TV Review: Twin Peaks: The Return Part 17 (dir by David Lynch)

Posted on September 3, 2017 by Lisa Marie Bowman

I imagine that there are a lot of upset people right now.

Maybe you’re one of them. Maybe, even as I sit here typing this, you are seething with rage. “18 hours and it ends with Cooper trapped in yet another fucked up situation, with Laura Palmer still screaming!? What the Hell!?”

Well, my advice would be to calm down. Did Twin Peaks: The Return ends on a conventional note? No. Has anything about Twin Peaks: The Return been conventional? Hell no. This is a David Lynch production, after all. And Lynch has never shown an interest in tidy endings. In fact, if anything, Lynch has never shown much of an interest in endings. Blue Velvet concluded with a fake bird. Lost Highway ended with Bill Pullman appearing to transform yet again. Even Mulholland Drive ended with that evil creature still living behind Winkie’s.

As far as I’m concerned, Twin Peaks: The Return provided 18 of the most intriguing hours in television history. Am I little bit frustrated that it didn’t end on a definite note of conclusion? Sure. (With 15 minutes left in Part 18, I found myself saying, “Uhmmm … what about Audrey?”) But I’ll tell you right, I’m going to have a lot of fun debating what it all meant. Art is not about easy solutions.

(For the record, next weekend, I’m going to binge watch all 18 hours and then maybe I’ll post my conclusions.)

It could be argued that this should not be called a conclusion. As Ryan pointed out in this week’s peaks, the story continues. There may or may not be another season on Showtime. There may or may not be another Twin Peaks movie. Hell, Mark Frost may or may not write another Twin Peaks book. And, if none of that happens, the story will continue in our imaginations.

I went back and forth on whether or not to review both Parts 17 and 18 together or separately. In the end, I decided to review them separately because I consider Part 17 to be the conclusion on the third season of Twin Peaks while Part 18 feels like it’s laying the groundwork for a fourth season.

Let’s get to it!

Things open in South Dakota, with Gordon Cole (David Lynch) lamenting to Albert (Miguel Ferrer) and Tammy (Chrysta Bell) that he couldn’t bring himself to shoot Diane. After Albert says that Cole is going soft, Cole replies, “Not where it counts, buddy.” That line made me laugh, despite myself. Lynch just has such a sincere way of delivering his lines.

Cole goes on to explain that, before his death, Major Briggs shared, with him and Cooper, his discovery of an extremely evil and negative force that, “in olden times,” was known as Jowday. Jowday eventually got shortened to Judy. Briggs, Cooper, and Cole put together a plan that could lead them to Judy. Apparently, before his disappearance, Philip Jeffries said that he was on the verge of discovering Judy. Cole theorizes that the Doppelganger is looking for Judy.

Suddenly, the phone rings. It’s Agent Headley (Jay R. Ferguson), calling from Las Vegas, to announce that they’ve found Dougie Jones but that Dougie disappeared again. Mullins (Don Murray) asks to speak to Cole and gives him a message from Cooper. Cooper is on his way to Twin Peaks, to see Sheriff Truman!

In the Twin Peaks Sheriff’s Department, the lock-up is still nosiy. The drunk (Jay Aaseng) and Deputy Chad (John Pirruccello) take turns taunting each other. Eyeless Naido (Nae Yuuki) continues to whimper. Freddie (Jake Wardle) and James (James Marshall) listen.

At the Great Northern, Ben (Richard Beymer) gets a call. Jerry’s turned up in Wyoming, apparently convinced that he can kill people with his binoculars. It might be time to say, “No more drugs for that man,” as far as Jerry is concerned.

The next morning, the Doppelganger (Kyle MacLachlan) wanders through the woods outside of Twin Peaks. The vortex opens above him. The Doppelganger vanishes.

In the building above the purple sea, the disembodied head of Major Briggs (Don S. Davis) floats between two pictures, one of the woods and one of the Palmer House. The Fireman (Carel Struycken) waves his hand. In the background, we hear the electrical hum that been haunting the Great Northern.

The Doppelganger materializes outside of the Twin Peaks sheriff’s station. As he walks towards it, he is seen by Deputy Andy (Harry Goaz). At first, I was worried that the Doppelganger was going to kill Deputy Andy but instead, he greets him with a cold, “Hello, Andy.”

Andy leads the Doppelganger into the station, where they meet Lucy (Kimmy Robertson) and Sheriff Truman (Robert Forster). When the Doppelganger turns down a cup of coffee, everyone knows something strange is happening. Then, Andy starts to have visions of him and Lucy standing in the lobby, looking at something.

Meanwhile, in the holding area, it turns out that Chad has got a key hidden in his shoe. He gets out of his cell and heads for the weapons locker. When Andy shows up, looking for Hawk, Chad comes at him with a raised gun. But fear not! Freddie Sykes uses his green glove of power to throw open the door his cell, smashing Chad in the face and knocking him out.

Meanwhile, Lucy informs Truman that he has a phone call and he really needs to take it. Reluctantly, Truman takes the call and finds himself talking to … DALE COOPER! Dale and the Mitchums have just entered the Twin Peaks city limits and are on their way to the station!

The Doppelganger, realizing what is happening, reaches inside his jacket for a gun when suddenly — bang! The Doppelganger crashes to the floor. Standing behind him, holding a gun, is Lucy!

(Making this scene especially satisfying is that, during the second season Twin Peaks, Lucy was exclusively given comedic subplots that had nothing to do with the main storyline. 25 years, she finally gets to save the day.)

Way to go, Lucy!

Cooper tells Truman to make sure that no one touches the Doppelganger’s body until he arrives. Andy steps into the office with Hawk, Naido, James, and Freddie. Suddenly, just as in Part 8, the woodsmen appear and start working on the Doppelganger’s body. While that happens, Cooper and the Mitchums show up. And then Cole, Albert, and Tammy show up. It’s getting crowded in that office!

Suddenly, the spirit of Killer BOB (represented by an orb that contains stock footage of Frank Silva) emerges from the Doppelganger’s body and lunges at Freddie. Despite getting bloodied in the process, Freddie is able to use his green glove of power to smash BOB’s face into a thousand pieces. Yay Freddie!

Cooper puts the ring on the Doppelganger’s finger. The Doppelganger vanishes. Yay Cooper!

Cooper gets the key to his former hotel room from Sheriff Truman. “Major Briggs told me Sheriff Truman would have it,” Cooper explains. (Yay Major Briggs!)

Now, what happens next is interesting. A lot of positive things happen. Bobby Briggs (Dana Asbrook) comes in the office and Cooper tells him that he and Major Briggs are proud of him. Blind Naido is revealed to actually be the real Diane, in disguise. (And yes, the real Diane still has eyes.) Cole and Albert are reunited with their friend. And yet, through the whole scene, we see the face of another Cooper, this one with a blank expression, superimposed over the action.

This was when I started to suspect that the finale might turn out to be a bit controversial. Are we seeing reality or are we watching a dream, a memory, or a wish? Not even the presence of the Mitchum girls in pink, passing out finger sandwiches, can change the ominous tone of all this otherwise positive scene.

Cooper glances at the clock in Truman’s office and sees that the minute hand seems to be stuck.

A distorted voice says, “We live inside a dream.”

Oh shit, I thought as I watched this scene, we’ve got 30 minutes left and things are about to get so seriously fucked up…

“I hope I see all of you again,” Cooper says, “every one of you.”

The room goes black. Cooper’s superimposed face continues to passively stare.

Suddenly, Cooper, Diane, and Cole are slowly walking down a dark hallway. I believe they’re in the Great Northern because, when they reach a door, Cooper uses his old hotel room key to open it. He tells Cole and Diane to wait behind and then he enters the room. “See you at the curtain call,” Cooper says.

Inside the room is MIKE (Al Strobel) who recites the Fire Walk With Me poem. MIKE leads Cooper up a staircase and into the room the holds the metal device the contains the spirit of Philip Jeffries. Cooper asks to be sent back to February 23rd, 1989, the night of the death of Laura Palmer.

“Cooper,” Jeffries says, “remember…”

“ELECTRICITY!” MIKE exclaims.

Suddenly, Cooper’s back in 1989. He’s watching Laura (Sheryl Lee) sneak out of her house and jump on the back of James Hurley’s motorcycle while a jealous Leland (Ray Wise) watches from his window. Cooper watches them in the woods, listening as Laura tells James that Bobby killed a man. (This is true. Before he became everyone’s favorite lawman, Bobby shot a Canadian drug runner in Twin Peaks: Fire Walk With Me. I always wondered if that would be acknowledged.)

Cooper watches the familiar scene play out but, when Laura jumps off of James’s motorcycle, Cooper steps forward and changes history. Instead of allowing Laura to walk off to be murdered, Cooper tells her that he is taking her home. “I saw you in my dreams,” Laura says.

The next morning, we see another familiar sight: Laura’s body on the shore, wrapped in plastic. The body disappears. In archived footage from the original Twin Peaks pilot, we watch as Pete Martell (Jack Nance) says good morning to Catherine (Piper Laurie) and then heads out to fish. Except, this time, there’s no body to distract him. Instead of calling the police and reporting a murder, Pete goes fishing.

(It’s a sweet image and it was nice to see that, despite having been dead for 21 years, Jack Nance, who starred in Eraserhead and was the former husband of Catherine “Log Lady” Coulson, still appeared in the revival. Part 17 was dedicated to his memory.)

Where is Laura? Despite not being dead, she’s not in her house. However, Sarah Palmer (Grace Zabriskie) is. Sarah is smashing the famous picture of Laura as homecoming queen into little pieces. Disturbingly, this would seem to indicate that, at the time that Laura was being abused and eventually murdered by her father, Sarah was not a bystander but was instead possessed by the same evil that possessed Leland.

Cooper leads Laura through the woods. Suddenly, Laura screams and is gone.

Standing in front the red curtains of the Black Lodge, Julee Cruise sings.

End credits.

On to Part 18, which I am about to rewatch after which I will write up a review. It might be a few hours. Until then, why not check out some of the other 81 Twin Peaks-related posts that we’ve published this year at the Shattered Lens!

Twin Peaks on TSL:

TV Review: Twin Peaks: The Return Part 15 (dir by David Lynch)

Posted on August 27, 2017 by Lisa Marie Bowman

Why am I posting this review so late? Check out my previous Twin Peaks post for the explanation.

I have to admit that I’m kind of kicking myself for taking so long to watch Part 15 of Twin Peaks. This was one of the best episodes of the revival. It was a deeply intriguing episode, mixing moments of soaring romance with haunting creepiness. In short, this episode was David Lynch and Twin Peaks at their considerable best. Because I’m pressed for time and I need to get this written and posted before Part 16 premieres later tonight, I don’t know if I’ll be able to do full justice to how wonderful this episode was. I’ll try, though. Be sure to check out Ryan’s thoughts on Part 15, as well.

Things begin, as they so often do, with a one-eyed woman and a shovel…

Nadine Hurley (Wendy Robie) walks through Twin Peaks, carrying her golden shovel with her. She stops at Big Ed’s Gas Farm and tells Big Ed (Everett McGill) that she’s changed. She says that she loves Ed but she knows that she’s been a “selfish bitch” and that Ed has “been a saint.” Nadine explains that she’s using her shovel to “dig” herself “out of the shit” and tells Big Ed that she wants him to be with Norma. “True love,” Nadine says, “is about giving others what they need to be happy.”

What follows is Lynch at his most deliriously romantic. Ed drives to the Double R and tells Norma (Peggy Lipton) that he loves her and he wants to marry her. However, Norma is busy conducting one of her corner booth business meetings with Walter (Grant Goodeve). She not only allows Walter to buy her out but she also dumps him. “Family reasons,” she explains before kissing Ed. A song about love plays in the background. The wind blows through the trees. The sun shines through the clouds above. Briefly, all is right with the world of Twin Peaks…

…so, of course, the very next scene is the Doppelganger (Kyle MacLachlan) driving down a dark road. Of course, the Doppelganger is always bad news but, for whatever reason, driving always seems to put him in an even worse mood than usual.

The Doppelganger pulls up at the gas station that, way back in Part 8, we saw taken over by the Woodsmen. (The music playing in the background is “Threnody for the Victims of Hiroshima.”) With electricity crackling all around, the Doppelganger enters the gas station, approaches a woodsman, and says that he is looking for Philip Jeffries. The Doppelganger is led to a dark room that is occupied by a strange metal device. Jeffries’s Southern-accented voice emanates from the device.

Considering the amount of time that these two have apparently spent trying to kill each other, it’s actually a relatively polite conversation. I have to admit that it caught me off guard seeing the Doppelganger asking questions for once. I always assumed the Doppelganger knew everything. (As the Doppelganger and Jeffries talk, Lynch inserts a flashback of David Bowie from Twin Peaks: Fire Walk With Me.) When the Doppelganger asks if Jeffries was the one who called him, Jeffries replies that he does not have the Doppelganger’s number. Jeffries says that he and the Doppelganger used to talk regularly.

“You are Cooper?” Jeffries asks.

“Why didn’t you want to talk about Judy?” the Doppelganger asks, “Who is Judy? What does Judy want from me?”

Jeffries tells the Doppelganger to ask her himself.

Suddenly, a phone rings. The Doppelganger sees an old landline phone in the corner of the room. When the Doppelganger answers, this is a loud surge of static and the Doppelganger suddenly finds himself outside the gas station…

And there’s Richard Horne (Eamon Farren), holding a gun on him and saying that he recognized the Doppelganger from a picture that his mother (who we all know is Audrey) used to carry with her. “You’re FBI!” Richard announces. (He’s probably Richard’s father, as well.) The Doppelganger proceeds to rather easily kick Richard’s ass and then tells him to get in the truck. “We’ll talk on the way,” the Doppelganger explains.

As they drive away, the gas station vanishes.

In the woods around Twin Peaks, Steve (Caleb Landry Jones) and Gersten Hayward (Alicia Witt) are freaking out. Steven has a gun and keeps saying that he did it. “You didn’t do anything!” Gersten says, “you were fucking stoned! What did she give you!?” Steven loads the gun and, as Gersten begs him to stop, he says that he’s going to end it. Steven starts to talk about how much he loves fucking Gersten when suddenly, a guy walking his dog wanders by. Gersten runs and hides behind a tree. Off screen, there is a gunshot. (This short but intense scene features some amazing acting from both Alicia Witt and Caleb Landry Jones.)

At the trailer park, Carl (Harry Dean Stanton) meets with the man who was walking his dog. We see the man point at Steve and Becky’s trailer.

That night, at the Roadhouse, the very excited Emcee (J.R. Starr, who is quickly becoming one of my favorite minor characters) announces that they will be playing “one of our favorites — Sharp Dressed Man by ZZ Top!” He even has a cardboard volume meter to show how excited he is over the song. The Emcee starts to dance along to the song. He’s so adorable!

What’s less adorable is what happens when James (James Marshall) and Freddie (Jake Wardle) are attacked by Chuck (Rod Rowland), who is Renee’s husband. Freddie, who is wearing his power glove, knocks Chuck unconscious with one punch.

In Las Vegas, Agent Wilson (Owen Rhys-Davies) tells Agent Headley (Jay R. Ferguson) that he’s brought in another Douglas Jones for interrogation. Apparently, Wilson and Headley are just tracking down everyone named Douglas Jones who lives in Vegas. However, as quickly becomes apparent when Headley goes down to the interrogation room, they have yet to track down our Dougie Jones.

Elsewhere in Vegas, Chantal (Jennifer Jason Leigh) assassinates both Duncan Todd (Patrick Fischler) and Roger (Joe Adler). Afterwards, she and Hutch (Tim Roth) eat out in their car and casually discuss the pros and cons of torture.

Back in Twin Peaks, both James and Freddie are led to a jail cell. Interestingly, the last time we saw James arrested was in the Pilot. James was put in a cell with Bobby Briggs (Dana Ashbrook). This time, it’s Bobby leading James to the cell.

Back in Vegas, our Dougie (Kyle MacLachlan) eats a piece of cake and watches Sunset Boulevard on television. When he hears Cecil B. DeMille mention the name “Gordon Cole,” Dougie responds by crawling across the floor and sticking his fork into an electrical socket.

(It’s interesting to note that, in the scene from Sunset Boulevard, DeMille and Gloria Swanson — in the role of Norma Desmond — were talking about getting everyone back together again and making another picture, despite the fact that Hollywood had changed quite a bit since Desmond’s heyday. In many ways, that’s exactly what David Lynch is doing with Twin Peaks: The Return.)

In Twin Peaks, The Log Lady (Catherine E. Coulson) calls Hawk (Michael Horse) one last time and tells him that she is dying. “You know about death,” she says, “that it’s just a change. Not an end. It’s time. There’s some fear, some fear in letting go. Remember what I told you. I can’t say more over the phone. But you know what I mean, for our talks, when we were able to speak face to face. Watch for that one, the one I told you about, the one under the moon on Blue Pine Mountain. Hawk, my log is turning gold. The wind is moaning. I’m dying. Goodnight, Hawk.”

“Goodnight, Margaret,” Hawk replies, “Goodbye, Margaret.”

Later, Hawk tells Andy (Harry Goaz), Lucy (Kimmy Robertson), and Truman (Robert Forster) that “Margaret Lanterman passed away tonight.”

“The Log Lady’s dead?” Lucy replies, and there’s something so heart-breaking about the way Robertson delivers this line.

(It’s made even more heart-breaking by the fact that Coulson died shortly after filming her scenes for the revival. This episode is not only about the residents of Twin Peaks saying goodbye to Margaret Lanterman. It’s also about Lynch saying goodbye to his longtime friend, Catherine Coulson.)

Meanwhile, Charlie (Clark Middleton) and Audrey (Sherilyn Fenn) continue to argue about going to the Roadhouse to look for Billy. Audrey complains about the way that Charlie talks to her. Billy never talks to her like that.

“I am Charlie,” Charlie says, “and he is Billy.”

“Yes,” Audrey replies, “and I like Billy better.”

“Sensational,” Charlie replies.

They argue a bit more. Audrey eventually ends up pouncing on Charlie while screaming, “I hate you! Do you realize how much I fucking hate you!”

At the Roadhouse, the Veils sing a song about drugs. A woman, Ruby (Charlyne Yi), sits in a booth. When two men tell her to move, she replies that she’s waiting someone. The men literally lift her out of the booth and drop her on the floor. Ruby crawls across the dance floor and screams.

The end credits role over an image of that gas station siting in the middle of nowhere. “Dedicated to Margaret Lanterman” the final credit reads.

Margaret Lanterman (a.k.a. The Log Lady)

Only three more episodes (and, because the final two are being shown on the same night, only two weeks) left! That makes me sad. I’m going to miss Twin Peaks.

Twin Peaks on TSL:

24 Initial Thoughts About Twin Peaks The Return Part 15 (dir by David Lynch)

Posted on August 27, 2017 by Lisa Marie Bowman

Obviously, I’m running very far behind when it comes to watching and reviewing Part 15 of Twin Peaks: The Return. Erin and I spent last weekend up at Lake Texoma so I set the DVR to record Part 15 so that I could watch it once we returned. However, this has been the craziest week and, as ashamed as I am to admit it, I just didn’t get a chance to sit down and watch Part 15 until around four this morning.

So, forgive the lateness of this review. Fortunately, the Trashfilm Guru watched and reviewed Part 15 when it aired and you can read his review by clicking here. As for me, despite being a week late with this review, I’m going to follow my usual format. I’m going to post the initial thoughts that I had while watching the latest episode for the first time and then I’m going to rewatch Part 15 and write out a full recap sometime later today (hopefully, before Part 16 airs later tonight on Showtime!).

As I watched the opening credits, I found myself thinking about the fact that, not counting this one, there’s only three episodes left. I no longer worry about whether or not the show’s “story” is going to reach any sort of resolution. That’s really not what Twin Peaks is about.
Do you think Nadine just carries that shovel with her everywhere?
Admit it. At least once in your life, you’ve wished that you had a golden shovel that you could use to dig your way out of the shit.
Oh my God, this scene between Norma and Big Ed…so beautifully performed and directed.
And then to go from the grand romanticism of Norma and Ed to the nihilistic hatred that is symbolized by the Doppelganger. It’s quite a contrast. The brilliance of Lynch can be found in his ability to create a world where both romance and evil feel absolutely natural.
The scene where the Doppelganger talks to Jeffries is exceptionally creepy, even by the standards of Twin Peaks.
Oh fuck you, Richard Horne. You couldn’t even intimidate Red. What the Hell do you think you’re going to be able to do against the Doppelganger?
Of course, I think we’ve all pretty much figured out that the Doppelganger is Richard’s father.
C’mon, Gersten! You can do better than Steven!
As I listened to Steven blame everything on being stoned, I wondered if he was buying his weed from Jerry Horne.
I don’t know if David Lynch is planning on ever doing another television series after this (probably not) but if he does, might I suggest a show where Carl Rodd travels across America and gets involved in the lives of random strangers?
Am I the only one fascinated by J.R. Starr’s performance as the Roadhouse’s emcee?
I guess that takes care of Duncan Todd. Too bad about Roger.
James is in jail with a bunch of people making weird noises. Some things never change.
Sunset Boulevard!
It was nice of this episode to acknowledge that the name Gordon Cole was taken from Sunset Boulevard. The original series also featured an insurance agent named Walter Neff.
Agck! Did Dougie just electrocute himself?
This final scene between Hawk and the Log Lady is heartbreaking, both because the Log Lady was such an iconic character (for many people, she was the ultimate symbol of the show’s sensibility) and that Catherine E. Coulson herself passed away shortly after filming her scenes. Coulson worked on Lynch’s very first film, Eraserhead. She was also once married to Jack Nance, who played Pete Martell on the first two seasons of Twin Peaks.
It’s said that, during the making of Eraserhead, Lynch looked at Coulson and told her that he had just had a vision of her holding a log and that someday, he would write a role for her where she would do just that. That’s an apocryphal story that I hope is true.
Kimmy Robertson’s delivery of the line: “The Log Lady’s dead?” was one of the best moments of the entire season.
Am I the only one who wants Cooper to get back to normal so that he can go to Twin Peaks and beat up Charlie?
Tonight’s musical guest: The Veils. The Roadhouse gets all the best performers.
Oh my God, the screaming! When that woman started screaming, our cat jumped off the couch and went ran from the room.
Okay. time to get an hour or two of sleep and then I’ll be back to rewatch Part 15 and post a full recap.