TV Review: Twin Peaks: The Return Part 16 (dir by David Lynch)


Cooper’s back!

If you needed to sum up the latest episode of Twin Peaks: The Return in just two words, those would be the words to use.  After spending 15 hours with just the Doppelganger and Dougie, it is so wonderful to finally have Dale Cooper back.

Tonight’s episode of Twin Peaks was the best since Part 8.  In fact, I would rate Part 16 even higher than Part 8 because Part 16 shows that David Lynch is more than just a surrealist.  He’s also a filmmaker with a heart.  If you didn’t get emotional when Dale said, “I am the FBI,” then you have no feelings, it’s as simple as that.  You’re a zombie or maybe you’re a doppelgänger yourself.  As we learned tonight, there’s more of them out there than just evil old Mr. C.

Part 16 opens with the Doppelganger (Kyle MacLachlan) and Richard (Eamon Farren) driving at night.  The Doppelganger pulls off to the side of a country road.  He turns on his truck’s spotlights and shines them on a nearby rock.  The Doppelganger and Richard get out of the truck.  Richard asks why they’ve stopped.  “Pay attention,” the Doppelganger replies, “and you’ll find out.”

The Doppelganger goes on to explain that he’s looking for “a place.”  Three people have given him coordinates to the place.  Two of the coordinates match.  The Doppelganger says that the rock matches up with those two coordinates.  The Doppelganger sends Richard to investigate the rock and, in a quite satisfying turn of events, Richard is electrocuted and violently killed.  Bye bye, you douchebag.

“Goodbye, my son,” the Doppelganger says, confirming what we all suspected about Richard’s parentage.

Meanwhile, on a nearby hill, a stoned Jerry Horne (David Patrick Kelly) watches all of this play out.  (Perhaps it’s because he was too far away or because he was too high but Jerry didn’t seem to notice that the man being electrocuted was his grandnephew.)

In Las Vegas, Chantal (Jennifer Jason Leigh) and Hutch (Tim Roth) are in a van, staking out Dougie’s house and waiting for a chance to assassinate him.  As they watch, the FBI pulls up outside of the house.  When Special Agent Headley (Jay R. Ferguson) knocks on the front door, no one answers.  Needless to say, he’s not happy about that.  As usual, he yells at Wilson (Owain Rhy-Davies).  Poor Wilson.

The reason no one is home is because Dougie (Kyle MacLachlan) electrocuted himself during Part 15 and he’s now in a coma.  Bushnell (Don Murray), Janey-E (Naomi Watts) and Sonny Jim (Pierce Gagnon) are all in his hospital room, looking over him.  The Mitchum brothers (Jim Belushi and Robert Knepper) drop by, delivering flowers and finger sandwiches.  They also announce that they’re going to go to Dougie’s house and drop off some food so that Janey-E doesn’t have to worry about cooking.

Meanwhile, Bushnell gets a call from the office, telling him that the FBI just came by and that they’re now heading to the hospital to see Dougie.

In front of Dougie’s house, Chantal and Hutch are still hiding out in the van and waiting for Dougie to show up.  “It’s going to be a long day,” Hutch says.  (Leigh and Roth make such an entertaining couple that you almost feel bad that they’re playing psychotic murderers.)  They watch confused as the Mitchum Brothers and their entourage pull up to the house and drop off several trays of finger sandwiches.

Suddenly, a man pulls up behind the van.  He’s driving a car that has “Zawaski Accounting” on the side of it.  However, this guy doesn’t seem like your typical accountant.  For one thing, he’s extremely angry about Chantal and Hutch parking in front of his driveway.

“GO FUCK YOURSELF!” Chantal yells.

The accountant gets back into his car and starts to ram the van.  This really pisses off Chantal so she shoots the guy.  However, the accountant has a gun of his own and shoots back.  This leads to a violent shooutout, one that leaves Chantal and Hutch dead.  The accountant surrenders to Agent Wilson, who was also staking out Dougie’s house.

Watching the fight from Dougie’s front porch, Bradley Mitchum wonders, “What the fuck type of neighborhood is this?”

“People are under a lot of stress, Bradley,” his brother explains.

Back at the hospital, Dougie suddenly wakes up.  He sits up and he sees MIKE (Al Strobel) staring at him.

“You are awake?” MIKE asks.

“One hundred per cent,” Dougie replies in a confident and authoritative voice…

OH MY GOD, COOPER’S BACK!

“Finally,” MIKE says.  MIKE goes on to explain that the Doppelganger is still out there.  He hands Cooper the owl ring.

Cooper gives MIKE a strand of his hair and says, “I need you to make another one!”  (I assume Cooper is telling MIKE to make another doppelganger.)

“I understand,” MIKE says before vanishing.

It quickly becomes apparent that Cooper really is 100% back.  He is no longer blank-faced.  He is no longer blandly repeating the last two words that he heard.  Instead, he is back to being the talkative Cooper that we all know and love.  After getting the doctor to “verify that my vitals are A-okay,” Cooper tells Bushnell that he’s a good man and tells Janey-E and Sonny Jim to go to the car.

(“Dad sure is talking a lot,” Sonny Jim says.)

Before leaving, Cooper is told that the FBI is looking for him.  Cooper smiles and delivers the line of the episode: “I am the FBI.”

(Cooper also borrows Bushnell’s gun and calls the Mitchum Brothers, telling them that he’s going to need plane to Spokane, Washington.)

As Cooper, Janey-E, and Sonny Jim drive away from the hospital, the classic Twin Peaks theme music swells on the soundtrack, letting us know in no uncertain terms that Cooper is back and things are going to be okay.

In South Dakota, Diane (Laura Dern) gets a text from The Doppelganger. “: – ) All”  As a distorted remix of Muddy Magnolias’s American Woman plays on the soundtrack, Diane takes the elevator up to Gordon’s room, where Gordon (David Lynch), Tammy (Chrysta Bell), and Albert (Miguel Ferrer) are all waiting for her.

In a scene featuring some of the most brilliant work of Laura Dern’s career, Diane tells them about the last night that she saw the Doppelganger.  She reveals what the show had already heavily implied, that the last time she saw the Doppelganger, he raped her.  Afterward, he took her to “some place like an old gas station.”

Suddenly, Diane says, “I’m in the sheriff’s station.  I sent him those coordinates.  I’m in the sheriff’s station because I’m … it’s not me.”

Diane pulls a gun from her purse, just to get shot by Tammy and Albert.  Diane immediately vanishes.

“Wow,” Tammy says.

Suddenly, we’re in the waiting room of the Black Lodge.  Diane sits in a chair.  MIKE is across from her.  MIKE tells her that she’s not real, that she was manufactured.  “I know.  Fuck you,” Diane says before her face disappears in a puff of black smoke.

At the casino, the Mitchum Brothers greet Cooper, Janey-E, and Sonny Jim.  Cooper tells Janey-E and Sonny Jim that he loves them but that he has to go away.  However, he promises that he will return.  Even though Cooper is no longer Dougie, he still loves both of them.  “We’re a family,” he says, “Dougie — I mean, I will be back.”  Cooper reassures Sonny Jim that he is his dad, whether he’s Dougie or not.  “I have to go but I’ll see you soon,” Cooper says, “I’ll walk through that red door and I’ll be home for good.”

Cooper leaves with the Mitchum Brothers.  As they drive to the airport, the Mitchums ask Cooper if he really works for the FBI.  Cooper says that he does.  The Mitchums explain that they typically don’t get along with law enforcement.  In a classic Cooper moment, Dale says, “I read you 100%.  Friends, that’s about to change.  I am a witness that you both have hearts of gold.”  The Mitchums are touched.

At the Roadhouse, the MC (JR Starr) announces that the Roadhouse is proud to present Edward Louis Severson (Eddie Vedder, whose real name is Edward Louis Severson).  As Vedder sings Out of Sand (which, no offense to you Eddie Vedder fans out there, is perhaps the most boring song ever to be performed at the Roadhouse), Audrey (Sherilyn Fenn) and Charlie (Clark Middleton) finally show up.  They get a drink at the bar.  Audrey raises a toast to Billy.

Suddenly, the MC announces: “And now … Audrey’s Dance!”

Everyone on the dance floor moves to the side, retreating to the shadows.  The house band starts to play Audrey’s theme music from the original series.  Audrey appears to go into a trance and she starts to do the same dance that, 25 years previously, she did at the Double R while everyone else in town was wondering who had killed Laura Palmer.

Suddenly, a fight breaks out in the Roadhouse.  Two men are fighting over a woman named Monique.  Audrey snaps out of her trance and runs off the dance floor.  She goes to Charlie.  “Get me out of here!” she says.

Suddenly, Audrey is in a white room, staring at herself in a mirror.  “What!?  What!?” she says as the mirror shakes…

And, for now, that’s where we leave things.

Oh my God, what a wonderful episode!  Twin Peaks: The Return concludes next week.  As much as I want to see where Lynch’s journey is going to lead, I am going to miss this show and its mysteries.  After Twin Peaks: The Return ends, it’s going to be hard to just watching mere television.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  76. 32 Initial Thoughts about Twin Peaks; The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  77. This Week’s Peaks: Part 16 by Ryan C (trashfilm guru)

32 Initial Thoughts on Twin Peaks: The Return Part 16 (dir by David Lynch)


As always, these are just the initial thoughts that I had when I first watched the episode.  Later tonight or tomorrow, I will rewatch the episode and post a full recap!

  1.  Several friends and acquaintances have already told me that tonight’s episode is amazing.  I can hardly wait to see what happened tonight.
  2. These driving scenes always make me think of Lost Highway.
  3. “I’m 25 years your senior…”  You’re also his father, Doppelganger!
  4. Agck!  So much for Richard.  To be honest, that’s the most satisfying Twin Peaks death so far.
  5. I love watching Tim Roth and Jennifer Jason Leigh act opposite each other.
  6. Poor Agent Wilson.  Always getting yelled at.
  7. The Mitchum Brothers are the nicest gangsters around.
  8. “These are what you call finger sandwiches.”
  9. I absolutely hate it when people park in front of my house so I totally related to the whole driveway scene.
  10. Well, so much for Chantal and Hutch.  It’s probably for the best.  They were funny but psychotic.
  11. OH MY GOD, COOPER’S BACK!
  12. “Finally.”  You got that right, one-armed man.
  13. GODDAMMIT, COOPER’S BACK!
  14. FINALLY, COOPER’S BACK!
  15. I’d just like to point out that, if not for Sunset Boulevard, Cooper would still be Dougie.  Thank you, Billy Wilder.
  16. Oh, thank God — Cooper remembers everything that happened when he was Dougie.  I was scared that, whenever Cooper returned, he would have to spend an episode or two getting caught up.
  17. “I’m leaving.”  You tell them, Cooper!
  18. “I am the FBI.” And the classic Twin Peaks music playing in the background!  I’m so happy right now.
  19. Uh-oh … what does that text message mean?  What is Diane about to do…
  20. That is a remix of Muddy Magnolias’s American Woman playing as Diane rides up the elevator.
  21. Let us take a moment to all agree that Laura Dern is brilliant.
  22. Whoa!  Where did Diane go!?  Actually, I think I know where Diane went…
  23.  I was right.  There’s Diane in the Black Lodge and … wait, she was manufactured?  Oh my God…
  24. So, if the Doppelganger manufactured Diane could that mean that maybe he manufactured Sarah Palmer as well?  As you may remember, she did rip that guy’s throat out a few episodes ago…
  25. Considering how indifferent I’ve been to him in the past, it’s amazing how much I love Jim Belushi in Twin Peaks.
  26. Awwwwww!  “We’re a family.”  Kyle MacLachlan is a great actor.
  27. “I am witness to the fact that you both have hearts of gold…”  Awwwww!
  28. Edward Louis Severson is, of course, Eddie Vedder’s real name.
  29. Audrey and Charlie finally made it to the Roadhouse.
  30. “Ladies and gentlemen … Audrey’s dance…” Is the Roadhouse the Black Lodge?  It would explain a lot…
  31. Oh my God, Audrey’s in the Black Lodge!
  32. This was a great episode and I can’t wait to rewatch it.  I can’t believe that it all ends next week.

 

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman

TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch)


 

Hi, everyone!

Obviously, I’m running behind this week.  Usually, I post my recap of the latest episode of Twin Peaks: The Return within a few hours of the episode’s premiere.  This week, I’m a day behind and I apologize.  I could give you all sorts of excuses as to why I’m running behind but I won’t waste your time with that.  Instead, I’ll simply quote Laura Dern from Blue Velvet: “It’s a strange world, isn’t it?”

Fortunately, the Trashfilm Guru is a lot more dependable than I am.  Check out his thoughts on Part 14 by clicking here!

Anyway, speaking of strange worlds…

Part 14 opens with Gordon Cole (David Lynch) in South Dakota, calling Sheriff Truman (Robert Forster) in Twin Peaks.  While I know some people are frustrated with any episode that doesn’t open with Kyle MacLachlan either staring blankly at Janey-E or killing someone, I have to say that I always feel somewhat comforted when Gordon shows up.  Some of that is because Gordon is a lot how I imagine David Lynch to be in real life, right down to the corny jokes and the earnest encouragement.  However, there’s also the fact that Lynch has grown tremendously as an actor.  If you watch the original Twin Peaks, Cole comes across as largely being a one-joke character.  Sometimes it’s funny and sometimes, it’s not.  However, in the revival, Gordon has emerged as one of the most compelling characters around.

Anyway, Truman lets Gordon know about the pages from Laura’s diary that were found earlier and mentions that the pages indicate that there are “two Coopers.”  Gordon thanks him for the information and wishes all the best to both of the Truman brothers.

Meanwhile, Albert (Miguel Ferrer) tells Tammy (Chrysta Bell) about the very first blue rose case.  It involved a murder in Washington, the death of a woman named Lois Duffy.  Lois’s murder was witnessed by Cole and Philip Jeffries.  As Albert tells it, Lois mentioned “blue roses” as she died.  Her body then vanished.  A woman, who looked exactly like Lois Duffy and who claimed to be Lois Duffy, was arrested for the murder but later hung herself in her cell.  Tammy figures out that blue roses are not natural, they do not occur in nature.  The dying woman was not a natural thing.

Cole steps into the room, announcing that he’s “got it.”  After Cole spends a while flinching at the sound of a particularly aggressive window washer doing his job, they are joined by Diane (Laura Dern).  Diane lights a cigarette and tells everyone to fuck off.  Typical Diane.

Cole asks Diane about the last time she saw Cooper and whether he mentioned Major Briggs.  Diane replies that she doesn’t want to talk about that night but she does eventually say that Cooper did mention Briggs.  Albert tells her about Briggs’s death in the fire and the subsequent discovery of her headless body in South Dakota.  He also mentions that a ring was found in Briggs stomach, a ring with an inscription that indicates that it was a gift to Dougie from Janey-E.  A shocked Diane says that Janey-E is her estranged half-sister.

OH MY GOD!!!!!

Gordon calls the Las Vegas FBI office and tells Special Agent Headley (Jay R. Ferguson) that he wants Douglas Jones and Janey-E to be picked up on suspicion of having been involved with a double murder.  Headley is quite enthusiastic about tracking Dougie down.  As he yells at a subordinate, “THIS IS WHAT WE DO IN THE FBI!”

Back in South Dakota, Diane leaves the room.  Cole tells Albert and Tammy about Sheriff Truman and the Two Coopers.

“And last night,” Cole continues, “I had another Monica Bellucci dream.”

In the dream, Gordon was in Paris on a case.  He met with Monica Bellucci (who plays herself) at a cafe.  Cole says that Cooper was at the cafe but he couldn’t see his face.  Monica, Cole, and Monica’s friends had coffee.  Monica said, “We’re like the dreamer who dreams and then lives inside the dream….but, who is the dreamer?”

In the dream, Monica told Cole to look over his shoulder.  Cole did so and he saw a younger version of himself.  Cole watched as the younger version of himself talked to Cooper (Kyle MacLachlan) about a dream that Cooper had.  Suddenly, Phillip Jeffries (David Bowie, seen in archive footage from Twin Peaks: Fire Walk With Me) entered the office and pointed at Cooper.

“Who do you think that is!?” Jeffries said.

Back in the present, Cole says, “This has given me a lot to think about.”

(This entire sequence — from Cole calling Truman to Albert and Tammy talking to Cole’s dream — is absolutely brilliant and among the best work that Lynch has ever done as a director and an actor.)

Meanwhile, at the Twin Peaks Sheriff’s Department, Andy (Harry Goaz), Hawk (Michael Horse), and Boddy (Dana Ashbrook) are getting ready to go hiking to the place where Major Briggs used to take Bobby as a boy.  But first, they arrest everyone’s least favorite corrupt asshole, Deputy Chad (John Pirruccello).

In the woods, while a faint electrical hum is heard in the background, Truman, Andy, Hawk, and Bobby make their way to the location that they were given in Briggs’s note.  They find Naido (Nae Yuuki), a naked woman with no eyes, lying at the base of a tree.  As Andy, the most kind-hearted of the group, rushes over to the help her, a vortex appears in the sky above him.

Suddenly, Andy’s siting in the same black-and-white room where this season began.  Across from him is the Giant (Carel Struycken).

“I am the Fireman,” the Giant says.

Andy has visions of … well, of the series so far.  He sees the dark figures at the gas station.  He sees the Woodsman demanding, “Gotta light?”  He sees Laura Palmer, with angels on either side of her.  He sees Cooper and the Doppelganger. He sees himself leading Lucy into the lobby of the sheriff’s department.  He sees electrical pole #6, the same pole in front of which Richard Horne ran over that little boy.

Suddenly, Andy is back in the woods.  He is carrying Naido and he seems very confident of what needs to be done.  “We have to get her off the mountain,” Andy says, “She is very important.  There are people who want her dead.  She’s fine physically.  If we put her in a cell, she’ll be safe.  Don’t tell anybody about this.”

(Of course, no one mentions that Naido doesn’t have any eyes.)

Back at the sheriff’s department, Lucy gives Naido some old pajamas and says she hopes they’re okay.  Naido remains silent as Andy locks her up in a cell.  After Andy and Lucy leave, a drunk in another cell starts to make monkey noises while the recently incarcerated Chad yells at him to shut up.  Suddenly, Naido starts to softly murmur in her cell.

“It’s a fucking nuthouse!” Chad says.

“Fucking nuthouse,” the drunk replies, repeating Chad’s words in a way that reminded me of the way Dougie communicates with people in Vegas.

As Chad lies down in his cell, we see that the drunk is bleeding and a pool of blood is forming at his feet.

At the Great Northern, security guard James Hurley (James Marshall) is talking to another guard, Freddie Sykes (Jake Wardle).  Freddie is originally from the UK and always wears a glove over his left hand.  It’s James birthday and all he wants is for Freddie to explain why he always wears the glove.

Freddie explains that he can’t take the glove off.  He tried once and his hand started bleeding.  Freddie explains that one night, in London, he was sucked up into a vortex.  A giant called The Fireman told him to go to a hardware store, find an open package of gloves, and put on only one glove.  The glove gives Freddie super strength, which he discovered when he broke the neck of a man trying to prevent him from taking the glove.  It was only after apparently killing this man that Freddie remembered that the Giant also told him to move to Twin Peaks, Washington.  “There,” Freddie says the Giant told him, “you’ll find your destiny.”

James thanks Freddie for the story and then goes to check on the hotel’s furnace.  As he does so, he hears an electrical hum, much like the one that was previously heard in Ben Horne’s office.

Meanwhile, Sarah Palmer (Grace Zabriskie) walks up to a sleazy bar.  As she approaches, we hear the same electrical sound that we previously heard while Truman and the deputies were walking through the woods.  Inside the bar, Sarah is harassed by a drunk who just won’t take no for an answer.  So, Sarah opens her face, revealing the darkness underneath the human surface.

“Do you really want to fuck with this?” she asks, before closing her face and then biting the man’s neck and ripping out his throat…

OH MY GOD!!!!!

Sarah’s possessed!  Well, we already knew that Sarah had psychic powers but … but… but….

Seriously, oh my God!

That said, I don’t blame Sarah.  That guy was a jerk.  We’ve all been there.

At the Roadhouse, two women — Megan (Shane Lynch) and Sophie (Emily Stofle) — talk about getting high, stealing, avoiding the nut house, and a missing acquaintance named Billy.  Megan says that, when she last saw Billy, he was storming in and out of her kitchen, with blood coming from his nose.  It is also revealed that Megan’s mom is named Tina.  If all these names sound familiar, it’s because we already know that Audrey Horne has been 1) having an affair with Billy and 2) has a friend named Tina.

And so concludes a very intriguing episode of Twin Peaks: The Return.

To recap: Janey-E is Diane’s half-sister. The Fireman is sending people to Twin Peaks.  And Billy and Tina actually do exist and aren’t just figments of Audrey’s imagination.

With only 4 episodes left, who knows where all of this is going to lead…

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)

 

 

TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch)


There are only five hours left in Twin Peaks: The Return and yet, there are still many mysteries to be resolved.  Considering that this is a David Lynch production, it’s entirely possible and probably rather probable that a good deal of those mysteries will never be resolved.

That said, all of the disparate elements of Twin Peaks: The Return have slowly been coming together, providing evidence — if any was needed — that Lynch knows exactly what he’s doing.  In some ways, tonight’s episode was Twin Peaks at its most straightforward.  And yet, nothing can ever be totally straight forward when it comes to Twin Peaks.

We wouldn’t want it any other way.

Tonight’s episode begins with joyful music playing in Las Vegas.  As Anthony Sinclair (Tom Sizemore) watches from his office, the Mitchum Brothers (James Belushi and Robert Knepper) dance down the hallways.  The three ladies in pink are with them.  And so is … Dougie Jones (Kyle MacLachlan), the man who Anthony was supposed to trick the Mitchums into killing!

The Mitchums have come to see Bushnell Mullins (Don Murray) and they’ve brought him gifts, all to thank him for introducing them to Dougie and for helping them to make money off of that insurance claim.  “A wrong has been made right and the sun is shining bright!” Bradley Mitchum declares.

Meanwhile, in his office, Anthony calls Duncan Todd (Patrick Fischler) and tells him that Dougie is still alive.  Todd replies that it’s now Anthony’s responsibility to kill Dougie and he only had one day to do it, not the two days that he promised earlier.

The generosity of the Mitchums continues as both a new car and a jungle gym are delivered to Dougie’s house.  It’s quite a jungle gym as well.  It’s big, it’s lit up with neon, and everything about it just screams Vegas.  Sonny Jim (Pierce Gagnon) is quite happy.  So is Janey-E (Naomi Watts), which is good.  They deserve some happiness.

The next morning, in Montana, the evil Doppelganger Cooper arrives at a compound called The Farm.  Ray (George Griffith) has been hiding out at the Farm with Renzo (Derek Mears) and his men.  When they see the Doppelganger pull up, Ray comments that he killed the Doppelganger.  “You didn’t kill him too good, Ray,” Renzo replies.

Anyway, Ray volunteers to kill the Doppelganger a second time but it turns out that Renzo is something of an arm wrestling fanatic.  Renzo explains that if the Doppelganger can beat him, he’ll get control of the Farm and Renzo’s entire crew.  The only catch is that Renzo has never been defeated.  The Doppelganger says he doesn’t want the farm, he just wants Ray.

The arm wrestling goes about how you would imagine it would go — Renzo ends up getting his arm broken and then his face literally smashed in by one punch from the Doppelganger.  As for Ray, he confesses that it was Phillip Jeffries who hired him to kill the Doppelganger.  Ray explains that he never met Jeffries, he just talked to him on the phone.  Jeffries told Ray that the Doppelganger had something inside of him that “they” wanted.  (Killer BOB, perhaps?  BOB was seen directly inside of the Doppelganger during Part 8.) Ray holds up a ring that he was supposed to put on the Doppelganger’s finger.  Ray says that he got it from a prison guard right before they escaped.  The Doppelganger makes Ray put on the ring.  Ray then gives the Doppelganger a piece of paper with the coordinates that he says he got from Bill Hastings and his secretary (that would be Ruth Davenport).  The Doppelganger asks Ray where Phillip Jeffries is.  Ray says Philip is at a place called “The Dutchman’s.”  The Doppelganger proceeds to shoot Ray in the face.

And guess whose watching all of this unfold?  Richard Horne (Eamon Farren)!  Apparently, ever since fleeing Twin Peaks, Richard has been hiding out in Montana.  So, does that mean that the Farm and the late Renzo had a connection to Red?  If so, how is Red going to react to the Doppelganger killing Renzo and becoming The Farm’s new boss?  And does Richard looked so shocked because he never thought anyone would ever beat Renzo at arm wrestling (not to mention kill him) or is it because he realizes that the Doppelganger is probably his father?

Ray’s body appears inside the Black Lodge.  MIKE (Al Strobel) takes the ring and puts it on a marble table.

Back at the Las Vegas Metropolitan Police HQ, something weird’s going on in the background.  We can hear a woman yelling as she apparently defecates on the floor.  She’s tased and screams, “I want to report a cop!”  Sitting in their office, the Fuscos aren’t too concerned.  It doesn’t even bother them when they receive a report that Dougie has the same fingerprints as both an escapee from a South Dakota prison and a missing FBI agent.  They laugh and throw the report away.

They barely notice as Anthony Sinclair wanders through the station, looking for Detective Clark (John Savage).  Clark is outside smoking a cigarette and he doesn’t appear to be very enthusiastic about the prospect of talking to Anthony.  Anthony asks Clark for the name of a good poison, one that would be undetectable.  Apparently, Clark also works for Duncan Todd.  Clark agrees to help Anthony get the poison.

In South Dakota, Chantal (Jennifer Jason Leigh) and Hutch (Tim Roth) drive down the interstate and, as they enter Utah, discuss what it must be like to be a Mormon.

The next morning, after Janey-E drops him off at work, Dougie runs into Anthony.  A nervous Anthony offers to buy Dougie a cup of coffee at the pastry shop.  Since Dougie is obsessed with coffee, he agrees.  When Dougie gets distracted by a cheery pie in a display case and stands up to go stare at it, Anthony puts the poison in Dougie’s coffee.

When Dougie returns to the table, he is distracted by the dandruff on the back of Anthony’s suit.  Dougie places his hands on Anthony shoulders.  Mistaking this for a sign of friendship, Anthony breaks down into tears and shouts that he never meant to hurt anyone.  He pours out Dougie’s poisoned coffee.  Dougie responds by drinking Anthony’s coffee instead.

In Twin Peaks, at the Double R, Shelley (Madchen Amick) gets a call from Becky (Amanda Seyfried).  Becky’s in tears.  Steven, the man she tried to shoot, hasn’t come home in two days.

Back in Vegas, Anthony sits in Bushnell’s office and says that he’s come to confess.  Standing to the side, Dougie blankly repeats, “Confess.”  Anthony confesses to Bushnell that he’s been working for Duncan Todd and that he’s been lying to Bushnell for years.  Bushnell says that Dougie revealed all of this to him yesterday.  Bushnell asks if Anthony is prepared to testify against Duncan Todd.  Anthony says that he is.

Bushnell asks if Anthony is willing to testify “against the two cops that Dougie found.”

“He know about them too!?” Anthony says.

“Them too,” Dougie blankly repeats.

Anthony says he only wants to fix the mess that he made.  He says that Dougie saved his like.  “Thanks, Dougie!”

“Thank Dougie,” Dougie says.

In tears, Anthony does just that.

At the Double R, Norma (Peggy Lipton) has a meeting with the somewhat oily Walter Lawford (Grant Goodeve).  Apparently, Norma’s Double R is a franchise now.  Walter says that there are several profitable locations in Washington State but Norma is concerned that those locations are using inferior ingredients.  Walter argues that it makes good business sense to cut costs.  This entire scene, of course, feels like Lynch’s commentary on the studio executives who constantly tried to interfere with Twin Peaks the first time around.

Norma and Walter are apparently a couple, as well.  As they talk, they are watched by both Deputy Bobby Briggs (Dana Ashbrook) and Big Ed Hurley (Everett McGill), Norma’s former (?) lover and the husband of Nadine (Wendy Robie).

Speaking of Nadine, she is leaving her silent drape store when who should show up but Dr. Jacoby (Russ Tamblyn)!  As we’ve already seen, Nadine is a huge fan of Jacoby’s podcast.  She even has her own golden shovel hanging in the window of her store.  Dr. Jacoby says that the last time he saw Nadine, she was on her hands and knees, looking for a potato.

At the Palmer House, Sarah (Grace Zabrikie) is drunk and watching a boxing match.  Or, actually, I should say that she’s watching 30 second of a boxing match on a continious loop.  The announcer says, several times: “Oh the right hand catches the big guy by the ear!  And he finally goes down, hanging on the ropes.  Oh, the gentleman asks if he’s okay.  Look like, uh, round number one and two on the way.  Now, it’s a boxing match again.”

Elsewhere, Audrey (Sherilyn Fenn) yells at Charlie (Clark Middleton).  An emotional Audrey says that she feels like she’s somewhere else, like she’s not sure who she is.  Charlie says, “This is Existentialism 101.” Audrey’s not amused and demands to know what she’s supposed to do if she can’t trust anyone and she’s not sure who she is.  Charlie replies that she’s supposed to go to the Roadhouse and look for Billy.  Audrey demands to know where the Roadhouse is.

“Are you going to stop playing games?” Charlie asks, “or am I going to have to end your story, too?”

Audrey starts to cry.

At the Roadhouse, none other than James Hurley (James Marshall) performs the song You and I.  Accompanying him are two backup singers who look like they could be Donna and Maddy.  Considering that the scene during the second season, in which James, Donna, and Maddy performed You And I, is regularly ridiculed by even the show’s biggest fans, you have to wonder if David Lynch is doing some deliberate trolling here.  Well, it does’t matter.  It’s a lovely song, one that perfectly captures the aching feeling of loss that runs through every minute of Twin Peaks: The Return.

At the gas station, Big Ed Hurley sits alone, staring at his gas pumps.

And that’s how Part 13 ends.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)

TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch)


 

It is happening again.

Yeah, this isn’t going to be easy.

Tonight’s episode of Twin Peaks was … well, I’m not sure how to describe it.  Basically, if you combined Tree of Life and Kiss Me Deadly with The Beast of Yucca Flats and Tombs of the Blind Dead, you would end up with something resembling tonight’s episode.  Tonight’s episode was David Lynch at both his most brilliant and his most cheerfully defiant.  Tonight was David Lynch unleashed.  People either hated it or they loved it.

The recapper over at E! News Online hated it.  I almost didn’t include a link to their recap, largely because the only reason they’re recapping Twin Peaks is to get the clicks.  They’re certainly not recapping it because they have any sort of genuine understanding or, for that matter, interest in what Lynch is attempting to do.  For the most part, their recap went something like this: “Oh my God, that was soooo weird and the nuclear explosion sequence went on forever and what was the deal with 1956 and look at all the snarky nicknames I’ve come up with for all the characters and oh my God, did I mention that I have a roommate?”  If your main complaint about tonight’s episode is that it was “too weird,” then you obviously are not meant to be a part of this show’s audience.

As for the length of the nuclear explosion … seriously?  What the Hell type of complaint is that?  You might as well complain that the stargate sequence went on for too long in 2001 or maybe that Picasso shouldn’t have taken up so much space with Guernica.  It’s easy to imagine this critic in Elizabethan England, whining that Hamlet was just too talky.  Tonight, we were lucky enough to witness one of the most visually stunning sequences in the history of television and you actually have the freaking nerve to complain that it went on for too long?  I understand that, over at the Kardashian network, being snarky is a part of the job but you can be snarky without being stupid about it.

I was not the only one disappointed by that recap…

(I usually try to cut recappers some slack.  After all, you’re on a deadline and you’re trying to beat everyone else for those clicks and sometimes, you rush and you say something stupid.  I’ve been there.  Just ask Arleigh about the first season Game of Thrones recap where I somehow managed to mix up Jon Snow and Robb Stark.  That was beyond embarrassing.  But, again, there’s a difference between being rushed and being willfully ignorant about what you’ve just watched.  For instance, there’s a reason why I wouldn’t even try to recap that football show starring Dwayne Johnson.  I guess my point is that maybe E! should focus on what they’re good at, like promoting scripted reality programs and helping Scott Disick get laid.)

Anyway, here’s my attempt to recap what I watched.  I will warn you right now that a mere recap is not going to do this episode justice.  If you haven’t seen it, you need to watch it before reading any recap, regardless of who wrote it.  Tonight, I saw images that I never expected to ever see on television.  There were visuals of such unexpected beauty and haunting menace that you simply must see them for yourself.

We open with a classic David Lynch driving scene.  Doppelganger Cooper (Kyle MacLachlan) and Ray (George Griffith) are driving down a country road in the middle of the night.  The Warden attempted to put tracking devices on the car but Doppelganger Cooper was far too clever for him.

Ray apologizes for running off on Doppelganger Cooper and asks where Darya is.  The Doppelganger says that she’s waiting for their phone call.  (If you’ve seen the pilot episode, you know that she was murdered by the Doppelganger.)  The Doppelganger says that Ray has something that he wants.  Ray assures him that he does and that he all the “numbers memorized.”  However, Ray thinks that it might be worth some money if the Doppelganger really wants what he has.

Doppelganger Cooper tells Ray that they’re going to a place called The Farm but Ray asks if they can pull over for a sec so he can, as he so charmingly puts it, “take a leak.”

“Go for it,” Doppelganger Cooper replies.

Well, not surprisingly, Ray has another reason for wanting to pull over.  As soon as Doppelganger Cooper gets out of the car and demands the information, Ray shoots him.

“Tricked ya, fucker,” Ray says.

And that’s when things start to get … strange.

Suddenly, there is a flashing light and, as Ray watches, a group of dark men (much like the dark men who previously appeared in the South Dakota jail and outside the morgue) emerge from the woods.  They surround the doppelganger.  While some dance in a circle, others paw at the the body.  Briefly, it appears as if Cooper’s chest has been opened and the smiling face of Killer BOB (Frank Silva) can be seen.  Ray runs back to his car and speeds off while the dark men vanish.

As he drives away, Ray calls Phillip Jeffries and tells him that Cooper might be dead but he’s not 100% sure.

Meanwhile, at the Roadhouse, Nine Inch Nails performs.  The recapper at E! felt that the Nine Inch Nails performance went on for too long, which again shows a remarkable ignorance about the importance of music in David Lynch’s work.  (Considering how much Twin Peaks: The Return has in common with Lost Highway, the sudden appearance of Nine Inch Nails felt totally appropriate.)

As the song comes to an end, we cut back to the Doppelganger, who suddenly sits up.  Has he come back to life or did those two gunshots really fail to kill him the first time?  And what’s happening with Dougie/Cooper?  It’s been suggested that the only way for Cooper to be Cooper again is for the Doppelganger to die and return to the Black Lodge.  If the Doppelganger was dead for even a moment, does that mean Dougie/Cooper had a moment of clarity?

Those are all good questions that were not answered tonight because Lynch suddenly cuts from the Doppelganger to July 16th, 1945.  Suddenly, we are in White Sands, New Mexico, listening as a voice counts down to zero.  We watch from above as the world’s first atomic bomb is detonated.  A mushroom cloud slowly and, it must be said, beautifully rises up into the sky.

The viewer plunges into the mushroom cloud and what follows is a mix of sound and image that so beautiful and so menacing that it is almost indescribable.  We are surrounded by flames and explosions as we plunge into the heart of man-made destruction.  In many ways, it reminded me of the Big Bang sequence of Terence Malick’s Tree of Life but, whereas Malick was imagining creation, Lynch is imagining destruction.

We find ourselves now looking at what appears to be a gas station in the middle of nowhere.  Spurts of static are heard on the soundtrack while lights flash and shadowy men appear (and disappear) inside and outside of the station.

A figure floats in a gray space, apparently spitting up eggs.  One of the eggs floats by us and, again, the face of Killer BOB is seen.

More flames. More explosions.  A golden egg floats towards the camera.  Briefly, we hear a heartbeat.

Cut to: the purple ocean that Cooper saw when he first escaped from the Black Lodge.

A woman who, in the end credits, is identified as being Senorita Dido (Joy Nash) sits in a gray drawing room.  We hear an electronic clanking and a light starts to flash.  The Giant (Carel Struycken) enters the room and turns off the alarm.

Moving slowly, the Giant walks up a flight of stairs.  He walks into a theater, one that looks much like the Silencio theater from Mulholland Drive.  On a screen, he watches the nuclear explosion.  When he sees the egg with BOB’s face, the Giant suddenly starts to float into the air.

Senorita Dido enters the theater and watches as a golden cloud appears over the Giant’s head.  From the cloud descends a golden egg, which Dido catches.  In the egg, she sees the face of Laura Palmer.  Dido kisses the egg and then releases it into the air.  It’s sucked into a tube.

Dido stares at the screen, watching as the golden egg descends on Earth.

We cut to 1956.  The New Mexico desert.  (The rest of the episode is in black-and-white, giving these scenes a Beast of Yucca Flats feel.  You can easily imagine Tor Johnson wandering about.)  Another egg — this one much smaller, sits on the barren ground.  It hatches and winged bug crawls out.  (It looked like a mutated cockroach to me.)

Cut to the gas station, where a teenage couple is talking.  (Coincidentally or not, they resemble James and Donna from the original series.)  The girl (Tikaeni Faircrest) gets excited when she finds a penny on the ground.  Well, who wouldn’t?  Later, the boy (Xolo Mariduena) asks the girl for just one kiss.  I’m not sure who they are or why they’re here but they’re both actually rather sweet.

A shadowy figure — the Woodsman (Robert Broski) — appears walking through the desert.  The recapper at E! News apparently thought that the Woodsman was meant to be a “gorilla.”  Of course, anyone who actually know anything about movies will immediately notice that the Woodsman looks a lot like the evil man who was living behind the dumpster in Mulholland Drive.

The monster from Mulholland Drive

The Woodsman from Twin Peaks, Part 8

The Woodsman stumbles across the highway.  He approaches a couple in a car.  “Got a light?” he asks, his voice deep and almost robotic.  “Got a light?” he repeats, like a malfunctioning recording.  The couple speeds away and we see that the Woodsman is not alone.  At least two other shadowy men are with him.

A radio station, KPJK, sits in the middle of the desert.  The Woodsman approaches.

We see that everyone in the nearby town — from an auto mechanic to a waitress to the teenage girl who found the penny — is listening to the station.

The woodsman enters the station.  “Got a light?” he asks, before crushing the receptionist’s head with his gloved hand.  He does the same thing to the station’s disc jockey but not before the Woodsman gets on the air and says, “This is the water and this is the well. Drink full and descend. The horse is the white of the eyes and dark within.”

As everyone in town listens to the Woodsman’s voice, they pass out.  While the girl lies unconscious, the bug crawls into her mouth.

Having delivered his message and killed everyone at the station, the Woodsman walks into the night.  The sound of a horse whinnying is heard.

And that’s it!

What does it all mean?  I don’t know.  What I do know is that I’ve never seen anything like it before.  This was experimental cinema at its best.  (And make no mistake.  Twin Peaks is not a TV series as much as it’s an 18-hour movie.)  Was it for everyone?  No.  Then again, nothing worthwhile ever is.  David Lynch once described his first feature film, Eraserhead, as being a “dream of dark and disturbing things.”  I can think of no better description for Part 8 of Twin Peaks.

The saga continues in two weeks!  Will we still be in 1956?  Will Dougie/Cooper ever snap back to normal?  Will James Hurley ever show up again?  Who knows!?  But I will say this: I can’t wait to find out.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)