TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch)


Do you realize that there are only 6 episodes of Twin Peaks: The Return left?

Normally, this is when most limited series would start working towards a climax.  If this was any other show, Cooper would no longer be trapped in Dougie’s body, everyone would already be back in Twin Peaks, and … well, things would be a lot different.

But the fact of the matter is that Twin Peaks is different.  That’s why we watch.  That’s what makes it exciting.  David Lynch has repeatedly shown that he has no interest in slavishly following the traditional rules of television.  In fact, to call Twin Peaks a television series is incorrect.  It’s an 18-hour movie, one that’s been directed by America’s premiere surrealist.  In many ways, this show requires the viewer to take a leap of faith.  “Trust me,” Lynch is saying, “You might not understand it all but you’ll never forget it.”  I have no idea what’s going to happen over the next month but, as always, I’m looking forward to finding out.

Part 12 opens in an office, with Albert (Miguel Ferrer) telling Tammy (Chrysta Bell) to ignore the strange man.  The man in question is Gordon Cole (David Lynch) and while Gordon may be eccentric, Albert is just showing off his famous wit.  Albert, Gordon, and Tammy drink a toast to the bureau and then Tammy is invited to join the Blue Rose.  Albert explains that the Blue Rose is a secret task force that was set up to investigate that strange cases that Project Blue Book could not solve.  The Blue Rose was originally made up of Albert, Philip Jeffries, Dale Cooper, and Chet Desmond.

“Perhaps you have noticed,” Albert says, “that I’m the only one of that group who hasn’t vanished without explanation.”

Despite the dangers, Tammy agrees to join the task force.  Yay, Tammy!

Diane (Laura Dern) then enters the office.  Gordon and Albert offer to deputize her into the Blue Rose.  Diane at first seems hesitant but suddenly, after a sudden burst of dramatic music, she says, “Let’s rock!”  And, of course, true fans of the show will immediately remember the first time that Cooper met the Man From Another Place during the first season of Twin Peaks.  Coincidence?  I don’t know if anything in Twin Peaks is ever a coincidence.

(I loved this scene.  It was nicely acted by all involved, including the underrated Chrysta Bell, and Angelo Badalamenti’s haunting music was used to wonderful effect.)

Back in Twin Peaks, Jerry (David Patrick Kelly) finally comes running out of the woods.

Meanwhile, in a grocery store, Sarah Palmer (Grace Zabriskie, who is absolutely brilliant in this episode) wanders down the liquor aisle.  After filling up her shopping cart with liquor, she goes to the check out and also gets a carton of Salems.  While the cashier rings her up, Sarah stares at a display of beef jerky.  She appears to be disturbed by it and I don’t blame her.  Beef jerky is nasty.

Anyway, Sarah’s liquor and cigarette bill comes to $133.70.  However, she is more concerned about the beef jerky display.  It wasn’t there before, she says.  She asks if the beef jerky is smoked.  The cashier says that it’s the same beef jerky except that its turkey.

“Were you here when they brought it in?” Sarah asks.  Then, “Your room seems different … AND MEN ARE COMING!  I am trying to tell you that you have to watch out!  Things can happen!  Something happened to me!  I don’t feel good, I don’t feel good!  Sarah … Sarah, stop doing this.  Okay.  Leave this place.”

Leaving behind her liquor and cigarettes, Sarah leaves the store.

At the trailer park, Carl (Harry Dean Stanton) talks to one of his residents, an old man who walks with a cane.  Carl finds out that the man has been selling his blood for money.  Yet, he mows people’s lawns and puts in propane tanks for free.  Carl gives the man $50 and tells him not to worry about paying that month’s rent.  Carl says he doesn’t like the idea of people selling their blood.

In Las Vegas, Dougie (Kyle MacLachlan) and his son play catch in the back yard.  Or, to be honest, his son tries to play catch.  Dougie just stands there while the baseball bounces off his head.  Here’s what Kyle MacLachlan had to say on twitter after someone asked him how he felt after filming this scene:

Back in Twin Peaks, Hawk (Michael Horse) walks up to the Palmer House, to check on Sarah’s well-being.  As he approaches, we see the infamous ceiling fan through a window.  In the original series, any shot of that ceiling fan was usually followed by an appearance by Killer BOB.

Sarah tells Hawk that she doesn’t know what came over her in the grocery store.  Sarah says she’s fine now but she refuses to open the door wide enough for Hawk to get a good view inside the house.  Hawk asks if there’s someone in the house.  “No,” Sarah says, “just something in the kitchen.”

“You’re okay, then?” Hawk asks.

“It’s a goddamn bad story, isn’t it, Hawk?” Sarah suddenly snarls.

Hawk says that if she needs help, she can call him anytime.  Sarah shuts the door in his face.

Cut to Twin Peaks Hospital, where a badly beaten Miriam (Sarah Jean Long) lies in bed.

At the hotel bar, Diane gets a text, asking if they’ve asked about Las Vegas yet.

At the Great Northern, Truman (Robert Forster) meets with Ben (Richard Beymer).  Truman tells Ben that they know that his grandson, Richard, was behind the wheel in the hit and run that killed the little boy.  Truman also says that Richard tried to kill Miriam.  Miriam is a teacher without insurance and now, she’s in intensive care and is going to need an operation.  Truman suggests that Ben should pay for her medical treatment.  Ben agrees and then says that something has always been wrong with Richard.

After talking about Richard being on the run, Ben holds up Cooper’s old room key, the one that he received in the mail a few episodes ago.  He gives it to Truman and asks him to give it to Harry.

After Truman leaves, Ben tells Beverly (Ashley Judd) about Richard.  Richard never had a father, Ben says.  (Perhaps because his father was Doppelganger Cooper.)

Back in South Dakota, Gordon has a mysterious French woman (Bérénice Marlohe) in his hotel room.  He’s telling her an old FBI story when they’re interrupted by Albert.  Albert asks the woman to wait downstairs.  Though it takes her a while to get her shoes back on (we’ve all been there), she finally does leave.  Gordon explains that the woman is visiting a friend who owns a turnip farm.  The friend’s daughter has disappeared.

“I told her the daughter would turn up eventually,” Gordon explains, before adding, “She didn’t get it either.”  What’s funny is that I can imagine David Lynch telling that exact same joke in real life.

Anyway, Albert is more concerned about the text message that Diane received, the one asking about Las Vegas.

Gordon says they’ll figure it out but, first, he’d like to get back to his wine.

“What kind is it?” Albert asks.

Gordon looks at his watch.  “11:05,” he announces.

When Albert stares at him without responding, Gordon says, “Albert, sometimes I really worry about you.”

Meanwhile, Chantal (Jennifer Jason Leigh) and Hutch (Tim Roth) use a sniper rifle to assassinate the warden (James Morrison) as he walks up to his house.  The warden’s young son comes outside and sees his father dead on the porch.  “Daddy!” he shouts.  It could have been worse.  Hutch wanted to kidnap and torture the warden but Chantel was hungry and wanted to get something to eat.

Back in Twin Peaks, Dr. Jacoby (Russ Tamblyn) rants about the government and sells his golden shovels.  In her shop, Nadine (Wendy Robie) listens approvingly.  Apparently, Dr. Jacoby is now known as Dr. Amp and, just from the way he rants, I bet he’s on twitter and he probably does the whole numbered tweet threading thing.

Meanwhile, Audrey Horne (Sherilyn Fenn) is talking to her husband Charlie (Clark Middleton) and — OH MY GOD!  AUDREY’S BACK!  Audrey and Charlie are arguing.  Audrey wants to go out and find someone named Billy.  Charlie says he has a lot of paperwork to do and that there’s no point in going at night.  Audrey is emotional and Charlie … well, Charlie most definitely is not.  Charlie is calm to the point of being creepy.

“What kind of shit are you?” Audrey asks, “You are nothing but a fucking no-balls loser.”

You tell him, Audrey!  I don’t know Charlie but if Audrey says he’s a loser…

Charlie gets peeved and asks Audrey not to talk to him like that but Audrey has no use for him or his hurt feelings.  “You have no balls,” she tells him, “that’s why I am in love with Billy.   That’s why I am fucking Billy.  And Tina … I got to find Tina.  She was the last person who fucking saw Billy and I can’t stand being in the same room as her!”

Audrey demands that Charlie sign some papers that she gave him.  Charlie says he’s not singing anything until he runs them by his lawyer.  Apparently, their marriage involves a contract and, by demanding a divorce, Audrey is reneging on a contract.  Charlie is shocked but Audrey doesn’t care.

Charlie finally agrees to go with Audrey to Roadhouse so they can look for Billy.  But first, Charlie suggests that he should call Tina and talk to her.  Audrey repeats that Tina was the last one to see Billy but then she says that “Chuck is certifiable so we can’t count on anything from him.”

“Did you know,” Charlie asks, “that Chuck stole Billy’s truck last week?”

Charlie goes on to say that the police eventually found Billy’s truck and that Billy dropped all charges.  Audrey seems both confused and fascinated by this story.  Myself, I’m wondering if Billy, Chuck, and Tina actually exist.  (Chuck and Charlie, of course, are both nicknames for Charles.)

I guess Tina is real because Charlie does call her, or at least he claims that he’s called and is talking to Tina.  (We only hear Charlie’s side of the conversation.  And everything that Charles says seems to be intentionally vague.)  After hanging up the phone, Charlie refuses to reveal what Tina said.

In South Dakota, Diane sits in the hotel bar and looks up the coordinates that were written on Ruth Davenport’s arm.  Not surprisingly, they’re the coordinates for Twin Peaks.

Meanwhile, at the Road House, Chromatics are playing once again.  In a booth, two women, Abbie (Elizabeth Anweis) and Natalie (Ana de la Reguera), gossip about a guy named Clark, who is apparently cheating on his girlfriend, Angela, with someone named Mary.  Apparently, Angela is off her meds now.  They also note that Angela’s having a rough time but they’re not surprised.  “Losing her mom like that!” they say.

Suddenly, they’re joined by a hyperactive man named Trick (Scott Coffey, who also played the mysterious Cowboy in Mulholland Drive) who is upset because, on his way to the roadhouse, another vehicle ran him off the road. Trick says he wishes he could kill whoever the other driver was.  When Trick goes to get a beer, Abbie and Natalie discuss that Trick was under house arrest but he’s free now.

To quote something that I said in my initial thoughts post for this episode:

In Dario Argento’s Inferno, there’s a random shot of a woman who we’ve never seen before hanging herself.  She’s never mentioned or seen again.  Argento has said that he included that random shot to show that the world was out of balance.  I think, to a large extent, that’s what Lynch is doing with several of the more random aspects of Twin Peaks.

And, with that in mind, the end credits roll and we only have six more episodes to go.

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)

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8 responses to “TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch)

  1. The Cowboy in Mulholland Drive was played by Monty Montgomery, a.k.a. Lafayette Montgomery. Scott Coffey appears briefly as another character, sitting next to Naomi Watts at the party near the end.

    Liked by 1 person

  2. Scene at grocery store is beautifully similar to the one at the beginning of Inland Empire. That questions Sarah ask about smoked beef has same haunting feeling as she asks Nikki about her new film. But I thought Sarah was going to say something about dead animals, since she has been watching those videos at home.

    Liked by 1 person

  3. Pingback: 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) | Through the Shattered Lens

  4. Pingback: TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) | Through the Shattered Lens

  5. Pingback: Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch) | Through the Shattered Lens

  6. Pingback: TV Review: Twin Peaks: The Return Part 14 (dir by David Lynch) | Through the Shattered Lens

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