Tag Archives: Jack Nicholson

Scenes That I Love: Jack Meets Lloyd in The Shining

Posted on by Lisa Marie Bowman

The scene below is, of course, from Stanley Kubrick’s 1980 masterpiece, The Shining.

In this scene, Jack Torrance (Jack Nicholson) stumbles into the Overlook Hotel’s ballroom, still fuming over having been accused of abusing his son.  A recovering alcoholic, Jack sits at the bar and thinks about how he would give up his soul for just one one drink.  And, on cue, Lloyd (Joe Turkel) appears.

As I was watching this scene, it occurred to me that, way back in 1980, there probably was some guy named Lloyd who saw this movie in a theater and was probably totally shocked when Jack suddenly stared straight at him and said, “Hey, Lloyd.”

The brilliance of this scene is that we never actually see Lloyd materialize.  We see him only after Jack has seen him.  So, yes, Lloyd could be a ghost.  But he could also just be a figment of Jack’s imagination.  Jack very well could just be suffering from cabin fever.  Of course, by the end of the movie, we learn the truth.

Everyone always talks about Jack Nicholson’s performance as Jack.  Some people love it and some people hate it.  (I’m in the first camp.)  However, let’s take a minute to appreciate just how totally creepy Joe Turkel is in this scene.  Turkel was a veteran character actor and had appeared in two previous Kubrick films, The Killing and Paths of Glory.  Two years after appearing in The Shining, Turkel played what may be his best-known role, Dr. Eldon Tyrell in Blade Runner.  Today, incidentally, would have been Joe Turkel’s 99th birthday.

From Stanley Kubrick’s The Shining, here’s Jack Nicholson and Joe Turkel:

8 Shots From 8 Films: Special Robert Evans Edition

Posted on by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

96 years ago today, Robert Evans was born in New York City.  He started out working in his brother’s clothing business but a chance meeting with actress Norma Shearer led to him becoming an actor.  And while Evans, by his own account, was not a particularly good actor, he did prove himself to be very skilled at playing the games of Hollywood.  Evans eventually moved from acting to production, first as an executive at Paramount and then as an independent producer.

He lived a life as glamorous and tumultuous as the stars of his pictures and his memoir, The Kid Stays In The Picture, is considered to be one of the classic show biz autobiographies.  He hung out with cinematic rebels like Jack Nicholson and Robert Towne and counted Secretary of State Henry Kissinger as a friend.  He suggested that Francis Ford Coppola should direct The Godfather and, when Paramount put pressure on Coppola to cut the film down to two hours, it was Evans who famously announced that a two-hour Godfather was nothing more than a trailer.  He lost Ali MacGraw to Steve McQueen and, again by own account, he lost a lot of potentially productive years to cocaine.  (The Cotton Club scandal is one of the wildest in the history of Hollywood, though it should be noted that Evans himself was never charged with any wrongdoing.)  But, for all that he lost, Evans continues to gain admirers as being the epitome of the producer who was willing to take chances.  For all of his flamboyance, Evans had an eye for good material and the willingness to protect his directors.  In many ways, he was as important to the cinematic revolution of the 70s as the directors that he hired.  When Evans passed away in 2019, it was truly the end of an era.

Here, in honor of the birth and legacy of Robert Evans, are 8 Shots from 8 Films that Evans produced, either as studio chief at Paramount or as an independent producer.

8 Shots From 8 Robert Evans Films

Rosemary’s Baby (1968, dir by Romnn Polanski, DP: William A. Fraker)

Love Story (1970, dir by Arthur Hiller, DP: Richard Kratina)

The Godfather (1972, dir by Francis Ford Coppola, Cinematography by Gordon Willis)

Chinatown (1974, dir by Roman Polanski, DP: John A. Alonzo)

Marathon Man (1976, dir by John Schlesinger, DP: Conrad Hall)

The Cotton Club (1984, dir by Francis Ford Coppola, DP: Stephen Goldblatt)

The Two Jakes (1990, dir by Jack Nicholson, DP: Vilmos Zsigmond)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

Song of the Day: Main Title Theme From The Shining, composed by Wendy Carlos and Rachel Elkind

Posted on by Lisa Marie Bowman

The Shining (1980, dir by Stanley Kubrick, DP: John Alcott)

For today’s song of the day, we have the title tune to Stanley Kubrick’s The Shining.  The Shining is a classic horror film and features one of Jack Nicholson’s most iconic performances.

Enjoy the greatest road trip music ever recorded.

Scenes That I Love: Jack Nicholson’s Freeway Performance in Bob Rafelson’s Five Easy Pieces

Posted on by Lisa Marie Bowman

Today, the Shattered Lens wishes a happy 89th birthday to the legendary Jack Nicholson.

Today’s scene that I love comes from the 1970 film, Five Easy Pieces.  In this Oscar-nominated film, Jack Nicholson plays Bobby Dupea.  Born to a wealthy and music-obsessed family, Bobby currently works in an oil field and is alternatively angry, cynical, and idealistic.  After Jack Nicholson’s Oscar-nominated turn in Easy Rider, Five Easy Pieces featured Nicholson playing the type of role for which he would be best-known in the 70s, the wayward rebel who must choose between being a part of society or being forever an outcast.

In this scene, Bobby and his oilfield co-worker find themselves stuck in a traffic jam.  Bobby gets a chance to show off both his temper and his talent.  It’s a great scene and Nicholson gives such a strong performance that it’s only later that you realize that Bobby’s anger didn’t really accomplish much.

4 Shots From 4 Films: Special Jack Nicholson Edition

Posted on by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Jack Nicholson’s 89th birthday!

It’s been sixteen years since Jack Nicholson last appeared in a movie, the forgettable How Do You Know.  And yet, he remains a screen icon with a filmography that is a cinema lover’s dream.  He’s worked with everyone from Roger Corman to Stanley Kubrick to Milos Forman to Martin Scorsese and, along the way, he’s become a symbol of a very American type of rebel.  Though often associated with the counter-culture, his style has always been too aggressive and idiosyncratic for him to be a believable hippie.  Instead, he’s one of the last of the beats, an outsider searching for meaning in Americana.

Happy birthday, Jack Nicholson.  May you have many happy returns!

4 Shots From 4 Jack Nicholson Films

Easy Rider (1969, dir by Dennis Hopper, DP: Laszlo Kovacs)

Chinatown (1974, dir by Roman Polanski, DP: John A. Alonzo)

The Shining (1980, dirby Stanley Kubrick, DP: John Alcott)

The Departed (2006, dir by Martin Scorsese, DP: Michael Ballhaus)

Scenes That I Love: Philip Stone In The Shining

Posted on by Lisa Marie Bowman

The Shining (1980, dir by Stanley Kubrick)

Today would have been the 102nd birthday of character actor Philip Stone.  While Stone appeared in a lot of films, he’ll probably always be best-remembered for his subtly menacing turn as the ghostly Grady in 1980’s The Shining.  Here he is, having a conversation with Jack Torrance (Jack Nicholson) and letting him know that he’s always been caretaker.

Scenes That I Love: Peter Fonda Takes The Trip

Posted on by Lisa Marie Bowman

Today would have been Peter Fonda’s 86th birthday.

This scene is from Roger Corman’s 1967 film, The Trip. Corman dropped acid himself before filming Peter Fonda doing the same thing in this film. Regardless of how one views Corman’s cinematic recreation of Fonda’s experience with acid, The Trip is considered to be one of the first nuanced drug films. While it doesn’t endorse drug use, it also doesn’t descend into the hysterics of a film like Reefer Madness. Interestingly enough, the script was written by Jack Nicholson.

Here is Peter Fonda, exploring the city on LSD, in The Trip:

The Rawhide Terror (1934, directed by Jack Nelson and Bruce Mitchell)

Posted on by Jedadiah Leland

There are some Poverty Row westerns that even I can’t defend.

A group of bandits, disguised as Indians, attack a pioneer family.  The father and the mother are killed but their twin boys survive.  One wanders into the wilderness while the other stays with the remains of his family and waits for help.  Years later, the town of Red Dog is thriving, with the former bandits as its leading citizens.  Someone has been gunning down the former bandits.  The townspeople demand that Sheriff Luke (Edmund Cobb) do something about the man that they’ve nicknamed the Rawhide Killer.  First, however, Luke has to deal with Jim Briggs (William Barrymore), who has been abusing his son (Tommy Bupp).  It also turns out that Jim Briggs is the Rawhide  Killer and he’s looking for vengeance against those who killed his parents.  Jim’s brother also lives in the town.  Guess who!

The Rawhide Terror gets off to a good start with the bandit attack but it falls apart soon afterwards.  I don’t know if it was just because I was watching a bad print but the sound quality was terrible and the lack of an original score really highlighted just how boring it is to watch men silently ride their horses from one side of the screen to the other.  This movie was only 47 minutes long and half of it was made up of shots of people riding horses.  Add some really bad acting and you’ve got a western that was bad even by the standards of a 1934 second feature.

Two men are credited with directing the film, though the production was actually supervised by Victor Adamson, the father of the notorious schlock filmmaker, Al Adamson.

Scenes That I Love: The Courtroom Scene From A Few Good Men

Posted on by Lisa Marie Bowman

For today’s scene that I love, I decided to pick from the only Rob Reiner-directed film to be nominated for Best Picture of the Year, 1992’s A Few Good Men.

This scene features great work from two legitimate film stars, Tom Cruise and Jack Nicholson.  It’s also the type of potentially stagey scene that would have proved problematic for a lot of other directors.  Rob Reiner, however, handled it perfectly.

Horror On The Lens: Little Shop of Horrors (dir by Roger Corman)

Posted on by Lisa Marie Bowman

Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:

Enter singing.

Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….

When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors.  Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.”  Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage.  And you know what?  The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me.  So there.

Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film.  Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson.  However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage.  Certainly, I understood the film better than that screechy little thing that was playing Audrey.

The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way).  However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.

So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….