Retro Television Review: Homicide: Life On The Street 6.9 “Closet Cases”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

Finally, it’s time for another Bayliss/Pembleton episode!

Episode 6.9 “Closet Cases”

(Dir by Leslie Libman and Larry Williams, originally aired on January 2nd, 1998)

Finally, we’ve got another Pembleton/Bayliss episode!

Well, don’t get too excited.  It’s not perfect.  We still have to sit through some scenes of Falsone arguing with his wife and complaining about not having custody of his kids.  And the Georgia Rae Mahoney storyline is continuing to drag on.  This week, she sends Kellerman a videotaped message in which she explains that there is no tape of Kellerman murdering Luther.  She just told Kellerman that to see how he would react.  And since Kellerman reacted like a murderer, Georgia has decided that she is going to eventually kill Kellerman.  “You won’t see it coming!” she says.  Whatever.

As for Bayliss and Pembleton, they investigate the murder of a gay businessmen who was left in dumpster, clad in lingerie.  Gay nightclub owner Chris Rawls (Peter Gallagher) helps out with the investigation, introducing Pembleton and Bayliss to the community.  What’s interesting about this storyline is that, for once, the roles of Pembleton and Bayliss are reversed.  Bayliss is fascinated by Baltimore’s gay community while Pembleton is the one who keeps saying things like, “I don’t need to see two men dancing.”  Usually, Pembleton is the open-minded one while Bayliss is the one who is uptight.

In fact, it’s such a role-reversal that it doesn’t always ring true.  In the past, Bayliss has been so uncomfortable around any type of non-straight, non-missionary position sex that it feels very out of character for him to suddenly marvel about how how everyone at a gay bar is having a good time.  To the show’s credit, Pembleton does mention this.  Bayliss replies that he hasn’t been happy for a long time and he’s wondering if maybe he needs to change his outlook.  He points out that the murder victim was in a relationship for 12 years.  That’s longer than any relationship that Bayliss has ever had.

(This episode opens with Bayliss and Dr. Cox breaking up which — eh.  I never bought them as a couple to begin with.)

The murderer turns out to be sociopathic male sex worker, who taunts Bayliss in the Box, saying that he can tell that Bayliss is attracted to him.  Bayliss smirks.  The suspect offers to confess if Bayliss tells him that he likes his ass.  Bayliss slowly repeats the suspect’s words back at him.  The suspect confesses.  It’s an odd scene.  I’m kind of preferred it when the detectives would actually have to put some effort into tricking their suspects into saying the wrong.  So far, in season 6, everyone is just confessing.

At the end of the episode, Rawls asks Bayliss to come to a wine testing with him and Bayliss says yes.  Pembleton is shocked and tells Bayliss that Chris was asking him on a date.  Bayliss says he understands that.  He adds, “I’m not gay” before then saying that he finds Chris Rawls to be witty and intelligent.

And here’s the thing.  As always, Andre Braugher and Kyle Secor totally sell it.  Even though Bayliss’s words and actions seem totally out-of-character after everything we’ve seen over the past five seasons, Kyle Secor makes it work.  Bayliss deserves some happiness.

And I deserve some more Bayliss/Pembleton episodes.  Seriously, this season has been so Falsone-centric that I was starting to forget just what a great team Andre Baugher and Kyle Secor truly were.

6 Horrific Trailers For October 25th, 2022


It’s Sunday and it’s October and that means that it’s time for another edition of Lisa Marie’s Favorite Grindhouse trailers!  For today, we have six trailers from the early 70s.  This was the era when horror started to truly get …. well, horrific!

  1. The Bird With The Crystal Plumage (1970)

First off, we have the blood and scream-filled trailer for Dario Argento’s The Bird With The Crystal Plumage.  This Italian thriller made quite a splash when it was released in America.  Indeed, for many Americans, this was their first exposure to the giallo genre.  This would go on to become Argento’s first (and, so far, only) film to be nominated for a Golden Globe.  (Read my review here!)

2. House of Dark Shadows (1970)

Speaking of blood and screaming, 1970 also saw the release of House of Dark Shadows.  Personally, I think this is one of the best vampire films ever.  The trailer is heavy on atmosphere.

3. The Devils (1971)

In 1971, British director Ken Russell scandalized audiences with The Devils, a film so shocking that it was thought it would never be seen in its full form.  However, times change….

4. Tombs of the Blind Dead (1972)

Italy was not the only country sending horror films over to the United States.  From Spain came the Tombs of the Blind Dead.

5. The Last House on the Left (1972)

Speaking of controversy, Wes Craven made his directorial debut with the infamous The Last House On The Left.  The trailer featured one of the greatest and most-repeated horror tag lines of all time.

6. Dracula A.D. 1972 (1972)

Finally, even as horror cinema changed and became more extreme, Hammer Studios continued to tell the long and twisted story of Count Dracula.  They brought him into the present age and dropped him in the middle of hippie-infested London.  No matter how much the rest of the world changed, Dracula remained Dracula.

What do you think, trailer kittys?

Bonus Horror On The Lens: The Creeping Terror (dir by Vic Savage)


 

First released in 1964, The Creeping Terror is the best film ever made about a carpet eating people.

This film is famous for its use of narration.  Apparently, the original soundtrack was lost and, after attempting to dub a few scenes, director Vic Savage instead just hired radio news reader Larry Burrell to tell people what was happening in each scene.  As well, Savage himself later vanished when the film’s investors came looking for their money.  No one is really sure what happened to Vic Savage, though there is some evidence that he subsequently died of liver failure in 1975.  I like to think that Vic Savage faked his dead and that he is still alive somewhere, probably in his 90s and drinking pina coladas on a beach.

Some consider this film to be one of the worst ever made.  I love it.

 

Horror on the Lens: Manos: The Hands of Fate (dir by Harold P. Warren)


 

I should start things off with a confession.  This is actually not the first time that I’ve shared Manos: The Hands of Fate here on the Shattered Lens.  I previously shared it during the 2013, 2015, 2020, 2022, and 2024 Horrorthons.

However, Manos proved to be such a popular choice that I simply had to post it again. Manos has a reputation for being one of the worst films ever made.  And, honestly, who am I to disagree?  (Though disagree, I do.)  However, it’s also a film that simply has to be seen.

(As well, I love regional horror and there are a few films as regional as Manos, a film that was filmed in my home state of Texas and directed by a fertilizer salesman.)

By the way, everyone who watches Manos ends up making fun of Torgo, who was played by John Reynolds.  What they may not know is that Reynolds committed suicide shortly after filming on Manos wrapped.  So, as tempting at it may be to ridicule poor Mr. Reynolds’s performance, save your barbs for Torgo and leave John Reynolds alone.

And be sure to enjoy Manos: The Hands of Fate!

Horror Song Of The Day: Lux Aeterna by Clint Mansell


Today’s music video of the day is for the haunting piece of music that we all know from Requiem For A Dream and countless Olympic ice skating routines.

Anyone who says this is not a horror song has somehow forgotten watching Ellen Burstyn get electroshock treatment while Jared Leto loses his arm.

Enjoy!

Horror Scenes That I Love: The Gas Pump Disaster From Night of the Living Dead


I remember the first time that I ever watched the original Night of the Living Dead, I was really stunned and, to be honest, quite upset by the death of Tom and Judy.  They were so likable and earnest that I guess I naturally assumed that they would survive or, at the very least, they wouldn’t die in such a pointless manner.  But, ultimately, that’s what made Night of the Living Dead such a frightening film.  It didn’t matter who you were or what you’re intentions were.  The Dead were going to kill you and then they were going to eat you.

Honestly, everyone should have just stayed in the cellar.

4 Shots From 4 Horror Films: October 25th


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Horror Films

The Curse of Frankenstein (1957, dir by Terence Fisher, DP: Jack Asher)

The Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)

The Curse of the Werewolf (1961, dir by Terence Fisher, DP: Arthur Grant)

Frankenstein and the Monster From Hell (1973, dir by Terence Fisher, DP: Brian Probyn)

October Positivity: A Father’s Fight (dir by Tyler Sansom)


2021’s A Father’s Fight tells the story of Bo Lawson (Travis Hancock).

Bo was an up-and-coming boxer who appeared to have a great future ahead of him. He was married to Kacie (Sarah Cleveland). He was a father. He had everything to look forward to. But then, Bo gave all of that up because of his addiction to alcohol. His fighting career ended. Kacie left him. Bo is now washed-up and struggling to make a living. He can’t hold down a job because of his drinking, and the fact that he doesn’t have employment, boxing, or a family to occupy him means that he has a lot of free time to pursue his vices.

Bo is approached by his former trainer, Sal (John French). Sal trained both Bo and another fighter named Dylan (Paul Lincks). While Bo crashed and burned, Dylan went on to become the champion. Now, Dylan is planning on retiring, but he wants to end his career in his hometown with one last fight against Bo. Bo could use the money. Sal is willing to train him but only if Bo cleans himself up. Bo attends AA. He trains hard. He tries to win back his wife. And he learns that there are things that are more important than winning one fight.

A Father’s Fight is an interesting film. For a movie about boxing, it’s surprisingly talky. There are long, extended sequences of Bo talking about his struggles and Kacie talking about their marriage. The scenes have a slight improvisational feel to them. While they may not be the most visually exciting scenes that I’ve ever seen in a boxing movie, they do have a welcome authenticity to them. This is a sports film where the human drama feels as important as the question of who is going to win the big fight. What I appreciated about the film is that it didn’t let Bo off easy. The film understands that fixing Bo’s marriage is going to take more than just Bo going to AA and earning his chips. To his credit, Bo understands that as well. Bo is not in denial about his alcoholism or his self-destructive behavior. He understands that he needs to change his life and that it’s not going to be easy. The film never makes the mistake of idealizing or excusing its addict. That makes it all the more inspiring when Bo manages to stick with his recovery.

Compared to most boxing films, A Father’s Fight is rather low-key. This film doesn’t attempt to recapture the feel of Rocky Balboa running down a street in Philadelphia while “Gonna Fly Now” plays on the soundtrack. Bo’s efforts to become a better man are often lonely, and the only victory is his own knowledge that things aren’t as bad as they were the previous day. It’s less a sports film and more a portrait of life in Middle America. I live in Middle America so I could relate to the film. A Father’s Fight turned out to be far better than I was expecting.

Late Night Retro Television Review: Saved By The Bell 3.11 “Wicked Stepbrother: Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show can be purchased on Prime!

This week, the sage of Jessie’s stepbrother continues.

Episode 3.11 “Wicked Stepbrother: Part Two”

(Dir by Don Barnhart, originally aired on November 2nd, 1991)

Picking up where the previous episode ended, Eric and Lisa survive wrecking Belding’s car.  Neither one gets checked by a doctor or anything sensible like that.  As a matter of fact, Lisa thinks it’s the most exciting thing that’s ever happened to her.  She had so much fun on her date with Eric that she even asks him if he wants to go to the MC Hammer concert with her.

Meanwhile, Zack and Slater have to figure out how to raise the $610 needed to fix the car.  They decide that, since lying has worked out so well for them so far, they should hold a rigged raffle.  Students pay Zack and Slater for the tickets, not realizing that it’s already been set up for Screech to win.  The raffle takes place in Mr. Sachs’s math class.  As Mr. Sachs solves a math problem on the board, he reads out each number.  The class applauds each numeral.  “I’ve never seen such math enthusiasm!” Mr. Sachs exclaims.  Of course, Screech has the winning number.

When Screech is initially reluctant to hand over the money that he “won,” Eric overhears Zack and Slater threatening him in the locker room.  Eric tries to blackmail Zack and Slater into giving him the money for his date with Lisa.  Zack reveals that the only reason Lisa went on her first date with Eric was because Zack bribed her with the MC Hammer tickets.

Eric confronts Lisa at the Max.  Lisa admits the truth.  Eric says he never wants to speak to her again.  As Jessie watches, Lisa sobs that, “At first, I didn’t like him.  Now, I don’t like me!”  Awww!  Poor Lisa!

Things get even more complicated when Belding returns early and wants to see his car.  It turns out that Eric convinced the auto shop teacher to totally take the car apart.  (“Uh-oh,” the studio audience says.)  When Jessie finds out, she marches into her former bedroom and punches Eric in the face.  That black eye is all Eric needs to realize that he hasn’t been very nice.  Eric puts Belding’s car back together.  Belding thinks that Slater did a wonderful job installing his CD player.

Eric also decides to return to New York but the entire gang comes over and asks him to stay in California.  Yay!  They’re all friends now!  I’m sure we’ll be seeing Eric a lot over the next few episodes.  And even if we don’t see him, I’m sure that Jessie will occasionally mention him, right?  I mean, you can’t just introduce a stepbrother, make him the center of a two-part episode, and then just forget about him, can you?  That would be crazy!

Speaking of crazy, this episode drives me up the wall.  The rigged lottery.  The car prank.  The desperate attempts to keep Belding from realizing that his car was in an accident.  It’s all a bit much and it all could have been avoided by the students of Bayside not acting like idiots.  I abhor idiot plots and that’s pretty much what this entire episode was.

If anything did redeem this episode, it was Slater getting tired of being told to fix the car and snapping, “I don’t need this pressure!”  You tell ’em, Slater!

Lisa Marie’s Week In Television: 10/18/26 — 10/24/26


The Amazing Race (Wednesday Night, CBS)

I wrote about The Amazing Race here!

Bar Rescue (Weekdays, Paramount+)

I watched quite a few episodes on Monday and Tuesday, in between watching horror films and writing reviews.  They make for very nice background noise.  There’s something very relaxing about listening to John Taffer yell at a bad bar owner.

Barney Miller (Weeknights, FETV)

I watched two episodes of this classic 70s sitcom on Tuesday.  In the first episode, Detective Harris (Ron Glass) lost a court case and got extremely drunk as a result.  James Cronwell guest starred as a not unsympathetic lawyer.  The episode ended with a prison singing High Hopes in an attempt to cheer up Harris and a still drunk Harris looking for his gun.  (Luckily, Captain Miller had taken the gun away from him earlier.)  The second episode featured one the detectives getting hit with a paternity suit.  Captain Miller (Hal Linden) remained calm even while everyone else was losing their head.  It was actually a pretty funny show.  The humor was pretty much entirely character-based.

Diff’rent Strokes (Tubi)

Mr. Drummond caught Arnold and Dudley smoking!  An important lesson was learned.  Unfortunately, it was a bit too late for Dudley’s father, who was so addicted that even the prospect of lung surgery couldn’t make him stop.

In Search Of…. (YouTube)

I’ve been sharing episodes of this Leonard Nimoy-hosted docuseries all week.  What are you In Search Of?

Night Flight (Night Flight+)

I watched two episodes on Friday.  One was about 80s street music.  A more recent episode was about a less-than-impressive heavy metal band from Oklahoma.

Survivor (Wednesday Night, CBS)

I wrote about Survivor here.

Thriller (YouTube)

I’ve been sharing episodes of the Boris Karloff-hosted Thriller all week.  I especially liked the Jack the Ripper episode.