TV Review: Twin Peaks: The Return Part 17 (dir by David Lynch)


I imagine that there are a lot of upset people right now.

Maybe you’re one of them.  Maybe, even as I sit here typing this, you are seething with rage.  “18 hours and it ends with Cooper trapped in yet another fucked up situation, with Laura Palmer still screaming!?  What the Hell!?”

Well, my advice would be to calm down.  Did Twin Peaks: The Return ends on a conventional note?  No.  Has anything about Twin Peaks: The Return been conventional?  Hell no.  This is a David Lynch production, after all.  And Lynch has never shown an interest in tidy endings.  In fact, if anything, Lynch has never shown much of an interest in endings.  Blue Velvet concluded with a fake bird.  Lost Highway ended with Bill Pullman appearing to transform yet again.  Even Mulholland Drive ended with that evil creature still living behind Winkie’s.

As far as I’m concerned, Twin Peaks: The Return provided 18 of the most intriguing hours in television history.  Am I little bit frustrated that it didn’t end on a definite note of conclusion?  Sure.  (With 15 minutes left in Part 18, I found myself saying, “Uhmmm … what about Audrey?”)  But I’ll tell you right, I’m going to have a lot of fun debating what it all meant.  Art is not about easy solutions.

(For the record, next weekend, I’m going to binge watch all 18 hours and then maybe I’ll post my conclusions.)

It could be argued that this should not be called a conclusion.  As Ryan pointed out in this week’s peaks, the story continues.  There may or may not be another season on Showtime.  There may or may not be another Twin Peaks movie.  Hell, Mark Frost may or may not write another Twin Peaks book.  And, if none of that happens, the story will continue in our imaginations.

I went back and forth on whether or not to review both Parts 17 and 18 together or separately.  In the end, I decided to review them separately because I consider Part 17 to be the conclusion on the third season of Twin Peaks while Part 18 feels like it’s laying the groundwork for a fourth season.

Let’s get to it!

Things open in South Dakota, with Gordon Cole (David Lynch) lamenting to Albert (Miguel Ferrer) and Tammy (Chrysta Bell) that he couldn’t bring himself to shoot Diane.  After Albert says that Cole is going soft, Cole replies, “Not where it counts, buddy.”  That line made me laugh, despite myself.  Lynch just has such a sincere way of delivering his lines.

Cole goes on to explain that, before his death, Major Briggs shared, with him and Cooper, his discovery of an extremely evil and negative force that, “in olden times,” was known as Jowday.  Jowday eventually got shortened to Judy.  Briggs, Cooper, and Cole put together a plan that could lead them to Judy.  Apparently, before his disappearance, Philip Jeffries said that he was on the verge of discovering Judy.  Cole theorizes that the Doppelganger is looking for Judy.

Suddenly, the phone rings.  It’s Agent Headley (Jay R. Ferguson), calling from Las Vegas, to announce that they’ve found Dougie Jones but that Dougie disappeared again.  Mullins (Don Murray) asks to speak to Cole and gives him a message from Cooper.  Cooper is on his way to Twin Peaks, to see Sheriff Truman!

In the Twin Peaks Sheriff’s Department, the lock-up is still nosiy.  The drunk (Jay Aaseng) and Deputy Chad (John Pirruccello) take turns taunting each other.  Eyeless Naido (Nae Yuuki) continues to whimper.  Freddie (Jake Wardle) and James (James Marshall) listen.

At the Great Northern, Ben (Richard Beymer) gets a call.  Jerry’s turned up in Wyoming, apparently convinced that he can kill people with his binoculars.  It might be time to say, “No more drugs for that man,” as far as Jerry is concerned.

The next morning, the Doppelganger (Kyle MacLachlan) wanders through the woods outside of Twin Peaks.  The vortex opens above him.  The Doppelganger vanishes.

In the building above the purple sea, the disembodied head of Major Briggs (Don S. Davis) floats between two pictures, one of the woods and one of the Palmer House.  The Fireman (Carel Struycken) waves  his hand.  In the background, we hear the electrical hum that been haunting the Great Northern.

The Doppelganger materializes outside of the Twin Peaks sheriff’s station.  As he walks towards it, he is seen by Deputy Andy (Harry Goaz).  At first, I was worried that the Doppelganger was going to kill Deputy Andy but instead, he greets him with a cold, “Hello, Andy.”

Andy leads the Doppelganger into the station, where they meet Lucy (Kimmy Robertson) and Sheriff Truman (Robert Forster).  When the Doppelganger turns down a cup of coffee, everyone knows something strange is happening.  Then, Andy starts to have visions of him and Lucy standing in the lobby, looking at something.

Meanwhile, in the holding area, it turns out that Chad has got a key hidden in his shoe.  He gets out of his cell and heads for the weapons locker.  When Andy shows up, looking for Hawk, Chad comes at him with a raised gun.  But fear not!  Freddie Sykes uses his green glove of power to throw open the door his cell, smashing Chad in the face and knocking him out.

Meanwhile, Lucy informs Truman that he has a phone call and he really needs to take it.  Reluctantly, Truman takes the call and finds himself talking to … DALE COOPER!  Dale and the Mitchums have just entered the Twin Peaks city limits and are on their way to the station!

The Doppelganger, realizing what is happening, reaches inside his jacket for a gun when suddenly — bang!  The Doppelganger crashes to the floor.  Standing behind him, holding a gun, is Lucy!

(Making this scene especially satisfying is that, during the second season Twin Peaks, Lucy was exclusively given comedic subplots that had nothing to do with the main storyline.  25 years, she finally gets to save the day.)

Way to go, Lucy!

Cooper tells Truman to make sure that no one touches the Doppelganger’s body until he arrives.  Andy steps into the office with Hawk, Naido, James, and Freddie.  Suddenly, just as in Part 8, the woodsmen appear and start working on the Doppelganger’s body.  While that happens, Cooper and the Mitchums show up.  And then Cole, Albert, and Tammy show up.  It’s getting crowded in that office!

Suddenly, the spirit of Killer BOB (represented by an orb that contains stock footage of Frank Silva) emerges from the Doppelganger’s body and lunges at Freddie.  Despite getting bloodied in the process, Freddie is able to use his green glove of power to smash BOB’s face into a thousand pieces.  Yay Freddie!

Cooper puts the ring on the Doppelganger’s finger.  The Doppelganger vanishes.  Yay Cooper!

Cooper gets the key to his former hotel room from Sheriff Truman.  “Major Briggs told me Sheriff Truman would have it,” Cooper explains.  (Yay Major Briggs!)

Now, what happens next is interesting.  A lot of positive things happen.  Bobby Briggs (Dana Asbrook) comes in the office and Cooper tells him that he and Major Briggs are proud of him.  Blind Naido is revealed to actually be the real Diane, in disguise.  (And yes, the real Diane still has eyes.)  Cole and Albert are reunited with their friend.  And yet, through the whole scene, we see the face of another Cooper, this one with a blank expression, superimposed over the action.

This was when I started to suspect that the finale might turn out to be a bit controversial.  Are we seeing reality or are we watching a dream, a memory, or a wish?  Not even the presence of the Mitchum girls in pink, passing out finger sandwiches, can change the ominous tone of all this otherwise positive scene.

Cooper glances at the clock in Truman’s office and sees that the minute hand seems to be stuck.

A distorted voice says, “We live inside a dream.”

Oh shit, I thought as I watched this scene, we’ve got 30 minutes left and things are about to get so seriously fucked up…

“I hope I see all of you again,” Cooper says, “every one of you.”

The room goes black.  Cooper’s superimposed face continues to passively stare.

Suddenly, Cooper, Diane, and Cole are slowly walking down a dark hallway.  I believe they’re in the Great Northern because, when they reach a door, Cooper uses his old hotel room key to open it.  He tells Cole and Diane to wait behind and then he enters the room.  “See you at the curtain call,” Cooper says.

Inside the room is MIKE (Al Strobel) who recites the Fire Walk With Me poem.  MIKE leads Cooper up a staircase and into the room the holds the metal device the contains the spirit of Philip Jeffries.  Cooper asks to be sent back to February 23rd, 1989, the night of the death of Laura Palmer.

“Cooper,” Jeffries says, “remember…”

“ELECTRICITY!” MIKE exclaims.

Suddenly, Cooper’s back in 1989.  He’s watching Laura (Sheryl Lee) sneak out of her house and jump on the back of James Hurley’s motorcycle while a jealous Leland (Ray Wise) watches from his window.  Cooper watches them in the woods, listening as Laura tells James that Bobby killed a man.  (This is true.  Before he became everyone’s favorite lawman, Bobby shot a Canadian drug runner in Twin Peaks: Fire Walk With Me.  I always wondered if that would be acknowledged.)

Cooper watches the familiar scene play out but, when Laura jumps off of James’s motorcycle, Cooper steps forward and changes history.  Instead of allowing Laura to walk off to be murdered, Cooper tells her that he is taking her home.  “I saw you in my dreams,” Laura says.

The next morning, we see another familiar sight: Laura’s body on the shore, wrapped in plastic.  The body disappears.  In archived footage from the original Twin Peaks pilot, we watch as Pete Martell (Jack Nance) says good morning to Catherine (Piper Laurie) and then heads out to fish.  Except, this time, there’s no body to distract him.  Instead of calling the police and reporting a murder, Pete goes fishing.

(It’s a sweet image and it was nice to see that, despite having been dead for 21 years, Jack Nance, who starred in Eraserhead and was the former husband of Catherine “Log Lady” Coulson, still appeared in the revival.  Part 17 was dedicated to his memory.)

Where is Laura?  Despite not being dead, she’s not in her house.  However, Sarah Palmer (Grace Zabriskie) is.  Sarah is smashing the famous picture of Laura as homecoming queen into little pieces.  Disturbingly, this would seem to indicate that, at the time that Laura was being abused and eventually murdered by her father, Sarah was not a bystander but was instead possessed by the same evil that possessed Leland.

Cooper leads Laura through the woods.  Suddenly, Laura screams and is gone.

Standing in front the red curtains of the Black Lodge, Julee Cruise sings.

End credits.

On to Part 18, which I am about to rewatch after which I will write up a review.  It might be a few hours.  Until then, why not check out some of the other 81 Twin Peaks-related posts that we’ve published this year at the Shattered Lens!

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  76. 32 Initial Thoughts about Twin Peaks; The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  77. This Week’s Peaks: Part 16 by Ryan C (trashfilm guru)
  78. TV Review: Twin Peaks: The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  79. 18 Initial Thoughts on Twin Peaks: The Return Part 17 (dir by David Lynch) by Lisa Marie Bowman
  80. 16 Initial Thoughts on Twin Peaks: The Return part 18 (dir by David Lynch) by Lisa Marie Bowman
  81. This Week’s Peaks: Parts 17 and 18 by Ryan C (trashfilm guru)

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TV Review: Twin Peaks: The Return Part 16 (dir by David Lynch)


Cooper’s back!

If you needed to sum up the latest episode of Twin Peaks: The Return in just two words, those would be the words to use.  After spending 15 hours with just the Doppelganger and Dougie, it is so wonderful to finally have Dale Cooper back.

Tonight’s episode of Twin Peaks was the best since Part 8.  In fact, I would rate Part 16 even higher than Part 8 because Part 16 shows that David Lynch is more than just a surrealist.  He’s also a filmmaker with a heart.  If you didn’t get emotional when Dale said, “I am the FBI,” then you have no feelings, it’s as simple as that.  You’re a zombie or maybe you’re a doppelgänger yourself.  As we learned tonight, there’s more of them out there than just evil old Mr. C.

Part 16 opens with the Doppelganger (Kyle MacLachlan) and Richard (Eamon Farren) driving at night.  The Doppelganger pulls off to the side of a country road.  He turns on his truck’s spotlights and shines them on a nearby rock.  The Doppelganger and Richard get out of the truck.  Richard asks why they’ve stopped.  “Pay attention,” the Doppelganger replies, “and you’ll find out.”

The Doppelganger goes on to explain that he’s looking for “a place.”  Three people have given him coordinates to the place.  Two of the coordinates match.  The Doppelganger says that the rock matches up with those two coordinates.  The Doppelganger sends Richard to investigate the rock and, in a quite satisfying turn of events, Richard is electrocuted and violently killed.  Bye bye, you douchebag.

“Goodbye, my son,” the Doppelganger says, confirming what we all suspected about Richard’s parentage.

Meanwhile, on a nearby hill, a stoned Jerry Horne (David Patrick Kelly) watches all of this play out.  (Perhaps it’s because he was too far away or because he was too high but Jerry didn’t seem to notice that the man being electrocuted was his grandnephew.)

In Las Vegas, Chantal (Jennifer Jason Leigh) and Hutch (Tim Roth) are in a van, staking out Dougie’s house and waiting for a chance to assassinate him.  As they watch, the FBI pulls up outside of the house.  When Special Agent Headley (Jay R. Ferguson) knocks on the front door, no one answers.  Needless to say, he’s not happy about that.  As usual, he yells at Wilson (Owain Rhy-Davies).  Poor Wilson.

The reason no one is home is because Dougie (Kyle MacLachlan) electrocuted himself during Part 15 and he’s now in a coma.  Bushnell (Don Murray), Janey-E (Naomi Watts) and Sonny Jim (Pierce Gagnon) are all in his hospital room, looking over him.  The Mitchum brothers (Jim Belushi and Robert Knepper) drop by, delivering flowers and finger sandwiches.  They also announce that they’re going to go to Dougie’s house and drop off some food so that Janey-E doesn’t have to worry about cooking.

Meanwhile, Bushnell gets a call from the office, telling him that the FBI just came by and that they’re now heading to the hospital to see Dougie.

In front of Dougie’s house, Chantal and Hutch are still hiding out in the van and waiting for Dougie to show up.  “It’s going to be a long day,” Hutch says.  (Leigh and Roth make such an entertaining couple that you almost feel bad that they’re playing psychotic murderers.)  They watch confused as the Mitchum Brothers and their entourage pull up to the house and drop off several trays of finger sandwiches.

Suddenly, a man pulls up behind the van.  He’s driving a car that has “Zawaski Accounting” on the side of it.  However, this guy doesn’t seem like your typical accountant.  For one thing, he’s extremely angry about Chantal and Hutch parking in front of his driveway.

“GO FUCK YOURSELF!” Chantal yells.

The accountant gets back into his car and starts to ram the van.  This really pisses off Chantal so she shoots the guy.  However, the accountant has a gun of his own and shoots back.  This leads to a violent shooutout, one that leaves Chantal and Hutch dead.  The accountant surrenders to Agent Wilson, who was also staking out Dougie’s house.

Watching the fight from Dougie’s front porch, Bradley Mitchum wonders, “What the fuck type of neighborhood is this?”

“People are under a lot of stress, Bradley,” his brother explains.

Back at the hospital, Dougie suddenly wakes up.  He sits up and he sees MIKE (Al Strobel) staring at him.

“You are awake?” MIKE asks.

“One hundred per cent,” Dougie replies in a confident and authoritative voice…

OH MY GOD, COOPER’S BACK!

“Finally,” MIKE says.  MIKE goes on to explain that the Doppelganger is still out there.  He hands Cooper the owl ring.

Cooper gives MIKE a strand of his hair and says, “I need you to make another one!”  (I assume Cooper is telling MIKE to make another doppelganger.)

“I understand,” MIKE says before vanishing.

It quickly becomes apparent that Cooper really is 100% back.  He is no longer blank-faced.  He is no longer blandly repeating the last two words that he heard.  Instead, he is back to being the talkative Cooper that we all know and love.  After getting the doctor to “verify that my vitals are A-okay,” Cooper tells Bushnell that he’s a good man and tells Janey-E and Sonny Jim to go to the car.

(“Dad sure is talking a lot,” Sonny Jim says.)

Before leaving, Cooper is told that the FBI is looking for him.  Cooper smiles and delivers the line of the episode: “I am the FBI.”

(Cooper also borrows Bushnell’s gun and calls the Mitchum Brothers, telling them that he’s going to need plane to Spokane, Washington.)

As Cooper, Janey-E, and Sonny Jim drive away from the hospital, the classic Twin Peaks theme music swells on the soundtrack, letting us know in no uncertain terms that Cooper is back and things are going to be okay.

In South Dakota, Diane (Laura Dern) gets a text from The Doppelganger. “: – ) All”  As a distorted remix of Muddy Magnolias’s American Woman plays on the soundtrack, Diane takes the elevator up to Gordon’s room, where Gordon (David Lynch), Tammy (Chrysta Bell), and Albert (Miguel Ferrer) are all waiting for her.

In a scene featuring some of the most brilliant work of Laura Dern’s career, Diane tells them about the last night that she saw the Doppelganger.  She reveals what the show had already heavily implied, that the last time she saw the Doppelganger, he raped her.  Afterward, he took her to “some place like an old gas station.”

Suddenly, Diane says, “I’m in the sheriff’s station.  I sent him those coordinates.  I’m in the sheriff’s station because I’m … it’s not me.”

Diane pulls a gun from her purse, just to get shot by Tammy and Albert.  Diane immediately vanishes.

“Wow,” Tammy says.

Suddenly, we’re in the waiting room of the Black Lodge.  Diane sits in a chair.  MIKE is across from her.  MIKE tells her that she’s not real, that she was manufactured.  “I know.  Fuck you,” Diane says before her face disappears in a puff of black smoke.

At the casino, the Mitchum Brothers greet Cooper, Janey-E, and Sonny Jim.  Cooper tells Janey-E and Sonny Jim that he loves them but that he has to go away.  However, he promises that he will return.  Even though Cooper is no longer Dougie, he still loves both of them.  “We’re a family,” he says, “Dougie — I mean, I will be back.”  Cooper reassures Sonny Jim that he is his dad, whether he’s Dougie or not.  “I have to go but I’ll see you soon,” Cooper says, “I’ll walk through that red door and I’ll be home for good.”

Cooper leaves with the Mitchum Brothers.  As they drive to the airport, the Mitchums ask Cooper if he really works for the FBI.  Cooper says that he does.  The Mitchums explain that they typically don’t get along with law enforcement.  In a classic Cooper moment, Dale says, “I read you 100%.  Friends, that’s about to change.  I am a witness that you both have hearts of gold.”  The Mitchums are touched.

At the Roadhouse, the MC (JR Starr) announces that the Roadhouse is proud to present Edward Louis Severson (Eddie Vedder, whose real name is Edward Louis Severson).  As Vedder sings Out of Sand (which, no offense to you Eddie Vedder fans out there, is perhaps the most boring song ever to be performed at the Roadhouse), Audrey (Sherilyn Fenn) and Charlie (Clark Middleton) finally show up.  They get a drink at the bar.  Audrey raises a toast to Billy.

Suddenly, the MC announces: “And now … Audrey’s Dance!”

Everyone on the dance floor moves to the side, retreating to the shadows.  The house band starts to play Audrey’s theme music from the original series.  Audrey appears to go into a trance and she starts to do the same dance that, 25 years previously, she did at the Double R while everyone else in town was wondering who had killed Laura Palmer.

Suddenly, a fight breaks out in the Roadhouse.  Two men are fighting over a woman named Monique.  Audrey snaps out of her trance and runs off the dance floor.  She goes to Charlie.  “Get me out of here!” she says.

Suddenly, Audrey is in a white room, staring at herself in a mirror.  “What!?  What!?” she says as the mirror shakes…

And, for now, that’s where we leave things.

Oh my God, what a wonderful episode!  Twin Peaks: The Return concludes next week.  As much as I want to see where Lynch’s journey is going to lead, I am going to miss this show and its mysteries.  After Twin Peaks: The Return ends, it’s going to be hard to just watching mere television.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  76. 32 Initial Thoughts about Twin Peaks; The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  77. This Week’s Peaks: Part 16 by Ryan C (trashfilm guru)

32 Initial Thoughts on Twin Peaks: The Return Part 16 (dir by David Lynch)


As always, these are just the initial thoughts that I had when I first watched the episode.  Later tonight or tomorrow, I will rewatch the episode and post a full recap!

  1.  Several friends and acquaintances have already told me that tonight’s episode is amazing.  I can hardly wait to see what happened tonight.
  2. These driving scenes always make me think of Lost Highway.
  3. “I’m 25 years your senior…”  You’re also his father, Doppelganger!
  4. Agck!  So much for Richard.  To be honest, that’s the most satisfying Twin Peaks death so far.
  5. I love watching Tim Roth and Jennifer Jason Leigh act opposite each other.
  6. Poor Agent Wilson.  Always getting yelled at.
  7. The Mitchum Brothers are the nicest gangsters around.
  8. “These are what you call finger sandwiches.”
  9. I absolutely hate it when people park in front of my house so I totally related to the whole driveway scene.
  10. Well, so much for Chantal and Hutch.  It’s probably for the best.  They were funny but psychotic.
  11. OH MY GOD, COOPER’S BACK!
  12. “Finally.”  You got that right, one-armed man.
  13. GODDAMMIT, COOPER’S BACK!
  14. FINALLY, COOPER’S BACK!
  15. I’d just like to point out that, if not for Sunset Boulevard, Cooper would still be Dougie.  Thank you, Billy Wilder.
  16. Oh, thank God — Cooper remembers everything that happened when he was Dougie.  I was scared that, whenever Cooper returned, he would have to spend an episode or two getting caught up.
  17. “I’m leaving.”  You tell them, Cooper!
  18. “I am the FBI.” And the classic Twin Peaks music playing in the background!  I’m so happy right now.
  19. Uh-oh … what does that text message mean?  What is Diane about to do…
  20. That is a remix of Muddy Magnolias’s American Woman playing as Diane rides up the elevator.
  21. Let us take a moment to all agree that Laura Dern is brilliant.
  22. Whoa!  Where did Diane go!?  Actually, I think I know where Diane went…
  23.  I was right.  There’s Diane in the Black Lodge and … wait, she was manufactured?  Oh my God…
  24. So, if the Doppelganger manufactured Diane could that mean that maybe he manufactured Sarah Palmer as well?  As you may remember, she did rip that guy’s throat out a few episodes ago…
  25. Considering how indifferent I’ve been to him in the past, it’s amazing how much I love Jim Belushi in Twin Peaks.
  26. Awwwwww!  “We’re a family.”  Kyle MacLachlan is a great actor.
  27. “I am witness to the fact that you both have hearts of gold…”  Awwwww!
  28. Edward Louis Severson is, of course, Eddie Vedder’s real name.
  29. Audrey and Charlie finally made it to the Roadhouse.
  30. “Ladies and gentlemen … Audrey’s dance…” Is the Roadhouse the Black Lodge?  It would explain a lot…
  31. Oh my God, Audrey’s in the Black Lodge!
  32. This was a great episode and I can’t wait to rewatch it.  I can’t believe that it all ends next week.

 

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman

TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch)


 

Hi, everyone!

Obviously, I’m running behind this week.  Usually, I post my recap of the latest episode of Twin Peaks: The Return within a few hours of the episode’s premiere.  This week, I’m a day behind and I apologize.  I could give you all sorts of excuses as to why I’m running behind but I won’t waste your time with that.  Instead, I’ll simply quote Laura Dern from Blue Velvet: “It’s a strange world, isn’t it?”

Fortunately, the Trashfilm Guru is a lot more dependable than I am.  Check out his thoughts on Part 14 by clicking here!

Anyway, speaking of strange worlds…

Part 14 opens with Gordon Cole (David Lynch) in South Dakota, calling Sheriff Truman (Robert Forster) in Twin Peaks.  While I know some people are frustrated with any episode that doesn’t open with Kyle MacLachlan either staring blankly at Janey-E or killing someone, I have to say that I always feel somewhat comforted when Gordon shows up.  Some of that is because Gordon is a lot how I imagine David Lynch to be in real life, right down to the corny jokes and the earnest encouragement.  However, there’s also the fact that Lynch has grown tremendously as an actor.  If you watch the original Twin Peaks, Cole comes across as largely being a one-joke character.  Sometimes it’s funny and sometimes, it’s not.  However, in the revival, Gordon has emerged as one of the most compelling characters around.

Anyway, Truman lets Gordon know about the pages from Laura’s diary that were found earlier and mentions that the pages indicate that there are “two Coopers.”  Gordon thanks him for the information and wishes all the best to both of the Truman brothers.

Meanwhile, Albert (Miguel Ferrer) tells Tammy (Chrysta Bell) about the very first blue rose case.  It involved a murder in Washington, the death of a woman named Lois Duffy.  Lois’s murder was witnessed by Cole and Philip Jeffries.  As Albert tells it, Lois mentioned “blue roses” as she died.  Her body then vanished.  A woman, who looked exactly like Lois Duffy and who claimed to be Lois Duffy, was arrested for the murder but later hung herself in her cell.  Tammy figures out that blue roses are not natural, they do not occur in nature.  The dying woman was not a natural thing.

Cole steps into the room, announcing that he’s “got it.”  After Cole spends a while flinching at the sound of a particularly aggressive window washer doing his job, they are joined by Diane (Laura Dern).  Diane lights a cigarette and tells everyone to fuck off.  Typical Diane.

Cole asks Diane about the last time she saw Cooper and whether he mentioned Major Briggs.  Diane replies that she doesn’t want to talk about that night but she does eventually say that Cooper did mention Briggs.  Albert tells her about Briggs’s death in the fire and the subsequent discovery of her headless body in South Dakota.  He also mentions that a ring was found in Briggs stomach, a ring with an inscription that indicates that it was a gift to Dougie from Janey-E.  A shocked Diane says that Janey-E is her estranged half-sister.

OH MY GOD!!!!!

Gordon calls the Las Vegas FBI office and tells Special Agent Headley (Jay R. Ferguson) that he wants Douglas Jones and Janey-E to be picked up on suspicion of having been involved with a double murder.  Headley is quite enthusiastic about tracking Dougie down.  As he yells at a subordinate, “THIS IS WHAT WE DO IN THE FBI!”

Back in South Dakota, Diane leaves the room.  Cole tells Albert and Tammy about Sheriff Truman and the Two Coopers.

“And last night,” Cole continues, “I had another Monica Bellucci dream.”

In the dream, Gordon was in Paris on a case.  He met with Monica Bellucci (who plays herself) at a cafe.  Cole says that Cooper was at the cafe but he couldn’t see his face.  Monica, Cole, and Monica’s friends had coffee.  Monica said, “We’re like the dreamer who dreams and then lives inside the dream….but, who is the dreamer?”

In the dream, Monica told Cole to look over his shoulder.  Cole did so and he saw a younger version of himself.  Cole watched as the younger version of himself talked to Cooper (Kyle MacLachlan) about a dream that Cooper had.  Suddenly, Phillip Jeffries (David Bowie, seen in archive footage from Twin Peaks: Fire Walk With Me) entered the office and pointed at Cooper.

“Who do you think that is!?” Jeffries said.

Back in the present, Cole says, “This has given me a lot to think about.”

(This entire sequence — from Cole calling Truman to Albert and Tammy talking to Cole’s dream — is absolutely brilliant and among the best work that Lynch has ever done as a director and an actor.)

Meanwhile, at the Twin Peaks Sheriff’s Department, Andy (Harry Goaz), Hawk (Michael Horse), and Boddy (Dana Ashbrook) are getting ready to go hiking to the place where Major Briggs used to take Bobby as a boy.  But first, they arrest everyone’s least favorite corrupt asshole, Deputy Chad (John Pirruccello).

In the woods, while a faint electrical hum is heard in the background, Truman, Andy, Hawk, and Bobby make their way to the location that they were given in Briggs’s note.  They find Naido (Nae Yuuki), a naked woman with no eyes, lying at the base of a tree.  As Andy, the most kind-hearted of the group, rushes over to the help her, a vortex appears in the sky above him.

Suddenly, Andy’s siting in the same black-and-white room where this season began.  Across from him is the Giant (Carel Struycken).

“I am the Fireman,” the Giant says.

Andy has visions of … well, of the series so far.  He sees the dark figures at the gas station.  He sees the Woodsman demanding, “Gotta light?”  He sees Laura Palmer, with angels on either side of her.  He sees Cooper and the Doppelganger. He sees himself leading Lucy into the lobby of the sheriff’s department.  He sees electrical pole #6, the same pole in front of which Richard Horne ran over that little boy.

Suddenly, Andy is back in the woods.  He is carrying Naido and he seems very confident of what needs to be done.  “We have to get her off the mountain,” Andy says, “She is very important.  There are people who want her dead.  She’s fine physically.  If we put her in a cell, she’ll be safe.  Don’t tell anybody about this.”

(Of course, no one mentions that Naido doesn’t have any eyes.)

Back at the sheriff’s department, Lucy gives Naido some old pajamas and says she hopes they’re okay.  Naido remains silent as Andy locks her up in a cell.  After Andy and Lucy leave, a drunk in another cell starts to make monkey noises while the recently incarcerated Chad yells at him to shut up.  Suddenly, Naido starts to softly murmur in her cell.

“It’s a fucking nuthouse!” Chad says.

“Fucking nuthouse,” the drunk replies, repeating Chad’s words in a way that reminded me of the way Dougie communicates with people in Vegas.

As Chad lies down in his cell, we see that the drunk is bleeding and a pool of blood is forming at his feet.

At the Great Northern, security guard James Hurley (James Marshall) is talking to another guard, Freddie Sykes (Jake Wardle).  Freddie is originally from the UK and always wears a glove over his left hand.  It’s James birthday and all he wants is for Freddie to explain why he always wears the glove.

Freddie explains that he can’t take the glove off.  He tried once and his hand started bleeding.  Freddie explains that one night, in London, he was sucked up into a vortex.  A giant called The Fireman told him to go to a hardware store, find an open package of gloves, and put on only one glove.  The glove gives Freddie super strength, which he discovered when he broke the neck of a man trying to prevent him from taking the glove.  It was only after apparently killing this man that Freddie remembered that the Giant also told him to move to Twin Peaks, Washington.  “There,” Freddie says the Giant told him, “you’ll find your destiny.”

James thanks Freddie for the story and then goes to check on the hotel’s furnace.  As he does so, he hears an electrical hum, much like the one that was previously heard in Ben Horne’s office.

Meanwhile, Sarah Palmer (Grace Zabriskie) walks up to a sleazy bar.  As she approaches, we hear the same electrical sound that we previously heard while Truman and the deputies were walking through the woods.  Inside the bar, Sarah is harassed by a drunk who just won’t take no for an answer.  So, Sarah opens her face, revealing the darkness underneath the human surface.

“Do you really want to fuck with this?” she asks, before closing her face and then biting the man’s neck and ripping out his throat…

OH MY GOD!!!!!

Sarah’s possessed!  Well, we already knew that Sarah had psychic powers but … but… but….

Seriously, oh my God!

That said, I don’t blame Sarah.  That guy was a jerk.  We’ve all been there.

At the Roadhouse, two women — Megan (Shane Lynch) and Sophie (Emily Stofle) — talk about getting high, stealing, avoiding the nut house, and a missing acquaintance named Billy.  Megan says that, when she last saw Billy, he was storming in and out of her kitchen, with blood coming from his nose.  It is also revealed that Megan’s mom is named Tina.  If all these names sound familiar, it’s because we already know that Audrey Horne has been 1) having an affair with Billy and 2) has a friend named Tina.

And so concludes a very intriguing episode of Twin Peaks: The Return.

To recap: Janey-E is Diane’s half-sister. The Fireman is sending people to Twin Peaks.  And Billy and Tina actually do exist and aren’t just figments of Audrey’s imagination.

With only 4 episodes left, who knows where all of this is going to lead…

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)

 

 

TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch)


Do you realize that there are only 6 episodes of Twin Peaks: The Return left?

Normally, this is when most limited series would start working towards a climax.  If this was any other show, Cooper would no longer be trapped in Dougie’s body, everyone would already be back in Twin Peaks, and … well, things would be a lot different.

But the fact of the matter is that Twin Peaks is different.  That’s why we watch.  That’s what makes it exciting.  David Lynch has repeatedly shown that he has no interest in slavishly following the traditional rules of television.  In fact, to call Twin Peaks a television series is incorrect.  It’s an 18-hour movie, one that’s been directed by America’s premiere surrealist.  In many ways, this show requires the viewer to take a leap of faith.  “Trust me,” Lynch is saying, “You might not understand it all but you’ll never forget it.”  I have no idea what’s going to happen over the next month but, as always, I’m looking forward to finding out.

Part 12 opens in an office, with Albert (Miguel Ferrer) telling Tammy (Chrysta Bell) to ignore the strange man.  The man in question is Gordon Cole (David Lynch) and while Gordon may be eccentric, Albert is just showing off his famous wit.  Albert, Gordon, and Tammy drink a toast to the bureau and then Tammy is invited to join the Blue Rose.  Albert explains that the Blue Rose is a secret task force that was set up to investigate that strange cases that Project Blue Book could not solve.  The Blue Rose was originally made up of Albert, Philip Jeffries, Dale Cooper, and Chet Desmond.

“Perhaps you have noticed,” Albert says, “that I’m the only one of that group who hasn’t vanished without explanation.”

Despite the dangers, Tammy agrees to join the task force.  Yay, Tammy!

Diane (Laura Dern) then enters the office.  Gordon and Albert offer to deputize her into the Blue Rose.  Diane at first seems hesitant but suddenly, after a sudden burst of dramatic music, she says, “Let’s rock!”  And, of course, true fans of the show will immediately remember the first time that Cooper met the Man From Another Place during the first season of Twin Peaks.  Coincidence?  I don’t know if anything in Twin Peaks is ever a coincidence.

(I loved this scene.  It was nicely acted by all involved, including the underrated Chrysta Bell, and Angelo Badalamenti’s haunting music was used to wonderful effect.)

Back in Twin Peaks, Jerry (David Patrick Kelly) finally comes running out of the woods.

Meanwhile, in a grocery store, Sarah Palmer (Grace Zabriskie, who is absolutely brilliant in this episode) wanders down the liquor aisle.  After filling up her shopping cart with liquor, she goes to the check out and also gets a carton of Salems.  While the cashier rings her up, Sarah stares at a display of beef jerky.  She appears to be disturbed by it and I don’t blame her.  Beef jerky is nasty.

Anyway, Sarah’s liquor and cigarette bill comes to $133.70.  However, she is more concerned about the beef jerky display.  It wasn’t there before, she says.  She asks if the beef jerky is smoked.  The cashier says that it’s the same beef jerky except that its turkey.

“Were you here when they brought it in?” Sarah asks.  Then, “Your room seems different … AND MEN ARE COMING!  I am trying to tell you that you have to watch out!  Things can happen!  Something happened to me!  I don’t feel good, I don’t feel good!  Sarah … Sarah, stop doing this.  Okay.  Leave this place.”

Leaving behind her liquor and cigarettes, Sarah leaves the store.

At the trailer park, Carl (Harry Dean Stanton) talks to one of his residents, an old man who walks with a cane.  Carl finds out that the man has been selling his blood for money.  Yet, he mows people’s lawns and puts in propane tanks for free.  Carl gives the man $50 and tells him not to worry about paying that month’s rent.  Carl says he doesn’t like the idea of people selling their blood.

In Las Vegas, Dougie (Kyle MacLachlan) and his son play catch in the back yard.  Or, to be honest, his son tries to play catch.  Dougie just stands there while the baseball bounces off his head.  Here’s what Kyle MacLachlan had to say on twitter after someone asked him how he felt after filming this scene:

Back in Twin Peaks, Hawk (Michael Horse) walks up to the Palmer House, to check on Sarah’s well-being.  As he approaches, we see the infamous ceiling fan through a window.  In the original series, any shot of that ceiling fan was usually followed by an appearance by Killer BOB.

Sarah tells Hawk that she doesn’t know what came over her in the grocery store.  Sarah says she’s fine now but she refuses to open the door wide enough for Hawk to get a good view inside the house.  Hawk asks if there’s someone in the house.  “No,” Sarah says, “just something in the kitchen.”

“You’re okay, then?” Hawk asks.

“It’s a goddamn bad story, isn’t it, Hawk?” Sarah suddenly snarls.

Hawk says that if she needs help, she can call him anytime.  Sarah shuts the door in his face.

Cut to Twin Peaks Hospital, where a badly beaten Miriam (Sarah Jean Long) lies in bed.

At the hotel bar, Diane gets a text, asking if they’ve asked about Las Vegas yet.

At the Great Northern, Truman (Robert Forster) meets with Ben (Richard Beymer).  Truman tells Ben that they know that his grandson, Richard, was behind the wheel in the hit and run that killed the little boy.  Truman also says that Richard tried to kill Miriam.  Miriam is a teacher without insurance and now, she’s in intensive care and is going to need an operation.  Truman suggests that Ben should pay for her medical treatment.  Ben agrees and then says that something has always been wrong with Richard.

After talking about Richard being on the run, Ben holds up Cooper’s old room key, the one that he received in the mail a few episodes ago.  He gives it to Truman and asks him to give it to Harry.

After Truman leaves, Ben tells Beverly (Ashley Judd) about Richard.  Richard never had a father, Ben says.  (Perhaps because his father was Doppelganger Cooper.)

Back in South Dakota, Gordon has a mysterious French woman (Bérénice Marlohe) in his hotel room.  He’s telling her an old FBI story when they’re interrupted by Albert.  Albert asks the woman to wait downstairs.  Though it takes her a while to get her shoes back on (we’ve all been there), she finally does leave.  Gordon explains that the woman is visiting a friend who owns a turnip farm.  The friend’s daughter has disappeared.

“I told her the daughter would turn up eventually,” Gordon explains, before adding, “She didn’t get it either.”  What’s funny is that I can imagine David Lynch telling that exact same joke in real life.

Anyway, Albert is more concerned about the text message that Diane received, the one asking about Las Vegas.

Gordon says they’ll figure it out but, first, he’d like to get back to his wine.

“What kind is it?” Albert asks.

Gordon looks at his watch.  “11:05,” he announces.

When Albert stares at him without responding, Gordon says, “Albert, sometimes I really worry about you.”

Meanwhile, Chantal (Jennifer Jason Leigh) and Hutch (Tim Roth) use a sniper rifle to assassinate the warden (James Morrison) as he walks up to his house.  The warden’s young son comes outside and sees his father dead on the porch.  “Daddy!” he shouts.  It could have been worse.  Hutch wanted to kidnap and torture the warden but Chantel was hungry and wanted to get something to eat.

Back in Twin Peaks, Dr. Jacoby (Russ Tamblyn) rants about the government and sells his golden shovels.  In her shop, Nadine (Wendy Robie) listens approvingly.  Apparently, Dr. Jacoby is now known as Dr. Amp and, just from the way he rants, I bet he’s on twitter and he probably does the whole numbered tweet threading thing.

Meanwhile, Audrey Horne (Sherilyn Fenn) is talking to her husband Charlie (Clark Middleton) and — OH MY GOD!  AUDREY’S BACK!  Audrey and Charlie are arguing.  Audrey wants to go out and find someone named Billy.  Charlie says he has a lot of paperwork to do and that there’s no point in going at night.  Audrey is emotional and Charlie … well, Charlie most definitely is not.  Charlie is calm to the point of being creepy.

“What kind of shit are you?” Audrey asks, “You are nothing but a fucking no-balls loser.”

You tell him, Audrey!  I don’t know Charlie but if Audrey says he’s a loser…

Charlie gets peeved and asks Audrey not to talk to him like that but Audrey has no use for him or his hurt feelings.  “You have no balls,” she tells him, “that’s why I am in love with Billy.   That’s why I am fucking Billy.  And Tina … I got to find Tina.  She was the last person who fucking saw Billy and I can’t stand being in the same room as her!”

Audrey demands that Charlie sign some papers that she gave him.  Charlie says he’s not singing anything until he runs them by his lawyer.  Apparently, their marriage involves a contract and, by demanding a divorce, Audrey is reneging on a contract.  Charlie is shocked but Audrey doesn’t care.

Charlie finally agrees to go with Audrey to Roadhouse so they can look for Billy.  But first, Charlie suggests that he should call Tina and talk to her.  Audrey repeats that Tina was the last one to see Billy but then she says that “Chuck is certifiable so we can’t count on anything from him.”

“Did you know,” Charlie asks, “that Chuck stole Billy’s truck last week?”

Charlie goes on to say that the police eventually found Billy’s truck and that Billy dropped all charges.  Audrey seems both confused and fascinated by this story.  Myself, I’m wondering if Billy, Chuck, and Tina actually exist.  (Chuck and Charlie, of course, are both nicknames for Charles.)

I guess Tina is real because Charlie does call her, or at least he claims that he’s called and is talking to Tina.  (We only hear Charlie’s side of the conversation.  And everything that Charles says seems to be intentionally vague.)  After hanging up the phone, Charlie refuses to reveal what Tina said.

In South Dakota, Diane sits in the hotel bar and looks up the coordinates that were written on Ruth Davenport’s arm.  Not surprisingly, they’re the coordinates for Twin Peaks.

Meanwhile, at the Road House, Chromatics are playing once again.  In a booth, two women, Abbie (Elizabeth Anweis) and Natalie (Ana de la Reguera), gossip about a guy named Clark, who is apparently cheating on his girlfriend, Angela, with someone named Mary.  Apparently, Angela is off her meds now.  They also note that Angela’s having a rough time but they’re not surprised.  “Losing her mom like that!” they say.

Suddenly, they’re joined by a hyperactive man named Trick (Scott Coffey, who also played the mysterious Cowboy in Mulholland Drive) who is upset because, on his way to the roadhouse, another vehicle ran him off the road. Trick says he wishes he could kill whoever the other driver was.  When Trick goes to get a beer, Abbie and Natalie discuss that Trick was under house arrest but he’s free now.

To quote something that I said in my initial thoughts post for this episode:

In Dario Argento’s Inferno, there’s a random shot of a woman who we’ve never seen before hanging herself.  She’s never mentioned or seen again.  Argento has said that he included that random shot to show that the world was out of balance.  I think, to a large extent, that’s what Lynch is doing with several of the more random aspects of Twin Peaks.

And, with that in mind, the end credits roll and we only have six more episodes to go.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)

TV Review: Twin Peaks The Return Part 11 (dir by David Lynch)


The latest episode of Twin Peaks begins, appropriately enough, in Twin Peaks, with a group of kids tossing a baseball around outside of a trailer park.  When one of them misses a catch, he chases the ball out into the middle of the road.

Needless to say, this scared the Hell out of me.

Seriously, we all know what happens when you run out into the middle of the road in Twin Peaks.  Richard Horne appears out of nowhere, screaming about cocaine, and basically runs you down in a stolen pickup truck.  Needless to say, I was totally prepared for this kid to die but it didn’t happen.  Instead, he spotted a seriously injured Miriam (Sarah Jean Long) dragging herself out of the woods.  Apparently, she survived being attacked by Richard at the beginning of last week’s episode.

Speaking of trailer park drama, someone calls Becky Burnett (Amanda Seyfried) and informs her that her good-for-nothing husband, Steve (Caleb Landry Jones), is at an apartment with Gersten Hayward (Alicia Witt).  Enraged, Becky screams that she doesn’t have a car.  However, she does have a mother, Shelley (Madchen Amick) and Shelley knows a little something about bad boys.  When Becky calls and says that she needs her mom’s car, Shelley runs from the diner and heads to the trailer park.

When Shelley arrives, she discovers that Becky 1) has a gun and 2) wants the car so that she can track down Steve and shoot him.  As Shelley gets out of the car, Becky jumps in and starts to drive off.  Shelley jumps onto the hood of the car but ends up flying off as Becky speeds out of the trailer park.  Fortunately, Shelley only ends up with a skinned knee.  Carl (Harry Dean Stanton), who has apparently seen his share of Becky and Steve’s drama, uses a flute to summon a VW microbus and soon, Carl and Shelley are on the road!

It turns out that Carl also knows Maggie (Jodi Thelen), the dispatcher at the sheriff’s office.  While sitting, with Shelley, in the back of the microbus, Carl calls Maggie and asks to be put through to Deputy Bobby Briggs (Dana Ashbrook).  That’s right — Becky is Shelley and Bobby’s daughter!  (Okay, that’s actually not a huge shock but seriously, I’ve been wondering if the revival would ever acknowledge Bobby and Shelley’s relationship in the original series.)  Shelley tells Bobby that Becky has a gun and they’re not sure where she went.

“Oh God,” Carl says, in a tone of voice that suggests he’s not particularly shocked by any of this.

Meanwhile, at an apartment building, Becky bangs on the door to Room 208.  When the woman in the next room pops out her head and announces that “They just left,” Becky responds by shooting the door six times.  (And, literally everyone in Twin Peaks responds by calling the sheriff’s department.)

Meanwhile, in South Dakota, Gordon (David Lynch), Albert (Miguel Ferrer), Diane (Laura Dern), Tammy (Chrysta Bell), MacKlay (Brent Briscoe), and Bill Hastings (Matthew Lillard) pull up in front of the deserted farm where Hastings claims he and Ruth Davenport found the portal that led them to Major Briggs.  Let’s see if I can keep straight what happened here:

  1. A fat little Woodsman kept appearing and then vanishing.  Gordon, Albert, and Diane all spotted the Woodsman.  None of them seemed to be particularly surprised.
  2. Gordon, and only Gordon, saw a swirling vortex, much like the one from Donnie Darko, appear in the sky.
  3. Gordon nearly got sucked into the vortex.  Before Albert pulled him back, Gordon saw what appeared to be three Woodsmen standing on a staircase.
  4. Gordon and Albert stumbled across the headless body of Ruth Davenport.
  5. Sitting in the backseat of MacKlay’s car Bill looked really concerned and I was briefly reminded of Lillard’s performance in 13 Ghosts.
  6. That fat little woodsman snuck up behind MacKlay’s car.  Diane saw the woodsman but said nothing.
  7. MacKlay glanced in the backseat and started to scream.
  8. Everyone else glanced into the car.
  9. Suddenly, Bill Hasting was missing the top half of his head.
  10. “He’s dead,” Gordon commented.  (Lynch delivered the line with perfect nonchalance.)

That night, at the Double R, Bobby sits in a booth with Becky and Shelley.  Becky says she wants a divorce but that she also still loves Steve.  Bobby tells her that Becky is going to have to pay for the door, which Becky is not at all happy to hear.  Bobby goes on to reveal that he’s convinced the Sheriff not to arrest Becky and that he’s through allowing Steve to get away with stuff.  From now on, if Steve breaks the law, Bobby’s not going to step in to protect him from the consequences.  When Bobby and Shelley offer to help her get away from Steve, Becky suddenly starts to defend her abusive husband.  It’s a touching and rather sad scene, a chance to see Bobby and Shelley as true adults.  However, it all ends when Red (Balathazar Getty) walks up to the diner.  Shelley’s face lights up as she runs outside to see him.  Meanwhile, Bobby and Becky exchange looks.  Just as Becky is blind to Steve’s true character, Shelley is blind to who Red is.

(Shelley went from Leo to Bobby — back when Bobby was still a drug dealer — to Red.  Shelley!  I like bad boys too but goddamn … you can do so much better!  Gordon Cole, for instance, was in love with you…)

As soon as Shelley reenters the Double R and sits back down with her daughter and ex-husband, gunshots ring out!  Oh my God, is Red trying to kill Bobby!?  Or is one of Red’s enemies (Richard maybe) trying to kill Shelley!?  Those were my first two thoughts but no — it turns out that a kid accidentally fired a gun that he happened to find in his parent’s SUV.  Bobby immediately brings order to the scene and it’s interesting to see just how much of a responsible adult and authority figure Bobby Briggs has actually become.

(Still, I always wonder if everyone’s forgotten that Bobby murdered a Canadian drug smuggler in Twin Peaks: Fire Walk With Me.  Bobby shot off the top of his head, in much the same way that the fat little woodsman ripped off the top of Bill’s head.)

The scene ends on an odd (and rather grotesque) note when Bobby tells the woman in the car behind the SUV that she needs to stop honking her horn.  The woman shouts that she has to get home and that they have miles to go.  She also says that the passenger in the car with her is sick.  In the passenger’s seat, a zombiesh girl looks at Bobby and starts to spit something up.

At the Sheriff’s Department, Truman (Robert Forster) and Hawk (Michael Horse) look at a map, trying to pinpoint where Major Briggs’s note told them to go.  Actually, they have two maps.  Truman has Google Earth while Hawk has an old Indian map.  The Log Lady (Catherine Coulson) calls and asks if Hawk has found something.  “My log is afraid of fire,” she explains, “There is fire where you are going.”

Back in South Dakota, Gordon is concerned because his hand is shaking.  (In the original series, a twitching arm or hand often indicated that BOB was entering our world from the Black Lodge.)  Albert shows Gordon a picture that he took of several numbers that were written on Ruth Davenport’s arm.  Albert believes that the numbers are coordinates.  Diane smokes.  Tammy and MacKlay come by with donuts and coffee.  “Ah!” Gordon shouts when he sees the donuts, “the policeman’s dream!”

In Las Vegas, everyone is still hilariously unaware that Dougie (Kyle MacLachlan) is an empty shell who is mostly concerned with coffee and shiny badges.  Bushnell Mullins (Don Murray) tells Dougie that it’s obvious that Dougie’s “investigative work” has exposed a connection between police corruption, organized crime, and the insurance industry.  As Mullins praises Dougie for his hard work, Dougie blankly drinks his coffee.  Mullins says that, despite their fearsome reputation, the Mitchum Brothers are not involved in any of the corruption.

“It’s somebody else,” Mullins says.

“Somebody else,” Dougie repeats.

“That right,” Mullins agrees.

It turns out that the Mitchums want to have a personal meeting with Dougie about their claim.   (Of course, we know that the Mitchums want to kill Dougie because Tom Sizemore’s Anthony Sinclair framed Dougie for cheating them out of a claim.)  Mullins gives Dougie a $30 million claim check to the give to the Mitchums and then explains all of the weird technical stuff that will allow the firm to make money even as if it pays off a huge claim.  I couldn’t really follow it but Mullins was certainly proud of himself.

Mullins says that the Mitchums are sending a car to pick Dougie up for their meeting.  Does Mullins realize that the Mitchums are planning to kill Dougie?  And could that be the real reason that Mullins gave Dougie the check, as a way of convincing the Mitchums not to kill him?  I’m not sure.

Fortunately, while walking out to the waiting limo, Dougie sees MIKE (Al Strobel) beckoning him to enter a small pastry shop.  Dougie buys a cherry pie.  As we shall soon see, MIKE is still looking out for him.

Dougie is then driven out to the desert by the same limo driver (Jay Larson) who previously drove him home from the casino.  The Mitchums are waiting for him but it quickly turns out that neither Rodney (Robert Knepper) nor Bradley (Jim Belushi) is really that enthusiastic about killing Dougie.  Despite the fact that he’s been having dreams about murdering Dougie, Bradley is especially reluctant.  After all, Dougie took care of Ike the Spike for them.  Plus, there was more to Bradley’s dream then just killing Dougie.  Bradley just can’t remember what exactly.

They’re even more reluctant once they discover that 1) Dougie is carrying a pie with him (just as he was in Bradley’s dream) and 2) Dougie has a huge check for them.  So, instead of killing Dougie, they take him out to eat.  Dougie especially enjoys that pie.  The old woman from the casino happens to enter the restaurant and she tells “Mr. Jackpots” that, ever since he helped her win all that money, her life has been perfect!  Yay!  Everyone’s a winner!

All in all, this was a pretty good episode.  It was good to see that the story’s moving forward.  I’m really liking Bobby Briggs (and Dana Ashbrook) as the voice of moral responsibility and the Las Vegas story remains far more entertaining than it has any right to be.  And now that Gordon has seen the woodsmen, what will happen next?

I can’t wait to find out!

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)

TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch)


I’m getting a late start on this recap and I imagine that, by the time I’m finished rewatching the latest episode of Twin Peaks and typing all this up, I’ll probably barely be able to keep my eyes open.  Dexedrine is a wonderful and helpful tool but it can only do so much.

(Don’t freak out, I take it for my ADD.  It helps me focus.  The endless energy is just a nice side benefit.)

So, I better not waste any time!  Let’s talk about Part 10 of Twin Peaks!

We open in Twin Peaks, at the trailer park to be exact.  Richard Horne (Eamon Farren) pulls up outside the trailer of Miriam (Sarah Jean Long), the poor woman who was unlucky enough to see him running down that little boy a few episodes ago.  As this episode will demonstrate, Richard is perhaps the most loathsome character to ever appear in a David Lynch film.  Even Blue Velvet‘s Frank Booth never ran down a child while driving around Lumberton.

From inside her trailer, Miriam yells at Richard that not only has she gone to the police but that she also wrote Sheriff Truman a letter, telling him that, if anything happens to her, Richard is the one responsible.  Richard responds by rushing into the trailer and beating Miriam to death.

As Richard walks away from the trailer, he calls his Deputy Chad (John Pirruccello) and orders him to intercept the letter and keep Truman from reading it.

Elsewhere in the trailer park. Carl (Harry Dean Stanton) sits in front of the manager’s office, plays his guitar, and sings.  The gentleness of Carl’s voice provides a stark contrast to the rest of the episode.

Carl’s song is interrupted by the sound of Steve (Caleb Landry Jones), in another trailer, yelling at Becky (Amanda Seyfried) and throwing stuff out the window.  Becky is not only Shelley’s daughter but apparently, she’s found herself married to a modern-day Leo Johnson as well.  Just like Leo, Steve is upset because he feels Becky isn’t keeping their home clean enough.

(Whatever happened to Leo?  I assume all those tarantulas eventually fell on his face and killed him.)

In Las Vegas, Candie (Amy Shiels) — wearing her iconic pink dress — attempts to kill a fly by hitting it with a remote.  Unfortunately, the fly happens to be on the face of Rodney Mitchum (Robert Knepper), which leads to him getting smacked.  Bradley (James Belushi) rushes into the room the make sure that Rodney is okay, while Candie screams and sobs. The fly, I believe, escaped unharmed.

Janey-E (Naomi Watts) and Dougie (Kyle MacLachlan) visit with Dr. Ben (John Billingsley).  While Dougie continues to stare blankly forward, Janey-E explains that he’s been acting strangely for a few days.  Janey-E explains that Dougie has a drinking and gambling problem.  Dr. Ben is bemused by Dougie’s weight loss.  Janey-E agrees that Dougie has lost a lot of weight … “in a good way.”  Dr. Ben announces that Dougie appears to be in perfect health.  “Remarkable,” Janey-E says while looking at the shirtless Dougie.

Back the Mitchum place, Candie is still crying while Rodney assures her that he’s fine.  On the TV, Bradley and Rodney watch a news story about both Dougie and the arrest of Ike the Spike.

“Brad,” Rodney says, “remind me to call off that hit on Ike.”

“Saved us a wad of dough!” Bradley agrees, “Niiiiiiiice!”

Bradley recognizes Dougie from the news.  “That’s our Mr. Jackpots,” Bradley says.

At the Jones house, Janey-E watches Dougie eat cake.  She asks if he finds her attractive.  Dougie says nothing, entranced by the cake.  Janey-E tells him that she finds him attractive.  Dougie stares at her blankly.  Janey-E takes Dougie upstairs, where she rides him while he lays underneath her in a state of stunned euphoria.  (Dougie/Cooper, of course, is experiencing all of this for the first time.)  Afterward, she tells Dougie, “I love you.”  “Love you,” Dougie blankly repeats.

In Twin Peaks, Dr. Jacoby (Russ Tamblyn) rants on his podcast about pharmaceutical companies.  Nadine (Wendy Robie) listens approvingly.  We see that she’s sitting in her own store, Run Silent Run Drapes.  Yay!  Nadine finally perfected her drape runners!

It’s morning in Vegas.  As Sonny Jim (Pierce Gagnon), fresh from being traumatized by all the noise his parents made while he was trying to get some sleep, waits in the car, Janey-E tells Dougie that she can’t stop thinking about last night.  Dougie blankly nods.

In the wilderness outside Twin Peaks, Jerry (David Patrick Kelly) is still lost.  “You can’t fool me!” he yells, “I’ve been here before!”

At the Sheriff’s office, Lucy (Kimmy Robertson) wonders why Deputy Chad is hanging out in the lobby.  Of course, we know that Chad is waiting for the mail so that he can intercept Miriam’s letter.  Chad, however, just says that he’s appreciating the beauty of the day.  Chad sees the mailman pulling up so he runs outside to meet him.  Lucy is rightly suspicious, especially when Chad rather obviously stuffs Miriam’s letter under his shirt.

This is followed by a scene that literally left me queasy.  At the Horne House, a bruised and battered Johnny Horne (Eric Rondell) stares at a creepy toy that has the body of teddy bear and a head of glass.  Throughout the entire violent and brutal scene that will follow, the toy continues to ask — in a vaguely British accent — “Hello, Johnny.  How are you today?”

Johnny Horne (Richard’s uncle)

Richard bursts into the house and demands that Sylvia (Jan D’Arcy) give him money.  When she tells him to ask his grandfather, Richard grabs her by throat.  As Richard attacks her (and Farren is absolutely terrifying in this scene), Johnny falls out of the chair and groans on the floor.  It gets even worse when Johnny calls Sylvia “grandma.”

Sylvia, Richard’s grandmother

In other words, tonight, my greatest fear was confirmed.  Richard is Audrey’s son.  And judging from both his sociopathic personality and their shared affinity for leather jackets, it appears that Richard’s father is the Doppelganger.  A few episodes ago, Dr. Hayward revealed the, when Cooper last saw Audrey, she was still in a coma.

Richard Horne (son of Audrey and Cooper’s Doppelganger)

Richard gets the money.  He also calls his grandmother the C-word and steals her jewelry.  “Why do you have to make something so simple so fucking difficult!?” Richard snaps before leaving.

Seriously, this scene — more than anything else that we’ve seen so far in this series — left me truly shaken.  The performances of Farren and D’Arcy were so intense that, even though I knew it was coming and what would happen, I still had to take a break after rewatching this scene.

After that disturbing scene, we cut back to Las Vegas.  Roger (Joe Adler) tells Duncan Todd (Patrick Fischler) that it’s true that Ike has been captured by the police.  After Roger leaves, we see that Anthony Sinclair (Tom Sizemore) is in Duncan’s office.  Duncan tells Anthony that he’s to go to the Mitchum Brothers and that he’s to claim that Dougie cheated them out of an insurance claim.  Duncan believes that the Mitchums will respond by killing Dougie.  If the Mitchums don’t kill Dougie, Anthony will have to do it himself.

In South Dakota, love is in the air.  Albert (Miguel Ferrer) is on a date with coroner Constance Talbot (Jane Adams).  A bemused Gordon (David Lynch) watches them, with Tammy (Chrysta Bell) at his side.  But Gordon — you belong with Shelley!

Back in Vegas, Anthony goes to the casino and is spotted by the Mitchum brothers.  They tell Candie — who, like the other ladies in pink, is hanging out in their office — to bring Anthony to see them.  “You want me to bring him here?” Candie asks, somewhat vaguely, before heading to the casino floor.

As they watch Candie and Anthony on the surveillance footage, the Mitchum brothers realize that they may have made a mistake sending Candie.  Candie and Anthony start to have a long conversation.  Bradley is finally forced to tell the pit boss, Warrick (David Dastmalchian) to bring both Candie and Anthony back to the main office.

Before Rodney can complain, Bradley says, “If we fire her, she’s got no place to go.”  So, in case you were wondering which brother was the nice brother, apparently it’s Jim Belushi.

Anyway, Candie and Anthony finally arrive at the office.  The Mitchums demand to know what Candie and Anthony were talking about.  Candie thinks for a minute and then remembers that they were talking about how it was going to be hot and smoggy the next day.

Anthony finally gets his chance to tell the Mitchum brothers that Dougie handled their denied claim and that he has a personal vendetta against them.  Anthony is not exactly the best liar and the Mitchums tell Candie to show Anthony out of their office.

“You have an enemy in Douglas Jones!” Anthony shouts.

Later, Bradley and Rodney have a drink in their living room.  Despite Anthony not being the most convincing of storytellers, the Mitchum brothers appear to believe him and they both agree that Dougie has to die.  Rodney announces, “Now I know how Brando felt.”

(Wally Brando, maybe?)

Back in South Dakota, Gordon sits in his hotel room and draws a picture — one that resembles the cave drawings from the 2nd season of Twin Peaks — on a piece of paper.  Someone knocks on his door.  When Gordon answers it, he has a vision of Laura crying while hearing Sarah Palmer (Grace Zabriksie) calling Laura’s name.

As the vision fades, Gordon sees that Albert is standing out in the hallway.  Albert enters the hotel room and reveals that, while they were in the morgue, Diane received a text on her phone: “Around the dinner table, the conversation is lively.”  Albert says that he and Tammy tracked the text as coming from Mexico.  Diane responded with a heavily encrypted message: “They have Hastings.  He’s going to take them to the site.”

“What should we do?” Albert asks.

“Keep her close,” Gordon replies.

Tammy then shows up at the room, revealing that she has new information concerning “the penthouse murders” in New York City.  (That would be the murder of poor Sam and Tracy in Part 1.)  She shows Gordon a picture of the Doppelganger in the penthouse, standing in front of the glass case.

At the Great Northern, Ben (Richard Beymer) takes a call from his now ex-wife, Sylvia.  Sylvia demands that Ben repay her all of the money that Richard stole from her.  Ben refuses.  Sadly, when Ben asks if Johnny’s okay, Sylvia snaps back, “No concern about me!”

Hanging up on his former wife, a frustrated Ben calls out, “Beverly, do you want to have dinner with me?”

At her lonely house, the Log Lady (Catherine Coulson) calls Hawks (Michael Horse) and tell him that “Electricity is humming.  You can hear it in the mountains and rivers…in these days, the glow is dying?  What will be in the darkness that remains?”

(This scene is even more poignant when you consider it was probably the final thing that Coulson ever filmed before passing away last year.)

The Log Lady tells Hawk that the Truman brothers are “true men … they are your brothers … watch and lesson to the dream of time and space…Hawk…Laura is the one…”

At the Road House, Rebekah Del Rio performs, providing both this episode and the series as a whole with yet another link to Mulholland Drive.  (That’s not as crazy as it sounds.  Mulholland Drive was originally envisioned as being a spin-off of Twin Peaks, with Audrey moving to Hollywood.)

What to say about this episode?  It was, in many ways, deceptively simple.  All of the disparate elements of the show are finally coming together.  The appearances by Sizemore, Belushi, and Knepper served to remind us — just as Jennifer Jason Leigh did last week — that Twin Peaks is not just random David Lynch quirkiness.  Everything is connected.  A story is being told.  You just have to have the patience to look for the clues.

And finally, to those reviewers complaining that Twin Peaks: The Return is misogynistic, open your eyes.  Yes, many of the characters are misogynists.  Not a single one of them is, in anyway, portrayed sympathetically.  He may be a surrealist but David Lynch is one of the most humanistic filmmakers of all time.  If the world of Twin Peaks is sometimes ugly, so is the world outside your front door.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)