Four Color Apocalypse 2021 Year In Review : Top Ten Comics Series


As we trudge on with our year-end review, we come next to a category that’s fairly easy to explain : TOP TEN COMICS SERIES refers to any ongoing or limited comic book series that saw more than one issue released in the past calendar year. As you’re about to see, anthologies — both solo and multi-creator — ruled the roost in 2021, a trend I’d be most happy to see continue. But we’ll worry about that in the future, for now here are my personal picks for best comics series in the present :

10. Bubblegum Maelstrom By Ryan Alves (Awe Comics) – Alves just plain tore it up in 2021, producing two issues of this now-concluded solo anthology title, the last of which was an 80-plus-page monster. Fitting, I suppose, given that monstrosity itself was a core concern of so many of the strips in this series. Bu turns grotesque and exquisite, sometimes both, Alves really went for the conceptual jugular with this comic, and I’m more than anxious to see what he does next.

9. Flop Sweat By Lance Ward (Birdcage Bottom) – Don’t you dare say memoir is dead until you’re read this. Ward’s autobio series is harrowing, heartfelt, sometimes even humorous — but never less than painfully honest. When the abyss that gazes back is your own life, and you can still make compelling art from that? You’ve got guts to match your skills. Never doubt Ward’s abundance of both.

8. Love And Rockets By Gilbert And Jaime Hernandez (Fantagraphics) – If you find a best-of list that this title isn’t on, you’ve found yourself one lazy-ass critic. Or a stupid one. Down a few spots from where I normally place it simple because, sorry to say, Beto’s current stuff isn’t registering with me to the degree it usually does, but hey — Jaime is continuing to produce some of the best comics of his career.

7. Vacuum Decay, Edited By Harry Nordlinger (Self-Published) – The most uncompromising underground horror anthology in decades continued to push the envelope with issue three — and with issue four, it just plain wiped its ass with it. To quote my own tweet back at me (speaking of lazy critics) : this is a comic that goes there. Whether you want to go with it or not, well — that’s your call. I know I’m down for the ride.

6.Rust Belt Review, Edited By Sean Knickerbocker (Self-Published) – Knickerbocker’s own strips about the tribulations and travails of life in “flyover country” set the tone for this diverse, oversized anthology centered on the big dreams and big problems of people with so-called “small” lives. Quintessential reading for everyone who understands that neither neoliberalism nor Trumpian neofascism (nor, for that matter, ‘tech bro” libertariansim) offers any solutions to those ground under by the wheels of what some still laughably term “progress.” Real stories about real people are the order of the day here.
5. Goiter Comics By Josh Pettinger (Tinto Press/Kilgore Books) – Two issues in one year from two publishers? Pettinger was one busy cartoonist in 2021, and the increased workload seems to be agreeing with him — from his strongest character studies to the opening salvo of an OMAC-esque dystopian fable by way of the Amazon warehouse, this was the year this title well and truly came into its own and left any Clowes and Ware comparisons firmly in its rear view.

4. Acid Nun By Corinne Halbert (Self-Published) – Psychedelic cosmic interdimensional Satanic nunspolitation with a generous helping of BDSM fetishism not just on the side, but front and center? Sign me the fuck up for that any day, and when you factor in Halbert’s astonishing compositions and use of color what you’ve got is one of the most visually literate comics of the year as well as probably the most deliciously pervy. Plenty to turn your crank whether you’re gay, straight, somewhere in between, or completely undecided, but there’s something more going on here than erotic stimulation for its own sake (not that there’s anything wrong with that) — if you appreciate a cartoonist who’s clearly playing a “long game” of stimulating you libidinally as foreplay to stimulating you intellectually, you’ve come to the right place.

Future By Tommi Musturi (Self-Published) – A web that draws you in by continuing to expand outward, Musturi’s various (and variously-styled) narratives never cease to impress, even as they bob and weave between confounding and illuminating. Everything is building toward something here — a conceptual singularity, at least, and perhaps even a narrative one —but I’m enjoying the individual journeys far too much to be ready for a destination yet. It doesn’t get much more unique than this, folks — a series you already miss before it’s even over.

2. Reptile House, Edited By (I’m Assuming Here) Nick Bunch (Reptile House Comix) – Created and published by a de facto artistic collective out of Philly, this is exhibit B for my contention that locally-focused anthologies are the future of comics. A heady mix of long-form continuing narratives and hilariously visceral one-offs, 99% of the cartoonists appearing in these pages are folks that I’ve never heard of before, but their work — like this series itself — just gets stronger and stronger as it goes on. And they wrapped up an already amazingly strong year with a killer 3-D issue. This is grassroots comics-making the way you remember it — and the way you’ve never seen it before.

1. Tinfoil ComixEdited By Floyd Tangeman With Co-Edits On #4 By Austin English (Dead Crow/Domino Books) – As for exhibit A for my contention about locally-based anthologies, this is it right here. Tangeman’s Bay Area anthology will, mark my words, go down as the most important signifier of not just where comics are, but where they’re going, since Kramers Ergot 4. This series burned as quickly and brightly as one can imagine, and the mark it left is going to be felt for years to come. We’ll see if the new bi-coastal “successor” series Tangeman and English are cooking up can keep the creative momentum going, but if the job they did together on #4 is any indication, we’ve got plenty to be excited about.

Next up we’ll do the “grab-bag” category that is TOP TEN SPECIAL MENTIONS, but in the meantime please consider helping me crank out more of this kind of theoretically enjoyable content by subscribing to my Patreon, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics for as little as a dollar a month. Here’s a link : https://www.patreon.com/fourcolorapocalypse

Music Video of the Day: No New Tales To Tell by Love and Rockets (1987, directed by Tony van den Ende)


Love and Rockets is definitely one of those 80s bands that should have been bigger than they were.  Basically made up of every member of Bauhaus except for Peter Murphy, Love and Rockets was responsible for some of the best songs of the decade.

No New Tales To Tell is from their third studio album, Earth, Sun, Moon.  Thanks to this music video, which was put in heavy rotation on MTV, the song did manage to reach number 18 on the U.S. charts.  The video was directed by the very prolific Tony van den Ende and it features a few shots of the band in their Bubblemen costumes.  (The Bubblemen were a side project for several members of the band.  They performed while dressed as friendly bees.)

Enjoy!

Music Video of the Day: The Bubblemen Are Coming! by The Bubblemen (1988, directed by ????)


The Bubblemen are coming!

Who are the Bubblemen?

According to this video, the Bubblemen lived in London and looked like they might be offshoots of the infamous killer bees who used to appear during the early seasons of Saturday Night Live.  Underneath the Bubblemen costumes were Daniel Ash, Kevin Haskins, and David J, three former members of Bauhaus who later formed a band called Love and Rockets.

The Bubblemen were a side project of Love and Rockets.  They only released one single and video but they later made cameo appearances in the videos for Love and Rockets’ No New Tales To Tell and Yin and Yang (The Flowerpot Man).

The Bubblemen Are Coming was issued by Beggars Banquet Records and came with three additional tracks, Bubblemen Rap, Bubblemen Rap (Dub Version), and Bees.  The video perhaps achieved its greatest exposure when it was featured on an episode of Beavis and Butthead.  It’s been a while since I’ve seen it but, if I remember correctly, this video really freaked out Beavis.

Music Video Of The Day: Ball of Confusion, covered by Love and Rockets (1985, directed by ????)


Made up of 3 former members of Bauhaus and named after the comic book series by the Hernandez Brothers, Love and Rockets had their first minor hit with this cover of Motown’s Ball of Confusion.

Ball of Confusion was one of the many songs that Norman Whitefield and Barrett Strong wrote for The Temptations during their “psychedelic soul” period of the late 60s and the early 70s.  (Another one was War, which became a much bigger hit when it was covered by Edwin Starr.)  When Ball of Confusion was first released, the lyrics dealt directly with the Vietnam War, the Nixon administration, and drug abuse, making it one of Motown’s more directly political songs.  However, the song’s power and message has remained timeless and it was subsequently covered by everyone from Tina Turner to Anthrax to, of course, Love and Rockets.  The Love and Rockets cover was released shortly before their first album, Seventh Dream of Teenage Heaven.  Despite being the band’s first hit, the song was not included on the album until it was eventually reissued in 2000.

And the band played on.

Music Video of the Day: So Alive by Love and Rockets (1989, directed by Howard Greenhalgh)


Love and Rockets was an English alternative band, made up of all of the members of Bauhaus who were not named Peter Murphy.  From 1985 to 1998, before breaking up to pursue other projects, Love and Rockets released 7 studio albums.  Though Love and Rockets always struggled to escape the shadow of Bauhaus, the band was still responsible for some of the best music of the late 80s and 90s.

Their best known song was So Alive, which was a number one hit in both the United States and Canada.  The video is highly regarded by aficionados of long legs and backlighting everywhere.

The song was written by the song’s lead vocalist, Daniel Ash.  As Ash explained in an interview with Xsnozie:

“I’d gone to a party on Saturday night, and I was married at the time, and I saw this woman over the other side of the room, and I was completely transfixed which is very odd because I was freshly married.  It was very weird, but I was completely infatuated by her and so much so that I couldn’t go near her to even speak to her, it was just this overwhelming thing. I can’t explain it to this day. That’s why the first line is, ‘I don’t know what color your eyes are.’ Because I didn’t get that close, I just saw this person in the distance.”

The video was the first to be directed by Howard Greenhalgh, who would later direct the video for Soundgarden’s Black Hole Sun.

And yes, Love and Rockets did take their name from the comic book series by the Hernandez Brothers.