TV Review: Twin Peaks: The Return Part 17 (dir by David Lynch)


I imagine that there are a lot of upset people right now.

Maybe you’re one of them.  Maybe, even as I sit here typing this, you are seething with rage.  “18 hours and it ends with Cooper trapped in yet another fucked up situation, with Laura Palmer still screaming!?  What the Hell!?”

Well, my advice would be to calm down.  Did Twin Peaks: The Return ends on a conventional note?  No.  Has anything about Twin Peaks: The Return been conventional?  Hell no.  This is a David Lynch production, after all.  And Lynch has never shown an interest in tidy endings.  In fact, if anything, Lynch has never shown much of an interest in endings.  Blue Velvet concluded with a fake bird.  Lost Highway ended with Bill Pullman appearing to transform yet again.  Even Mulholland Drive ended with that evil creature still living behind Winkie’s.

As far as I’m concerned, Twin Peaks: The Return provided 18 of the most intriguing hours in television history.  Am I little bit frustrated that it didn’t end on a definite note of conclusion?  Sure.  (With 15 minutes left in Part 18, I found myself saying, “Uhmmm … what about Audrey?”)  But I’ll tell you right, I’m going to have a lot of fun debating what it all meant.  Art is not about easy solutions.

(For the record, next weekend, I’m going to binge watch all 18 hours and then maybe I’ll post my conclusions.)

It could be argued that this should not be called a conclusion.  As Ryan pointed out in this week’s peaks, the story continues.  There may or may not be another season on Showtime.  There may or may not be another Twin Peaks movie.  Hell, Mark Frost may or may not write another Twin Peaks book.  And, if none of that happens, the story will continue in our imaginations.

I went back and forth on whether or not to review both Parts 17 and 18 together or separately.  In the end, I decided to review them separately because I consider Part 17 to be the conclusion on the third season of Twin Peaks while Part 18 feels like it’s laying the groundwork for a fourth season.

Let’s get to it!

Things open in South Dakota, with Gordon Cole (David Lynch) lamenting to Albert (Miguel Ferrer) and Tammy (Chrysta Bell) that he couldn’t bring himself to shoot Diane.  After Albert says that Cole is going soft, Cole replies, “Not where it counts, buddy.”  That line made me laugh, despite myself.  Lynch just has such a sincere way of delivering his lines.

Cole goes on to explain that, before his death, Major Briggs shared, with him and Cooper, his discovery of an extremely evil and negative force that, “in olden times,” was known as Jowday.  Jowday eventually got shortened to Judy.  Briggs, Cooper, and Cole put together a plan that could lead them to Judy.  Apparently, before his disappearance, Philip Jeffries said that he was on the verge of discovering Judy.  Cole theorizes that the Doppelganger is looking for Judy.

Suddenly, the phone rings.  It’s Agent Headley (Jay R. Ferguson), calling from Las Vegas, to announce that they’ve found Dougie Jones but that Dougie disappeared again.  Mullins (Don Murray) asks to speak to Cole and gives him a message from Cooper.  Cooper is on his way to Twin Peaks, to see Sheriff Truman!

In the Twin Peaks Sheriff’s Department, the lock-up is still nosiy.  The drunk (Jay Aaseng) and Deputy Chad (John Pirruccello) take turns taunting each other.  Eyeless Naido (Nae Yuuki) continues to whimper.  Freddie (Jake Wardle) and James (James Marshall) listen.

At the Great Northern, Ben (Richard Beymer) gets a call.  Jerry’s turned up in Wyoming, apparently convinced that he can kill people with his binoculars.  It might be time to say, “No more drugs for that man,” as far as Jerry is concerned.

The next morning, the Doppelganger (Kyle MacLachlan) wanders through the woods outside of Twin Peaks.  The vortex opens above him.  The Doppelganger vanishes.

In the building above the purple sea, the disembodied head of Major Briggs (Don S. Davis) floats between two pictures, one of the woods and one of the Palmer House.  The Fireman (Carel Struycken) waves  his hand.  In the background, we hear the electrical hum that been haunting the Great Northern.

The Doppelganger materializes outside of the Twin Peaks sheriff’s station.  As he walks towards it, he is seen by Deputy Andy (Harry Goaz).  At first, I was worried that the Doppelganger was going to kill Deputy Andy but instead, he greets him with a cold, “Hello, Andy.”

Andy leads the Doppelganger into the station, where they meet Lucy (Kimmy Robertson) and Sheriff Truman (Robert Forster).  When the Doppelganger turns down a cup of coffee, everyone knows something strange is happening.  Then, Andy starts to have visions of him and Lucy standing in the lobby, looking at something.

Meanwhile, in the holding area, it turns out that Chad has got a key hidden in his shoe.  He gets out of his cell and heads for the weapons locker.  When Andy shows up, looking for Hawk, Chad comes at him with a raised gun.  But fear not!  Freddie Sykes uses his green glove of power to throw open the door his cell, smashing Chad in the face and knocking him out.

Meanwhile, Lucy informs Truman that he has a phone call and he really needs to take it.  Reluctantly, Truman takes the call and finds himself talking to … DALE COOPER!  Dale and the Mitchums have just entered the Twin Peaks city limits and are on their way to the station!

The Doppelganger, realizing what is happening, reaches inside his jacket for a gun when suddenly — bang!  The Doppelganger crashes to the floor.  Standing behind him, holding a gun, is Lucy!

(Making this scene especially satisfying is that, during the second season Twin Peaks, Lucy was exclusively given comedic subplots that had nothing to do with the main storyline.  25 years, she finally gets to save the day.)

Way to go, Lucy!

Cooper tells Truman to make sure that no one touches the Doppelganger’s body until he arrives.  Andy steps into the office with Hawk, Naido, James, and Freddie.  Suddenly, just as in Part 8, the woodsmen appear and start working on the Doppelganger’s body.  While that happens, Cooper and the Mitchums show up.  And then Cole, Albert, and Tammy show up.  It’s getting crowded in that office!

Suddenly, the spirit of Killer BOB (represented by an orb that contains stock footage of Frank Silva) emerges from the Doppelganger’s body and lunges at Freddie.  Despite getting bloodied in the process, Freddie is able to use his green glove of power to smash BOB’s face into a thousand pieces.  Yay Freddie!

Cooper puts the ring on the Doppelganger’s finger.  The Doppelganger vanishes.  Yay Cooper!

Cooper gets the key to his former hotel room from Sheriff Truman.  “Major Briggs told me Sheriff Truman would have it,” Cooper explains.  (Yay Major Briggs!)

Now, what happens next is interesting.  A lot of positive things happen.  Bobby Briggs (Dana Asbrook) comes in the office and Cooper tells him that he and Major Briggs are proud of him.  Blind Naido is revealed to actually be the real Diane, in disguise.  (And yes, the real Diane still has eyes.)  Cole and Albert are reunited with their friend.  And yet, through the whole scene, we see the face of another Cooper, this one with a blank expression, superimposed over the action.

This was when I started to suspect that the finale might turn out to be a bit controversial.  Are we seeing reality or are we watching a dream, a memory, or a wish?  Not even the presence of the Mitchum girls in pink, passing out finger sandwiches, can change the ominous tone of all this otherwise positive scene.

Cooper glances at the clock in Truman’s office and sees that the minute hand seems to be stuck.

A distorted voice says, “We live inside a dream.”

Oh shit, I thought as I watched this scene, we’ve got 30 minutes left and things are about to get so seriously fucked up…

“I hope I see all of you again,” Cooper says, “every one of you.”

The room goes black.  Cooper’s superimposed face continues to passively stare.

Suddenly, Cooper, Diane, and Cole are slowly walking down a dark hallway.  I believe they’re in the Great Northern because, when they reach a door, Cooper uses his old hotel room key to open it.  He tells Cole and Diane to wait behind and then he enters the room.  “See you at the curtain call,” Cooper says.

Inside the room is MIKE (Al Strobel) who recites the Fire Walk With Me poem.  MIKE leads Cooper up a staircase and into the room the holds the metal device the contains the spirit of Philip Jeffries.  Cooper asks to be sent back to February 23rd, 1989, the night of the death of Laura Palmer.

“Cooper,” Jeffries says, “remember…”

“ELECTRICITY!” MIKE exclaims.

Suddenly, Cooper’s back in 1989.  He’s watching Laura (Sheryl Lee) sneak out of her house and jump on the back of James Hurley’s motorcycle while a jealous Leland (Ray Wise) watches from his window.  Cooper watches them in the woods, listening as Laura tells James that Bobby killed a man.  (This is true.  Before he became everyone’s favorite lawman, Bobby shot a Canadian drug runner in Twin Peaks: Fire Walk With Me.  I always wondered if that would be acknowledged.)

Cooper watches the familiar scene play out but, when Laura jumps off of James’s motorcycle, Cooper steps forward and changes history.  Instead of allowing Laura to walk off to be murdered, Cooper tells her that he is taking her home.  “I saw you in my dreams,” Laura says.

The next morning, we see another familiar sight: Laura’s body on the shore, wrapped in plastic.  The body disappears.  In archived footage from the original Twin Peaks pilot, we watch as Pete Martell (Jack Nance) says good morning to Catherine (Piper Laurie) and then heads out to fish.  Except, this time, there’s no body to distract him.  Instead of calling the police and reporting a murder, Pete goes fishing.

(It’s a sweet image and it was nice to see that, despite having been dead for 21 years, Jack Nance, who starred in Eraserhead and was the former husband of Catherine “Log Lady” Coulson, still appeared in the revival.  Part 17 was dedicated to his memory.)

Where is Laura?  Despite not being dead, she’s not in her house.  However, Sarah Palmer (Grace Zabriskie) is.  Sarah is smashing the famous picture of Laura as homecoming queen into little pieces.  Disturbingly, this would seem to indicate that, at the time that Laura was being abused and eventually murdered by her father, Sarah was not a bystander but was instead possessed by the same evil that possessed Leland.

Cooper leads Laura through the woods.  Suddenly, Laura screams and is gone.

Standing in front the red curtains of the Black Lodge, Julee Cruise sings.

End credits.

On to Part 18, which I am about to rewatch after which I will write up a review.  It might be a few hours.  Until then, why not check out some of the other 81 Twin Peaks-related posts that we’ve published this year at the Shattered Lens!

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  76. 32 Initial Thoughts about Twin Peaks; The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  77. This Week’s Peaks: Part 16 by Ryan C (trashfilm guru)
  78. TV Review: Twin Peaks: The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  79. 18 Initial Thoughts on Twin Peaks: The Return Part 17 (dir by David Lynch) by Lisa Marie Bowman
  80. 16 Initial Thoughts on Twin Peaks: The Return part 18 (dir by David Lynch) by Lisa Marie Bowman
  81. This Week’s Peaks: Parts 17 and 18 by Ryan C (trashfilm guru)

18 Initial Thoughts on Twin Peaks: The Return Part 17 (dir by David Lynch)


Here we go.

Tonight’s the night.  Tonight is the finale of Twin Peaks: The Return.  As always, I will be jotting down my initial thoughts while watching the episode.  I’ll post a full recap and review either later tonight or tomorrow.

(And, as always, keep an eye out for the latest edition of Ryan’s This Week’s Peaks.)

Here are my initial thoughts:

  1. Watching the opening credits for the final time actually get me a little emotional.
  2. “Not where it counts, old buddy.”  Someone please write a pilot where Gordon Cole retires to a small town and gives everyone folksy advice.
  3. “Has my watch stopped or is that one of the Marx brothers?”  Oh my God, we’re going to miss Miguel Ferrer.
  4. Jerry may need to cut down on the weed.
  5. Oh no!  Please don’t let any harm come to Andy!
  6. The Doppelganger turning down a cup of coffee should be all Andy needs to figure that he’s not the real Cooper.
  7. Freddie  Sykes and his glove of power!
  8. Oh my God, Lucy to the rescue!
  9. Oh dammit, there’s the Woodsmen.  Hurry, Cooper!
  10. Oh my God, they brought the finger sandwiches all the way up to Twin Peaks.  That’s great.
  11. “We live inside a dream.”
  12. That’s right!  Bobby did shoot a Canadian drug smuggler in the head.  I was wondering if that would ever be mentioned again.
  13. Now that Cooper’s overhead that Bobby killed a man, is he going to arrest him if he ever gets out of 1989?  There’s no statute of limitations on murder.
  14. There’s Leo in the flashback.  I assume that he was killed by all spiders in between the end of season 2 and this revival.
  15. Could Cooper keep Laura from dying?  Can the past be changed?
  16. “We’re going home.”  Oh my God!  Tears in my eyes, no joke.
  17. Jack Nance!
  18. Oh My God.  At least I don’t have to wait a week to see what happens next…

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  75. TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman
  76. 32 Initial Thoughts about Twin Peaks; The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman
  77. This Week’s Peaks: Part 16 by Ryan C (trashfilm guru)
  78. TV Review: Twin Peaks: The Return Part 16 (dir by David Lynch) by Lisa Marie Bowman

 

TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch)


Why am I posting this review so late?  Check out my previous Twin Peaks post for the explanation.

I have to admit that I’m kind of kicking myself for taking so long to watch Part 15 of Twin Peaks.  This was one of the best episodes of the revival.  It was a deeply intriguing episode, mixing moments of soaring romance with haunting creepiness.  In short, this episode was David Lynch and Twin Peaks at their considerable best.  Because I’m pressed for time and I need to get this written and posted before Part 16 premieres later tonight, I don’t know if I’ll be able to do full justice to how wonderful this episode was.  I’ll try, though.  Be sure to check out Ryan’s thoughts on Part 15, as well.

Things begin, as they so often do, with a one-eyed woman and a shovel…

Nadine Hurley (Wendy Robie) walks through Twin Peaks, carrying her golden shovel with her.  She stops at Big Ed’s Gas Farm and tells Big Ed (Everett McGill) that she’s changed.  She says that she loves Ed but she knows that she’s been a “selfish bitch” and that Ed has “been a saint.”  Nadine explains that she’s using her shovel to “dig” herself “out of the shit” and tells Big Ed that she wants him to be with Norma.  “True love,” Nadine says, “is about giving others what they need to be happy.”

What follows is Lynch at his most deliriously romantic.  Ed drives to the Double R and tells Norma (Peggy Lipton) that he loves her and he wants to marry her.  However, Norma is busy conducting one of her corner booth business meetings with Walter (Grant Goodeve).  She not only allows Walter to buy her out but she also dumps him.  “Family reasons,” she explains before kissing Ed.  A song about love plays in the background.  The wind blows through the trees.  The sun shines through the clouds above.  Briefly, all is right with the world of Twin Peaks…

…so, of course, the very next scene is the Doppelganger (Kyle MacLachlan) driving down a dark road.  Of course, the Doppelganger is always bad news but, for whatever reason, driving always seems to put him in an even worse mood than usual.

The Doppelganger pulls up at the gas station that, way back in Part 8, we saw taken over by the Woodsmen.  (The music playing in the background is “Threnody for the Victims of Hiroshima.”)  With electricity crackling all around, the Doppelganger enters the gas station, approaches a woodsman, and says that he is looking for Philip Jeffries.  The Doppelganger is led to a dark room that is occupied by a strange metal device.  Jeffries’s Southern-accented voice emanates from the device.

Considering the amount of time that these two have apparently spent trying to kill each other, it’s actually a relatively polite conversation.  I have to admit that it caught me off guard seeing the Doppelganger asking questions for once.  I always assumed the Doppelganger knew everything.  (As the Doppelganger and Jeffries talk, Lynch inserts a flashback of David Bowie from Twin Peaks: Fire Walk With Me.)  When the Doppelganger asks if Jeffries was the one who called him, Jeffries replies that he does not have the Doppelganger’s number.  Jeffries says that he and the Doppelganger used to talk regularly.

“You are Cooper?” Jeffries asks.

“Why didn’t you want to talk about Judy?” the Doppelganger asks, “Who is Judy?  What does Judy want from me?”

Jeffries tells the Doppelganger to ask her himself.

Suddenly, a phone rings.  The Doppelganger sees an old landline phone in the corner of the room.  When the Doppelganger answers, this is a loud surge of static and the Doppelganger suddenly finds himself outside the gas station…

And there’s Richard Horne (Eamon Farren), holding a gun on him and saying that he recognized the Doppelganger from a picture that his mother (who we all know is Audrey) used to carry with her.  “You’re FBI!” Richard announces.  (He’s probably Richard’s father, as well.)  The Doppelganger proceeds to rather easily kick Richard’s ass and then tells him to get in the truck.  “We’ll talk on the way,” the Doppelganger explains.

As they drive away, the gas station vanishes.

In the woods around Twin Peaks, Steve (Caleb Landry Jones) and Gersten Hayward (Alicia Witt) are freaking out.  Steven has a gun and keeps saying that he did it.  “You didn’t do anything!” Gersten says, “you were fucking stoned!  What did she give you!?”  Steven loads the gun and, as Gersten begs him to stop, he says that he’s going to end it.  Steven starts to talk about how much he loves fucking Gersten when suddenly, a guy walking his dog wanders by.  Gersten runs and hides behind a tree.  Off screen, there is a gunshot.  (This short but intense scene features some amazing acting from both Alicia Witt and Caleb Landry Jones.)

At the trailer park, Carl (Harry Dean Stanton) meets with the man who was walking his dog.  We see the man point at Steve and Becky’s trailer.

That night, at the Roadhouse, the very excited Emcee (J.R. Starr, who is quickly becoming one of my favorite minor characters) announces that they will be playing “one of our favorites — Sharp Dressed Man by ZZ Top!”  He even has a cardboard volume meter to show how excited he is over the song.  The Emcee starts to dance along to the song.  He’s so adorable!

What’s less adorable is what happens when James (James Marshall) and Freddie (Jake Wardle) are attacked by Chuck (Rod Rowland), who is Renee’s husband.  Freddie, who is wearing his power glove, knocks Chuck unconscious with one punch.

In Las Vegas, Agent Wilson (Owen Rhys-Davies) tells Agent Headley (Jay R. Ferguson) that he’s brought in another Douglas Jones for interrogation.  Apparently, Wilson and Headley are just tracking down everyone named Douglas Jones who lives in Vegas.  However, as quickly becomes apparent when Headley goes down to the interrogation room, they have yet to track down our Dougie Jones.

Elsewhere in Vegas, Chantal (Jennifer Jason Leigh) assassinates both Duncan Todd (Patrick Fischler) and Roger (Joe Adler).  Afterwards, she and Hutch (Tim Roth) eat out in their car and casually discuss the pros and cons of torture.

Back in Twin Peaks, both James and Freddie are led to a jail cell.  Interestingly, the last time we saw James arrested was in the Pilot.  James was put in a cell with Bobby Briggs (Dana Ashbrook).  This time, it’s Bobby leading James to the cell.

Back in Vegas, our Dougie (Kyle MacLachlan) eats a piece of cake and watches Sunset Boulevard on television.  When he hears Cecil B. DeMille mention the name “Gordon Cole,” Dougie responds by crawling across the floor and sticking his fork into an electrical socket.

(It’s interesting to note that, in the scene from Sunset Boulevard, DeMille and Gloria Swanson — in the role of Norma Desmond — were talking about getting everyone back together again and making another picture, despite the fact that Hollywood had changed quite a bit since Desmond’s heyday.  In many ways, that’s exactly what David Lynch is doing with Twin Peaks: The Return.)

In Twin Peaks, The Log Lady (Catherine E. Coulson) calls Hawk (Michael Horse) one last time and tells him that she is dying.  “You know about death,” she says, “that it’s just a change.  Not an end.  It’s time.  There’s some fear, some fear in letting go.  Remember what I told you.  I can’t say more over the phone.  But you know what I mean, for our talks, when we  were able to speak face to face.  Watch for that one, the one I told you about, the one under the moon on Blue Pine Mountain.  Hawk, my log is turning gold.  The wind is moaning.  I’m dying.  Goodnight, Hawk.”

“Goodnight, Margaret,” Hawk replies, “Goodbye, Margaret.”

Later, Hawk tells Andy (Harry Goaz), Lucy (Kimmy Robertson), and Truman (Robert Forster) that “Margaret Lanterman passed away tonight.”

“The Log Lady’s dead?” Lucy replies, and there’s something so heart-breaking about the way Robertson delivers this line.

(It’s made even more heart-breaking by the fact that Coulson died shortly after filming her scenes for the revival.  This episode is not only about the residents of Twin Peaks saying goodbye to Margaret Lanterman.  It’s also about Lynch saying goodbye to his longtime friend, Catherine Coulson.)

Meanwhile, Charlie (Clark Middleton) and Audrey (Sherilyn Fenn) continue to argue about going to the Roadhouse to look for Billy.  Audrey complains about the way that Charlie talks to her.  Billy never talks to her like that.

“I am Charlie,” Charlie says, “and he is Billy.”

“Yes,” Audrey replies, “and I like Billy better.”

“Sensational,” Charlie replies.

They argue a bit more.  Audrey eventually ends up pouncing on Charlie while screaming, “I hate you!  Do you realize how much I fucking hate you!”

At the Roadhouse, the Veils sing a song about drugs.  A woman, Ruby (Charlyne Yi), sits in a booth.  When two men tell her to move, she replies that she’s waiting someone.  The men literally lift her out of the booth and drop her on the floor.  Ruby crawls across the dance floor and screams.

The end credits role over an image of that gas station siting in the middle of nowhere.  “Dedicated to Margaret Lanterman” the final credit reads.

Margaret Lanterman (a.k.a. The Log Lady)

Only three more episodes (and, because the final two are being shown on the same night, only two weeks) left!  That makes me sad.  I’m going to miss Twin Peaks.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)
  74. 24 Initial Thoughts About Twin Peaks; The Return Part 15 (dir by David Lynch) by Lisa Marie Bowman

 

24 Initial Thoughts About Twin Peaks The Return Part 15 (dir by David Lynch)


Obviously, I’m running very far behind when it comes to watching and reviewing Part 15 of Twin Peaks: The Return.  Erin and I spent last weekend up at Lake Texoma so I set the DVR to record Part 15 so that I could watch it once we returned.  However, this has been the craziest week and, as ashamed as I am to admit it, I just didn’t get a chance to sit down and watch Part 15 until around four this morning.

So, forgive the lateness of this review.  Fortunately, the Trashfilm Guru watched and reviewed Part 15 when it aired and you can read his review by clicking here.  As for me, despite being a week late with this review, I’m going to follow my usual format.  I’m going to post the initial thoughts that I had while watching the latest episode for the first time and then I’m going to rewatch Part 15 and write out a full recap sometime later today (hopefully, before Part 16 airs later tonight on Showtime!).

  1. As I watched the opening credits, I found myself thinking about the fact that, not counting this one, there’s only three episodes left.  I no longer worry about whether or not the show’s “story” is going to reach any sort of resolution.  That’s really not what Twin Peaks is about.
  2. Do you think Nadine just carries that shovel with her everywhere?
  3. Admit it.  At least once in your life, you’ve wished that you had a golden shovel that you could use to dig your way out of the shit.
  4. Oh my God, this scene between Norma and Big Ed…so beautifully performed and directed.
  5. And then to go from the grand romanticism of Norma and Ed to the nihilistic hatred that is symbolized by the Doppelganger.  It’s quite a contrast.  The brilliance of Lynch can be found in his ability to create a world where both romance and evil feel absolutely natural.
  6. The scene where the Doppelganger talks to Jeffries is exceptionally creepy, even by the standards of Twin Peaks.
  7. Oh fuck you, Richard Horne.  You couldn’t even intimidate Red.  What the Hell do you think you’re going to be able to do against the Doppelganger?
  8. Of course, I think we’ve all pretty much figured out that the Doppelganger is Richard’s father.
  9. C’mon, Gersten!  You can do better than Steven!
  10. As I listened to Steven blame everything on being stoned, I wondered if he was buying his weed from Jerry Horne.
  11. I don’t know if David Lynch is planning on ever doing another television series after this (probably not) but if he does, might I suggest a show where Carl Rodd travels across America and gets involved in the lives of random strangers?
  12. Am I the only one fascinated by J.R. Starr’s performance as the Roadhouse’s emcee?
  13. I guess that takes care of Duncan Todd.  Too bad about Roger.
  14. James is in jail with a bunch of people making weird noises.  Some things never change.
  15. Sunset Boulevard!
  16. It was nice of this episode to acknowledge that the name Gordon Cole was taken from Sunset Boulevard.  The original series also featured an insurance agent named Walter Neff.
  17. Agck!  Did Dougie just electrocute himself?
  18. This final scene between Hawk and the Log Lady is heartbreaking, both because the Log Lady was such an iconic character (for many people, she was the ultimate symbol of the show’s sensibility) and that Catherine E. Coulson herself passed away shortly after filming her scenes.  Coulson worked on Lynch’s very first film, Eraserhead.  She was also once married to Jack Nance, who played Pete Martell on the first two seasons of Twin Peaks.
  19. It’s said that, during the making of Eraserhead, Lynch looked at Coulson and told her that he had just had a vision of her holding a log and that someday, he would write a role for her where she would do just that.  That’s an apocryphal story that I hope is true.
  20. Kimmy Robertson’s delivery of the line: “The Log Lady’s dead?” was one of the best moments of the entire season.
  21. Am I the only one who wants Cooper to get back to normal so that he can go to Twin Peaks and beat up Charlie?
  22. Tonight’s musical guest: The Veils.  The Roadhouse gets all the best performers.
  23. Oh my God, the screaming!  When that woman started screaming, our cat jumped off the couch and went ran from the room.
  24. Okay. time to get an hour or two of sleep and then I’ll be back to rewatch Part 15 and post a full recap.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)
  72. TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  73. This Week’s Peaks: Part 15 by Ryan C (trashfilm guru)

TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch)


 

Hi, everyone!

Obviously, I’m running behind this week.  Usually, I post my recap of the latest episode of Twin Peaks: The Return within a few hours of the episode’s premiere.  This week, I’m a day behind and I apologize.  I could give you all sorts of excuses as to why I’m running behind but I won’t waste your time with that.  Instead, I’ll simply quote Laura Dern from Blue Velvet: “It’s a strange world, isn’t it?”

Fortunately, the Trashfilm Guru is a lot more dependable than I am.  Check out his thoughts on Part 14 by clicking here!

Anyway, speaking of strange worlds…

Part 14 opens with Gordon Cole (David Lynch) in South Dakota, calling Sheriff Truman (Robert Forster) in Twin Peaks.  While I know some people are frustrated with any episode that doesn’t open with Kyle MacLachlan either staring blankly at Janey-E or killing someone, I have to say that I always feel somewhat comforted when Gordon shows up.  Some of that is because Gordon is a lot how I imagine David Lynch to be in real life, right down to the corny jokes and the earnest encouragement.  However, there’s also the fact that Lynch has grown tremendously as an actor.  If you watch the original Twin Peaks, Cole comes across as largely being a one-joke character.  Sometimes it’s funny and sometimes, it’s not.  However, in the revival, Gordon has emerged as one of the most compelling characters around.

Anyway, Truman lets Gordon know about the pages from Laura’s diary that were found earlier and mentions that the pages indicate that there are “two Coopers.”  Gordon thanks him for the information and wishes all the best to both of the Truman brothers.

Meanwhile, Albert (Miguel Ferrer) tells Tammy (Chrysta Bell) about the very first blue rose case.  It involved a murder in Washington, the death of a woman named Lois Duffy.  Lois’s murder was witnessed by Cole and Philip Jeffries.  As Albert tells it, Lois mentioned “blue roses” as she died.  Her body then vanished.  A woman, who looked exactly like Lois Duffy and who claimed to be Lois Duffy, was arrested for the murder but later hung herself in her cell.  Tammy figures out that blue roses are not natural, they do not occur in nature.  The dying woman was not a natural thing.

Cole steps into the room, announcing that he’s “got it.”  After Cole spends a while flinching at the sound of a particularly aggressive window washer doing his job, they are joined by Diane (Laura Dern).  Diane lights a cigarette and tells everyone to fuck off.  Typical Diane.

Cole asks Diane about the last time she saw Cooper and whether he mentioned Major Briggs.  Diane replies that she doesn’t want to talk about that night but she does eventually say that Cooper did mention Briggs.  Albert tells her about Briggs’s death in the fire and the subsequent discovery of her headless body in South Dakota.  He also mentions that a ring was found in Briggs stomach, a ring with an inscription that indicates that it was a gift to Dougie from Janey-E.  A shocked Diane says that Janey-E is her estranged half-sister.

OH MY GOD!!!!!

Gordon calls the Las Vegas FBI office and tells Special Agent Headley (Jay R. Ferguson) that he wants Douglas Jones and Janey-E to be picked up on suspicion of having been involved with a double murder.  Headley is quite enthusiastic about tracking Dougie down.  As he yells at a subordinate, “THIS IS WHAT WE DO IN THE FBI!”

Back in South Dakota, Diane leaves the room.  Cole tells Albert and Tammy about Sheriff Truman and the Two Coopers.

“And last night,” Cole continues, “I had another Monica Bellucci dream.”

In the dream, Gordon was in Paris on a case.  He met with Monica Bellucci (who plays herself) at a cafe.  Cole says that Cooper was at the cafe but he couldn’t see his face.  Monica, Cole, and Monica’s friends had coffee.  Monica said, “We’re like the dreamer who dreams and then lives inside the dream….but, who is the dreamer?”

In the dream, Monica told Cole to look over his shoulder.  Cole did so and he saw a younger version of himself.  Cole watched as the younger version of himself talked to Cooper (Kyle MacLachlan) about a dream that Cooper had.  Suddenly, Phillip Jeffries (David Bowie, seen in archive footage from Twin Peaks: Fire Walk With Me) entered the office and pointed at Cooper.

“Who do you think that is!?” Jeffries said.

Back in the present, Cole says, “This has given me a lot to think about.”

(This entire sequence — from Cole calling Truman to Albert and Tammy talking to Cole’s dream — is absolutely brilliant and among the best work that Lynch has ever done as a director and an actor.)

Meanwhile, at the Twin Peaks Sheriff’s Department, Andy (Harry Goaz), Hawk (Michael Horse), and Boddy (Dana Ashbrook) are getting ready to go hiking to the place where Major Briggs used to take Bobby as a boy.  But first, they arrest everyone’s least favorite corrupt asshole, Deputy Chad (John Pirruccello).

In the woods, while a faint electrical hum is heard in the background, Truman, Andy, Hawk, and Bobby make their way to the location that they were given in Briggs’s note.  They find Naido (Nae Yuuki), a naked woman with no eyes, lying at the base of a tree.  As Andy, the most kind-hearted of the group, rushes over to the help her, a vortex appears in the sky above him.

Suddenly, Andy’s siting in the same black-and-white room where this season began.  Across from him is the Giant (Carel Struycken).

“I am the Fireman,” the Giant says.

Andy has visions of … well, of the series so far.  He sees the dark figures at the gas station.  He sees the Woodsman demanding, “Gotta light?”  He sees Laura Palmer, with angels on either side of her.  He sees Cooper and the Doppelganger. He sees himself leading Lucy into the lobby of the sheriff’s department.  He sees electrical pole #6, the same pole in front of which Richard Horne ran over that little boy.

Suddenly, Andy is back in the woods.  He is carrying Naido and he seems very confident of what needs to be done.  “We have to get her off the mountain,” Andy says, “She is very important.  There are people who want her dead.  She’s fine physically.  If we put her in a cell, she’ll be safe.  Don’t tell anybody about this.”

(Of course, no one mentions that Naido doesn’t have any eyes.)

Back at the sheriff’s department, Lucy gives Naido some old pajamas and says she hopes they’re okay.  Naido remains silent as Andy locks her up in a cell.  After Andy and Lucy leave, a drunk in another cell starts to make monkey noises while the recently incarcerated Chad yells at him to shut up.  Suddenly, Naido starts to softly murmur in her cell.

“It’s a fucking nuthouse!” Chad says.

“Fucking nuthouse,” the drunk replies, repeating Chad’s words in a way that reminded me of the way Dougie communicates with people in Vegas.

As Chad lies down in his cell, we see that the drunk is bleeding and a pool of blood is forming at his feet.

At the Great Northern, security guard James Hurley (James Marshall) is talking to another guard, Freddie Sykes (Jake Wardle).  Freddie is originally from the UK and always wears a glove over his left hand.  It’s James birthday and all he wants is for Freddie to explain why he always wears the glove.

Freddie explains that he can’t take the glove off.  He tried once and his hand started bleeding.  Freddie explains that one night, in London, he was sucked up into a vortex.  A giant called The Fireman told him to go to a hardware store, find an open package of gloves, and put on only one glove.  The glove gives Freddie super strength, which he discovered when he broke the neck of a man trying to prevent him from taking the glove.  It was only after apparently killing this man that Freddie remembered that the Giant also told him to move to Twin Peaks, Washington.  “There,” Freddie says the Giant told him, “you’ll find your destiny.”

James thanks Freddie for the story and then goes to check on the hotel’s furnace.  As he does so, he hears an electrical hum, much like the one that was previously heard in Ben Horne’s office.

Meanwhile, Sarah Palmer (Grace Zabriskie) walks up to a sleazy bar.  As she approaches, we hear the same electrical sound that we previously heard while Truman and the deputies were walking through the woods.  Inside the bar, Sarah is harassed by a drunk who just won’t take no for an answer.  So, Sarah opens her face, revealing the darkness underneath the human surface.

“Do you really want to fuck with this?” she asks, before closing her face and then biting the man’s neck and ripping out his throat…

OH MY GOD!!!!!

Sarah’s possessed!  Well, we already knew that Sarah had psychic powers but … but… but….

Seriously, oh my God!

That said, I don’t blame Sarah.  That guy was a jerk.  We’ve all been there.

At the Roadhouse, two women — Megan (Shane Lynch) and Sophie (Emily Stofle) — talk about getting high, stealing, avoiding the nut house, and a missing acquaintance named Billy.  Megan says that, when she last saw Billy, he was storming in and out of her kitchen, with blood coming from his nose.  It is also revealed that Megan’s mom is named Tina.  If all these names sound familiar, it’s because we already know that Audrey Horne has been 1) having an affair with Billy and 2) has a friend named Tina.

And so concludes a very intriguing episode of Twin Peaks: The Return.

To recap: Janey-E is Diane’s half-sister. The Fireman is sending people to Twin Peaks.  And Billy and Tina actually do exist and aren’t just figments of Audrey’s imagination.

With only 4 episodes left, who knows where all of this is going to lead…

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  67. 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  68. This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
  69. TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
  70. 22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) by Lisa Marie Bowman
  71. This Week’s Peaks: Part 14 by Ryan C (trashfilm guru)

 

 

TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) (SPOILERS)


As I sit here working on my recap of the first two episodes of Showtime’s revival of Twin Peaks, it’s occurring to me that this is not going to be an easy job.  Last month, when Leonard, Jeff, and I were reviewing the show’s first two seasons, we had the advantage of knowing where the story was leading.  We knew what would be important and what was a red herring.

With this revival, we no longer have that luxury.  I have no idea where this show is going.  All I know, for sure, is that David Lynch has given us 18 hours of new material.  It’s not necessarily going to be easy to review the revival.  I can already tell that.  From what I’ve heard and read, it appears that Lynch approached this less as a TV series and more as an 18-hour movie.  I’ve already noticed that several reviewers are already overplaying the “Twin Peaks is weird” angle.  David Lynch may be a surrealist but there is always a definite logic to all of his work.  You just have to have the patience to find it and I imagine that’ll be the case with Twin Peaks: The Return as well.

I’ve already shared my initial thoughts on the first two episodes and Ryan The TrashFilm Guru has posted a review of his own.  What follows below is a more in-depth recap of what we saw last night.  Needless to say, if you haven’t seen the first two episodes of the revival yet, this entire post is one huge spoiler.  So, read it at your own risk!

Okay — ready?

Let’s go!

We start where we left, with a clip from 27 years ago.  In the Black Lodge, Laura Palmer (Sheryl Lee) tells Dale Cooper (Kyle MacLachlan) that she will see him in 25 years.

Cut to Twin Peaks, the town that we all know and love.  The trees are still shrouded in fog.  The high school hallways are empty.  Laura Palmer’s homecoming queen picture still sits in the trophy case.  The title appears.  Angelo Badalamenti’s haunting theme music starts to play.  We see the waterfall.  We read the opening credits.  Twin Peaks is back.

In the Black Lodge, a much older Giant (Carel Struycken) talks to an aged Cooper.  The inhabitants of the Lodge still speak backwards and we are still provided with subtitles so that we can follow what they’re saying.  Cooper still speaks in his normal voice, indicating that he may be trapped in the Lodge but he has yet to truly become a part of it.  The Giant tells Cooper to listen to the sounds and looks over at an old-fashioned phonograph.  “It is in our house now,” the Giant says.  “Remember Four Three Zero.  Richard and Linda.  Two birds with one stone.”

“I understand,” Cooper says.  (I’m glad someone does.)

Cut to a trailer sitting in the middle of nowhere.  A pickup truck drives up.  The truck has two cardboard boxes in the bed.  Dr. Jacoby (Russ Tamblyn) comes out of the trailer and gets the boxes.  What’s inside the boxes?  Shovels, of course!  Jacoby certainly does seem to be happy to have them.  Maybe he’s still looking for that necklace that Donna and James buried 25 years ago…

Cut to New York City.  Sam Colby (Ben Rosenfield) has a new job.  He sits on a couch in a room and he watches a black box that is sitting inside of a glass box.  His job is to see if anything happens in the box and to make sure that there is always a camera filming the box.  There’s a guard posted outside of the room.  Sam’s friend, Tracey (Madeline Zima), is allowed to bring him coffee but she’s not allowed to enter the room or see the boxes.  The sight of Sam sitting in that room, staring at that box, reminded me of the scenes with Michael Anderson as the man who controlled Hollywood in Mulholland Drive.  As creepy as that box may have been, it was the stillness of this scene that made me nervous.  Sam seemed remarkably uninterested in why exactly he had to watch the box and that lack of curiosity struck me as odd and just a little depressing.

Cut to … oh my God, we’re back at the Great Northern!  And there’s Ben Horne (Richard Beymer)!  He’s in his office and he’s leering at his new secretary, Barbara (Ashley Judd).  It’s just like old times and, of course, it’s nice to see that Ben survived striking his head on the fireplace mantle 25 years ago.  That said, Ben appears to have given up on being a do-gooder.  He’s back to obsessing over money.  Jerry (David Patrick Kelly) drops by for a visit and reveals that, since Washington legalized marijuana, he’s made a fortune.  Way to go, Jerry!

Cut to the Sheriff’s Department and there’s Lucy (Kimmy Robertson)!  An insurance salesman comes in and asks to see Sheriff Truman.  Lucy asks him if he wants to see the Sheriff Truman who is sick or the Sheriff Truman who is out of the office.  Neither one is available.

Cut to a country road.  Someone is driving down the street while listening to evil music.  The driver is none other than … Agent Cooper?  Well, it kind of looks like Agent Cooper but it’s not Cooper.  For one thing, this guy has long, greasy hair and doesn’t wear a dark suit.  He also doesn’t smile.  He has cold, dead eyes.  For another thing, he parks next to a shack and beats up a redneck, which is not exactly Agent Cooper behavior.  Then he goes inside, where he meets Buelah and Otis.  He tells them that he has come to pick up Ray (George Griffith) and Darya (Nicole LaLiberte).  I don’t remember Agent Cooper having such an affinity for white trash…

Oh wait!  That’s not Agent Cooper!  That must be Cooper’s Doppelganger!

Meanwhile, back in New York, Tracey shows up with more coffee.  She and Sam are shocked to discover that the guard has left his post.  This means that Tracey can now go into the room and see the mysterious box for herself!  It also means that she and Sam can have some fun on the couch.  While they do, Sam suddenly sees that the inside of the glass box has turned black.  Suddenly, what appears to be a demonic creature appears in the box.  It springs through the glass and, in a scene that leaves no doubt that this is Showtime Twin Peaks and not ABC Twin Peaks, it literally rips Sam and Tracey into pieces.

Along with giving me a good fright, this scene made me sad because I thought Sam and Tracey were a cute couple.  The reviewer at TVLine complained about Sam and Tracey and the actors playing them and I really have to wonder what show he watched because, to me, both Ben Rosenfield and Madeline Zima were likable and sympathetic in their brief time on screen.  Then again, the TVLine recapper also managed to confuse Bobby Briggs and James Hurley so we know he’s not a true Twin Peaks fan.

I should also mention that this scene, with hints of the demons flickering in the darkness before the sudden attack, reminded me of the infamous “there’s an evil man behind the dumpster” scene from Mulholland Drive.

Cut to Buckhorn, South Dakota.  We’re confronted with a very Lynchian image.  A fat woman walks a tiny dog down the hallway of an apartment building.  She stops when she smells a terrible stench coming from the neighbor’s apartment.  She calls the police, worried that her neighbor Ruth Davenport may be dead.

The police arrive and it takes them forever to find a key to open up the apartment.  This is one of those sequences that Lynch loves, the sequence were a simple task is made progressively more and more difficult by awkward minutia.  The neighbor doesn’t know if there’s a manager available but then remembers that the manager’s been committed to an asylum.  However, the manager’s brother might have the key.  But she doesn’t know where the brother is but the brother’s friend, Hank Filmore (Max Perlich), might know.  Hank does know but he refuses to tell and then the neighbor suddenly mentions that she has an extra key to the apartment.  When the police finally get inside the apartment, they discover the naked remains of Ruth Davenport in bed.  Her eyes have been removed and her head has been disconnected from her body.

Continuing the Mulholland Drive comparison, the discovery of Ruth’s body was shot in much the same way as the discovery of Diane Selwyn’s body in Mulholland Drive.  As well, Brent Briscoe played a detective in Mulholland Drive and he plays one in Twin Peaks as well, leading the investigation into Ruth’s murder.

Cut back to Twin Peaks.  The Log Lady (Catherine Coulson) calls Deputy Hawk (Michael Horse), who is now Deputy Chief Hawk and who is in charge while Sheriff Truman is gone.  The Log Lady tells Hawk that her log has a message.  “Something is different and you have to find it,” she tells him.  “It has to do with Federal Agent Dale Cooper and with your heritage.  This is the message of the log.”

(Coulson died shortly after filming her scenes here and her frailty make her scenes here unexpectedly poignant.  As she talks to Hawk, it’s obvious that both of them know that this could be their last conversation.)

Back in South Dakota, Detective Dave is informed that one man’s finger prints have been found all over Ruth’s apartment.  The finger prints belonged to Bill Hastings (Matthew Lillard), a respected high school principal.  As his shocked wife, Phyllis (Cornelia Guest), watches, Bill is arrested and charged with murder.  “But the Morgans are coming to dinner!” Phyllis shouts as Dave leads Bill away.

Back at the Twin Peaks Sheriff’s Department, Hawk, Lucy, and Andy (Harry Goaz) gather in the conference room.  Hawk order them to look through all the files on the disappearance as Dale Cooper.  Lucy says that Cooper disappeared 24 years ago and then mentions that her son is 24 years old.  “He was born on the same day as Marlon Brando,” Lucy says.

Back in South Dakota, Dave is interrogating Bill.  When Dave asks Bill if he’s ever heard of Ruth Davenport, Bill says that he only knew her in passing.  He denies having ever been to Ruth’s apartment but, when he says it, he nervously glances around the room.  Is Bill hiding something or is he just nervous as anyone who has been arrested — whether guilty or innocent — would be?  It turns out that Bill can’t account for where he was during every minute of the previous night.  Dave jots down some notes on a legal pad.  That’s never good.  Bill wants a lawyer.  Dave says that lawyer is on the way but he also asks if there’s anything else Bill would like to add “before we get a lawyer involved.”  At this point, I was yelling at the screen, “Stop talking!  The police are not your friends!”  Dave immediately proved my point by accusing Bill of murder and then taking him to a jail cell.

Dave and the cops then go back to the Hastings house, the time with a search warrant.  While the police search his car, Bill sits in his jail cell and probably wonders why he hasn’t been allowed to see his lawyer yet.

Suddenly, Dave arrives with Phyllis.  Phyllis steps into the cell and tells Bill that they’re not going to give him bail.  Bill says that he was never in Ruth’s apartment but that he had a dream the night that she was killed.  “Fuck you!” Phyllis sanps, “you fucking bastard!”  She reveals that she knows that Bill was cheating on her with Ruth.  Bill shouts back that he knows about Phyllis and someone named George.  Phyllis taunts him.  “You’re going down.  Life in prison.”

After Phyllis leaves, Bill sits in his cell.  Little does he know that, three cells down, a shadowy man is sitting on a bed.  The shadow slowly fades away, becoming a wisp of smoke that eventually dissipates in the air.

Phyllis arrives home.  Doppelganger Cooper is waiting for her.  Phyllis smiles and asks what he’s doing there.  Doppelganger Cooper replies that Phyllis did a good job duplicating human nature and then shoots her in the head.

Cut to Las Vegas, Nevada.  A man in an office (Patrick Fischler, who also played the man who had a morbid — and justifiable fear — of the dumpster behind the diner in Mulholland Drive) talks to his associate Roger about a mysterious figure who “uses” him.  “You better hope you never have someone like him in your life,” the man says.

Cut to a diner in South Dakota, where Doppelganger Cooper has an awkward dinner with Ray and Darya.  Doppelganger Cooper tells Ray that he doesn’t “need anything.”  However, he does want things.  Ray kind of smirks.  Doppelganger Cooper explains that what he wants is information.

Cut to Ghostwood Forest.  Equipped with a flashlight, Hawk walks.  He gets a call from the Log Lady.  “The stars turn,” she tells hm, “and a time presents itself.”  The Log Lady says she wishes she could go with Hawk but then tells him to stop by.  She has coffee and pie for him.  Hawks says he will, as he approaches Glastonbury Grove, which once served as the entrance into the Black Lodge.

Speaking of the Black Lodge, Cooper is still sitting in the waiting room.  He has been joined by MIKE (Al Strobel), the one-armed man.  “Is it the future or is it the past?” MIKE asks before saying that someone has come to see Cooper.

Enter Laura Palmer (Sheryl Lee), still wearing the black dress from the last time that we saw her but definitely no longer a teenager.  (Of course, this is because 25 years has passed not only on the show but in real life as well.  Still, in the world of Twin Peaks, it’s interesting that time passes in The Black Lodge and people continue to age, even after they die.)  Cooper and Laura recite some of the same dialogue from the dream that Cooper had during the third episode of the first season of Twin Peaks.

When Laura says, “I am Laura Palmer,” Cooper replies that Laura is dead.

“I am dead,” Laura says, “yet I live.”

Laura opens her face like a door, revealing a bright white light.

“When can I go?” Cooper asks as Laura closes her face.

Laura kisses Cooper and then, just as she did in the original dream, she starts to whisper in his ear while the aged Cooper smiles.

Suddenly, the curtains shake and Laura screams.  Something appears to yank her into the air and she vanishes.  A wind blow through the lodge and suddenly, the curtain disappear.  The same white horse that, 25 years earlier, appeared to Sarah Palmer now appears to Cooper.

Suddenly, Cooper is back in the waiting room and MIKE is again asking if it is the past or the future.

MIKE leads Cooper into another room, one that is inhabited by a tree that has what appears to be a perfectly smooth brain sitting atop of it.  MIKE says that the tree is his arm.  The tree starts to speak to Cooper.  It asks if Cooper remembers his doppelgänger.  Cooper does and we get a flashback to this still powerful scene:

The tree explains that before Cooper can go out, the Doppelganger must return to the Black Lodge.

Meanwhile, in South Dakota, the Doppelganger is busy killing people.  First he kills a business associate and then he returns to his motel and confronts Darya with the knowledge that someone hired her and Ray to kill him.  Darya says that she doesn’t know who hired them and puts all of the blame on Ray.  The Doppelganger reveals that he’s supposed to go back to the Black Lodge but he’s not planning on returning.  Then, in a disturbing and deeply unpleasant scene that I personally felt went on a bit too long, the Doppelganger beats and then murders Darya.

Having killed Darya, the Doppelganger places a phone call to Philip Jeffries, the FBI agent who was played by David Bowie in Twin Peaks: Fire Walk With Me.  They have a cryptic conversation.  Philip says that the Doppelganger should be in New York and then says that the Doppelganger met with Major Garland Briggs.  “How did you know that!?”  the Doppelganger demands.  “I just called to say goodbye,” Philip says.

The Doppelganger downloads the plans for Yankton Federal Prison and then walks down to another motel room.  There he is greeted by Chantel (Jennifer Jason Leigh!).  He tells Chantel that he needs her to go “clean up” the other room.  Chantel is more than happy to do it.

At the Black Lodge, Cooper continues to stare at the tree.  The tree says that Cooper can go but when Cooper goes out to the hallway, he finds that he still cannot pass through the curtains and back into our world.  Cooper continues to walk through the Lodge until he discovers Leland Palmer (Ray Wise) sitting in a leather chair.

“Find Laura,” Leland says.

Suddenly, MIKE and the Tree appear again.  MIKE says something is wrong.  The tree says to find the Doppelganger.  Cooper continues to walk around the lodge.  (Is this all he’s been doing for the past 25 years?)  He finally manages to open the curtains and finds himself watching as his Doppelganger drives down a desert road.  Suddenly, the tree appears and starts lashing out at him with its limbs.

“Non-existent!” the tree snaps.

Cooper falls through the floor of the Lodge.  Suddenly, he’s in the glass box in New York.  And he can see Tracey and Sam having the same conversation that they had before they were killed by the weird demon creature.  (Is time looping back on itself, in much the same way that it did at the end of Lost Highway with Bill Pullman telling his future self that “Dick Laurent is dead?”)

Suddenly, Cooper is falling again.

In Twin Peaks, Sarah Palmer (Grace Zabriskie) sits alone in the Palmer House, drinking, smoking, and watching one of those traumatic nature documentaries where predators eat their prey in closeup.

At the Roadhouse, the Chromatics are singing a beautifully dream-like song.  Shelley (Madchen Amick) is sitting at a booth with a group of friends.  She says she’s worried about her daughter, Becky.  Suddenly, they see that James Hurley (James Marshall) has entered the bar and is now looking over at them.

“What’s wrong with that guy?” one of them says.

“There’s nothing wrong with that guy!” Shelley says, “He was in a motorcycle accident but he’s just quiet.  He’s always been cool.”

And it’s such a sweet scene, even if it does feel a bit odd since Shelley and James didn’t even seem to know each other during the original series.  I found myself wondering if Shelley is now married to Bobby Briggs.  If James ends up stealing Shelley away (and that certainly seems a possibility, especially with Lara Flynn Boyle not coming back to reprise the role of Donna Hayward), this will be the second time Bobby has lost a lover to James.

(By the way, both James Marshall and Madchen Amick have aged wonderfully.  If anything, James Marshall is far more handsome now than he was during the first two seasons of the show.)

There was also some excitement online when Walter Olkewicz appeared as the bartender at the roadhouse.  Could it be, we all wondered, that Jacques Renault was once again alive!?  Well, no.  According to the credits, Olkewicz was playing Jean-Michel Renault.  Apparently, he’s the fourth Renault brother.

And that’s how this perplexing episode ends.  The Chromatics perform on the Roadhouse while two of our favorite characters acknowledge each other.  At times, I loved this episode.  At times, I was frustrated.  However, I was always intrigued and this ending — this wonderfully sentimental little moment between Shelley and James — was the perfect way to cap it all off.

Do I understand everything that happened tonight?  No, but it doesn’t matter.  I can’t wait to see where Lynch is taking us next.

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)