First released in 1985, Prizzi’s Honor tells the story of Charley Partanna (Jack Nicholson), a blue collar guy who lives in Brooklyn and who is a hard-working hit man for the Prizzi crime family. Charley is the son of Angelo (John Randolph), who is the right-hand man to the family’s elderly but still ruthless Don (William Hickey). In the past, Charley came close to marrying the Don’s daughter, Maerose Prizzi (Anjelica Huston), and he is almost as much a member of the family as the Don’s two sons, Eduardo (Robert Loggia) and Dominic (Lee Richardson).
While attending a family wedding, Charley meets and is immediately infatuated with a woman named Irene Walker (Kathleen Turner). Later, when Charley is sent to California to kill a man who robbed one of the family’s Vegas casinos, he is shocked to discover that the man is Irene’s husband. Irene swears that she didn’t have anything to do with the casino theft and, after a whirlwind courtship, Charley and Irene get married in Mexico. What Charley doesn’t know (but eventually discovers) is that Irene is herself a professional killer. While Charley and Irene try to balance work and love, Maerose conspires to turn the family against Irene and win Charley back.
Directed by the legendary John Huston, Prizzi’s Honor is pitch black comedy about two hard-working people who kill for a living. (The film’s big set piece is an extended sequence in which Charley and Irene’s attempt to pull a job together goes wrong in every way and they end up arguing about their relationship while dragging dead bodies from one room to another.) Though Prizzi’s Honor was released long before the series premiered on HBO, the film feels almost like a companion piece to The Sopranos, full of mobsters who are not as clever as they think they are and who struggle to uphold the old ways in an increasingly complicated world. Particularly when compared to the gangster who populate a film like The Godfather, the Prizzis are defined by their pettiness. If Don Corleone epitomized wisdom and honor, Don Prizzi epitomizes someone who holds onto power solely for power’s sake.
Prizzi’s Honor is one of those films that probably seemed a bit more revolutionary when it was first released than it does today. At this point, we’ve seen so many films about hired killers who have quirky conversations while carrying out their work that the mix of violence and dark humor can feel almost like a cliché. As well, there are certain parts of the film, like the opening wedding sequence, that feel as if they go on for just a few minutes too long, as if John Huston himself was not always comfortable with the balance between the dark drama and the comedy of mob manners. That said, Jack Nicholson, Kathleen Turner (who gives a performance worthy of the great femme fatales of film noir), Anjelica Huston, John Randolph, and especially William Hickey all give strong enough performances to hold the audience’s attention and the film’s finale cuts to the point in such a way that it leaves you reconsidering everything that you’ve previously seen. Prizzi’s Honor has its flaws but Nicholson and Turner have such chemistry that the film’s ending sticks with you.
Prizzi’s Honor was nominated for 8 Oscars, including Best Picture, Best Director, Best Actor, and Best Supporting Actor for William Hickey. (Oddly, Kathleen Turner was not nominated for playing Irene.) In the end, it only won one Oscar that year, for supporting actress Anjelica Huston. The Oscars that year were dominated by a far more convention love story, Out of Africa.
Through the Shattered Lens 