What a Lovely Day! The National Board of Review Honors Mad Max: Fury Road!


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OH MY GOD!

So, like a lot of people, I was expecting the National Board of Review to name Spotlight as best picture of the year.  I haven’t seen Spotlight yet but I have to admit that I’m already kind of bored of hearing about how it’s the Oscar front-runner.  I mean, for all I know, Spotlight could be the best film ever made but I like it when my awards season is interesting.  It’s boring when one film — like The Social Network a few years ago — keeps winning every single award.

So, with all that in mind, I was really happy to hear that the National Board of Review picked Mad Max: Fury Road for best picture.  I was happy because not only is Fury Road a really great movie that deserves the love but also because it was just so unexpected!  Way to go, NBR!

(The only thing that would have made things better would have been if the Guitar Guy had won Best Supporting Actor.)

Now, I’d caution anyone about getting too excited.  Just because a film wins one of the precursor awards, that does not mean that it’s going to be nominated come Oscar time.  Last year, for instance, the NBR picked A Most Violent Year for best picture.  However, at the same time, it can be argued that the momentum that led to Her being nominated in 2014 began with its victory at the NBR.

So, who knows?

Anyway, here are the NBR winners!

Best Film:  Mad Max: Fury Road

Best Director:  Ridley Scott – The Martian

Best Actor:  Matt Damon – The Martian

Best Actress: Brie Larson – Room

Best Supporting Actor:  Sylvester Stallone – Creed

Best Supporting Actress:  Jennifer Jason Leigh – The Hateful Eight

Best Original Screenplay:  Quentin Tarantino – The Hateful Eight

Best Adapted Screenplay:  Drew Goddard – The Martian

Best Animated Feature:  Inside Out
Breakthrough Performance:  Abraham Attah – Beasts of No Nation & Jacob Tremblay – Room

Best Directorial Debut:  Jonas Carpignano – Mediterranea

Best Foreign Language Film:  Son of Saul

Best Documentary:  Amy

William K. Everson Film History Award:  Cecilia De Mille Presley

Best Ensemble:  The Big Short

Spotlight Award: Sicario for Outstanding Collaborative Vision

NBR Freedom of Expression Award:  Beasts of No Nation & Mustang

Top Films

Top 5 Foreign Language Films

  • Goodnight Mommy
  • Mediterranea
  • Phoenix
  • The Second Mother
  • The Tribe

Top 5 Documentaries

  • Best of Enemies
  • The Black Panthers: Vanguard of the Revolution
  • The Diplomat
  • Listen to Me Marlon
  • The Look of Silence

Top 10 Independent Films

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Film Review: Cop Car (dir by Jon Watts)


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Cop Car opens with two young boys, Travis (James Freedson-Jackson) and Harrison (Hays Wellford) walking through a field.  Over the course of the film, we really don’t learn that much about either Travis or Harrison.  They speak in the tones and accent of childhood and the trailer park.  They’re just two ordinary kids, who appear to be bored out of their mind and who can blame them because it appears that they live out in the middle of nowhere.

And then, suddenly, their boredom ends.

They comes across a deserted cop car sitting in the middle of the wilderness.  After a successive number of dares, they end up inside of the car.  And then, they discover that the keys are still in the car as well.  Soon, Harrison and Travis are taking turns driving the car, roaring down the highway, nearly running an irate motorist (Camryn Manheim) off the road and basically having a great time.

What the kids don’t know is that the cop car belonged to Sheriff Kretzer (Kevin Bacon), a grim-faced lawman who isn’t going to allow two little kids to make a fool out of him.  Even while Harrison and Travis are playing around in the car, Kretzer is pursuing them.  Along the way, Kretzer is reduced to stealing a truck, gets stopped for speeding, and basically sacrifices any ounce of personal dignity that he may have.  Along the way, cars crash and cows are nearly run over.

And it all sounds like the making of a comedy, doesn’t it?  Just from reading the plot description, you might be justified in thinking that Cop Car is a white trash version of Ferris Bueller’s Day Off.  Well, make no mistake.  Cop Car has its funny moments but it is definitely not a comedy.  Sheriff Kretzer may occasionally be a bit of a bumbling adversary but he is no Principal Rooney.  Instead, Kretzer is a vicious and effective killer.

The reason Kretzer was away from his car is that he was busy burying a body in the woods.  And what the kids don’t realize, at first, is that there’s another body in the trunk of the car.  Kretzer is determined to get back his cop car and he’s willing to kill the boys to do it.  Even worse, Kretzer’s badge and uniform give him both the ability and the authority to do so.

There’s one particularly effective scene where Harrison and Travis playing with the weapons that Kretzer left in the car is juxtaposed with Kretzer pouring a baggie of cocaine into a toilet.  But, at the same time, I almost wish that the whole drug dealing subplot had been left out of the film.  When we first meet Kretzer, he’s scary precisely because his motives are unknowable.  He’s an authoritarian with a badge, and a bad mustache.  The more specific the film gets about Kretzer’s motivations, the less interesting he becomes.  Imagine if Kretzer has simply been an unstoppable force of wounded machismo, motivated by nothing more than his belief that his law is the only law that matters.  By making Kretzer a criminal as well as a cop, Cop Car dilutes its otherwise strong critique of the pro-authoritarian strain that currently runs through American culture.

As a thriller and chase film, Cop Car works pretty well, though the first half is significantly better than the second.  (The second half gets a little bogged down with the man in the trunk.)  Director Jon Watts keeps the film moving at a good pace and he shows that he knows how to generate suspense.  There’s a lengthy and narratively risky scene where Kretzer repeatedly tries and fails to pick a lock but the scene pays off in the end and Watts deserves some credit for having faith in the patience of his audience.

But really, Cop Car works largely because Kevin Bacon has become a national treasure.  It’s always fun to watch him throw himself into playing off-center roles like Sheriff Kretzer.  Bacon is smart enough to play up Kretzer’s stupidity without ever downplaying his dangerous and cunning nature.  It’s a great performance in a pretty good film.