4 Shots From 4 Films: Special John Glen Edition

Posted on May 15, 2026 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to English director and editor, John Glen! It’s time for….

4 Shots From 4 John Glen Films

For Your Eyes Only (1981, dir by John Glen, DP: Alan Hume)

Octopussy (1983, dir by John Glen, DP: Alan Hume)

A View To A Kill (1985, dir by John Glen, DP: Alan Hume)

Christopher Columbus: The Discovery (1992, dir by John Glen, DP: Alec Mills)

Late Night Retro Television Review: Hunter 1.5 “Legacy”

Posted on May 14, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall investigate a mob hit!

Episode 1.5 “Legacy”

(Dir by Ron Satlof, originally aired on November 2nd, 1984)

Gangster John Vincent (Tony Girogio) has been gunned down in his own mansion. Detective Bernie Terwilliger thinks that it’s a case of burglary gone wrong. Rick Hunter thinks that it was a mob hit and that one of John’s sons is responsible. He and McCall search for Sandy Newton (Mary-Margaret Humes), the woman who was with Michael Vincent (Vincent Baggetta) the night that his father was killed.

I have to admit that I had totally forgotten that Rick Hunter was supposed to be the son of a mobster. This episode featured Rick associating with his childhood buddies and, if nothing else, it showed just how unconvincing Fred Dryer was as the scion of a mob family. Don’t get me wrong. Fred Dryer was great when he was gunning down a suspect and then saying, “Works for me.” And Fred Dryer had a fun chemistry with Stepfanie Kramer. But there was absolutely nothing about Fred Dryer that, in any way, said, “Mobster.” Surrounding Dryer with a bunch of tough-looking Italian-American character actors did nothing to change the fact that Dryer essentially looked like a former football player from sunny California.

This episode had a predictable story but it also had two good action scenes: a fight on a pier and a mob hit in a warehouse. It also introduced John Amos as Captain Dolan, who is the new police captain but who appears to dislike Hunter and McCall just as much as the previous captain. It’s hard not to feel that Amos will be entertaining as he yells at Hunter for not following regulations and costing the city money.

We’ll see how it goes!

Retro Television Review: Decoy 1.31 “Night Light”

Posted on May 14, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, someone is stealing jewelry!

Episode 1.31 “Night Light”

(Dir by Stuart Rosenberg, originally aired on April 12th, 1958)

Casey goes undercover as a woman who is looking to purchase a stolen ruby necklace. Her investigation leads to her to Nick Spandau (Martin Balsam), a career criminal who has recently been released from prison and who is currently working with the jeweler (Martin Wolfson) who cared for Nick’s young son (Pud Flanagan) while Nick was “away.” To Casey’s horror, she discovers that Nick is using his innocent son as an unwitting courier, sending him to Mexico with the stolen necklace.

As you can probably guess, this episode is a showcase for the great character actor Martin Balsam, who almost makes Nick likable until it becomes apparent that he’s willing to put his own son in danger in order to protect himself. When Nick’s son suddenly shows up at the jewelry store and announces that he couldn’t bring himself to board the plane without his father, Nick’s reaction is to wonder why his son couldn’t do the “one thing” that he was asked to do. He’s not a great father but, when Casey tells him that his son idolizes him and will follow in his criminal footsteps, Nick makes a show of telling his son off. It’s Nick’s way of making sure that the boy doesn’t grow up to be like him. Casey tells us, “He sure did love his son.” If you say so, Casey.

Overall, it’s not a bad episode. It opens with some nice establishing shots of New York City and, unlike other episodes where Casey is mostly a bystander, it remains compelling even when Garland isn’t on screen. Unfortunately, the acting is a bit weak from everyone not named Martin Balsam or Beverly Garland. However, Balsam and Garland are more than capable of carrying the story on their own.

Join #TubiThursday For Side Out!

Posted on May 14, 2026 by Lisa Marie Bowman

Hi, everyone! Tonight, on Mastodon, I will be hosting the #TubiThursday watch party! Join us for 1990’s Side Out!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) We will be using #TubiThursday hashtag! See you then!

Song of the Day: The Power of Love by Huey Lewis and the News

Posted on May 14, 2026 by Lisa Marie Bowman

Since today is Robert Zemeckis’s birthday, today’s song of the day is an obvious one. Here is The Power of Love, by Huey Lewis and the News!

The power of love is a curious thing
Make a one man weep, make another man sing
Change a hawk to a little white dove
More than a feeling, that’s the power of love

Tougher than diamonds, rich like cream
Stronger and harder than a bad girl’s dream
Make a bad one good, mm, make a wrong one right
Power of love that keep you home at night

You don’t need money, don’t take fame
Don’t need no credit card to ride this train
It’s strong and it’s sudden, and it’s cruel sometimes
But it might just save your life
That’s the power of love
That’s the power of love

First time you feel it, it might make you sad
Next time you feel it, it might make you mad
But you’ll be glad, baby, when you’ve found
That’s the power makes the world go ’round

And it don’t take money, don’t take fame
Don’t need no credit card to ride this train
It’s strong and it’s sudden, it can be cruel sometimes
But it might just save your life

They say that all in love is fair
Yeah, but you don’t care (ooh)
But you know what to do (what to do)
When it gets hold of you
And with a little help from above
You feel the power of love
You feel the power of love
Can you feel it?
Hm-hm

It don’t take money, and it don’t take fame
Don’t need no credit card to ride this train
Tougher than diamonds and stronger than steel
But you won’t feel nothin’ ’til you feel

You feel the power, just feel the power of love
That’s the power, mm, that’s the power of love
You feel the power of love
You feel the power of love
Feel the power of love

Songwriters: Huey Lewis / John Victor Colla / Christopher John Hayes

Scenes That I Love: Gerrit Graham Battles Inflation in Robert Zemeckis’s Used Cars

Posted on May 14, 2026 by Lisa Marie Bowman

Today, the Shattered Lens wishes a happy birthday to director Robert Zemeckis!

Today’s scene that I love comes from Zemeckis’s 1980 comedy, Used Cars! In this scene, used car salesman Gerrit Graham interrupts a televised presidential address so that he can demonstrate the best way to deal with inflation.

(Of course, he does the demonstration at a rival used car lot.)

Jack Warden watches as his cars blow up while Graham’s boss (Kurt Russell) tries to keep his business partner (Deborah Harmon) from noticing what is happening on the television.

“That price is too high!”

4 Shots From 4 Films: Special Sofia Coppola Edition

Posted on May 14, 2026 by Lisa Marie Bowman

Today is the birthday of one of my favorite American directors, the one and only Sofia Coppola! In honor of this day, here are….

4 Shots From 4 Sofia Coppola Films

The Virgin Suicides (1999, dir by Sofia Coppola, DP: Edward Lachman)

Lost In Translation (2003, dir by Sofia Coppola, DP: Lance Acord)

Maire Antoinette (2006, dir by Sofia Coppola, DP: Lance Acord)

Somewhere (2010, dir by Sofia Coppola, DP: Harris Savides)

Music Video of the Day: Shine by Walt Mink (1993, dir by Sofia Coppola)

Posted on May 14, 2026 by Lisa Marie Bowman

Happy birthday, Sofia Coppola!

Today’s music video of the day is the first music video to have been directed by Sofia Coppola. In fact, this may be her first directorial credit. While the song itself is a bit generic, the video is pure Sofia Coppola. Watching it, it’s hard not to see the same vision that, a few years later, would give us The Virgin Suicides, Somewhere, and The Bling Ring. This video was filmed at the Coppola vineyard in Rutherford, California.

Interesting to note that the film’s editor was Spike Jonze, who would later marry Coppola in 1999 (they would get divorced in 2003) and who is thought to have been the inspiration for Giovanni Ribisi’s character in Lost In Translation.

Enjoy!

Late Night Retro Television Review: 1st & Ten 4.1 “The Bulls Own Up”

Posted on May 13, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, we start season 4.

Episode 4.1 “The Bulls Own Up”

(Dir by Stan Lathan, originally aired on October 5th, 1988)

It’s time for a new season of 1st & Ten and things have changed!

Yinessa is nowhere to be seen. Instead, this episode features a college quarterback named Sonny Clowers (Gary Kasper) who is being courted by agent Max Green (Mark Lonow). Also not around is Jill Schrader, the team’s owner. She has sold the team to a fast food chain. The new owner of the Bulls is Charles (Monte Markham). In his first meeting with TD Parker (OJ Simpson), Charles explains that he runs a clean-cut, all-American company and he expects the Bulls to be a clean-cut, all-American team.

In other words, it’s time to trade all of the trouble makers and the drug abusers. Charles doesn’t want a team of individuals. He wants a team of …. well, whatever the opposite of an individual is.

TD is not happy to hear about this. Neither is Mad Dog, who is revealed to come from a fabulously wealthy family. Mad Dog’s father wants Mad Dog to do something that requires more skill than football. Hmmm …. maybe Mad Dog and all the other players could form their own company and buy the team themselves?

That doesn’t really sound like a great idea to me. How can you release or trade a player when that player owns the team? However, TD thinks that it’s a good idea. Zagreb thinks it’s a good idea. And Dr. Death shows up for practice in a three-piece suit, which somehow convinces everyone else that it’s a good idea!

Why do I get the feeling that this idea will dropped after six episodes?

This was an okay season opener. The Bulls being sold to a fast food chain certainly makes more sense than Delta Burke acquiring them in a divorce settlement. OJ Simpson recoiling at the thought of the team being expected to avoid scandal? That was almost to on the nose!

Finally, I can’t end this review without saying Donald Gibb, RIP. On a show not known for great acting, Gibb was definitely the exception.

Retro Television Review: The Love Boat 7.19 and 7.20 “Hong Kong Cruise: Polly’s Poker Palace/Shop Ahoy/Double Date/The Hong Kong Affair/Two Tails of a City”

Posted on May 13, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, The Love Boat goes to Hong Kong!

Episodes 7.19 and 7.20 “Hong Kong Cruise: Polly’s Poker Palace/Shop Ahoy/Double Date/The Hong Kong Affair/Two Tails of a City”

(Dir by Richard Kinon, originally aired on February 4th, 1984)

This week, the Love Boat crew has been assigned to command a cruise to China. And while the boat might be docked in Hong Kong instead of the usual Mexico, the question remains the same:

Yes, how coked up is Julie?

Well, she’s not as coked up as usual. In fact, this is the rare Season 7 episode in which Julie actually gets to do something more than just smile at people as they board the ship. So, I’d say this episode only rates a 7 out of 10 on the How Coked Up Is Julie scale.

As for Julie and Vicki, they fall for two brothers (Leigh McCloskey, Lee Majors II). As always, Julie serves as Vicki’s mentor while Captain Stubing runs the ship. However, this time, it turns out that the guy that Julie likes actually likes Vicki instead. Vicki really likes him too. I would point out that Vicki is likely either 16 or 17 in this episode. (Jill Whelan was 18.) So, really, she and Julie probably shouldn’t both be after the same man. The guy is closer in age to Vicki than Julie but still, watching this episode, I couldn’t help but think that it might be time for Vicki to get off the boat and actually experience life on dry land. Seriously, she’s nearly 18 and she still spends all of her time talking to elderly passengers. Leigh McCloskey and Lee Majors II are literally the only two people close to her age to board the ship. She really doesn’t have much choice but to fall in love with one of them.

Meanwhile, a senator (Efrem Zimbalist, Jr.) fell in love with Donna Reed, despite the misgivings of his closest advisor (Ben Murphy). A retired spy (Gene Kelly) fell for a mysterious woman (Yvette Mimieux) and this somehow led to Gopher and Isaac putting on trench coats and following the couple through Beijing. And Brenda Vaccaro tried to stop using her credit card. The crew, for some reason, tried to help her.

None of these stories were very interesting, though I did relate to Brenda Vaccaro’s passenger. This was a travelogue episode, with the boat sailing to Hong Kong and the crew somehow managing to see every famous sight in China over the course of two days. This episode was shot on location. I always enjoy it when I can tell the actors are actually delivering their lines in the middle of the ocean. At the same time, the scenes that took place in China did not make me want to visit the country. If anything, they left me feeling bad for Hong Kong. This episode was filmed before the British handed Hong Kong over to China and it was a shame to think that all the little kids who appeared in the episode were fated to eventually become citizens of a communist country. Needless to say, the name Mao was never mentioned during this episode. Neither was the Cultural Revolution.

Come back to America, Captain Stubing. The country needs you.