When I hear the words ‘Hollywood Epic’, the name Cecil B. DeMille immediately springs to mind. From his first film, 1914’s THE SQUAW MAN to his last, 1956’s THE TEN COMMANDMENTS, DeMille was synonymous with big, sprawling productions. The producer/director, who’s credited with almost singlehandedly inventing the language of film, made a smooth transition from silents to talkies, and his 1934 CLEOPATRA is a lavish Pre-Code spectacular featuring sex, violence, and a commanding performance by Claudette Colbert as the Queen of the Nile.
While the film’s opulent sets (by Roland Anderson and Hans Dreier) and gorgeous B&W cinematography (by Victor Milner) are stunning, all eyes will be on the beautiful, half-naked Colbert. She gives a bravura performance as Cleopatra, the ambitious, scheming Egyptian queen. She’s sensuous and seductive, wrapping both Caesar and Marc Antony around her little finger, and devious in her political machinations. If I were compare her to Elizabeth Taylor in the 1963 Joseph…
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