Late Night Retro Television Review: 1st & Ten 5.5 “Love and Marriage”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ Simpson falls for a blonde.  Uh-oh.

Episode 5.5 “Love and Marriage”

(Dir by Stan Lathan, originally aired on November 8th, 1989)

TD Parker (OJ Simpson) and Kristy Fullbright (Shannon Tweed) end up working closely together while searching for a new punter.  Kristy is in the process of getting a divorce from her husband.  TD is already divorced and has been chasing after almost every woman that he sees.  Still, TD doesn’t know if he should get involved with someone with whom he works.  Kristy, meanwhile, isn’t sure that she isn’t still in love with her husband….

Meanwhile, Zagreb goes on a dating show but is humiliated when his date, Colleen (Mitzi Kapture), says that he was a terrible date whose breath smelled like garlic.  The entire team watches the show and starts to chant, “Colleen!  Colleen!”  Ha hah, everyone hates Zagreb.  Later, Colleen approaches Zagreb at the bar and tells him that the show told her to say a lot of negative stuff about Zagreb but, actually, she wants to date him again.  Isn’t Zagreb married?  I remember that there was a huge storyline about him getting married during the third season.

Finally, Bubba and Jethro are taken to small claims court over an incident that happened at the bar.  Jethro decides that he would like to get together with the plaintiff.

But let’s get back to OJ Simpson and Shannon Tweed.  I don’t know if I can express just how boring it is to watch two mid actors with zero screen presence fall for each other.  Because it’s impossible to look at TD Parker and not see OJ Simpson, I found myself getting very worried as I watched TD obsess on an emotionally fragile blonde.  At the end of the episode, it looks like TD and Kristy are finally going to hook up but then Kristy’s husband calls and says he’s not sure if he wants a divorce.  Kristy says she’s not sure either.  TD leaves Kristy’s house, looking regretful.

As I’ve mentioned before, the presence of OJ Simpson add a subtext to every scene that undoubtedly was not there when this show first aired.  OJ is supposed to look wistful as he leaves the house.  Instead, I found myself hoping that Kristy would remember to lock all the doors that night and definitely not go out to dinner at Mezzaluna.

I guess the important thing, though, is that Bulls got a new punter.

Lisa Marie’s Oscar Predictions For September


We are just a few hours away from the start of our annual October Horrorthon but, before we do that, I do have one last bit of business to attend to.  Here are my Oscar predictions for the month of September!  If you want to see how my thinking has evolved, be sure to check out my predictions for March, April, May, June, July, and August!

As for my latest set of predictions, they’re largely shaped by the news coming out of the festivals.  Digger is no longer a contender for anything.  And, just as last month, I continue to suspect that Dune Part Three will not be the Oscar powerhouse that some are expecting.  The first two Dune films were both nominated but it just doesn’t feel like there’s a huge sentiment out there that’s saying, “We simply have to keep honoring each new installment!”

Here are my latest predictions!

Best Picture

  • The Debut
  • Elsinore
  • Fjord
  • I Play Rocky
  • La Bola Negra
  • Mr. Irrelevant
  • The Odyssey
  • Primetime
  • Project Hail Mary
  • Wild Horse Nine

Best Director

  • Javier Ambrossi & Javier Calvo — La Bola Negra
  • Jesse Eisenberg — The Debut
  • Phil Lord & Christopher Miller — Project Hail Mary
  • Martin McDonagh — Wild Horse Nine
  • Christopher Nolan — The Odyssey

Best Actor

  • Matt Damon — The Odyssey
  • Anthony Ippolito — I Play Rocky
  • John Malkovich — Wild Horse Nine
  • Robert Pattinson — Primetime
  • Andrew Scott — Elsinore

Best Actress

  • Sandra Hüller — Fatherland
  • Ruth Madeley — Being Heumann
  • Julianne Moore — The Debut
  • Inde Navarrette — Obsession
  • Renate Reinsve — Fjord

Best Supporting Actor

  • Colman Domingo — Michael
  • Paul Giamatti — The Debut
  • Guy Pearce — Ink
  • Sam Rockwell — Wild Horse Nine
  • Jeremy Strong — The Social Reckoning

Best Supporting Actress

  • Colleen Camp — Club Kid
  • Olivia Colman — Elsinore
  • Penélope Cruz — La Bola Negra
  • Anne Hathaway — The Odyssey
  • Samantha Morton — The Odyssey

Retro Television Review: The Love Boat 8.14 “Country Blues/A Matter of Taste/Frat Brothers Forever”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Adam’s old fraternity brother takes a cruise.  He’s got a secret!

Episode 8.14 “Country Blues/A Matter of Taste/Frat Brothers Forever”

(Dir by Jerome Courtland, originally aired on December 8th, 1984)

Simon (Farley Granger) and Valerie (Terry Moore) used to be lovers but now, they’re rival interior designers.  They are competing for the chance to redesign that ship’s cabins and, of course, they both end up sabotaging each other.  The Captain grows so frustrated that he decides that the cabins are fine just the way they are and I agree.  The cabins are functional and bland and they encourage the passengers to spend most of their time in either the lounge or at the pool.  As for Simon and Valerie, they realize that they’re still in love.  It’s a win-win-win for everyone.

Country singer Billy Bodine (Matt McCoy) falls in love with Arlene Cort (Leah Ayres), little realizing that she’s been bribed by his manager, Cappy (Claude Akins), to break his heart.  Billy writes his most popular songs when he’s depressed.  After she lies to him about having another lover, Arlene feels terrible, especially after she learns that she’s inspired Billy to write not just one but two songs about how heartbroken he is.  Arlene wants to come lean but, if Arlene confesses, she’ll lose her chance to be on the big Kenny Rogers television special.  Of course, Arlene does confesse.  Love is more important than Kenny.  Billy fires Cappy.  Cappy doesn’t care.  Cappy announces that he’s going to go into the pickle-selling business and make a million dollars.  Arlene finds love but she does lose her chance to be a big TV star.  So, this one is a win-lose-win.

Finally, Adam’s old frat brother, Buzz (Roy Thinnes), boards the ship with Jim Dolan (Michael McGrady).  Buzz says that Jim is his cousin.  Adam promises to find dates for both Buzz and Jim.  Uhmm, Adam, I don’t think Buzz and Jim are interested in the same dates that you are.

This was the first and only episode of The Love Boat to feature a gay couple and, to my surprise, their story was actually handled with a good deal of sensitivity.  Buzz fears that Adam won’t accept that he’s gay but he also doesn’t want to spend the entire cruise living a lie.  (Adam keeps trying to set Buzz and Jim up with every single woman on the cruise.)  When Buzz does come out to Adam, Adam is surprised but accepting.  I appreciated that this episode allowed Adam to have a realistic reaction to Buzz coming out as opposed to turning Adam into some sort of idealized perfect best friend.  Instead, Adam has the reaction that you would expect a good-hearted but old-fashioned boomer to have.  He’s surprised and, briefly, at a loss for words.  The fact that Adam does then accept Buzz for who he is and apologizes for his earlier surprise shows that people can continue to grow and learn, regardless of how old they may be.

Two of the stories were silly but the third one made up for them.  This wasn’t a bad cruise.

 

Thoughts On The Culture — 9/30/2026


It’s the last day of September and also the last day before the start of our annual October Horrorthon! Here are my latest thoughts on the culture.

Why Do We Have An Entire Month Devoted To Horror?

Why wouldn’t we?

Horrorthon is one of those TSL traditions that I’ve always cherished. This site has been active since 2009. We’ve hosted a lot of different writers with their own unique and individual views of the world. We’ve had film, television, music, and gaming reviews written from every point of view. I’m proud of that. I’m proud that we are a site that values true diversity as opposed to just robotically moving from trend to trend. No matter what else might have been going on here in the TSL Bunker or in the world outside, one thing has always remained consistent. October is for horror.

I love October, but even more importantly, I respect it. At a time when the scolds are trying to ruin everything, October has remained resilient. Halloween has remained pure. For as long as I can remember, people have been trying to cancel Halloween. When I was a kid, it was said that Halloween was some sort of demonic holiday that would lead us all astray. Now, as an adult, it’s coming from people who claim to be traumatized by the sight of someone in a costume. (The truth is that they’re traumatized by the sight of anyone having any sort of fun at all.) Regardless of who was coming after it, Halloween survived. Halloween survived the scolds. It survived the COVID era. It survived the joyless leeches who panic whenever anyone thinks for themselves. Every October, people wear costumes and they watch horror movies and they enjoy getting scared. Halloween survives.

And so do we.

My Plans For October

My initial plans for October were incredibly grandiose and not at all practical. That’s the way things usually go around this time of year. In all honesty, I would be thrilled if we broke our previous record for posts and views over this upcoming October. A thousand posts? That’s a lot of work, but it could happen over the course of 31 days.  I’ve been writing reviews since late August.  For the past week, I’ve been using those song that Caleb Flynn sent his mistress as my writing music.

But last night I realized that October should be fun. And that’s going to be my number one concern this month. My hope is that we’ll all end up loving October together.

What The Hell, Flanagan?

Last night, I read that Mike Flanagan said that he could easily imagine his version of Carrie lasting for three seasons.  So, is it going to take Carrie that long to make it to the prom?  Or is Flanagan talking about exploring the trauma of the survivors?  Stephen King’s original novel ended with a report of a second teenage girl with similar powers.

Well, let me just go on the record as saying that Carrie works because it’s a simple story that can be told in 90 minutes.  It doesn’t need multiple episodes or seasons.

Speaking Of Which….

Watch yourself, Crystal Lake.  It’s nice that you want to bring Jason Voorhees and his mother to a new generation but if you mess this up with a bunch of American Horror Story-style nonsense, there is an army of horror fans who will never forgive you.

We Need To Bring Back Old Timey Horror Hosts

The One Thing That You Need To Have For A Good October

A bag of Reese’s peanut butter cups. Actually, several bags.

What If My Friends Insist That I Spend The Holidays Talking About Politics?

Get better friends.  If I can spend October ignoring James Talarico, so can you.

But What About….

Shhh. Just enjoy the next 31 days.

Don’t Worry, You Three, We’re Coming

4 Shots From 4 Films: Special Michael Powell Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, TSL celebrates the 121st anniversary of the birth of Michael Powell, the British visionary who changed the face of cinema, both on his own and through his collaboration with Emeric Pressburger.  It seems appropriate that we pay tribute to Powell on the day before October, as his 1960 film Peeping Tom is considered by many to be the first slasher film.  (It’s not but it’s influence on the genre cannot be overstated.)

In honor of Michael Powell, TSL is proud to present….

4 Shots From 4 Michael Powell Films

I Know Where I’m Going (1945, dir by Michael Powell and Emeric Pressburger, DP: Erwin Hillier)

Black Narcissus (1947, dir by Michael Powell and Emeric Pressburger, DP: Jack Cardiff)

The Red Shoes (1948, dir by Michael Powell and Emeric Pressburger, DP: Jack Cardiff)

Peeping Tom (1960, dir by Michael Powell, DP: Otto Heller)

Music Video of the Day: The Bubblemen Are Coming! by The Bubblemen (1988, directed by ????)


A side project of Love and Rockets, the Bubblmen only released one single and video but they later made cameo appearances in the videos for Love and Rockets’ No New Tales To Tell and Yin and Yang (The Flowerpot Man).

The Bubblemen Are Coming was issued by Beggars Banquet Records and came with three additional tracks, Bubblemen Rap, Bubblemen Rap (Dub Version), and Bees.  The video perhaps achieved its greatest exposure when it was featured on an episode of Beavis and Butthead, where it really freaked out Beavis.