4 Shots From 4 Films: Special Wes Craven Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

87 years ago today, Wes Craven was born in Cleveland, Ohio.  Craven started his career as an academic, teaching high school English.  However, realizing that there was more money to be made in the film industry, Craven changed careers.  By his own admission, he started his career directing “hardcore, X-rated films” under a pseudonym and it has been rumored that he was a member of the crew of the first “porno chic” film, Deep Throat.  Eventually, Craven broke into the mainstream with some of the most influential and often controversial horror films ever made.  From being denounced for the original Last House On The Left to changing the face of horror with A Nightmare on Elm Street to becoming something of a revered statesman and a beloved pop cultural institution with the Scream franchise, Wes Craven had a truly fascinating career.

In honor his films and legacy, it’s time for….

4 Shots from 4 Wes Craven Films

The Hills Have Eyes (1977, dir by Wes Craven, DP: Eric Saarinen)

A Nightmare on Elm Street (1984, dir. by Wes Craven, DP: Jacques Haitkin)

Deadly Friend (1986, dir by Wes Craven, DP: Philip H. Lathrop)

The People Under The Stairs (1991, dir by Wes Craven, DP: Sandi Sissel)

Late Night Retro Television Review: Saved By The Bell 2.12 “Running Zack”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Tubi!

This episode, Zack does some research on his family tree.  Things are about to get supercringey.

Episode 2.12 “Running Zack”

(Dir by Don Barnhart, originally aired on November 24th, 1990)

Ms. Wentworth (Carol Lawrence), who is a slightly less sociopathic version of Ms. Bliss, has assigned everyone to do a report on their family tree.  She hands out grades based on what people discover about their family’s past.  I’m not sure if that’s really a good idea.  What if someone comes from a family that doesn’t have any dark secrets?  And really, if your family did have a dark secret, what business is it of Ms. Wentworth’s?

Lisa reveals that her family escaped slavery and then helped over slaves escape as well.  “My family calls the Underground Railroad the original Soul Train,” she says.

Jessie discovers that her family was made up of slave traders.  Jessie proceeds to have a breakdown, even though Lisa says that Jessie shouldn’t feel responsible for anything that her ancestors did.  To a lot of people, that probably sounds like common sense but it’s also the type of sentiment that now gets you cancelled on Bluesky.

Screech reveals that he’s Italian and his ancestors were all great lovers.  “What is mi grade?” Screech asks.  “A!” Ms. Wentworth says with a dramatic flourish.

We never learn about Slater’s family tree, despite the fact that, along with Lisa, he’s one of the few characters who is obviously not a generic white person.  However, we do learn about Zack’s family background.  Looking through the family records, he finds one picture of an Indian.  Zack promptly declares himself to be a Native American.  However, when Zack can’t even answer a few basic questions about his family’s background, Ms. Wentworth threatens to flunk him.  But if Zack flunks, how will he compete at the track meet!?  Bayside has never beat Valley …. in track, at least.

Ms. Wentworth sends Zack to meet Chief Henry (Dehl Berti, who, unlike Mark-Paul Gosselaar, actually was of Native American ancestry), an American Indian who apparently lives in a cluttered shack.  Chief Henry takes one look at the picture and is able to identify Zack’s ancestor by name.  He also gives Zack the name “Running Zack.”  He helps Zack to appreciate his Native heritage.  And then Chief Henry promptly dies offscreen.

Zack isn’t sure that he can run in the track meet.  He’s feeling pretty depressed about the death of the old man he met twice.  Chief Henry’s ghost appears to Zack and tells him to run because beating Valley is obviously the most important thing.  Zack agrees to go to the track meet and Henry vanishes.  Zack’s Native American ancestry is never mentioned again.

This episode is the equivalent of those old DNA test commercials where an extremely white person would say that their DNA test revealed that they were 2% Native American and that it had changed their entire life.  As I rewatched it for this review, I couldn’t help but think about Elizabeth Warren, whose claims of Native American ancestry were even flimsier than Zack’s.  I found myself thinking about the fact that there’s actually a name — Pretendian — for generic white people who try to be more interesting by falsely claiming Native heritage.  What’s funny is that Mark-Paul Gosselaar’s actual heritage — Dutch and Jewish on his father’s side, Indonesian on his mother’s side — is actually pretty interesting.  But, in this episode, it’s revealed that Zack is Nez Perce.  (Though the tribe isn’t named, Zack’s ancestor is described as being one of Chief Joseph’s main warriors.)

Gosselaar used to refer to this as being his favorite episode of Saved By The Bell.  In 2016, he changed his tune and said that the episode actually was insensitive to Native Americans.  Gosselaar’s correct about that.  Even after Ms. Wentworth tells Zack that his original presentation was disrespectful to the memory of his ancestor, she still calls him “kimosabe.”  At no point does Zack show any curiosity as to why he had never heard much about his Native ancestry to begin with.  And, needless to say, it’s never mentioned again.  Like, ever.  Seriously, I had a friend who, in 2007, discovered that she was 98% European and 2% North African and she hasn’t shut up about it in nearly 20 years.

The main problem with this episode is that Chief Henry conveniently dies off-screen, despite there not being any indication that he was in any way unhealthy.  We never learn what Henry died of.  Instead, he shows up long enough to teach Zack a lesson and then he dies so that the show doesn’t have to worry about bringing him back in the future.  Zack declares that he might not run the track meet.  Ms. Wentworth sobs.  Well, at least Ms. Wentworth actually knew Chief Henry.  Zack really seems like he’s just being performative about it.

Myself, I’m Irish on my father’s side and Italian/Spanish on my mother’s side.  I would have definitely gotten an A in Ms. Wentworth’s class.

Lisa Marie’s Week In Television: 7/26/26 — 8/1/26


Austin City Limits (PBS)

I watched an episode of this show on Saturday morning.  My musical tastes pretty much start and end with EDM.  Sorry, Austin.

Big Brother 28 (24/7, CBS, Paramout+, Pluto TV)

I’ve been sharing my thoughts on the show that I love to hate over at the RealityTVChat Blog.  Feel free to leave a comment over there because, right now, the blog is not quite living up to the chat part of the name.

The Larry Sanders Show (HBOMax)

It’s a funny show and it helps to ease my anxiety.  I’ve watched quite a few episodes this week.

Rogue’s Gallery (NightFlight+)

I watched an episode about John Dillinger on Friday.  Now there was a handsome bank robber!

Saved By The Bell (Tubi)

Running Zack!  I’ll be posting a review of this week’s episode in a bit.

Survivor 50 (CBS, Wednesday Night)

CBS has been re-airing Survivor 50 after episodes of Big Brother.  I missed Survivor 50 when it first aired and I’m still struggling to get into it right now.  I prefered Survivor when it was only an hour long.  I have ADHD so asking me to concentrate for 90 minutes is a bit much.

Watched And Reviewed:

  1. 1st & Ten,
  2. Alexander The Great,
  3. Baywatch,
  4. CHiPs,
  5. Crime Story,
  6. Freddy’s Nightmares,
  7. Hunter,
  8. The Love Boat,
  9. Pacific Blue,
  10. Saved By The Bell: The New Class,
  11. St. Elsewhere

 

Retro Television Review: Baywatch 2.13 “Now Sit Right Back And You’ll Hear A Tale”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, Eddie suffers a serious injury.

A quick note, before we begin: this episode was actually the 16th episode to air during the second season but apparently, it was originally meant to be the 13th episode and, in reruns, it usually airs after the Reunion episode.  I’ve decided to go with the production order for the purpose of these reviews.  Of course, it really doesn’t matter because it’s not like Baywatch had any use for continuity to begin with.

Episode 2.13 “Now Sit Right Back and You’ll Hear a Tale”

(Dir by Douglas Schwartz, originally aired on February 24th, 1992)

After rescuing a jet skier who ran out of fuel in the middle of the ocean, Eddie and Shauni discover a previously unchartered island.  (Or, at least, that’s what we’re told.  The beach that Eddie and Shauni explore is obviously the same beach from last week’s Reunion episode.)  On the beach, they find Gilligan (Bob Denver) and Mary Ann (Dawn Wells), who have been stranded on the island ever since the 60s.  Eddie and Shauni take them back to civilization.

Captain Thorpe is so impressed with Gilligan and Mary Ann’s story that he decides that he’s going to start his own media company and produce a miniseries about their life on the Island.  He also thinks that it would be a good idea to go back to the island and rescue the other castaways.  (Gee, you think?)  He arranges for a three-hour expedition to the island.  Garner will serve as the skipper.  Eddie will be the first mate.  Harvey is coming along as a professor, for some reason.  Shauni wants to star in the miniseries so she decides to dress up like a movie star and come on the tour as well.

Uh-oh, there’s a storm!  Everyone ends up washed up on the island.  Eddie finds himself torn between Mary Ann and Shauni but then he realizes that Gilligan is the one who truly loves Mary Ann….

No, I’m not making this up.  Stop it, I swear I’m not.

Eventually, Eddie wakes up in Baywatch Headquarters.  It turns out that he slipped and hit his head earlier and the entire episode has been a dream.  (Shocker!)  It sound like Eddie probably has a severe concussion but no one seems to be too concerned about that.

Hasselhoff appears for a few minutes at the start and the end of the episode.  Apparently, he knew better than to board the boat.

Oh God, this episode.  Well, actually, this episode makes sense once you learn that Douglas Schwartz (who both directed this week and also served as executive producer of the show) was the nephew of Sherwood Schwartz, the producer of Gilligan’s Island.  It’s a silly episode but Baywatch is a silly show so that’s to be expected.  The episode’s main mistake is that it opens with Eddie watching an episode of Gilligan’s Island and then it shows us Eddie slipping and hitting his head.  As a result, we pretty much know the whole episode is a dream from the start and we spend the entire episode waiting for Eddie to wake up.  It’s kind of boring.

Next week …. oh, who knows?  I’m sure it’ll be something involving a lot of slow motion running on the beach.

Live Tweet Alert: Watch Invitation To Hell With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting Wes Craven’s Invitation to Hell, starring Susan Lucci and Robert Urich!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!   I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scenes That I Love: Billy Jack Learns About The Three Levels In The Trial of Billy Jack


Seeing as how he was born in the month of August, this seems like a good time to pay tribute to Tom Laughlin, the actor who revolutionized independent American cinema through his Billy Jack films.

In four films, Laughlin played Billy Jack, an American Navajo, a former Green Beret, a veteran of the Vietnam War, a hapkido master, and a man who just protects children and other living things.  When he first appeared in 1967’s The Born Losers, he was protecting a woman from bikers.  In 1971’s Billy Jack, he was protecting the Freedom School from ignorant townspeople.  In 1974’s The Trial of Billy Jack, he was …. well, in that film, Billy Jack did a little bit of everything but the National Guard still ended up destroying the Freedom School.  Finally, in 1977’s Billy Jack Goes To Washington, Billy was appointed to the United Stated Senate because what else are you going to do with someone who has killed a tremendous amount of people over the course of three films?

(Of course, in Senator Jack’s defense, they were all bad people.)

Laughlin not only starred as Billy Jack but he also directed all four of the films and, starting with Billy Jack, he also handled the distribution of them.  A huge box office hit, Billy Jack is considered to be a seminal counter culture film.  The other three films are a bit less acclaimed and Trial of Billy Jack is often cited as one of the most pretentious and self-indulgent films ever made.  But, regardless of their individual artistic merits, all of the Billy Jack films share an appealing mix of sincerity and silliness.  Laughlin was a good actor and, visually, he was a stronger director than he was often given credit for. Some of the shots in the original Billy Jack are breath-taking.  At a time when even self-styled progressive films still portrayed women in the most condescending and demeaning way possible (check out Getting Straight or R.P.M., if you dare), the Billy Jack films were as much about Jean (played by Delores Taylor, Laughlin’s wife and creative partner), the founder of the Freedom School, and her beliefs, as they were about Billy Jack and his struggles to accept pacifism.  If nothing else, the Billy Jack films featured actual conversations and debates about actual ideologies and philosophies, as opposed to the usual shallow Hollywood politics.  Unfortunately, Laughlin was also a heavy-handed storyteller and a terrible editor.  The Trial of Billy Jack goes on for three hours.

And yet, of all the Billy Jack films, The Trial of Billy Jack is my favorite.  It’s just so weird that it’s hard not to like it.  It’s a film that doesn’t really work but, at the same time, you can’t help but appreciate all the effort that was put into it.  Whatever else you might be able to say about him and his films, it’s obvious that Tom Laughlin truly did think that the movies could make a difference.  There’s an aching sincerity to Laughlin’s work that pretty much cannot be found in the majority of today’s films.

In honor of Laughlin’s birthday and his legacy, here’s a scene that I love from The Trial of Billy Jack.  In this scene, Billy goes on a vision quest and experiences the Three Levels.  I would be lying if I said I really followed much of the logic in the scene but at least we get to see Billy hit a hippie professor.  Billy also smacks Jesus, which isn’t cool but Jesus shows exactly how to handle that type of belligerence and hopefully, he provides a lesson for us all.

Learn about the Three Levels, with Billy Jack.  And be sure to spare a thought for the hard work of Tom Laughlin.

4 Shots From 4 Films: Special J. Lee Thompson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

112 years ago today, the director J. Lee Thompson was born in Bristol, England.  Thompson started his career making social realist films before he moved into making genre pictures.  He was nominated for Best Director for his work on 1961’s The Guns of Navarone.  That said, during his lifetime, Thompson was never exactly a critical favorite.  When they were first released, critics were dismissive of his entries in the original Planet of the Apes franchise and they were downright hostile to his work with Charles Bronson.  However, all of those films were better appreciated by audiences and they remain cult classics to this day.  Conquest of the Planet of the Apes, with its themes of protest and revolution, has especially been the subject of much recent critical reevaluation.  Thompson may have been a genre director but that didn’t mean that his film were devoid of subtext.  If anything, Thompson was a master of sneaking subversive themes into the least likely of works.

Thompson was a filmmaker who knew how to tell a story and who always did the best with whatever he had to work with.  To be honest, many aspiring and working directors could learn a lot from spending a weekend watching some of Thompson’s films.

In honor of the man and his legacy, here are….

4 Shots From 4 J. Lee Thompson Films

Cape Fear (1962, dir by J. Lee Thompson, DP: Sam Leavitt)

Conquest of the Planet of the Apes (1972, dir by J. Lee Thompson, DP: Bruce Surtees)

Happy Birthday To Me (1981, dir by J. Lee Thompson, DP: Miklos Lente)

10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)

Late Night Retro Television Review: Freddy’s Nightmares 2.21 “Prisoner of Love”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

Let’s go to prison!  Is Freddy coming?

Episode 2.21 “Prisoner of Love”

(Dir by Richard T. Schor, originally aired on March 4th, 1990)

A flakey Episcopalian named Father Jarvis (Vincent Baggetta) is appointed the new chaplain of Springwood Prison.  Jarvis has just returned from Haiti and has a rather liberal outlook towards prison reform.  When he falls in love with Death Row prisoner Violet (Maria Richwine), he gives her a Haitian drug that will make it appear as if she’s died.  He promises her that he will dig her up from the prison graveyard before she suffocates.  Unfortunately, Jarvis oversleeps and Violet suffocates in her coffin.

Still, another prisoner named Brenda (Tara Buckman) overheard Jarvis talking to Violet and she decides that she wants the same drug.  Jarvis gives it to her but it turns out that Jarvis is also being haunted by the ghost of Violet.  Violet says that she can’t move on until Brenda forgives her for killing Brenda’s boyfriend.  Brenda finds herself being held captive by the crazed Father Jarvis.

This episode was the second-to-late for Freddy’s Nightmares and, unfortunately, it’s not very good.  Between the histrionic acting and the predictable plot, this story really makes you wish that Freddy was doing something more than just introducing it.  As it was, this episode really reminded me of how limiting the show’s format was.  Whenever something scary happens, it’s always a given that it will turn out to be a dream.  It’s predictable and a little bit dull, unless it’s one of the rare episodes in which Freddy actually played a role in the story.

Next week, we will finish up Freddy’s Nightmares!

Lisa Marie’s Oscar Predictions For July


As you look over my latest Oscar predictions, you may notice that I’ve dropped two films that I originally had listed as major contenders.  Disclosure Day opened to mixed reviews and it really seems to have vanished from the cultural conversation in the wake of the release of The Odyssey.  Digger has not opened yet but I just get the feeling that this is going to be another pretentious Alejandro Iñárritu film.  Whenever anyone mentions the previous victory of Birdman, it always seems to be done with a slight bit of embarrassment.  I think Iñárritu’s time as an Oscar favorite might be over.

These predictions below are based on what’s been released, what will be playing at the major festivals, which trailers generated excitement (hello I Play Rocky!), which films are most likely to appeal to the Academy’s political biases (hello Ink and The Social Reckoning) and, as always, a lot of wishful thinking on my part.  (Hello I Play Rocky again!)

To see how my thinking has or has not evolved, check out my picks for March, April, May, and June!

Best Picture

The Adventures of Cliff Booth

Being Heumann

The Debut

Dune: Part Three

Fjord

Ink

The Odyssey

Project Hail Mary

The Social Reckoning

Wild Horse Nine

Best Director

David Fincher for The Adventures of Cliff Booth

Phil Lord and Christopher Miller for Project Hail Mary

Cristian Mungiu for Fjord

Christopher Nolan for The Odyssey

Denis Villeneuve for Dune: Part Three

Best Actor

David Corenswet in Mr. Irrelevant

Ryan Gosling in Project Hail Mary

Anthony Ippolito in I Play Rockly

John Malkovich in Wild Horses

Robert Pattinson in Primetime

Best Actress

Ellen Burstyn in Place To Be

Sandra Huller in Fatherland

Ruth Madeley in Being Heumann

Julianne Moore in The Debut

Renate Reinsve in Fjord

Best Supporting Actor

Steve Buscemi in Wild Horse Nine

Matt Dillon in I Play Rocky

Paul Giamatti in The Debut

Guy Pearce in Ink

Jeremy Strong in The Social Reckoning

Best Supporting Actress

Pamela Anderson in Place To Be

Anne Hathaway in The Odyssey

Samantha Morton in The Odyssey

Parker Posey in Wild Hose Nine

AnnaSophia Robb in I Play Rocky