For tonight’s vintage Christmas film, allow me to present a 1949 television special. This adaptation of A Christmas Carol is unique for being hosted by none other than Vincent Price!
Enjoy!
For tonight’s vintage Christmas film, allow me to present a 1949 television special. This adaptation of A Christmas Carol is unique for being hosted by none other than Vincent Price!
Enjoy!
BEST PICTURE
Carol
Mad Max: Fury Road
Spotlight
The Big Short
The Martian
BEST ACTOR
Bryan Cranston – Trumbo
Paul Dano – Love and Mercy
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl
BEST ACTRESS
Cate Blanchett – Carol
Brie Larson – Room
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn
Charlize Theron – Mad Max: Fury Road
BEST SUPPORTING ACTOR
Oscar Isaac – Ex Machina
Mark Ruffalo – Spotlight
Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed
BEST SUPPORTING ACTRESS
Elizabeth Banks – Love and Mercy
Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Kristen Stewart – Clouds of Sils Maria
Alicia Vikander – Ex Machina
BEST DIRECTOR
Todd Haynes – Carol
Alejandro G. Iñárritu – The Revenant
George Miller – Mad Max: Fury Road
Tom McCarthy – Spotlight
Ridley Scott – The Martian
BEST ENSEMBLE
The Big Short
Mistress America
Spotlight
Straight Outta Compton
Tangerine
BEST ORIGINAL SCREENPLAY
Ex Machina
The Hateful Eight
Inside Out
Mistress America
Spotlight
BEST ADAPTED SCREENPLAY
The Big Short
Brooklyn
Carol
Room
Steve Jobs
BEST CINEMATOGRAPHY
Carol
Mad Max: Fury Road
The Revenant
Sicario
Youth
BEST VISUAL EFFECTS
Ex Machina
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Walk
BEST ART DIRECTION/ PRODUCTION DESIGN
Brooklyn
Carol
Crimson Peak
Love & Mercy
Mad Max: Fury Road
BEST SCORE
Carol
The Hateful Eight
Love & Mercy
Mad Max: Fury Road
Star Wars: The Force Awakens
BEST DOCUMENTARY
Amy
Best of Enemies
Cartel Land
Heart of a Dog
The Look of Silence
BEST FOREIGN LANGUAGE FILM
The Assassin
Mommy
Mustang
Phoenix
Son of Saul
BEST ANIMATED FILM
Anomalisa
Inside Out
The Good Dinosaur
The Peanuts Movie
Shaun the Sheep Movie
FFCC BREAKOUT AWARD
Bel Powley – Diary of a Teenage Girl
Daisy Ridley – Star Wars: The Force Awakens
Kitana Kiki Rodriguez – Tangerine
Jacob Tremblay – Room
Alicia Vikander – Ex Machina and The Danish Girl
The Kansas City Film Critics announced their picks for the best of 2015 yesterday and they love Mad Max! You can check out a full list of their nominees here! Check out the winners below!
Best Picture: Mad Max: Fury Road
Best Director: George Miller, Mad Max: Fury Road
Best Actor: Leonardo DiCaprio, The Revenant
Best Actress: Charlize Theron, Mad Max: Fury Road
Best Supporting Actor: Michael Shannon, 99 Homes
Best Supporting Actress: Alicia Vikander, Ex Machina
Best Original Screenplay: Spotlight
Best Adapted Screenplay: The Big Short
Best Foreign Language Film: Phoenix
Best Animated Feature: Inside Out
Best Documentary: Amy
Vince Koehler Award for Best Science Fiction, Fantasy, Horror Film: Ex Machina
You can check out all of the Las Vegas Film Critics nominations by clicking here. The actual winners are listed below:
Top Ten List
1 SPOTLIGHT
2 CREED
3 EX MACHINA
4 STRAIGHT OUTTA COMPTON
5 BEASTS OF NO NATION
6 THE MARTIAN
7 MAD MAX FURY ROAD
8 SICARIO
9 LEGEND
10 ROOM
Best Picture:
SPOTLIGHT
Runner up: CREED
BEST DIRECTOR:
Tom McCarthy, SPOTLIGHT
Best Ensemble:
SPOTLIGHT
Best Actor:
Leonardo DiCaprio – The Revenant
Best Actress:
Brie Larson, ROOM
Best Original Screenplay:
Tom McCarthy and Josh Singer, SPOTLIGHT
Best Adapted Screenplay:
Drew Goddard, THE MARTIAN
Best Cinematography:
Emmanuel Lubezki, THE REVENANT
Best Film Editing:
Margaret Sixel, MAD MAX – FURY ROAD
Best Costume Design:
Jenny Beavan, MAD MAX – FURY ROAD
Best Foreign Film:
GOODNIGHT MOMMY
Best Art Direction:
Irene O’Brien and Robert Parle, BROOKLYN
Best Supporting Actress:
Elizabeth Banks, LOVE AND MERCY
Best Visual Effects:
MAD MAX – FURY ROAD
Best Horror/Sci-fi Film:
EX MACHINA
Best Animated Film:
INSIDE OUT
Best Family Film:
CINDERELLA
Best Documentary:
GOING CLEAR – SCIENTOLOGY AND THE PRISON OF BELIEF
Best Comedy:
TRAINWRECK
Best Action Film:
MAD MAX – FURY ROAD
Youth in Film:
Jacob Tremblay, ROOM
Breakout Filmmaker:
Alex Garland, EX MACHINA
Best Score:
Ennio Morricone, THE HATEFUL EIGHT
Best Song:
“See You Again” from FURIOUS 7
Best Supporting Actor:
Sylvester Stallone, CREED
The Utah Film Critics announced their picks for the best of 2015 and they’re mad about Max!
BEST PICTURE
Winner: Mad Max: Fury Road
(runner-up: The Martian)
BEST DIRECTING
Winner: George Miller – Mad Max: Fury Road
(runner-up: Ridley Scott – The Martian)
BEST ACTOR
Winner: Leonardo DiCaprio – The Revenant
(runner-up: Matt Damon – The Martian)
BEST ACTRESS
Winner: Brie Larson – Room
(runner-up: Saoirse Ronan – Brooklyn)
BEST SUPPORTING ACTOR
Winner: Sylvester Stallone – Creed
(runner-up: Oscar Isaac – Ex Machina)
BEST SUPPORTING ACTRESS
Winner: Rose Byrne – Spy
(runner-up: Alicia Vikander – Ex Machina)
ORIGINAL SCREENPLAY
Winner: Inside Out
(runner-up: Spotlight)
ADAPTED SCREENPLAY
Winner: The Martian
(runner-up: Brooklyn)
CINEMATOGRAPHY
Winner: Mad Max: Fury Road
(runner-up: The Revenant)
BEST DOCUMENTARY
Winner: The Hunting Ground
(runner-up: Amy)
NON-ENGLISH FEATURE
Winner: Timbuktu
(runner-up: Son of Saul)
BEST ANIMATED FEATURE
Winner: Inside Out
(runner-up: Shaun the Sheep)
The Nevada Film Critics have announced their picks for the best of 2015. The Revenant got a little more love than usual (and Tom Hardy finally picked up an award) but Spotlight again won the top prize.
Best Film – Spotlight
Best Actor – Leonardo DiCaprio – the Revenant
Best Actress – Brie Larson – Room
Best Supporting Actor – Tom Hardy – The Revenant
Best Supporting Actress – Alicia Vikander – Ex Machina
Best Youth Performance – Jacob Tremblay – Room
Best Director – Alejandro Iñárritu – The Revenant
Best Original Screenplay – Tom McCarthy and Josh Singer – Spotlight
Best Adapted Screenplay – tie – Drew Goddard for The Martian and Emma Donoghue for Room
Best Ensemble Cast – Spotlight
Best Documentary – Amy
Best Animated Movie – Inside Out
Best Production Design – Francois Séguin – Brooklyn
Best Cinematography – Emmanuel Lubezki – The Revenant
Best Visual Effects – Ex Machina
On September 1, 1948, movie star Robert Mitchum went to a house party with an acquaintance and two young women. The quartet was raided by LA police and arrested for possession of marijuana. Local cops were out to clean up the Hollywood “dope scene”, and Mitchum was used to set an example. Sentenced to 60 days in jail, Mitchum and his bosses at RKO figured his career was over. But during all this hubbub, the studio reluctantly released RACHEL AND THE STRANGER, a Western with Loretta Young and William Holden that Mitchum finished before the bust. It was a hit with audiences, who cheered at the sight of the laconic pothead on-screen! Mitchum did his time, then went on to make THE BIG STEAL with his Out of the Past costar Jane Greer. It looked like all was forgiven, but RKO was still unsure, and tried to soften Mitchum’s image by casting…
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Turkey Hollow was the final Lifetime film on my DVR. I watched it when it originally premiered on November 21st and I was actually surprised to discover that I enjoyed it. I’m not sure why it take me so long to get around to writing a review. It probably had something to do with the holidays…
And speaking of holidays, Turkey Hollow is a Thanksgiving film! There’s a surprising lack of Thanksgiving films. There’s a countless number of horror-themed Halloween films and there are millions of Christmas movies but, with the exception of Turkey Hollow and that slasher film that Eli Roth said he might make some day, Thanksgiving has always been curiously underrepresented. So, let’s start this review by thanking the makers of Turkey Hollow for paying some respect to Thanksgiving…
As for the film itself, it takes place in a town called Turkey Hollow. The economy of Turkey Hollow is entirely built around raising turkeys to be killed for Thanksgiving. The most powerful man in town is evil old Eldridge Sump (Linden Banks), who pumps his turkeys full of dangerous drugs and chemicals.
One of the few people willing to stand up to Eldridge is a hippie vegan named Cly (Mary Steenburgen). As the film begins, Cly is being visited by brother (Joey Harrington) and his two children. At first, Annie (Genevieve Buechner) and her younger brother, Tim (Graham Verchere) struggle to get used to life Aunt Cly’s house. Not only does Cly not eat meat but she doesn’t have wi-fi either! Seriously, it’s crazy…
Tim becomes fascinated by the legend of the Hoodoo, a creature that is said to live in the wilderness around Turkey Hollow. One day, while at searching for it, he accidentally releases all of Eldridge’s turkeys. Now, under the bizarre bylaws of Turkey Hollow, Clay will automatically lose her property unless she comes up with $10,000.
However, Tim and Annie have a plan! They’re going to track down the Hoodoo, take a picture, and sell it to a tabloid. However, while out searching, they don’t come across the Hoodoo. Instead, they discover four other bizarre creatures.
The monsters — which were created by the same people who created the Muppets — are obviously Turkey Hollow‘s main attraction. They were also the main reason why I felt some trepidation about watching the film. From the commercials, they looked like they might be a little bit too cutesy. I was terrified that they would spend the entire movie breaking out into song. But, when I watched the movie, the creatures actually turned out to be so ugly that they were adorable. They were cute but they were never cutesy and I appreciated that.
Anyway, Turkey Hollow turned out to be a lot better than I thought it would. It’s a film for kids but, at the same time, there’s a few jokes for the adults (mostly dealing with Cly’s use of marijuana) and, in the role of narrator, Ludacris is often quick to point out the film’s more … well, ludicrous moments. At its best, his narration is reminiscent of Aubrey Plaza’s voice over as Grumpy Cat in Grumpy Cat’s Worst Christmas Ever.
We definitely need more Thanksgiving movies and Turkey Hollow is a good enough start.
I guess it’s open to debate as to whether or not When The Sky Falls is truly a science fiction movie. It deals with a huge storm that basically produces extremely powerful lightning and the lightning occasionally appears to have a mind of its own. I have no idea if there’s any scientific basis for this. I don’t really understand how lightning works, other than the fact that you don’t want to stand under a tree in a lightning storm and you definitely do not want to get struck.
But, regardless of whether the film is scientifically accurate or not, I still feel like this should be considered a science fiction movie. First off, there’s the fact that the lightning itself often does seem to be intentionally targeting the film’s heroes. Though the film never specifically states this as fact, it does seem as if the lightning has developed enough of a personality to hold a grudge against those attempting to escape it. Secondly, the film’s main character is an ozone researcher and that just seems like an appropriate job for a character in a science fiction film. And finally, despite the fact that it premiered on the Lifetime Movie Network, the entire film feels like it belongs on the SyFy network.
Seriously, everything about this film — from the acting to the cheap but crudely effective special effects to the environmentalist protagonist — feels reminiscent of a pre-Sharknado SyFy film. (It’s easy to forget that, before Sharknado, SyFy films pretended to take themselves seriously.) The plot even follows the standard SyFy formula — a dysfunctional family spends the weekend at a cabin in the woods and end up getting separated once the big lightning storm strikes. They start out arguing and they end up depending on each other for survival. And, perhaps most importantly of all, Dad gets to prove that he’s not as lame as everyone thinks. If Lifetime films all build up to that moment when everyone realizes that mom was correct, SyFy films often celebrate the uncool but capable father figure.
Perhaps the most interesting thing about When The Sky Falls is that it was even on Lifetime Movie Network to begin with. Compared to more traditional LMN films — like Confessions of a Go-Go Girl and The Perfect Teacher — When The Sky Falls feels a bit out-of-place. Perhaps next year, SyFy will return the favor and produce a sequel to Back To School Mom.
But anyway, what about the film itself? In no way can it compare to either SyFy or Lifetime at its best. The script is predictable, the actors struggle with some seriously undeveloped characters, and the film never finds a steady pace. Some parts of the film seem way too slow while others seem to be oddly rushed. On the plus side, when taken on their own terms, some of the lightning effects are kind of fun and the film was shot in Canada so, at the very least, you get to see some really pretty scenery.
Seriously, I love Canada!
After finishing up with A Gift-Wrapped Christmas, it was time to move onto the final Lifetime Christmas film on my DVR, Wish Upon A Christmas. Wish Upon A Christmas premiered on December 13th and, much like Becoming Santa, The Flight Before Christmas, and Last Chance For Christmas, it features Santa as a matchmaker.
Well, maybe it does. Though he has the beard and the jolly attitude, the film is somewhat ambiguous as to whether or not Mr. Tomte (Kevin McNulty) is actually Santa Claus or not. The facts certainly suggests that he may be. Before Mr. Tomte shows up in town, Danny (Dylan Kingwell) does make a wish that Santa could bring his single father, Jesse (Aaron Ashmore), a girlfriend. And then, one night, a bright light flashes in the sky and there’s an explosion in the distance as something crashes to the ground. Was it a meteorite or was it Santa’s sleigh? Who can say? But Danny does come across a silver bauble that Mr. Tomte is somewhat desperately searching for. Is it just a family heirloom and or is it, as Danny suspects, filled with the magic that allows Mr. Tomte to fly his sleigh?
Meanwhile, Jesse is the much beloved owner of a company that makes hand-crafted ornaments. He inherited the business from his parents and Jesse is a big believer in tradition. Despite the fact that it’s cutting into profits, he insists that every ornament be hand-made and that his workers take their time to make each one perfect. His workers are so happy that they even hum Christmas carols while they’re working.
Unfortunately, the big mean corporate world does not understand what makes Jesse’s business so special. They send efficiency expert Amelia (Larisa Oleynik) to inspect the company and make some recommendations. Much like George Clooney in Up In the Air, Amelia makes her living by firing people and convincing them that it’s for their own good. However, as soon as Amelia arrives in town, she finds it difficult to do her job. For one thing, she grew up in the town and she’s always had a crush on Jesse. Secondly, it turns out that she’s not as cold-hearted as she believes.
So, will Amelia fire everyone at the factory? Or will Danny’s wish come true?
Well, you already know the answer. This is a Lifetime Christmas movie and there’s nothing really surprising about it. However — and yes, I do realize that this has become a reoccurring theme when it comes to my Lifetime Christmas movie reviews — Wish Upon A Christmas is such a sweet and good-intentioned film that it would really be silly to be overly critical of it. You know what you’re getting when you watch a Christmas movie on Lifetime and Wish Upon A Christmas delivers.
Add to that, Kevin McNulty makes for a very likable Santa. Next year, he should co-star in a movie with The Flight Before Christmas‘s Brian Doyle-Murray in which they play the competing Santa brothers. It’ll be fun!