4 Shots From 4 Films: Special Cleopatra Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Let’s celebrate the end of the month with four shots from four films about Caesar’s one true love, Cleopatra!

4 Shots From 4 Films

Cleopatra (1917, dir by J. Gordon Edwards)

Cleopatra (1934, dir by Cecil B. DeMille)

Cleopatra (1963, dir by Joseph L. Mankiewicz )

Cleopatra (1970, dir by Osamu Tezuka and Eiichi Yamamoto)

Scenes That I Love: Moses Parts The Red Sea In The Ten Commandments!


145 years ago, on this date, director Cecil B. DeMille was born in Ashfield, Massachusetts.  From the silent era until his death in 1959, DeMille was one of Hollywood’s superstar directors.  His films, which were often over the top and effective at the same time, helped to build the modern film industry.

Today’s scene that I love comes from DeMille’s final film.  From 1956’s The Ten Commandments, Moses parts the Red Sea.

(Please note, this video starts with a frozen image that lasts for about 12 seconds.)

Scenes That I Love: Norma Desmond visits Cecil B. DeMille in Billy Wilder’s Sunset Boulevard


Today, if Cecil B. DeMille is known at all, it’s for directing Biblical epics like The Ten Commandments.  However, there was much more to DeMille’s career than just that one film.  DeMille got his start during the early silent era and he quickly established himself as one of Hollywood’s first superstar directors.  Unlike many of his contemporaries, he survived the transition to sound and he remained a force in Hollywood at a time when many of the other silent directors were fading into obscurity.  DeMille played a key role in the founding of what would become the American film industry.  He began his career in 1914 and he made his last film in 1958.  That’s quite a legacy.

In 1950, when filming Sunset Boulevard, Billy Wilder needed someone to play the key role of one of Norma Desmond’s former directors.  Who better to represent the old style of Hollywood than Cecil B. DeMille?  In the scene below, DeMille plays himself.  Norma Desmond is, of course, played by Gloria Swanson, an actress whom DeMille had directed in the past.

From Sunset Boulevard, here’s a scene that I love.

Scenes That I Love: The Passover Scene From The Ten Commandments


Today’s scene that I love comes from 1956’s The Ten Commandments.

Cecil B. DeMille is often unfairly dismissed as a director, just as Charlton Heston is often underrated as an actor.  To me, this is one of the most powerful scenes in DeMille’s filmography.  The sound of the screams is haunting.  However, one must remember that, as with all the plagues that afflicted Egypt, the Pharoah was given fair warning.

 

4 Shots From 4 Biblical Films


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

4 Shots From 4 Biblical Epics

Samson and Delilah (1949, dir by Cecil B. DeMille, DP: George Barnes)

The Ten Commandments (1956, dir by Cecil B. DeMille, DP: Lloyd Griggs)

The Gospel According To St. Matthew (1964, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

Jesus Christ Superstar (1973, dir by Norman Jewison, DP; Douglas Slocombe)

4 Shots From 4 Films: Madam Satan, Safe In Hell, Rasputin and the Empress, and Search For Beauty


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

All of the scenes below come from films that were made and released between the introduction of sound in the late 1920s and the adoption of the infamous Hays Production Code in 1934.  This was truly an exciting time for film as an art form.  Not only were filmmakers intoxicated with discovering what they could accomplish through the medium but they were also unhindered by censorship or regulation.  The end result was some of the most visually imaginative and narratively daring films to ever be released by the major American studios.

There’s a reason why film lovers continue to eagerly seek out pre-code films.  And if you want to experience what made the pre-Code era so memorable, you could not do any worse than to start with the four films featured in this post.

Madam Satan (1930, dir by Cecil B. DeMille)

Madam Satan (1930, dir by Cecil B. DeMille)

Safe in Hell (1931)

Safe in Hell (1931, dir by William Wellman)

Rasputin and the Empress (1932, dir by Richard Boleslawski)

Rasputin and the Empress (1932, dir by Richard Boleslawski)

Search For Beauty (1934, dir by Erle C. Kenton)

Search For Beauty (1934, dir by Erle C. Kenton)

4 Shots From 4 Films: Special Cleopatra Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Let’s celebrate the end of the month with four shots from four films about Caesar’s one true love, Cleopatra!

4 Shots From 4 Films

Cleopatra (1917, dir by J. Gordon Edwards)

Cleopatra (1934, dir by Cecil B. DeMille)

Cleopatra (1963, dir by Joseph L. Mankiewicz )

Cleopatra (1970, dir by Osamu Tezuka and Eiichi Yamamoto)

4 Shots From 4 Biblical Films


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

4 Shots From 4 Biblical Epics

David and Bathsheba (1951, dir by Henry King. DP: Leon Shamroy)

The Ten Commandments (1956, dir by Cecil B. DeMille, DP: Lloyd Griggs)

Ben-Hur (1959, dir by William Wyler, DP: Robert Surtees)

The Bible (1966, dir by John Huston, DP: Giuseppe Rotunno)

4 Shots From 4 Best Picture Winners: The 1950s


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, I’m using this feature to take a look at the history of the Academy Award for Best Picture.  Decade by decade, I’m going to highlight my picks for best of the winning films.  To start with, here are 4 shots from 4 Films that won Best Picture during the 1950s!  Here are….

4 Shots From 4 Best Picture Winners: The 1950s

All About Eve (1950, dir by Joseph L. Mankiewicz, DP: Milton R. Krassner)

The Greatest Show On Earth (1952, dir by Cecil B. Demille, DP: George Barnes)

On The Waterfront (1954, dir by Elia Kazan, DP: Boris Kaufman)

Ben-Hur (1959, dir by William Wyler, DP: Robert Surtees)

Scenes That I Love: Moses Parts The Red Sea In The Ten Commandments!


142 years ago, on this date, director Cecil B. DeMille was born in Ashfield, Massachusetts.  From the silent era until his death in 1959, DeMille was one of Hollywood’s superstar directors.  His films, which were often over the top and effective at the same time, helped to build the modern film industry.

Today’s scene that I love comes from DeMille’s final film.  From 1956’s The Ten Commandments, Moses parts the Red Sea.

(Please note, this video starts with a frozen image that lasts for about 12 seconds.)