Keep Watching The Skies!: THE THING FROM ANOTHER WORLD (RKO 1951)


gary loggins's avatarcracked rear viewer

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UFOs (Unidentified Flying Objects) were making headlines during the late 1940s/early 1950s. The sightings of UFOs in 1947 near Mt.Rainier, Washington, and Roswell, New Mexico brought about a government investigation called Project Sign, later replaced by Project Blue Book. Reports of “flying saucers” were coming in from around the globe, and no answers were in sight. Citizen’s nerves were already frazzled with the threats of “The Red Menace” and potential nuclear holocaust,  and the possibility of an invasion from outer space just added to the collective existential angst.

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Hollywood discarded its Old World horrors of Vampires, werewolves, and mummies and boarded the science fiction rocket ship. By 1951 a slew of space invaders was unleashed on box offices across the nation. That year alone studios released features THE DAY THE EARTH STOOD STILL, WHEN WORLDS COLLIDE, FLIGHT TO MARS, SUPERMAN AND THE MOLE MEN, The Man from Planet X , and the serials LOST PLANET AIRMEN and CAPTAIN VIDEO: MASTER…

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Film Review: Trancers III (1993, dir. C. Courtney Joyner)


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This was a little sad to watch. At least it didn’t make me feel even more depressed than I did after the scene in the transploitation “documentary” Let Me Die A Woman (1977) where a trans woman cuts off her own penis. Thanks, Ms. 45 (1981)! It probably didn’t help that I also watched Crackdown Mission (1988) where Godfrey Ho spliced a Pierre Kirby buddy cop movie into a Taiwanese remake of Ms. 45 either.

The last time we left Jack Deth (Tim Thomerson), he and Lena (Helen Hunt) had dealt with Trancers in early 1990’s Los Angeles. This movie picks up in 1992. And yes, Helen Hunt is in this. If memory serves, she did this as a favor to the filmmakers considering she was on Mad About You at this point. It opens with the usual voiceover from Jack and then we see a really sad commercial for the Jack Deth detective agency.

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Yep, just like the first film, this one also has a part of it that takes place during the Christmas season. Then we see what happens when a guy who seems to barely speak English tries to rob a convenience store run by another guy who also seems to barely speak English.

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It causes this guy to show up in a time machine. He’s there for Jack. Cut to Jack talking on the phone to Lena. Turns out they’re getting a divorce! Can’t really blame her. It’s either a guy who has futuristic zombies coming after him like this.

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Or a guy who wants to hang a giant poster of Attack of the 50 Foot Woman in their apartment.

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As Helen puts it.

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I think she made the right choice.

After finding Jack, him and the reject from the third season of Star Trek: Enterprise travel into the future of 2352. There he finds that they were also able to get back Telma Hopkins as Cmdr. Rains…

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and Megan Ward as Alice Stillwell.

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This was three years before she would get her own show on NBC as well called Dark Skies. Unfortunately, that show didn’t succeed like the two other shows I remember them packaging with it: The Pretender and Profiler.

The gist here is that something happened in the past that led to a huge Trancer army overrunning the humans. You know what that means? Jack has to go back to the future to stop it. That means he has to go back to 2005. And by 2005, I mean we cut to a strip club.

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Hey, I know that name! Thanks, Mötley Crüe!

I’ve got the screenshots, but there’s no menage a trois here, nor breaking any of Frenchies laws. However, this guy seems to like what he sees.

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This scene introduces us to R.J. played by Melanie Smith.

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She’s joined a special corps of people who are being enhanced to be able to Trance at will through the use of drugs. The guy I posted before decides to beat some people up before being shot to death. This scene only exists to introduce us to her and the whole drug thing. Well, that and since it has…

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Travis McKenna as the bartender, it gives me an excuse to post one of my favorite scenes from Road House (1989).

I guess you could say that other guy was “too stupid to have a good time.” Now we are introduced to the villain of this movie and…

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I guess this movie was an audition for Star Trek: Deep Space Nine. Melanie Smith would have a recurring role on the show, and that’s Andrew Robinson who would play Garak, the Cardassian tailor who was also a semi-retired dangerous spy and assassin. He really is the only good thing about this movie. Even through this stupid half assed sequel, he manages to show us exactly why he got hired to play that role. Funny that the previous Trancers movie had Jeffrey Combs in it who would also go on to play one of the most memorable characters from that show: Weyoun.

Anyways, after Jack goes back in time and shows us what being asked to make Trancers III was like…

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by falling into a pile of trash, we get some pointless scenes till Jack shows up at Lena’s 2005 apartment.

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And by 2005, I mean as seen from 1993. Making that girl wear that hat is cruel and unusual punishment. Turns out R.J. went to Lena because Lena has been writing about this Trancer core. It’s actually just an excuse to get her with Jack and let Tim and Helen say their goodbyes.

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From this point till the final scenes of the movie can be summed as stalling for time by having pointless scenes with the villain, pointless fighting between his soldiers, and pointless conversations between Jack and R.J. The only thing worth mentioning here is that it’s not a good idea to pit a piete girl and against decent sized guy in a fight when they certainly don’t come across as martial artists. I say that because one of the scenes is like watching an ant try to beat up a beetle.

Well, eventually Jack and R.J. are captured. R.J. breaks Jack out, but starts to Trance because of the drugs, so she asks Jack to kill her, which he does. Then what must have been a joke happens. The fish head guy from earlier shows up out of nowhere to help Jack, but the second they turn to go through the door to fight the bad guys, this happens.

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The guy freezes up leaving Jack to deal with them. And deal with them he does by gun, fist, and sword. I bet that was supposed to be a hint or inspiration for the next Trancers movie. Afterwards, it turns out fish head’s circuit board had malfunctioned, but came back to life as soon as the battle was done. Jack returns to the future future and goes before the council.

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They give Jack a fancy new title, which Jack correctly knows is just an excuse so they can send him anywhere in time they please along with his new buddy. And that’s it! There’s no reason to see this. I remember stumbling across this at a video store when I was young. No wonder I basically forgot about it’s existence. Since it worked so well at the end of the Trancers II review. Here’s another shot of Thomerson giving a help me I’m stuck making Trancers movies face.

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Batman v. Superman Latest Trailer Drops


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Batman v. Superman: Dawn of Justice has been gathering steam and buzz since it was first announced a couple years ago at San Diego Comic-Con. The film is now just a little over 4 months away from release. The fact that we’re even talking about latest trailers and clips about this film was an accomplishment all on its own.

This was a project that had been talked about for so many years, but never got on track. While some DC fans might decry what I’m about to say I do think they should thank the success of the Marvel Studios-produced films for getting this film on the fast track to being made. It made DC and Warner Bros. realize they weren’t the big bully in the blockbuster block anymore and needed something monumental to catch up.

With Man of Steel dividing comic book fans this film had to be made whether it made sense narrative-wise or not. Another so-so Superman film would not do. So, what better way to juice up the Son of Krypton franchise than by pitting him against DC’s other juggernaut property: Batman.

So, without further ado, here is the latest trailer for Batman v. Superman: Dawn of Justice.

Carol Wins In New York!


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Earlier today, the New York Film Critics Circle announced their picks for the best films and performer of the year!  And the big winner was … Carol!

Best Picture
Carol

Best Director
Todd Haynes, Carol

Best Screenplay
Carol

Best Actor
Michael Keaton, Spotlight

Best Actress
Saoirse Ronan, Brooklyn

Best Supporting Actor
Mark Rylance, Bridge of Spies

Best Supporting Actress
Kristen Stewart, Clouds of Sils Maria

Best Animated Film
Inside Out

Best Foreign Film
Timbuktu

Best Non-Fiction Film
In Jackson Heights

Best Cinematographer
Ed Lachman, Carol

Best First Film
Son of Saul

SPECIAL AWARD #1: Posthumous Award honoring the legacy of William Becker and Janus Films

SPECIAL AWARD #2: Ennio Morricone, Composer

For Whatever They’re Worth, Here are The Satellite Awards Nominees!


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The International Press Academy has announced the nominees for the Satellite Awards!  Who are the International Press Academy?  They’re kind of like an even less credible version of the Golden Globes.  They’re also the same people who, last year, nominated The Wolf of Wall Street for five awards, despite having not seen the film.  I would suggest viewing these nominations more as a guide to conventional wisdom than anything else.

Motion Picture
Spotlight, Open Road
Sicario, Lionsgate
Room, A24
The Revenant, 20th Century Fox
The Martian, 20th Century Fox
Carol, The Weinstein Co.
Brooklyn, Fox Searchlight
Bridge of Spies, DreamWorks
Black Mass, Warner Bros.
The Big Short, Paramount

Director
Tom Hooper, The Danish Girl
Thomas McCarthy, Spotlight
Steven Spielberg, Bridge of Spies
Ridley Scott, The Martian
Lenny Abrahamson, Room
Alejandro González Iñárritu, The Revenant

Actress in a Motion Picture
Saoirse Ronan, Brooklyn
Charlotte Rampling, 45 Years
Cate Blanchett, Carol
Carey Mulligan, Suffragette
Brie Larson, Room
Blythe Danner, I’ll See You in My Dreams

Actor in a Motion Picture
Will Smith, Concussion
Tom Hardy, Legend
Michael Fassbender, Steve Jobs
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Johnny Depp, Black Mass
Eddie Redmayne, The Danish Girl

Actress in a Supporting Role
Rachel McAdams, Spotlight
Rooney Mara, Carol
Kate Winslet, Steve Jobs
Jane Fonda, Youth
Elizabeth Banks, Love & Mercy
Alicia Vikander, The Danish Girl

Actor in a Supporting Role
Sylvester Stallone, Creed
Paul Dano, Love & Mercy
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Christian Bale, The Big Short
Benicio Del Toro, Sicario

Motion Picture, International Film
South Korea, The Throne
Brazil, The Second Mother
Croatia, The High Sun
Belgium, The Brand New Testament
Taiwan, The Assassin
Hungary, Son of Saul
France, Mustang
Germany, Labyrinth of Lies
Austria, Goodnight Mommy
Sweden, A Pigeon Sat on a Branch Reflecting on Existence

Motion Picture, Animated or Mixed Media
The Prophet
The Peanuts Movie
The Good Dinosaur
Shaun The Sheep Movie
Inside Out
Anomalisa

Motion Picture, Documentary
Where to Invade Next
The Look of Silence
The Hunting Ground
He Named Me Malala
Going Clear: Scientology and the Prison of Belief
Drunk Stoned Brilliant Dead:The Story of the National Lampoon
Cartel Land
Best of Enemies
Becoming Bulletproof
Amy

Screenplay, Original
Josh Singer, Thomas McCarthy, Spotlight
Michael A. Lerner, Oren Moverman, Love & Mercy
Josh Cooley, Meg LeFauve, Pete Docter, Inside Out
Andrea Berloff, Jonathan Herman, Straight Outta Compton
Ethan Coen, Joel Coen, Matt Charman, Bridge of Spies
Abi Morgan, Suffragette

Screenplay, Adapted
Jez Butterworth, Mark Mallouk, Black Mass
Lucinda Coxon, The Danish Girl
Emma Donoghue, Room
Drew Goddard, The Martian
Alejandro González Iñárritu, Mark L. Smith, The Revenant
Aaron Sorkin, Steve Jobs

Original Score
Thomas Newman, Spectre
Michael Giacchino, Inside Out
Howard Shore, Spotlight
Harry Gregson-Williams, The Martian
Carter Burwell, Carol
Alexander Desplat, The Danish Girl

Original Song
“Writing’s On The Wall”, Spectre
“Till It Happens To You”, The Hunting Ground
“See You Again”, Furious 7
“One Kind Of Love”, Love & Mercy
“Love Me Like You Do”, Fifty Shades of Grey
“Cold One”, Ricki and the Flash

Cinematography
Roger Deakins, Sicario
John Seale, Mad Max: Fury Road
Hoyte Van Hoytema, Spectre
Dariuz Wolski, The Martian
Emmanuel Lubezki, The Revenant

Visual Effects
Spectre
The Walk
The Martian
Mad Max: Fury Road
Jurassic World
Everest

Film Editing
Pietro Scalia, The Martian
Joe Walker, Sicario
Michael Kahn, Bridge of Spies
Lee Smith, Spectre
Elliot Graham, Steve Jobs
Affonso Goncalves, Carol

Sound (Editing and Mixing)
The Martian
Spectre
Sicario
Inside Out
Mad Max: Fury Road
Jurassic World

Art Direction and Production Design
Fiona Crombie, Macbeth
Eve Stewart, The Danish Girl
Dennis Gassner, Spectre
Dante Ferretti, Cinderella
Colin Gibson, Mad Max: Fury Road,
Adam Stockhausen, Bridge of Spies

Costume Design
Wen-Ying Huang, The Assassin
Shim Hyun-seob, The Throne
Sandy Powell, Cinderella
Paco Delgado, The Danish Girl
Janet Patterson, Far From the Madding Crowd
Jacqueline Durran, Macbeth

Ensemble: Motion Picture
Spotlight

Sicario

At least these nominations gave me an excuse to drag out some Sicaro-related media.

Sci-Fi Film Review: The Hunger Games: Mockingjay — Part 2 (dir by Francis Lawrence)


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It’s finally over!

It probably sounds like I’m really excited that the final Hunger Games adaptation has been released.  It may sound like I’m happy that the saga of Katniss Everdeen and her life in Panem has finally come to an end.  And, to a certain extent, I am.  After everything that Katniss has been through, she deserves some peace and, fortunately, the series has ended before Jennifer Lawrence got bored with playing the role.  (To see what happens when actor gets bored with an iconic role, check out Daniel Craig in Spectre.)  Even though I think it can be argued that Mockingjay Part Two is the weakest of all the Hunger Games films, it still allows both Katniss and the actress who brought her to life to go out on a high note.

There’s a part of me that cringes a little when I think about all of the films that were released as a direct result of the success of The Hunger Games.  The Giver, The Maze Runner, Divergent, Tomorrowland, the list goes on and on.  I’ve reached the point where I can now say that I am officially sick of sitting through adaptations of Young Adult dystopian fiction.  And yet, I was still excited to see The Hunger Games: Mockingjay Part Two (even if that title is way too long and unwieldy).  Regardless of the number of mediocre films that it may have inspired, The Hunger Games franchise has always remained compelling.

So, how was Mockingjay Part Two?  Obviously, it doesn’t work as a stand-alone film.  The pacing is totally off, characters appear and disappear almost at random, and it’s all rather confusing.  If you haven’t seen the film that came before Mockingjay Part Two, I imagine that you would be totally confused by this film.  But, when viewed as the fourth part of one gigantic epic story, the whole thing is rather brilliant.

When the film opens, Katniss is still being used a prop in Alma Coin’s (Julianne Moore) revolution.  The majority of the film deals with her journey into and through the capital.  She wants to track down and assassinate President Snow (the wonderfully evil Donald Sutherland) whereas Coin just wants to use her as a symbol to solidify her authority.  As Katniss quickly realizes, there’s not much difference between Snow and Coin.  However, it takes one great tragedy for Katniss to truly understand the truth about the Alma Coin and her revolution.  If you’ve read the book, you’ll already know about and be prepared for that tragedy but it’s still a heart-breaking moment.

It’s also the most important moment in the franchise, one that reminds us that The Hunger Games has always been far more politically sophisticated (and thematically darker) than all of the films, books, and fan fic that has been inspired by it.  This is a seriously dark and, some would say, cynical movie and, as a student of history, I appreciated that.  I appreciated that Mockingjay didn’t try to force a happy ending on us and I also appreciated the fact that Mockingjay didn’t buy into the simplistic Manichaen worldview that is currently ruining worlds both real and cinematic.  The film’s final scene may be hopeful but it’s never naive.

It’s a bit unfortunate that Mockingjay had to be split into two separate films.  Mockingjay Part Two is full of exciting moments but there’s also a lot of scenes that feel like filler.  You get the feeling they were included to make sure that Mockingjay Part Two’s running team was equal to the other films in the franchise.  This is a film that features a lot of genuinely exciting action and some truly emotional moments.  It’s also a film that features a lot of speeches.  If only both parts of Mockingjay could have been released as one six hour film.  I would have watched it!

The film also features the final performance of Philip Seymour Hoffman, playing the rule of Plutarch.  Hoffman is not in many scenes and reportedly, he died before filming two of his biggest scenes.  Those scenes were rewritten and his dialogue given to other actors.  At one point, Woody Harrelson starts to read a letter that was written by Plutarch and it’s a sad scene because you’re aware that, originally, Hoffman was meant to deliver those lines in his trademark style.  As it is, Hoffman only appears in a few minutes of Mockingjay Part Two and he doesn’t do much.  But, when the film briefly features his bemused smile, you’re reminded of what a great actor the world lost when Philip Seymour Hoffman died.

Of course, the entire Hunger Games franchise has been full of great actors.  Jennifer Lawrence brought Katniss to wonderful and empowering life and one of the joys of Mockingjay Part Two is getting to see her bring the character’s story to a close.  But even beyond Jennifer Lawrence’s rightly acclaimed work, the entire cast of the franchise deserves a lot of credit.  I’ve always loved Donald Sutherland’s interpretation of President Snow and he’s at his best here.

For that matter, if there ever is another Hunger Games film or a Hunger Games spin-off, why not make it about Jena Malone’s Johanna Mason?  The way that Malone delivered her angry and frequently sarcastic dialogue was definitely one of the film’s highlights.

Regardless of whether there are any future films, The Hunger Games: Mockingjay Part Two is a worthy conclusion to a great story.

(By the way, as you may have guessed from the title of this post, December is science fiction month here at the Shattered Lens!  We hope you enjoy it!)

Previous Hunger Games Reviews:

  1. Quick Review: The Hunger Games (dir by Gary Ross)
  2. Review: The Hunger Games
  3. 44 Days of Paranoia: The Hunger Games: Catching Fire
  4. For Your Consideration: Jennifer Lawrence in The Hunger Games Mockingjay Part One

Spotlight and Paul Dano Win At the Gothams


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The Gotham Awards were held last night!  Spotlight was the big winner though Paul Dano picked up the supporting actor award for his performance in Love & Mercy.

Best Screenplay
“Carol,” Phyllis Nagy
“The Diary of a Teenage Girl,” Marielle Heller
“Love & Mercy,” Oren Moverman and Michael Alan Lerner
“Spotlight,” Tom McCarthy and Josh Singer – WINNER
“While We’re Young,” Noah Baumbach

Breakthrough Actor
Rory Culkin in “Gabriel”
Arielle Holmes in “Heaven Knows What”
Lola Kirke in “Mistress America”
Kitana Kiki Rodriguez in “Tangerine”
Mya Taylor in “Tangerine” – WINNER

Breakthrough Series – Long Form
“Jane the Virgin,” Jennie Snyder Urman, Creator (The CW)
“Mr. Robot,” Sam Esmail, Creator (USA Network) – WINNER
“Transparent,” Jill Soloway, Creator (Amazon)
“Unbreakable Kimmy Schmidt,” Tina Fey, Robert Carlock, Creators (Netflix)
“UnREAL,” Marti Noxon, Sarah Gertrude Shapiro, Creators (Lifetime)

Best Feature
“Carol”
“The Diary of a Teenage Girl”
“Heaven Knows What”
“Spotlight” – WINNER
“Tangerine”

Best Documentary
“Approaching the Elephant”
“Cartel Land”
“Heart of a Dog”
“Listen to Me Marlon”
“The Look of Silence” – WINNER

Bingham Ray Breakthrough Director
Desiree Akhavan for “Appropriate Behavior”
Jonas Carpigano for “Mediterranea” – WINNER
Marielle Heller for “The Diary of a Teenage Girl”
John Magary for “The Mend”
Josh Mond for “James White”

Best Actor
Christopher Abbott in “James White”
Kevin Corrigan in “Results”
Paul Dano in “Love & Mercy” – WINNER
Peter Sarsgaard in “Experimenter”
Michael Shannon in “99 Homes”

Best Actress
Cate Blanchett in “Carol”
Blythe Danner in “I’ll See You in My Dreams”
Brie Larson in “Room”
Bel Powley in “The Diary of a Teenage Girl” – WINNER
Lily Tomlin in “Grandma”
Kristen Wiig in “Welcome to Me”

Special Jury Award for Ensemble Cast
Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Stanley Tucci and Brian D’Arcy James for their ensemble work in “Spotlight”

Breakthrough Series – Short Form
“Bee and PuppyCat,” Natasha Alllegri, Creator (Cartoon Hangover)
“The Impossibilities,” Anna Kerrigan, Creator (seriesofimpossibilities.com)
“Qraftish, Christal,” Creator (Blackgirldangerous.com)
“Shugs and Fats,” Nadia Manzoor and Radhka Vaz, Creator (ShugsandFats.TV)
“You’re So Talented,” Sam Bailey, Creator (Open TV)

Paul Dano

Inside Out and Anomalisa Get Some Love From Annie!


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The nominations for the Annie Awards were announced today!  The Annie Awards honor the best in animation.  Looking over the list of nominees, my initial thought is, “Wow, that’s a really long list!”  So, I’m just going to post the nominations for Best Animated Feature Film and Best Achievement For Voice Acting In A Feature Film.  You can view the complete list over at my favorite site for Oscar news, Awards Circuit!

(FYI: I love Awards Watch as well.  For those of you still clinging onto Awards Daily, it’s time to jump ship.)

Anyway, here are (some of) the Annie nominations!

Best Animated Feature 

Outstanding Achievement, Voice Acting in an Animated Feature Production

  • Anomalisa – Paramount Pictures – Cast: Jennifer Jason Leigh Character: Lisa Hesselman
  • Inside Out – Pixar Animation Studios – Cast: Amy Poehler Character: Joy
  • Inside Out – Pixar Animation Studios – Cast: Phyllis Smith Character: Sadness
  • Minions – Illumination Entertainment – Cast: Pierre Coffin Character: The Minions
  • Minions – Illumination Entertainment – Cast: Jon Hamm Character: Herb Overkill
  • The Peanuts Movie – Blue Sky Studios, Twentieth Century Fox Animation – Linus: Alex Garfin Character: Linus
  • The Peanuts Movie – Blue Sky Studios, Twentieth Century Fox Animation – Lucy: Hadley Belle Miller Character: Lucy
  • The SpongeBob Movie: Sponge Out of Water – Paramount Animation – Cast: Tom Kenny Character: SpongeBob

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Here’s the 15 Films That Made The Best Documentary Shortlist!


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Today, that Academy announced the 15 semi-finalists for the Best Documentary Feature award.  I’m sad to say that I haven’t seen as many of these as I should have.  However, I am happy to see that both Amy and Going Clear made the shortlist.

(I’m actually a bit surprised to see Going Clear made the cut, considering it’s subject matter.  If Going Clear is nominated, will there be a mass boycott of the Awards by Hollywood Scientologists?  Will this be an Oscar ceremony without Tom Cruise?)

Five of these films will be nominated for Best Documentary in January.

Amy,” On the Corner Films and Universal Music

Best of Enemies,” Sandbar

Cartel Land,” Our Time Projects and The Documentary Group

Going Clear: Scientology and the Prison of Belief,” Jigsaw Productions

He Named Me Malala,” Parkes-MacDonald and Little Room

Heart of a Dog,” Canal Street Communications

The Hunting Ground,” Chain Camera Pictures

Listen to Me Marlon,” Passion Pictures

The Look of Silence,” Final Cut for Real

Meru,” Little Monster Films

3 1/2 Minutes, 10 Bullets,” The Filmmaker Fund, Motto Pictures, Lakehouse Films, Actual Films, JustFilms, MacArthur Foundation and Bertha BRITDOC

We Come as Friends,” Adelante Films

What Happened, Miss Simone?,” RadicalMedia and Moxie Firecracker

Where to Invade Next,” Dog Eat Dog Productions

Winter on Fire: Ukraine’s Fight for Freedom,” Pray for Ukraine Productions

What a Lovely Day! The National Board of Review Honors Mad Max: Fury Road!


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OH MY GOD!

So, like a lot of people, I was expecting the National Board of Review to name Spotlight as best picture of the year.  I haven’t seen Spotlight yet but I have to admit that I’m already kind of bored of hearing about how it’s the Oscar front-runner.  I mean, for all I know, Spotlight could be the best film ever made but I like it when my awards season is interesting.  It’s boring when one film — like The Social Network a few years ago — keeps winning every single award.

So, with all that in mind, I was really happy to hear that the National Board of Review picked Mad Max: Fury Road for best picture.  I was happy because not only is Fury Road a really great movie that deserves the love but also because it was just so unexpected!  Way to go, NBR!

(The only thing that would have made things better would have been if the Guitar Guy had won Best Supporting Actor.)

Now, I’d caution anyone about getting too excited.  Just because a film wins one of the precursor awards, that does not mean that it’s going to be nominated come Oscar time.  Last year, for instance, the NBR picked A Most Violent Year for best picture.  However, at the same time, it can be argued that the momentum that led to Her being nominated in 2014 began with its victory at the NBR.

So, who knows?

Anyway, here are the NBR winners!

Best Film:  Mad Max: Fury Road

Best Director:  Ridley Scott – The Martian

Best Actor:  Matt Damon – The Martian

Best Actress: Brie Larson – Room

Best Supporting Actor:  Sylvester Stallone – Creed

Best Supporting Actress:  Jennifer Jason Leigh – The Hateful Eight

Best Original Screenplay:  Quentin Tarantino – The Hateful Eight

Best Adapted Screenplay:  Drew Goddard – The Martian

Best Animated Feature:  Inside Out
Breakthrough Performance:  Abraham Attah – Beasts of No Nation & Jacob Tremblay – Room

Best Directorial Debut:  Jonas Carpignano – Mediterranea

Best Foreign Language Film:  Son of Saul

Best Documentary:  Amy

William K. Everson Film History Award:  Cecilia De Mille Presley

Best Ensemble:  The Big Short

Spotlight Award: Sicario for Outstanding Collaborative Vision

NBR Freedom of Expression Award:  Beasts of No Nation & Mustang

Top Films

Top 5 Foreign Language Films

  • Goodnight Mommy
  • Mediterranea
  • Phoenix
  • The Second Mother
  • The Tribe

Top 5 Documentaries

  • Best of Enemies
  • The Black Panthers: Vanguard of the Revolution
  • The Diplomat
  • Listen to Me Marlon
  • The Look of Silence

Top 10 Independent Films