The San Diego Film Critics Society Name Get Out The Best of 2017!


Hi, everyone!

So, I have to admit that I have a love/hate relationship with the awards season.  There are just so many different groups that give out awards in December.  Trying to keep up with them is such a chore.  I’m about to post all of the latest winners and nominees and it’s probably going to take me more than a few hours to do so.

And yet, at the same time, I absolutely love this stuff.  I love the lists.  I love the speculation.  I love that this is the period of time when we can say, “What if Get Out does end up winning best picture?  What if Patrick Stewart picks up a best supporting actor nomination for Logan?”  This is the storm before the calm of the Oscar nominations.  This is the time when it seems like anything’s possible.

Anyway, I guess I better get started because apparently, over the past few days, a hundred different organizations have announced their picks for the best of 2017.

We’ll start with the San Diego Film Critics.  You can see their nominations here and their winners below!

Best Picture — Get Out

Best Director — Greta Gerwig for Lady Bird

Best Actor — James McAvoy in Split

Best Actress — Sally Hawkins in Maudie and The Shape of Water

Best Supporting Actor — Sam Rockwell in Three Billboards Outside Ebbing Missouri

Best Supporting Actress — Laurie Metcalf in Lady Bird and Allison Janney in I, Tonya

Best Comedic Performance — Daniel Craig in Logan Lucky

Best Original Screenplay — Jordan Peele for Get Out

Best Adapted Screenplay — Scott Neustadter and Michael H. Weber for The Disaster Artist

Best Documentary — Jane

Best Animated Feature — My Life As A Zucchini

Best Foreign Language Film — Thelma

Best Editing — Jonathan Amos & Paul Machliss for Baby Driver

Best Cinematography — Hoyte Van Hoytema for Dunkirk

Best Production Design — Paul D. Austerberry for The Shape of Water

Best Visual Effects — War for the Planet of The Apes

Best Costume Design — Jacqueline Durran for Beauty and the Beast and Mark Bridges for Phantom Thread

Best Use of Music — Baby Driver

Breakthrough Artist — Timothee Chalamet

Best Ensemble — Mudbound

 

Music Video of the Day: Wolf Bite by Owl City (2014, directed by Andrew William Ralph)


In memory of Carl Grimes…

Well, kinda.  After what happened on the latest episode of the Walking Dead, I knew that today’s music video of the day would either have to be about 1) a bite or 2) losing an eye.  I nearly went with One Headlight by the Wallflowers but I didn’t know if everyone would associate one headlight with only having one eye.  Then I nearly picked a truly bland 80s song called Once Bitten Twice Shy but oh my God, that song was so boring.

Then I remembered Wolf Bite.  Even more importantly, I remembered this wonderfully weird little video.  Of course, it doesn’t have much to do with getting bitten by a zombie or losing an eye but I still like it.  Dance, wolf, dance!

Enjoy!

 

TV Review: The Walking Dead 8.8 “How It’s Gotta Be” (dir by Michael E. Satrazemis)


SPOILER ALERT!  DO NOT READ THIS REVIEW UNLESS YOU’VE WATCHED THE LATEST EPISODE OF THE WALKING DEAD!  SERIOUSLY, I’M NOT KIDDING!

Right now, I would say that 75% of The Walking Dead fandom is heartbroken.  The end of tonight’s episode has generated some very real angst among some people.

As for me, I’m actually feeling rather proud of myself because I predicted that all this would happen.  I predicted it way back on November 5th and I’ve even got the tweet to prove it.  But, before I go on, I think it might be good to consider the words of a song from 1965.  Here are the Poets with That’s Way It’s Got To Be:

See, it all gets back to what has always been the underlying theme of The Walking Dead.  Nobody is going to get out of this show alive.  It doesn’t matter how good you are.  It doesn’t matter how likable you are.  It doesn’t matter how much the audience loves you.  Everyone on this show is eventually going to die.  The only question is whether someone will be around to keep them from reanimating afterward.  Negan, Rick, Maggie, Carol, Daryl, Michonne, Eugene … none of them are going to get out of this alive.  Death will come for everyone eventually and tonight, it appears that it’s coming for Carl.

As I tweeted on November 5th…

Tonight’s episode featured a lot of Carl.  When Negan and the Saviors showed up at Alexandria and demanded that Rick be given to them, Carl is the one who offered to sacrifice his life so that the rest could live.  (And, of course, we now know why Carl was willing to do that.  He literally had nothing to lose.)  When the Saviors were blowing up Alexandria, we watched as Carl made his way through the flaming wreckage of his former home.  Throughout the show, we got flashbacks of Carl arguing with Rick about Rick’s harsh philosophy.  Tonight, we saw more of Carl then we’ve seen in a while and I spent the whole show assuming that meant that Carl was probably not going to come to a good end…

But still, it’s hard to overstate the emotional impact of seeing Carl there at the end, bitten by a walker and fighting to breathe.  As Chris Hardwick and Khary Payton stated at the start of Talking Dead, Chandler Riggs really did grow up over the past few seasons of The Walking Dead.  It’s always kind of been easy to make jokes at Carl’s expense.  Early on in the show, it always seemed inevitable that he would end up getting lost or picked up the by the wrong people.  Whenever I live tweeted those early seasons of The Walking Dead, I almost always suggested that the ideal solution to almost any problem would be to sacrifice Carl.  But tonight, Chandler Riggs showed why Carl has become a favorite of many fans of this show.  The episode ended with Carl still alive but fading.  Will he die?  I really don’t see how he can’t.  He’s been bitten on his side so it’s not like they can just chop off a limb, like they did with Herschel.  If the show is to have any integrity, Carl has to die and he will be missed.

Up until that final scene with Carl, tonight’s episode could have just as easily been called “Everyone Better Do What Rick Says.”  Darryl took it upon himself to crash that truck into wall of the Sanctuary, which is actually what Rick did not want him to do.  As a result, the Saviors escaped, were able to launch a counter attack, destroy Alexandria, and take over The Kingdom.  Carl, meanwhile, went off on his own, helped out Siddiq, and ended up getting bitten for his trouble.  From now on, everyone better listen to Rick.

Rick got the line of the night when he asked Negan, “Don’t you ever shut the Hell up?”  That’s something that I’ve been wondering for a season and a half now.  Tonight, Negan actually lived up to his fearsome reputation.  As for the other Saviors, Simon made me say, “Oh God, this fucking guy again…” as soon as he got out of that truck and Gavin came across like a teacher trying to control an unruly classroom.  I guess Dwight is officially a part of Rick’s group now.

This was sometimes a hard episode to watch, not because it was bad but because it literally took place in the dark.  All of the action played out at night and the show actually did good job of using the darkness to its advantage.  There was an eerie and horrible beauty to scenes of Alexandria burning to the ground.

But you know what?

In the end, all anyone is going to remember about this episode is that final scene with Carl.

That’s the way it’s got to be.

And with that, The Walking Dead is on hiatus.  Season 8 will resume in 2018 and so will our coverage!

Music Video of the Day: Bob Dylan — Must Be Santa (2009, dir by Nash Edgerton)


I just realized that it is December 10th and we have yet to share any Christmas videos here at the Shattered Lens.  That may be because there’s not really that many good Christmas music videos out there….

However, there is this video of Bob Dylan performing Must Be Santa!

Is Dylan celebrating the holiday or making fun of it in this video?  Personally, I choose to believe that he’s doing both.  If anything, Bob Dylan’s reached a point where he can pretty much do anything he wants and if that means he wants to do a polka Christmas song, we’re all the better for it!

As for the song itself, it was originally written back in 1960 and has been performed by several different singers.  The polka version was first performed by the pride of Denton, Texas, Brave Combo.  Dylan’s version can basically be considered a cover version of the Brave Combo version.  Even if you don’t like polka music (and I certainly wouldn’t consider myself to be a fan of it but then again, my personal taste in music pretty much runs the gamut from EDM to More EDM), you should always take advantage of the chance to see Brave Combo play live.  They put on a quite a show.

Anyway, enjoy!

Here Are The 2017 Nominations of the San Francisco Film Critics Circle!


Yesterday, the San Francisco Film Critics Circle announced their nominees for the best of 2017!  The winner will be announces tomorrow!

Like almost all of the precursors so far, San Francisco seems to really like The Shape of Water.

Best Picture
CALL ME BY YOUR NAME
THE FLORIDA PROJECT
GET OUT
THE SHAPE OF WATER
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Best Director
Sean Baker  – THE FLORIDA PROJECT
Guillermo del Toro  – THE SHAPE OF WATER
Greta Gerwig  – LADY BIRD
Christopher Nolan  – DUNKIRK
Jordan Peele – GET OUT

Best Actor
Timothee Chalamet – CALL ME BY YOUR NAME
James Franco  – THE DISASTER ARTIST
Daniel Kaluuya  – GET OUT
Gary Oldman – DARKEST HOUR
Andy Serkis  – WAR FOR THE PLANET OF THE APES

Best Actress
Annette Bening – FILM STARS DON’T DIE IN LIVERPOOL
Sally Hawkins – THE SHAPE OF WATER
Frances McDormand  – THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Margot Robbie – I, TONYA
Saoirse Ronan – LADY BIRD

Best Supporting Actor 
Willem Dafoe  – THE FLORIDA PROJECT
Armie Hammer – CALL ME BY YOUR NAME
Richard Jenkins – THE SHAPE OF WATER
Sam Rockwell  – THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Michael Stuhlbarg  – CALL ME BY YOUR NAME

Best Supporting Actress
Holly Hunter – THE BIG SICK
Allison Janney – I, TONYA
Melissa Leo – NOVITIATE
Lesley Manville – PHANTOM THREAD
Laurie Metcalf – LADY BIRD

Best Foreign Language Film
BPM
A FANTASTIC WOMAN
FRANTZ
IN THE FADE
THE SQUARE

Best Animated Feature
THE BREADWINNER
COCO
THE LEGO BATMAN MOVIE
LOVING VINCENT
YOUR NAME

Best Documentary
BRIMSTONE & GLORY
CITY OF GHOSTS
DAWSON CITY: FROZEN TIME
FACES PLACES
JANE

Best Cinematography
BLADE RUNNER 2049 – Roger Deakins
DUNKIRK – Hoyte van Hoytema
THE FLORIDA PROJECT – Alexis Zabe
THE SHAPE OF WATER – Dan Laustsen
WONDER WHEEL – Vittorio Storaro

Best Production Design
BLADE RUNNER 2049  – Dennis Gassner
DUNKIRK  – Nathan Crowley
PHANTOM THREAD  – Mark Tildesley
THE SHAPE OF WATER  – Paul D. Austerberry
WONDERSTRUCK – Mark Friedberg

Best Editing
BABY DRIVER – Paul Machliss and Jonathan Amos
BLADE RUNNER 2049 – Joe Walker
DUNKIRK – Lee Smith
THE POST – Michael Kahn
THE SHAPE OF WATER – Sidney Wolinsky

Best Screenplay (original)
THE BIG SICK – Kumail Nanjiani and Emily V. Gordon
GET OUT – Jordan Peele
LADY BIRD  – Greta Gerwig
THE SHAPE OF WATER  – Guillermo Del Toro and Vanessa Taylor
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI  – Martin McDonagh

Best Screenplay (adapted)
THE DISASTER ARTIST  – Scott Neustadter and Michael H. Weber
CALL ME BY YOUR NAME  – James Ivory
MOLLY’S GAME – Aaron Sorkin
MUDBOUND  – Dee Rees and Virgil Williams
WONDERSTRUCK  – Brian Selznick

Best Original Score
BLADE RUNNER 2049  – Hans Zimmer and Benjamin Wallfisch
DUNKIRK  – Hans Zimmer
PHANTOM THREAD  – Jonny Greenwood
THE SHAPE OF WATER  – Alexandre Desplat
WAR FOR THE PLANET OF THE APES – Michael Giacchino

Special Citation (for that underappreciated indie gem)
BRIMSTONE & GLORY
COLUMBUS
THE OTHER KIDS

Here Are The Nominations From The San Diego Film Critics Society!


The San Diego Film Critics Society announced their nominations for the best of 2017 earlier today!  The actual winners will be announce on December 11th.

Check them out below!

(I know this might seem a little dry to some people but I love lists.)

(By the way, in case you’re wondering which sites I usually put the most trust in when it comes to Oscar coverage, here they are: AwardsWatch and AwardsCircuit.  Two of my favorite sites ever, right there.)

Best Picture
CALL ME BY YOUR NAME
DUNKIRK
GET OUT
LADY BIRD
THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

Best Director
Christopher Nolan, DUNKIRK
Greta Gerwig, LADY BIRD
Guillermo del Toro, THE SHAPE OF WATER
Jordan Peele, GET OUT
Martin McDonagh, THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

Best Actor
Gary Oldman, DARKEST HOUR
James Franco, THE DISASTER ARTIST
James McAvoy, SPLIT
Robert Pattinson, GOOD TIME
Timothée Chalamet, CALL ME BY YOUR NAME

Best Actress
Frances McDormand, THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI
Margot Robbie, I, TONYA
Sally Hawkins, MAUDIE
Sally Hawkins, THE SHAPE OF WATER
Saoirse Ronan, LADY BIRD

Best Supporting Actor
Ethan Hawke, MAUDIE
Oscar Isaac, SUBURBICON
Sam Rockwell, THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI
Willem Dafoe, THE FLORIDA PROJECT
Woody Harrelson, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Best Supporting Actress
Allison Janney I, TONYA
Bria Vinaite, THE FLORIDA PROJECT
Catherine Keener, GET OUT
Holly Hunter, THE BIG SICK
Laurie Metcalf, LADY BIRD

Best Comedic Performance
Daniel Craig, LOGAN LUCKY
Ezra Miller, JUSTICE LEAGUE
James Franco, THE DISASTER ARTIST
Lil Rel Howery, GET OUT
Ray Romano, THE BIG SICK

Best Original Screenplay
Christopher Nolan, DUNKIRK
Greta Gerwig, LADY BIRD
Emily V. Gordon and Kumail Nanjiani, THE BIG SICK
Jordan Peele, GET OUT
Martin McDonagh, THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

Best Adapted Screenplay
James Gray, THE LOST CITY OF Z
James Ivory, CALL ME BY YOUR NAME
Scott Neustadter & Michael H. Weber, THE DISASTER ARTIST
Sofia Coppola, THE BEGUILED
Virgil Williams & Dee Rees, MUDBOUND

Best Documentary
EX LIBRIS: THE NEW YORK PUBLIC LIBRARY
FACES PLACES
JANE
LAST MEN IN ALEPPO
THE WORK

Best Animated Film
COCO
LOVING VINCENT
MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA
MY LIFE AS A ZUCCHINI
THE BOSS BABY

Best Foreign Language Film
BPM (BEATS PER MINUTE)
FACES PLACES
THE OTHER SIDE OF HOPE
THE SQUARE
THELMA

Best Editing
Jonathan Amos & Paul Machliss, BABY DRIVER
Jon Gregory, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Lee Smith, DUNKIRK
Sarah Broshar, Michael Kahn, THE POST
Sidney Wolinsky, THE SHAPE OF WATER

Best Cinematography
Ben Richardson, WIND RIVER
Dan Laustsen, THE SHAPE OF WATER
Darius Khondji, THE LOST CITY OF Z
Hoyte Van Hoytema, DUNKIRK
Roger Deakins, BLADE RUNNER 2049

Best Production Design
Anne Ross, THE BEGUILED
Alessandora Querzola and Dennis Gassner, BLADE RUNNER 2049
Nathan Crowley, DUNKIRK
Paul D. Austerberry, THE SHAPE OF WATER
Sarah Greenwood, BEAUTY AND THE BEAST

Best Visual Effects
BEAUTY AND THE BEAST
BLADE RUNNER 2049
DUNKIRK
THE SHAPE OF WATER
WAR FOR THE PLANET OF THE APES

Best Costume Design
Jacqueline Durran, BEAUTY and the BEAST
Jenny Eagan, HOSTILES
Luis Sesqueria, THE SHAPE OF WATER
Mark Bridges, PHANTOM THREAD
Sonia Grande, THE LOST CITY OF Z
Stacey Battat, THE BEGUILED

Best Use of Music
BABY DRIVER
BEAUTY AND THE BEAST
CALL ME BY YOUR NAME
DUNKIRK
THE SHAPE OF WATER

Breakthrough Artist
Barry Keoghan
Brooklyn Prince
Greta Gerwig
Jordan Peele
Sophia Lillis
Timothée Chalamet

Best Ensemble
GET OUT
LADY BIRD
MUDBOUND
THE POST
THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

The Boston Online Film Critics Name Get Out The Best of 2017!


Earlier today, The Boston Online Film Critics Association announced their picks for the best of 2017!  They really liked Get Out.

Check out their picks below:

Best Picture — Get Out

Best Director — Paul Thomas Anderson, Phantom Thread

Best Actor — Timothee Chalamet, Call Me By Your Name

Best Actress — Frances McDormand, Three Billboards Outside Ebbing, Missouri

Best Supporting Actor — Willem DaFoe, The Florida Project

Best Supporting Actress — Laurie Metcalf, Lady Bird

Best Screenplay — Jordan Peele, Get Out

Best Foreign Language Film — First They Killed My Father

Best Documentary — Faces Places

Best Animated Feature — Coco

Best Cinematography — Roger Deakins, Blade Runner 2049

Best Editing — Lee Smith, Dunkirk

Best Original Score: Alexandre Desplat, The Shape of Water and Johnny Greenwood, Phantom Thread

Best Films of 2017:

  • “Get Out”
  • “The Florida Project”
  • “Call Me By Your Name”
  • “Lady Bird”
  • “Phantom Thread”
  • “Dunkirk”
  • “The Shape of Water”
  • “Three Billboards outside Ebbing, Missouri”
  • “A Ghost Story”
  • “Good Time”

TV Review: The Walking Dead 8.7 “Time For After” (dir by Larry Teng)


This review of the latest episode of The Walking Dead is an example of better late than never.  This episode aired nearly a week ago but I’m only now getting around to watching it.  As I sit here watching and typing this review, it is 2 a.m., Saturday morning.  I’ve just returned from attending two Christmas parties.  I was actually thinking about getting some sleep for once, but then I suddenly realized that I still had an episode of The Walking Dead to watch!

That, of course, wouldn’t have happened in the past.  When The Walking Dead first started, there would have been no way that I would have waited a week to watch the latest episode.  That was before the show settled into its current glacial pace.  At this point, it typically takes this show so long to get from point A to point B that viewers like me spend entire episodes asking, “Are we there yet?”

For example, as I sit here typing this, I am watching Daryl, Michonne, Rosita, and Tara debating about whether or not they should attack the Sanctuary or if they should wait for Rick.  (Rick is currently being held prisoner by the trash people.)  Morgan just walked up and said that he’s tired of talking and he just wants to take action.  YES, MORGAN, YES!  For God’s sake, let’s end the debate and just do something!  No, we don’t need to hear about how Michonne “believes in Rick Grimes.”  We don’t need to hear about how everyone felt when they saw Sasha in that box.  We already know all of this because we’ve spent two seasons listening to everyone have this exact same goddamn conversation over and over again!  Just do something!

The episode is now over and, in all fairness to the show, it should be noted that Daryl did finally do something.  He and Tara crashed a truck through a wall of the Sanctuary, allowing a mass of walkers to enter and chow down on a few Saviors and, even more importantly, it forced the Saviors to waste their bullets defending themselves.  However, since Daryl took this action on his own as opposed to waiting for Rick to get out of the trash prison, the show still had to present it as being some sort of mistake.  The show has too much invested in presenting Rick as being a strategic genius to actually acknowledge that anyone else could actually have a good idea.

Watching the walking dead feast on his new Savior buddies was apparently enough to convince Eugene to (once again) declare his loyalty to Negan.  Despite his recent troubles, Negan still seems to be having fun.  Fortunately, the show’s writers seem to have finally figured out that Negan is more effective the less we see of him.  As for Eugene, well — he’s Eugene.  This episode featured peak Eugene.  If Eugene’s overly convoluted syntax occasionally makes you want to rip your hair out, you were probably bald by the end of this episode.  You have to respect Josh McDermitt’s commitment to the role.  Eugene may be annoying but McDermitt plays the Hell out of him.  Eugene’s ultimate loyalties, of course, still remain questionable.  He knows that Dwight betrayed the Saviors but he still hasn’t told Negan.  He showed some sympathy to Father Gabriel (who is apparently dying because he covered himself with intestines a few episodes ago) but he still declared that he was loyal only to himself.

As for Rick, he did eventually get out of the trash prison and convinced Jadis to join him in his fight against Negan.  Jadis was impressed when Rick killed a walker gladiator.  Jadis also wants to sculpt Rick.  How are the trash people not dead yet?

(Apparently, the trash people prefer to be known as Scavangers.  However, I’m going to continue to call them trash people because they annoy da fug out of me.)

Anyway!  This episode ended with Rick and the trash people rolling up on the Sanctuary.  Oh my God!  There’s a hole in the Sanctuary!  There’s no walkers!  Uh-oh, Daryl did something on his own!  Rick’s never going to let that go…

One more episode before The Walking Dead goes on its mid-season hiatus!  Who will die this Sunday?  My prediction: Father Gabriel.  The show’s never really figured out what to do with Gabriel so now seems like a good time to let him go down as a martyr.

We’ll see what happens!

Music Video of the Day: Escape Velocity by the Chemical Brothers (2010, dir by Adam Smith and Marcus Lyal)


Hi there, everyone!

Today’s music video of the day is the video for the 2nd track off of The Chemical Brothers’s Further.  Things pick up exactly where Snow ended, with the woman swimming under water.  (The woman is played by Jenny Godding when she’s swimming and by Romola Garai when she’s not.)  When the woman emerges from the water, she is treated to a light show that should be familiar to anyone who has been lucky enough to see The Chemical Brothers perform live.

I know, I know.  This is the type of music that drives some people crazy.  I happen to love it.  It’s all about the way it makes you feel and it makes me feel like dancing.

Enjoy!

 

The Detroit Film Critics Love Florida and James Franco!


Yesterday, the Detroit Film Critics Society announced that they had selected Sean Baker’s The Florida Project as the best film of 2017!

You can check out their nominees here and the winners below:

Best Film: The Florida Project

Best Director: Sean Baker, The Florida Project

Best Actor: James Franco, The Disaster Artist

Best Actress: Frances McDormand, Three Billboards Outside Ebbing, Missouri

Best Supporting Actor: Willem DaFoe, The Florida Project

Best Supporting Actress: Allison Janney, I, Tonya

Best Ensemble: The Post

Breakthrough: Jordan Peele, Get Out

Best Screenplay: Martin McDonagh, Three Billboard Outside Ebbing, Missouri

Best Documentary: Jim & Andy: The Great Beyond

Best Animated Feature: The LEGO Batman Movie

Best Use of Music: Baby Driver