A Movie A Day #28: Scandal (1989, directed by Michael Caton-Jones)


scandal-posterLondon.  1961.  Doctor Stephen Ward (played by John Hurt) is an artist and an osteopath.  He counts among his patients some of the most distinguished men and women in British society, including the Minister of War, John Profumo (Ian McKellen).  After meeting two young dancers, Christine Keeler (Joanne Whalley) and Mandy Rice-Davies (Bridget Fonda), Stephen becomes their mentor, the Henry Higgins to their Eliza Doolittle.

Under Stephen’s watchful eye, both Christine and Mandy are soon having affairs with some  of the most powerful members of Harold Macmillan’s Conservative government.  Christine becomes the mistress of both Profumo and KGB agent, Yevgeny Ivanov (Jeroen Krabbe), along with maintaining off-and-on relationships with drug dealer Johnny Edgecombe (played by singer Roland Gift) and musician Lucky Gordon (Leon Herbert).

When a disagreement leads to Johnny slashing Lucky’s face and then getting arrested for firing a gun at Stephen’s flat, the public learns the details of Christine’s affair with Profumo.  With the scandal rocking the British government, Stephen is a convenient scapegoat and soon finds himself on trial, charged with making a living off of “immoral earnings.”

Based on the real life scandal that led to the eventual fall of Harold Macmillan’s government, Scandal is remarkably faithful to the facts of the Profumo Affair, even if it did leave out some of the more interesting allegations.  (For instance, no mention is made of an alleged encounter between Mandy Rice-Davies and President Kennedy.)  Though it may seem tame by today’s standards, when Scandal was first released in 1989, it was considered to be something of a scandal itself and it initially got an X rating when it was released in the United States.  (The scandal over Scandal is one of the things that led to the MPAA adopting the NC-17 rating to distinguish between films for adults and “adult” films.  Of course, it didn’t work as a potential NC-17 still carries the same stigma as the X rating did.)

scandal

Scandal holds up well as both a recreation of London on the verge of the sexual revolution and a look at contrast between private and public mores.  Both Joanne Whalley and Bridget Fonda are excellent in the roles of Christine and Mandy.  Fonda gets to deliver the most famous line of the whole Profumo Affair when Mandy is told that Lord Astor has denied having had an affair with her.  “He would, wouldn’t he?” she says.  After I watched Scandal last night, I did some checking and I discovered that Bridget Fonda has not made a film since 2002.  She is missed.

Not surprisingly, Scandal‘s best performance comes from John Hurt, who plays Stephen Ward as a naive and well-meaning social butterfly who ultimately gets in over his head and pays a steep price for trusting that his friends would remain his friends.  Scandal is just one of many movies that proves what a great talent was lost when the world lost John Hurt.

RIP.

SCANDAL, John Hurt, 1989

A Bout De Souffle: Robert Siodmak’s CRISS CROSS (Universal-International 1949)


gary loggins's avatarcracked rear viewer

cc1

CRISS CROSS hits you like a sucker punch to the gut, delivered hard and swift, followed by a non-stop pummeling that doesn’t let up until the final, fatal shot. Things kick right in as we find clandestine lovers Steve Thompson and Anna Dundee going at it hot’n’heavy in a nightclub parking lot. They go inside, and Steve gets into it with Anna’s husband, the gangster Slim Dundee, who pulls a knife, but the fight’s interrupted by Lt. Pete Rameriz, Steve’s boyhood pal. What Pete doesn’t know is the fight was staged for his benefit: Steve is the inside man on a planned armored car heist Dundee’s gang is pulling off.

cc3

Flashbacks tell us how Steve got here: he was once married to Anna, and after the volatile couple divorced left L.A., drifting across country picking up odd jobs along the way. Returning to the City of Angels, he finds himself…

View original post 555 more words

Scenes I Love: Alien


alien-chestburster

We found out tonight that the great Sir John Hurt passed away at the age of 77.

For some their memory of him was in the role of the Elephant Man. For the younger set it might be as Hellboy’s adopted father Professor Broom. Some might even remember him as Chancellor Sutler from V for Vendetta. They were all great roles, but my very first memory of him is from a film that helped shaped my love for horror and sci-fi. It was a film that was influenced the impressionable mind of a pre-teen.

This film is and will always be Ridley Scott’s haunted house in space sci-fi horror film, Alien.

Sir John Hurt as the doomed crew-member Kane would make such an impact in my impressionable mind as a child not when he first appears on-screen, but when the titular creature makes it’s first appearance in what I can only describe as an explosive birthing scene.

Rest In Peace good sir.

A Movie A Day #27: Tribes (1970, directed by Joseph Sargent)


Adrian (Jan-Michael Vincent) is a free-spirited hippie who has just been drafted into the Marine Corps.  As soon as he arrives at the boot camp, his long hair get shaved off and he immediately starts to get under the skin of Sgt. DePayster (Earl Holliman).  While Adrian scored higher than anyone else in the platoon on his aptitude tests, he is also a pacifist who refuses to shoot a gun and teaches all of the other draftees how to meditate.  DePayster wants to put Adrian in the Motivational Platoon, a disciplinary unit where Adrian probably would not survive.  Trying to protect Adrian while also trying to turn him into a killing machine is his drill instructor, Sgt. Drake (Darren McGavin).

Tribes has never been released on DVD/Blu-ray but it can be watched on YouTube.  Not surprisingly, for a movie that was made for television in 1970, there are some parts of the film that have not aged well.  I doubt a real drill instructor, even one who secretly draws pictures and admires Adrian’s rebellious spirit, would have put up with Private Adrian for as long as Drake does in this movie.  Again because of its television origins, the language has been cleaned up.  You won’t mistake this one for Full Metal Jacket.  On the plus side, Earl Holliman gives a good performances as the hardass sergeant and Jan-Michael Vincent shows why he was expected to be such a big star before he ended up becoming one of Hollywood’s greatest cautionary tales.  Best of all is Darren McGavin, who is even better as the tough but fair Sgt. Drake than he was in his two best known roles, the father in A Christmas Story and reporter Carl Kolchak.

Tribes was a huge rating success when it aired, leading to it getting a limited theatrical release.  In Europe, it was retitled The Soldier Who Declared Peace.

Wanted! For doing his own thing!

Wanted! For doing his thing!

 

 

A Movie A Day #26: The Taking of Beverly Hills (1991, directed by Sidney J. Furie)


After a toxic chemical spill, Beverly Hills is evacuated.  While its citizens wait in a hotel, their mansions and valuables are guarded by the police and agents of the EPA.  Or so they think.  It turns out that the chemical spill was faked and that both the police and the government agents are in on it.  While the town’s deserted, they’re going to rob everyone blind.  The scheme’s mastermind is Bat Masterson (Robert Davi), the owner of L.A. Rams.  What Masterson doesn’t realize is that one citizen of Beverly Hills stayed behind, his own quarterback, Boomer Hayes (Ken Wahl).  Teaming up with Ed Kelvin (Matt Frewer), the last honest cop in town, Boomer sets out to protect Beverly Hills.

It’s just a dumb as it sounds.  In fact, of the many Die Hard ripoffs that came out in the late 80s and the early 90s, The Taking of Beverly Hills is probably the dumbest, which also makes it one of the most entertaining.  Boomer, who has an impressive mullet, can only speak in football analogies, constantly assuring Ed that it’s only the first down and that they can turn things around after halftime.  When Boomer gets serious, he says, “It’s time to play offense.”  One of the stranger things about The Taking of Beverly Hills is that, unlike working class hero John McClane, Boomer is not an outsider.  He’s in Beverly Hills because he’s rich.  The Taking of Beverly Hills is basically about one rich guy trying to keep another rich guy from robbing a bunch of other rich people.  It’s Die Hard if Hart Bochner had been the hero instead of Bruce Willis.

Keep an eye out for Lee Ving, lead singer of Fear, playing one of the corrupt cops and an uncredited Pamela Anderson cast as a cheerleader.  And keep your ears open for songs like Epic by Faith No More because their presence on the soundtrack (and the associated rights issue) is the reason was this stupidly entertaining movie will probably never get a DVD/Blu-ray release in the United States.

It has been released in Germany, where it was retitled Boomer after the lead character.

It has been released in Germany, where it was retitled Boomer after the lead character.

 

Roger Corman’s Electric Kool-Aid Tangerine Dream: THE TRIP (AIP 1967)


gary loggins's avatarcracked rear viewer

“You are about to be involved in a most unusual motion picture experience. It deals fictionally with the hallucinogenic drug LSD. Today, the extensive use in black market production of this and other so-called ‘mind bending’ chemicals are of great concern to medical and civil authorities…. This picture represents a shocking commentary on a prevalent trend of our time and one that must be of great concern to us all.” – Disclaimer at the beginning of 1967’s THE TRIP

trip1

“Tune in, turn on, drop out”, exhorted 60’s acid guru Timothy Leary. The hippie generation’s fascination with having a psychedelic experience was a craze ripe for exploitation picking, and leave it to Roger Corman to create the first drug movie, THE TRIP. Released during the peak of the Summer of Love, THE TRIP was a box office success. Most critics of the era had no clue what to make of it, but the youth…

View original post 511 more words

Insomnia File No. 20: Casual Sex? (dir by Geneviève Robert)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

If you had insomnia at one in the morning, you could have turned over to Starz Comedy and watched the 1988 comedy, Casual Sex?  That’s what I just did!

I have to admit that I’m a little bit surprised that this is the first insomnia file that I’ve written since last July.  It’s not like I haven’t had insomnia between then and now.  However, I guess I’ve been busy either going on vacation, writing about horror movies, writing about the Oscars, or, of course, writing about reality TV over at the Big Brother Blog and Reality TV Chat Blog.  That said, I’ve always enjoyed writing these insomnia files and I’m happy to finally have the chance to do a new one.

I’m also happy to have the chance to write about a film called Casual Sex?, if just because I know that it will lead to the site getting a lot of hits from people doing google searches.  They probably won’t actually be looking for a movie review but a hit is a hit!

Anyway, Casual Sex? is an 80s film.  In fact, it’s such an 80s film that it probably spent the 90s recovering from an expensive coke habit.  It’s a film about two best friends who have decided that they’re tired of being single.  Stacy (Lea Thompson) is the promiscuous one, the one who has had many partners, has gotten involved in way too many needy relationships, and who is now freaking out over the spread of AIDS.  Melissa (Victoria Jackson) is the sweet but ditzy one.  Melissa has had boyfriends but she’s never had an orgasm.  When Stacy tells her about an article she read about AIDS, Melissa replies that at least now she’s “not the only one who is afraid of sex.”  Hoping to each find a permanent mate, Stacy and Melissa go to a health spa.  Stacy immediately falls madly in love with Nick (Stephen Shellen), an aspiring musician.  Melissa, meanwhile, meets the sensitive and sweet-natured Jamie (Jerry Levine), who works at the spa and gives a killer massage.  Meanwhile, an annoying guy named Vinny (Andrew Dice Clay) pursues both of them and everyone else as well.

(Vinny leers at every woman that he sees and prefers to be known as the Vin Man.  I know, I know.  It’s hard to believe that he’s still single.)

Casual Sex? actually get off to a really good start.  It opened with both Stacy and Melissa standing on an empty stage and discussing their sexual histories.  Usually, I cringe whenever a movie opens with a character standing on a blank stage and talking directly to the audience.  It usually feels like a lazy storytelling technique to me.  (Can’t figure out a natural way to let the audience know a character’s backstory?  Have them talk to directly to the audience!  It’s easy and lazy!)  But in Casual Sex?, this technique actually works.  Lea Thompson and Victoria Jackson both give very natural and believable performances and the flashbacks to their previous experiences are all well-done and sometimes painfully relatable.  Despite the fact that the film was made 30 years ago, their experiences and emotions felt timeless.

After that strong opening, the rest of the film was much more uneven.  I have to admit that I had trouble telling how much of the film was meant to be satirical and how much of it was just a reflection of the time in which it was made.  For instance, I wasn’t sure if I was supposed to be rolling my eyes at Nick, with his feathered hair and his overdramatic style of singing, or if that was just what was considered to be hot in the 80s.  It was very confusing but, regardless of whether it was intentional or not, it was hard to take Nick seriously as anything more than a plot device.  As a result, it was difficult to care about his relationship with Stacy.  Melissa’s relationship with Jamie was far more interesting, largely because Jerry Levine was so likable in the role.

(Just in case anyone was wondering, Casual Sex? does feature a lot of sex but very little of it feels casual.  Perhaps that’s why the title ends with a question mark.  “Casual sex?” the film asks before answering, “No.”)

The film was ultimately too uneven to really be considered to be a success but I actually enjoyed it more than I thought I would.  That was largely because of the performances of Lea Thompson, Victoria Jackson, and Jerry Levine.  There’s a few scenes where Vinny drops his bluster and reveals a sensitive side and Andrew Dice Clay does well with these scenes but, ultimately, it’s hard to like anyone known as The Vin Man.  I mean, he even has “Vin Man” written on the back of his jacket.  Strangely, Clay’s performance here felt like an early version of his performance in Blue Jasmine, almost as if the Vin Man eventually changed his name to Augie and ended up marrying the sister-in-law of a Ponzi scheme manager.

Casual Sex? may not be great but it’s good enough for when you’re awake at one in the morning.

casual_sex_poster

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations

A Movie A Day #25: Next of Kin (1989, directed by John Irvin)


next-of-kinTruman Gates (Patrick Swayze) may have been raised in Appalachia but, now that he lives in Chicago, he’s left the old ways behind.  He has a job working as a cop and his wife (Helen Hunt) is pregnant with their first child.  When Truman’s younger brother, Gerald (Bill Paxton), shows up in town and asks for Truman’s help, Truman gets him a job as a truck driver.  But, on his first night on the job, Gerald’s truck is hijacked by a Sicilian mobster named Joey Rosellini (Adam Baldwin) and Gerald is killed.  Truman’s older brother, Briar (Liam Neeson), soon comes to Chicago and declares a blood feud on the mob.

Of the many action films that Patrick Swayze made between Dirty Dancing and Ghost, Roadhouse may be the best known but Next of Kin is the best.  Next of Kin spends as much examining the family dynamics of Rosellini’s family as it does with Truman’s, suggesting that there is not much of a difference between the two groups.  There’s even a scene where Joey’s uncle (played by Andreas Katsulas) tells Joey that the Sicily was the Appalachia of Italty.  Next of Kin also has a better supporting cast than most of the films that Swayze made during this period.  Along with Paxton and Neeson, the hillbillies are represented by actors like Ted Levine and Michael J. Pollard while Ben Stiller has an early role as Joey’s cousin.  Patrick Swayze gives one of his better performances as Truman but the entire movie is stolen by Liam Neeson, who is a surprisingly believable hillbilly.

A Movie A Day #24: Rebel (1970, directed by Robert Allen Schnitzer)


noplacetohidepressRebel opens the same way as First Blood, with Sylvester Stallone hitchhiking on a country road.  Other than that, the two films have nothing in common.  For one thing, in Rebel, Sly is wearing a big floppy hat and stops to feed some horses with a big, goofy grin on his face.  He also doesn’t get hassled by the man.  Instead, he gets picked up by a bunch of hippies in VW microbus.

Stallone is playing Jerry Savage, an anti-war activist, former college student, and probably one of the hippies that spit on John Rambo when he returned from Nam.  Disillusioned by protest marches that don’t seem to accomplish anything, Jerry is going to New York City so he can hook up with the Weather Underground.  He and his friends are planning to blow up a kitchen goods company that has accepted a contract to build bamboo cages for the government.  What Jerry doesn’t know is that the FBI is onto his scheme.  Nothing works out but the movie is mostly about Jerry sitting around and talking to people about how messed up the world is.  It all ends, as all low-budget movies from the 1960s must, with Jerry running through a green field.

rainboThis was Stallone’s second film, after A Party At Kitty and Stud’s.  He was twenty-four years old.  The film was originally released under the title No Place To Hide and it vanished until Rocky made Stallone an unlikely star.  It was re-released in 1980, now called Rebel and re-edited to remove almost every scene not involving Jerry, making it even more of a Stallone vehicle.  This is the version that is currently available on YouTube.  In 1983, new scenes were shot and this film was released once again, this time as a comedy called A Man Called … Rainbo.

(Rambo.  Rainbo.  Get it?)

Regardless of which version you find, there’s no reason to watch Rebel beyond the strangeness of seeing Sylvester Stallone play a hippie revolutionary but, especially if you’re a fan of Sly’s 80s law-and-order phase, that’s reason enough.  Even before he was best known as Rocky, Rambo, and Cobra, Sly seems miscast as a peace-loving radical.  He delivers his lines softly, trying to hide his trademark New York accent.  Stallone is the best actor in the movie but, if you saw this movie in 1970, you would never expect its lead to one day be one of the biggest stars in the world.

021_001

In France, it was called The Terrorists.

The international version was called The Terrorists.

 

Pre Code Confidential #10: Cecil B. DeMille’s CLEOPATRA (Paramount 1934)


gary loggins's avatarcracked rear viewer

cbde1

When I hear the words ‘Hollywood Epic’, the name Cecil B. DeMille immediately springs to mind. From his first film, 1914’s THE SQUAW MAN to his last, 1956’s THE TEN COMMANDMENTS, DeMille was synonymous with big, sprawling productions. The producer/director, who’s credited with almost singlehandedly inventing the language of film, made a smooth transition from silents to talkies, and his 1934 CLEOPATRA is a lavish Pre-Code spectacular featuring sex, violence, and a commanding performance by Claudette Colbert as the Queen of the Nile.

1934: Claudette Colbert in title role of Cecil B. DeMille's film Cleopatra.

While the film’s opulent sets (by Roland Anderson and Hans Dreier) and gorgeous B&W cinematography (by Victor Milner) are stunning, all eyes will be on the beautiful, half-naked Colbert. She gives a bravura performance as Cleopatra, the ambitious, scheming Egyptian queen. She’s sensuous and seductive, wrapping both Caesar and Marc Antony around her little finger, and devious in her political machinations. If I were compare her to Elizabeth Taylor in the 1963 Joseph…

View original post 392 more words