheriff’s office, Lucy (Kimmy Robertson) wonders why Deputy Chad is hanging out in the lobby.  Of course, we know that Chad is waiting for the mail so that he can intercept Miriam’s letter.  Chad, however, just says that he’s appreciating the beauty of the day.  Chad sees the mailman pulling up so he runs outside to meet him.  Lucy is rightly suspicious, especially when Chad rather obviously stuffs Miriam’s letter under his shirt.

This is followed by a scene that literally left me queasy.  At the Horne House, a bruised and battered Johnny Horne (Eric Rondell) stares at a creepy toy that has the body of teddy bear and a head of glass.  Throughout the entire violent and brutal scene that will follow, the toy continues to ask — in a vaguely British accent — “Hello, Johnny.  How are you today?”

Johnny Horne (Richard’s uncle)

Richard bursts into the house and demands that Sylvia (Jan D’Arcy) give him money.  When she tells him to ask his grandfather, Richard grabs her by throat.  As Richard attacks her (and Farren is absolutely terrifying in this scene), Johnny falls out of the chair and groans on the floor.  It gets even worse when Johnny calls Sylvia “grandma.”

Sylvia, Richard’s grandmother

In other words, tonight, my greatest fear was confirmed.  Richard is Audrey’s son.  And judging from both his sociopathic personality and their shared affinity for leather jackets, it appears that Richard’s father is the Doppelganger.  A few episodes ago, Dr. Hayward revealed the, when Cooper last saw Audrey, she was still in a coma.

Richard Horne (son of Audrey and Cooper’s Doppelganger)

Richard gets the money.  He also calls his grandmother the C-word and steals her jewelry.  “Why do you have to make something so simple so fucking difficult!?” Richard snaps before leaving.

Seriously, this scene — more than anything else that we’ve seen so far in this series — left me truly shaken.  The performances of Farren and D’Arcy were so intense that, even though I knew it was coming and what would happen, I still had to take a break after rewatching this scene.

After that disturbing scene, we cut back to Las Vegas.  Roger (Joe Adler) tells Duncan Todd (Patrick Fischler) that it’s true that Ike has been captured by the police.  After Roger leaves, we see that Anthony Sinclair (Tom Sizemore) is in Duncan’s office.  Duncan tells Anthony that he’s to go to the Mitchum Brothers and that he’s to claim that Dougie cheated them out of an insurance claim.  Duncan believes that the Mitchums will respond by killing Dougie.  If the Mitchums don’t kill Dougie, Anthony will have to do it himself.

In South Dakota, love is in the air.  Albert (Miguel Ferrer) is on a date with coroner Constance Talbot (Jane Adams).  A bemused Gordon (David Lynch) watches them, with Tammy (Chrysta Bell) at his side.  But Gordon — you belong with Shelley!

Back in Vegas, Anthony goes to the casino and is spotted by the Mitchum brothers.  They tell Candie — who, like the other ladies in pink, is hanging out in their office — to bring Anthony to see them.  “You want me to bring him here?” Candie asks, somewhat vaguely, before heading to the casino floor.

As they watch Candie and Anthony on the surveillance footage, the Mitchum brothers realize that they may have made a mistake sending Candie.  Candie and Anthony start to have a long conversation.  Bradley is finally forced to tell the pit boss, Warrick (David Dastmalchian) to bring both Candie and Anthony back to the main office.

Before Rodney can complain, Bradley says, “If we fire her, she’s got no place to go.”  So, in case you were wondering which brother was the nice brother, apparently it’s Jim Belushi.

Anyway, Candie and Anthony finally arrive at the office.  The Mitchums demand to know what Candie and Anthony were talking about.  Candie thinks for a minute and then remembers that they were talking about how it was going to be hot and smoggy the next day.

Anthony finally gets his chance to tell the Mitchum brothers that Dougie handled their denied claim and that he has a personal vendetta against them.  Anthony is not exactly the best liar and the Mitchums tell Candie to show Anthony out of their office.

“You have an enemy in Douglas Jones!” Anthony shouts.

Later, Bradley and Rodney have a drink in their living room.  Despite Anthony not being the most convincing of storytellers, the Mitchum brothers appear to believe him and they both agree that Dougie has to die.  Rodney announces, “Now I know how Brando felt.”

(Wally Brando, maybe?)

Back in South Dakota, Gordon sits in his hotel room and draws a picture — one that resembles the cave drawings from the 2nd season of Twin Peaks — on a piece of paper.  Someone knocks on his door.  When Gordon answers it, he has a vision of Laura crying while hearing Sarah Palmer (Grace Zabriksie) calling Laura’s name.

As the vision fades, Gordon sees that Albert is standing out in the hallway.  Albert enters the hotel room and reveals that, while they were in the morgue, Diane received a text on her phone: “Around the dinner table, the conversation is lively.”  Albert says that he and Tammy tracked the text as coming from Mexico.  Diane responded with a heavily encrypted message: “They have Hastings.  He’s going to take them to the site.”

“What should we do?” Albert asks.

“Keep her close,” Gordon replies.

Tammy then shows up at the room, revealing that she has new information concerning “the penthouse murders” in New York City.  (That would be the murder of poor Sam and Tracy in Part 1.)  She shows Gordon a picture of the Doppelganger in the penthouse, standing in front of the glass case.

At the Great Northern, Ben (Richard Beymer) takes a call from his now ex-wife, Sylvia.  Sylvia demands that Ben repay her all of the money that Richard stole from her.  Ben refuses.  Sadly, when Ben asks if Johnny’s okay, Sylvia snaps back, “No concern about me!”

Hanging up on his former wife, a frustrated Ben calls out, “Beverly, do you want to have dinner with me?”

At her lonely house, the Log Lady (Catherine Coulson) calls Hawks (Michael Horse) and tell him that “Electricity is humming.  You can hear it in the mountains and rivers…in these days, the glow is dying?  What will be in the darkness that remains?”

(This scene is even more poignant when you consider it was probably the final thing that Coulson ever filmed before passing away last year.)

The Log Lady tells Hawk that the Truman brothers are “true men … they are your brothers … watch and lesson to the dream of time and space…Hawk…Laura is the one…”

At the Road House, Rebekah Del Rio performs, providing both this episode and the series as a whole with yet another link to Mulholland Drive.  (That’s not as crazy as it sounds.  Mulholland Drive was originally envisioned as being a spin-off of Twin Peaks, with Audrey moving to Hollywood.)

What to say about this episode?  It was, in many ways, deceptively simple.  All of the disparate elements of the show are finally coming together.  The appearances by Sizemore, Belushi, and Knepper served to remind us — just as Jennifer Jason Leigh did last week — that Twin Peaks is not just random David Lynch quirkiness.  Everything is connected.  A story is being told.  You just have to have the patience to look for the clues.

And finally, to those reviewers complaining that Twin Peaks: The Return is misogynistic, open your eyes.  Yes, many of the characters are misogynists.  Not a single one of them is, in anyway, portrayed sympathetically.  He may be a surrealist but David Lynch is one of the most humanistic filmmakers of all time.  If the world of Twin Peaks is sometimes ugly, so is the world outside your front door.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)

TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch)


As I watched Part 9 of Twin Peaks on Showtime tonight, it occurred to me that there really are only two types of people in the world.

There are people who love Twin Peaks.

And there are people who hate Twin Peaks and therefore, really don’t matter.

The problem is that, despite not being that important, that second group of people tends to be very vocal.  They really want you to know how much they hate Twin Peaks.  It’s funny to listen to them because you can tell that they think they’re being truth tellers.  They think that they — and they alone — have the guts to admit the truth about Twin Peaks.

They remind me of this idiot who was in a Literature class that I took at the University of North Texas.  Not only did she loudly announce that she would not be reading Lolita but she also said, “Would anyone actually read this book if this class didn’t force them to!?”

(She really seemed to think she was the first person to ever ask that very simple-minded question.)

Seriously, some people are so fucking stupid.  Fortunately, for the rest of us, there was a new episode of Twin Peaks tonight!  Here’s what happened!

Things open in the present day.  We are no longer in 1956 and, I have to admit, I was kind of relieved to see that.  As much as I loved and was intrigued by Part 8, there was also a part of me that was worried that Lynch would spent the next 4 episodes following the Woodsman around as he asked random people, “Got a light?”

(Make no mistake.  If Lynch had gone in that direction, I would have happily watched all four of those episodes.  Though I may not always understand his intentions, I have total faith in Lynch as an artist.)

Doppelganger Cooper (Kyle MacLachlan) walks down a country road, still covered in blood.  He spots a red bandana sitting on a fence post and, with a look of disgust on his face, snatches it.

Above South Dakota, Gordon (David Lynch), Tammy (Chrysta Bell), Albert (Miguel Ferrer), and Diane (Laura Dern) sit on a plane.  Albert and Diane sleep.  Gordon talks on the phone with Colonel Davis, while Tammy listens.  Davis tells Gordon that the body (if not the head) of Major Garland Briggs has been found in Buckhorn.

“I don’t appreciate your language at all!” Gordon shouts back.

No, Gordon — BUCKhorn!

(It’s a corny joke, to be honest.  But, as an actor, David Lynch sells the Hell out of it.  There’s something undeniably charming about how much fun Lynch seems to be having in the role of Gordon Cole.)

Back on the ground, Doppelganger Cooper meets two of his associates, Chantel (Jennifer Jason Leigh, returning for the first time since Part Two) and Gary “Hutch” Hutchens (Tim Roth!).  They have apparently commandeered a farm.  Gary tells Doppelganger Cooper that the farm’s owners are “out back.  Sleepin’.”

Meanwhile, back on the plane, Gordon tells Diane that they’re making a stop in Buckhorn, South Dakota.  “Fuck you!” Diane replies, “I want to go home.”  However, Gordon reveals that it’s a blue rose case.

While Gordon is explaining to the pilot that they’ll be making an unscheduled stop, he gets a call from Warden Murphy (James Morrison.)

“Cooper flew the coop!” Gordon announces and, again, Lynch delivers it with such unapologetic gusto that you can’t help but love both the director and the character.

Back at the farm, Chantel and Doppelganger Cooper walk around back and we see an old couple laying dead on the ground.  As Chantel watches, Doppelganger puts in a call to Duncan Todd (Patrick Fischler) in Las Vegas.  He asks if Dougie is dead.  When Todd replies, “Not yet,” Doppelganger tells him, “It better be done the next time I call.”

Hutch brings the Doppelganger a rifle and a box of bullets.  The Doppelganger tells Hutch that he wants the Warden dead within the next two days and then he has a “double header for you in Las Vegas.”  Hutch then tells Chantel, who is apparently his wife, to “give the bossman a wet one.”  Doppelganger and Chantel share a passionate kiss.

(What’s interesting is that the Doppelganger actually seems to sincerely like both Hutch and Chantel.  He even calls Chantel “sweetheart.”)

This is actually from Part 6 but it’s the Fuscos!

At the Las Vegas Police Department, my favorite detectives — the Fuscos (Eric Edelstein, Dave Koechner, and Larry Clarke) — are asking Bushnell (the wonderfully distinguished Don Murray) if he can think of anyone who would want to harm either Dougie or Janey-E (Naomi Watts).  Bushnell says no, though tempers do run high in the insurance business.  He also mentions that Dougie has been working for him for 12 years and that he can occasionally seem slow because of the lingering effects of a car accident.

My favorite Fusco — Smiley Fusco — starts to giggle.

Out in the hallway, Dougie and Janey-E sit on a bench and wait,  Bushnell approaches and tells the blank-faced Dougie/Cooper that he can take the rest of the day off.  Janey-E says that’s great.  She needs to get him to a doctor, anyway.  Meanwhile, Dougie/Cooper stares, entranced first by an American flag and then on a random secretary who is wearing the same type of red high heels that Audrey Horne used to wear.  Finally, he stares at an electrical socket and we’re reminded that the residents of the Black Lodge often travel through electrical currents.

Meanwhile, in their office, the Fuscos discuss the fact that there is no legal record of Dougie Jones even existing before 1997.  Could he be in witness protection?  D. Fusco has a friend at the Justice Department that he says he can call.  The Fuscos then start to talk about broken taillights, which leads to Smiley Fusco giggling.  Soon, all the Fuscos are laughing!  Good times!

But it’s not all fun and games.  D. Fusco also takes Dougie/Cooper a cup of coffee, the better to get his finger prints and his DNA.

Speaking of fingerprints, another officer announces that the prints off that gun have come back!  It belonged to Ike the Spike ( Christophe Zajac-Denek), who has apparently been tracked down to a cheap motel.  The Fuscos rush to the motel to “join the fun.”  The police catch Ike just as he’s leaving his motel room.  Smiley Fusco starts to giggle.

At the Twin Peaks Sheriff’s Department, Lucy (Kimmy Robertson) and Andy (Harry Goaz) shop for furniture online.  Lucy wants a beige chair.  Andy wants a red chair.  Andy says that they can get the beige chair so Lucy orders the red chair.  They’re so cute!

At the Horne House, Johnny Horne (Eric Rondell, who I guess is replacing Robert Bauer in the role) slams his head into a wall, crashing to the floor and leaving a bloody hole in the plaster.  Sylvia Horne (Jan D’Arcy) cries over Johnny’s body.

Deputy Bobby Briggs (Dana Ashbrook) drops in on his mother (Charlotte Stewart), the wife of the late Garland Briggs.  Bobby, however, does not come alone.  He has brought Truman (Robert Forster) and Hawk (Michael Horse) with him.  They ask her about Cooper’s final visit with Major Briggs, the visit that occurred the day before Briggs’s mysterious death.

Mrs. Briggs says that she’s not surprised.  Before his death, Major Briggs told her that, one day, Truman, Hawk, and Bobby would ask her about Special Agent Dale Cooper.  Mrs. Briggs says that the Major told her to give them something when they asked, a black tube that she has apparently been hiding in a chair for over 25 years.

What follows is a truly brilliant piece of acting from Charlotte Stewart, who previously starred in Lynch’s very first film, Eraserhead.  Mrs. Briggs’s monologue, with it’s unapologetic mix of melodrama and sentiment, feels like a throw back to the old Twin Peaks.  she explains that Major Briggs somehow always knew that Bobby would grow up to be a better man then he was at the time of the Major’s death.

At the Bucktorn morgue, Gordon, Tammy, Diane, and Albert meet with Knox (Adele Rene) and Macklay (Brent Briscoe).  When Diane lights a cigarette, she deals with Macklay’s objections by pointing out that “It’s a fucking morgue!”  After everyone else leaves to look at the Major’s headless body, Diane looks at a message on her phone: “AROUND THE DINNER TABLE.  THE CONVERSATION IS LIVELY.”

Meanwhile, Macklay gets Gordon, Tammy, and Albert up to date on what’s been happening in the Bill Hasting case.  Apparently, his lawyer — George — was arrested for the murder of Bill’s wife.  (We, of course, know she was actually killed by the Doppelganger.)  The day after, Bill’s secretary was killed by a car bomb.

“What’s happening in season 2?” Albert asks, a cheerful acknowledgement of the fact that Twin Peaks started out as a deliberately over the top nighttime soap opera.

As they stand over the Major’s headless body, Macklay goes on to explain that Bill and Ruth Davenport were working on “some strange little blog about an alternate dimension.”  Apparently, in his final post, Bill wrote, “Today we entered the Zone and we met the Major…”  Meanwhile, the coroner (Jane Adams) shows them the ring that she found in the Major’s stomach.  She reads the inscription, “To Dougie, Love Janey-E.”

In Twin Peaks, Jerry (David Patrick Kelly) is still stoned and lost in the wilderness.  He looks down at his shoes and hears a voice: “I am not your foot.”  Is Jerry just really high or has his foot been possessed by something from the Black Lodge?

At the Sheriff’s Department, everyone is on their lunch break.  Everyone but Truman, Bobby, and Hawk.  They’re too busy trying to open that black tube.  Fortunately, Bobby knows how to do it.  (It basically involves throwing it down on the ground several times.)  Inside the tube are two small pieces of paper.  The first features a drawing of the two mountains (the literal twin peaks) and the following directions: “253 yards, east of Jack Rabbit’s Palace.  Before leaving Jack Rabbit’s Palace, put some soil from that area in your pocket.”  There are also two dates (10/1 and 10/2) and a time (2:53).  Truman says that’s two days from now.

Bobby laughs, saying his father has apparently set all of this up so that he can be the hero.  Apparently, Bobby knows exactly where Jack Rabbit’s Palace is because his father used to take him there when he was a little kid.  It’s a place in the wilderness where they went to “make up stories.”  Bobby was even the one who named the place Jack Rabbit’s Palace.

“He saw all this,” Truman says, “whatever this is.”

On the second piece of paper are a series of numbers and two words: “Cooper/Cooper.”

“Two Coopers,” Hawk says.

Back in South Dakota, Diane is joined outside by Gordon and Tammy.  They watch Diane smoke.  Gordon takes a puff off the cigarette.  It’s a classic Lynch scene, one that turns social awkwardness into an art form.

Later, as Gordon, Albert, Diane, and Macklay watch, Tammy talks to Bill Hasting (Matthew Lillard).  Bill does not appear to be adjusting well to prison.  He will not stop sobbing.  Tammy asks him about his blog, “Search for the Zone.”  Bill explains that Ruth was very good at discovering hidden records.  She could pinpoint the exact time and the exact place where they would be able to enter another dimension.  Bill says that he and Ruth met the Major in another dimension.  The Major was “hibernating” but he wanted to go to a different place and he asked Bill and Ruth to get him the “coordinates” of a secret military base.  Bill says that they got the numbers but then “something terrible happened.”  Others entered the dimension and attacked the Major and demanded to know the name of his Bill’s wife.

Tammy interrupts to show Bill six pictures and she asks him to identify the Major.  Bill points to a picture of Garland Briggs.  Bill then says that, after they gave him the coordinates, the Major floated up in the air and said two words: “Cooper, Cooper…”  It was beautiful, Bill says.  And then Ruth was dead and then suddenly, Bill woke up in his own house.

“I want to go scuba diving,” Bill wails.

Watching the scene, Albert says, “Fruitcake, anyone?”

That night, at the Great Northern, Ben (Richard Beymer) and Beverly (Ashley Judd) are still listening to the strange humming in his office.  (Ben doesn’t seem to be too concerned about Johnny smashing his head into a wall earlier that day.)  Then, in a totally surprising turn of events, Ben tells Beverly that he can’t have an affair with her.

“You’re a good man, Ben,” Beverly replies, reminding us that she’s still relatively new to town.

At the Roadhouse, two apparent meth heads have a conversation.  One complains that she has a “wicked rash” under her arm pit.

And our episode ends with another haunting musical performance, this time from Au Revoir, Simone.

Obviously, this episode will not get as much attention as Part 8.  This is a much more straight forward episode, or at least as straight forward as Twin Peaks is ever going to get.  That said, after the high of Part 8, I was happy to get this rather normal episode.  Not only did it reintroduce us to some characters and actors who I thought we may never see again (like Jennifer Jason Leigh and Matthew Lillard) but it also linked up several of the storylines that have been developing since Twin Peaks: The Return began.  With this episode, David Lynch assured us that he does have a destination in mind.

I can’t wait to see where he’s taking us.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)

TV Review: Twin Peaks: The Return “Part 6” (dir by David Lynch) (SPOILERS)


It’s time to take another trip into the world Twin Peaks!  Below is my recap of the latest episode.  Along with reading my thoughts, be sure to check out Ryan’s review of the episode as well!  And, if you want to see where my mind was immediately after the end of Part 6, check out my initial thoughts here!

I have to admit that I cringed a little when Part 6 opened with Cooper/Dougie (Kyle MacLachlan, of course) still staring at that statue.  It was an image that was somehow both touching and annoying.  There’s an innocence to Cooper/Dougie that makes you want to protect him and, at the same time, it’s hard not to want the old Cooper back.  No matter what, I do have to admire David Lynch for having the courage to take the risk of maintaining such a leisurely pace when it comes to telling this story.  It goes against all conventional wisdom.

After coming across Dougie/Cooper still staring at the statue, a friendly police officer takes him home.  (Dougie/Cooper is obsessed with the officer’s badge and can still only identify his house by using the red door.)  Janey-E (Naomi Watts) has finally reached the point where she’s willing to accept that Cooper/Dougie needs to see a doctor but she still seems to be in denial about just how strange her “husband” is acting.  If anything, the Cooper/Dougie storyline demonstrates the lengths that some people will go to in order to pretend that everything’s normal.

Dougie/Cooper is sent upstairs, by Janey-E, to say goodnight to Sonny Jim (Pierce Gagnon).  This leads to a genuinely sweet scene, in which Sonny Jim and Dougie/Cooper take turns clapping their hands and making the lights go out and come back on.

However, that fun is interrupted by Janey-E.  While going through the file that Dougie/Cooper brought home from work, she comes across an unmarked brown envelope.  Inside is a picture of Dougie with Jade (Nafessa Williams).  Janey-E realizes that not only has Dougie/Cooper not paid the money that he owed the loan sharks but that he’s also been seeing a prostitute.  “You are in the dog house, mister!” she shouts.  Dougie/Cooper, on the other hand, is just happy to see a picture of Jade.

“Jade,” he smiles, remembering that she once gave him a ride to a casino.  (“Jade gave two rides,” Dougie/Cooper says, blankly.)

Suddenly, the phone (a landline!) rings.  “Maybe it’s Jade calling!” Janey-E snaps.

“Jade,” Dougie/Cooper smiles.

Janey-E answers and discovers that it’s the loan sharks calling.  They want their money.  Janey-E tells them that there’s no way that Dougie/Cooper is going to be able to pay, especially if they do the typical loan shark thing and break his legs.  (Naomi Watts, incidentally, totally kicks ass in the role of Janey-E.)  Janey-E agrees to meet with Dougie/Cooper’s “friends” the next afternoon.

“Tomorrow’s a big day!” Janey-E snaps at him.

“Big day,” Dougie/Cooper agrees.

“Yes, sweetheart,” Janey-E agrees.

Meanwhile, somewhere — perhaps in Twin Peaks — a green light turns red and there is the sound of electricity.  In the Black Lodge, One-Armed MIKE (Al Strobel) walks with his one arm raised to the air.

Suddenly, MIKE appears in Dougie/Cooper’s living room.  “You have to wake up!  Wake up!  Don’t die.  Don’t die!  Don’t die!” he tells Dougie/Cooper before vanishing.  Dougie/Cooper responds by drawing what appears to be a ladder and steps on his work files.  It’s hella creepy.

Cut to Albert Rosengfield (Miguel Ferrer) driving through the rain.  (Is he in New York?  That’s what I assumed, mostly because I assume all big, unnamed cities are meant to be New York.)  After parking his car and getting out in the rain, Albert struggles with umbrella and then shouts, “Fuck Gene Kelly!  You motherfucker!”  It’s a funny line but also a sad one, as it reminds us of the great actor we lot when we lost Miguel Ferrer.

Albert steps into a trendy bar.  He approaches a blonde woman at the bar.  “Diane?” he says.  She turns around.  OH MY GOD, IT’S LAURA DERN!

(Yes, after 25 years, we’ve finally met the Diane that Cooper always spoke of.  Even better, she’s played by the one living performer — Jack Nance, sadly, is no longer with us — who is as closely linked to David Lynch as Kyle MacLachlan.)

Laura Dern as Diane

Cut to Twin Peaks.  At a lumber yard, psycho Richard Horne (Eamon Farren) has apparently just snorted the greatest cocaine ever.  He’s at a meeting with Red (Balthazar Getty) and several heavily armed men.  Apparently, Red is the new Twin Peaks drug lord.  (I guess the Renault family has gotten out of the game.)  Red says that he’s been in town for a few weeks and he likes it.  (During Part One, we briefly saw Red at the Roadhouse, making eyes at Shelley.)

Red is a typically talkative David Lynch drug dealer.  He says that he has problems with his liver.  He wants to know if Richard has ever really studied his hand.  Red talks about how much he likes The King and I.  In between all the random comments, he worries that Richard doesn’t have his drug use under his control and then says, “I’m going to be watching you, kid.”

“Don’t call me kid,” Richard says.

Red thinks that’s the funniest thing he ever heard.  Red also explains that, if Richard screws up, he’ll saw open Richard’s head and eat his brains.  Red does an elaborate magic trick with a dime, flipping it into the air where it apparently hangs in suspended animation before briefly appearing in Richard’s mouth.  Richard pulls the dime from his mouth, just to have it disappear from his hand.  Suddenly, the dime falls into Red’s hand.  Red explains that the dime represents the two of them.  “Heads, I win,” Red explains, “tails you lose.”

(Balthazar Getty is totally and completely chilling as Red.  He’s certainly a better actor now than he was when he made Lost Highway.)

Anyway, Richard doesn’t take this well because, in the very next scene, he’s driving his pickup truck, crying, and screaming, “Fuck you, man!”

Meanwhile, at a nearby trailer park, Carl (Harry Dean Stanton) is starting his day.  (You may remember Carl as the trailer park manager from Twin Peaks: Fire Walk With Me.  Apparently, he’s moved to Twin Peaks.)  Carl, who says he’s mostly just waiting for die, is driven into town by a friend.  Accompanying them is a man (Jeremy Lindholm) who talks about his wife, Linda.  She’s in a wheel chair and the man says that it’s taken forever for the government to send them their money.

“Fucking war,” Carl says, “Fucking government.”

(Damn straight, Carl!  Also, remember in Part One, the Giant told Cooper that he needed to find Richard and Linda.  Well, we’ve already met Richard Horne and, in this episode, we learned about Linda.  But are the same Richard and Linda that Cooper needs to find?)

At the Double R, we discover that apparently there hasn’t been any staff turnover in 25 years.  Shelley (Madchen Amick) is ringing up customers.  The German waitress is still taking orders.  A customer named Miriam (Sarah Jean Long) says that she loves Double R coffee.  She’s a teacher.  “The kids this year are so cute!” she says.  There’s much giggling.  Surely, nothing bad could possibly be about to happen with all of this happiness going on…

Uh-oh, Richard’s still driving and yelling.  “I’ll show you a kid!” he shouts, slamming down on the accelerator.  Damn, Richard — is that any way for a Horne to behave!?

Carl sits in a park and stares up at the trees.  He watches a mother playing with her young son.  He smiles at them.  Carl appears to have calmed down considerably over the past 25 years.

Richard, being the worst human being ever, runs a stop sign.  Well, what could go wrong on such a beautiful day, right?  I mean it’s not safe but — OH SHIT, RICHARD JUST RAN OVER THE KID!  And then he keeps on driving, all the while screaming that it’s not his fault!  While he’s yelling, he suddenly realizes that Miriam — who is standing outside of the Double R — has seen his truck and his face.

Meanwhile, the mom is left cradling her dead son, while a group of onlookers stare at them.  Carl runs out to the street and sees a yellow flame (the boy’s soul, maybe?) floating into the atmosphere.  Of all the witnesses, only grizzled old Carl attempts to provide any comfort to the sobbing mother.

As the scene ends, the camera zooms in on the power lines.  We hear the crackling of electricity.  Remember how Killer BOB was always connected to electricity during the show’s initial run?

In Las Vegas, Duncan Todd (Patrick Fischler) sees a large red square on his laptop.  He gets an envelope out of a cabinet and puts it on his desk.  The envelope has a black dot on it.  (In case you’ve forgotten, Todd appeared briefly during Part 2.  He’s a Vegas business executive who apparently is in some sort of debt to some powerful and frightening people.)

At Rancho Rosa, the cops are looking over the remains of Dougie’s car, which exploded last episode.  One cops find the license plate on the roof of the house.  Meanwhile, across the street, Druggie Mom (Hailey Gates) chants, “One one nine!  One one nine!”

At a motel, a little person named Ike “The Spike” Stadtler (Christophe Zajac-Denek) sits at desk and plays with some dice.  Why is he called The Spike?  Well, we’re about to find out.  Someone slips an envelope under his door.  (It looks like the same envelope that was on Duncan’s desk.)  Inside the envelope are pictures of Dougie and Lorraine (Tammy Baird), the woman who was previously hired to kill Dougie.

Meanwhile, Dougie/Cooper is back at work.  He’s got his big case file with him.  Unfortunately, his boss, Bushnell Mullins (Don Murray) is not impressed with Dougie/Cooper’s ladder drawing.  “Look at all of these childish scribbles,” he says, “how am I going to make any sense of this?”

“Make sense of it,” Dougie replies.

(Judging from the poster in his office, Bushnell was once a professional boxer.)

Suddenly, after looking at a few more of Dougie/Cooper’s drawings, Bushnell says, “Dougie, thank you.  I want you to keep this information to yourself.  I’ll take it from here but I may need your help again.”  Bushnell smiles.  “You’ve certainly given me a lot to think about.”

“Think about,” Dougie/Cooper replies.

“You’re an interesting fellow,” Bushnell says.

Meanwhile, Janey-E meets with the two men who claim that Dougie owes them money.  They explain that Dougie put a bet on a football game and lost.  They try to be intimidating but they don’t know who they’re dealing with.  Janey-E doesn’t have any time for their crap and she’s not afraid to let them know it.  She’s especially not impressed with their claim that Dougie owes them $52,000 when the bet was only for $20,000.

Nope, Janey-E’s not having it.

“We are not wealthy people!” Janey-E snaps, “We drive terrible cars!  We are the 99 per centers and we are shit on enough and we are certainly not going to be shit on by the likes of you!”  (If this seems surprisingly political for the normally apolitical David Lynch, it’s worth remembering that the script was co-written by Mark Frost, who is far more outspoken politically.  As a general rule, overly political stuff bores me to tears but Naomi Watts really kicks ass in his scene, totally selling every line.)  Janey-E gives them $25,000 and tells them to go away.

“What kind of a world are we living in where people can treat each other like this!?”  Janey-E says, before driving away.  “We are living in a dark, dark age.”

Meanwhile, Ike attacks Lorraine in her office and, in a disturbingly graphic scene, stabs her and at least two other women to death with a spike.  (Hence, his nickname.)

Back in Twin Peaks, Richard parks his truck in a field and tries to clean off the boy’s blood.

In the Sheriff’s Department, Deputy Hawk (Michael Horse) is in the men’s room when he sees a dime roll across the floor.  He follows the dime into a stall and, after picking it up, sees a metal sign proclaiming that the stall was built by Nez Perce Manufacturing.  And apparently, Nez Perce’s logo is a Native American chief.  Hawks sees that the top of the door is split open.  Hawk splits the door open further and finds several pieces of paper.

Meanwhile, Doris Truman (Candy Clark) comes by and yells at Frank (Robert Forster).  Doris is upset because her father’s car is not running right.  “Why are you always against me!?” Doris demands.  The other deputies say they wouldn’t put up with Doris but Maggie (Jodi Thelen) tells them that they don’t know what they’re talking about.  Doris, Maggie explains, changed after their son committed suicide.

“I know that,” one of the deputies says, mockingly, “he couldn’t take the pressure of being a soldier.”

(Is it possible that the death of Truman’s son — who it sounds like may have had PTSD — could be related to Linda, who — judging by Carl’s comments about the “fucking war” — may have been wounded while serving in the Army?)

And we close out with another haunting musical performance at the Roadhouse, the week courtesy of Sharon Van Etten.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)

14 Initial Thoughts About Twin Peaks: The Return Part 6 (dir by David Lynch)


As always, a full-scale recap will be posted either later tonight or at some point tomorrow.  These are just some initial thoughts that I had while watching the sixth part of Twin Peaks: The Return!

1. The opening theme music by Angelo Badalamenti is just as haunting as ever.  That may seem like an obvious thought but one should never underestimate just how important that music is to this show.  It sets the mood for everything that follows.  No matter what’s happened in your life in between episodes, hearing that music immediately puts you back into the world of Twin Peaks.

2. I have to admit that I kind of hope Tom Sizemore will show up in tonight’s episode, if just because of this twitter exchange that I came across yesterday.

3. As strange as Dougie/Cooper may be acting, the strangest part of his storyline is how everyone in his life refuses to accept that he’s acting strangely.  If nothing else, the Dougie/Cooper scenes have served to illustrate just how far people will go to avoid having to admit that anything out of the ordinary is happening.

4. Once again, Twin Peaks has reminded us of how much we’re gong to miss Miguel Ferrer.

5, Diane!  We finally met Diane but, just in case you haven’t seen the episode yet, I’m not going to spoil things by revealing who played her.

6. Admittedly, if you follow me on twitter, you may have seen me recently saying that I though Balthazar Getty’s performance was very detrimental to Lost Highway.  Well, while I’m not going back on that opinion, Getty gave a pretty good performance tonight.

7. It’s Harry Dean Stanton, recreating his role from Twin Peaks: Fire Walk With Me!

8. So, basically, in 25 years, there has been zero staff turnover at the diner.

9. I am going to be so careful driving tomorrow.  I’m not going a mile over the speed limit.

10. The little boy’s soul, if that’s what it was, flying into the air reminded me of a post my sister did about spirit photography.  Check it out here.

11. Hey, Patrick Fischler’s back!  I was wondering if we’d get to see him again.  You may remember him as the guy in Mulholland Drive who had the nightmares about an evil creature living behind a dumpster.

12.  “One one nine!”  The druggie mother is played by an actress named Hailey Gates and the character freaks me out every time she shows up.  Gates also hosts a show on Viceland.  (Yes, Viceland still exists.)

13. I loved Don Murray’s exasperation at seeing Dougie/Cooper’s “work.”

14. Naomi Watts needs her own spin-off series.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman