Lisa Reviews An Oscar Nominee: The Longest Day (dir by Ken Annakin, Andrew Marton, Bernhard Wicki, Gerd Oswald, and Darryl F. Zanuck)


As my sister has already pointed out, today is the 73rd anniversary of D-Day.  With that in mind, and as a part of my ongoing mission to see and review every single film ever nominated for best picture, I decided to watch the 1962 film, The Longest Day!

The Longest Day is a pain-staking and meticulous recreation of invasion of Normandy, much of it filmed on location.  It was reportedly something of a dream project for the head of the 20th Century Fox, Darryl F. Zanuck.  Zanuck set out to make both the ultimate tribute to the Allied forces and the greatest war movie ever.  Based on a best seller, The Longest Day has five credited screenwriters and three credited directors.  (Ken Annakin was credited with “British and French exteriors,” Andrew Marton did “American exteriors,” and the German scenes were credited to Bernhard Wicki.  Oddly, Gerd Oswald was not credited for his work on the parachuting scenes, even though those were some of the strongest scenes in the film.)  Even though he was not credited as either a screenwriter or a director, it is generally agreed that the film ultimately reflected the vision of Darryl F. Zanuck.  Zanuck not only rewrote the script but he also directed a few scenes as well.  The film had a budget of 7.75 million dollars, which was a huge amount in 1962.  (Until Steven Spielberg’s Schindler’s List, The Longest Day was the most expensive black-and-white film ever made.)  Not only did the film tell an epic story, but it also had an epic length.  Clocking in at 3 hours, The Longest Day was also one of the longest movies to ever be nominated for best picture.

The Longest Day also had an epic cast.  Zanuck assembled an all-star cast for his recreation of D-Day.  If you’re like me and you love watching old movies on TCM, you’ll see a lot of familiar faces go rushing by during the course of The Longest Day.  American generals were played by actors like Robert Mitchum, Robert Ryan, Henry Fonda, and John Wayne.  Peter Lawford, then the brother-in-law of the President of the United States, had a memorable role as the Scottish Lord Lovat, who marched through D-Day to the sounds of bagpipes.  When the Allied troops storm the beach, everyone from Roddy McDowall to Sal Mineo to Robert Wagner to singer Paul Anka can be seen dodging bullets.  Sean Connery pops up, speaking in his Scottish accent and providing comic relief.  When a group of paratroopers parachute into an occupied village, comedian Red Buttons ends up hanging from the steeple of a church.  When Richard Beymer (who is currently playing Ben Horne on Twin Peaks) gets separated from his squad, he stumbles across Richard Burton.  Among those representing the French are Arletty and Christian Marquand.  (Ironically, after World War II, Arletty was convicted of collaborating with the Germans and spent 18 months under house arrest.  Her crime was having a romantic relationship with a German soldier.  It is said that, in response to the charges, Arletty said, “My heart is French but my ass is international.”)  Meanwhile, among the Germans, one can find three future Bond villains: Gert Frobe, Curt Jurgens, and Walter Gotell.

It’s a big film and, to be honest, it’s too big.  It’s hard to keep track of everyone and, even though the battle scenes are probably about an intense as one could get away with in 1962 (though it’s nowhere near as effective as the famous opening of Saving Private Ryan, I still felt bad when Jeffrey Hunter and Eddie Albert were gunned down), their effectiveness is compromised by the film’s all-star approach.  Often times, the action threatens to come to a halt so that everyone can get their close-up.  Unfortunately, most of those famous faces don’t really get much of a chance to make an impression.  Even as the battle rages, you keep getting distracted by questions like, “Was that guy famous or was he just an extra?”

Among the big stars, most of them play to their personas.  John Wayne, for instance, may have been cast as General Benjamin Vandervoort but there’s never any doubt that he’s playing John Wayne.  When he tells his troops to “send them to Hell,” it’s not Vandervoort giving orders.  It’s John Wayne representing America.  Henry Fonda may be identified as being General Theodore Roosevelt II but, ultimately, you react to him because he’s Henry Fonda, a symbol of middle-American decency.  Neither Wayne nor Fonda gives a bad performance but you never forget that you’re watching Fonda and Wayne.

Throughout this huge film, there are bits and pieces that work so well that you wish the film had just concentrated on them as opposed to trying to tell every single story that occurred during D-Day.  I liked Robert Mitchum as a tough but caring general who, in the midst of battle, gives a speech that inspires his troops to keep fighting.  The scenes of Peter Lawford marching with a bagpiper at his side were nicely surreal.  Finally, there’s Richard Beymer, wandering around the French countryside and going through the entire day without firing his gun once.  Beymer gets the best line of the film when he says, “I wonder if we won.”  It’s such a modest line but it’s probably the most powerful line in the film.  I wish The Longest Day had more scenes like that.

The Longest Day was nominated for best picture of 1962 but it lost to an even longer film, Lawrence of Arabia.

A Movie A Day #28: Scandal (1989, directed by Michael Caton-Jones)


scandal-posterLondon.  1961.  Doctor Stephen Ward (played by John Hurt) is an artist and an osteopath.  He counts among his patients some of the most distinguished men and women in British society, including the Minister of War, John Profumo (Ian McKellen).  After meeting two young dancers, Christine Keeler (Joanne Whalley) and Mandy Rice-Davies (Bridget Fonda), Stephen becomes their mentor, the Henry Higgins to their Eliza Doolittle.

Under Stephen’s watchful eye, both Christine and Mandy are soon having affairs with some  of the most powerful members of Harold Macmillan’s Conservative government.  Christine becomes the mistress of both Profumo and KGB agent, Yevgeny Ivanov (Jeroen Krabbe), along with maintaining off-and-on relationships with drug dealer Johnny Edgecombe (played by singer Roland Gift) and musician Lucky Gordon (Leon Herbert).

When a disagreement leads to Johnny slashing Lucky’s face and then getting arrested for firing a gun at Stephen’s flat, the public learns the details of Christine’s affair with Profumo.  With the scandal rocking the British government, Stephen is a convenient scapegoat and soon finds himself on trial, charged with making a living off of “immoral earnings.”

Based on the real life scandal that led to the eventual fall of Harold Macmillan’s government, Scandal is remarkably faithful to the facts of the Profumo Affair, even if it did leave out some of the more interesting allegations.  (For instance, no mention is made of an alleged encounter between Mandy Rice-Davies and President Kennedy.)  Though it may seem tame by today’s standards, when Scandal was first released in 1989, it was considered to be something of a scandal itself and it initially got an X rating when it was released in the United States.  (The scandal over Scandal is one of the things that led to the MPAA adopting the NC-17 rating to distinguish between films for adults and “adult” films.  Of course, it didn’t work as a potential NC-17 still carries the same stigma as the X rating did.)

scandal

Scandal holds up well as both a recreation of London on the verge of the sexual revolution and a look at contrast between private and public mores.  Both Joanne Whalley and Bridget Fonda are excellent in the roles of Christine and Mandy.  Fonda gets to deliver the most famous line of the whole Profumo Affair when Mandy is told that Lord Astor has denied having had an affair with her.  “He would, wouldn’t he?” she says.  After I watched Scandal last night, I did some checking and I discovered that Bridget Fonda has not made a film since 2002.  She is missed.

Not surprisingly, Scandal‘s best performance comes from John Hurt, who plays Stephen Ward as a naive and well-meaning social butterfly who ultimately gets in over his head and pays a steep price for trusting that his friends would remain his friends.  Scandal is just one of many movies that proves what a great talent was lost when the world lost John Hurt.

RIP.

SCANDAL, John Hurt, 1989