Here’s The Super Bowl Spot For Life!


Apparently, there was a Super Bowl spot for a film called Life.  Somehow, I missed it.  Maybe it aired while I was outside, trying to convince the cat to come inside.

Who knows!?

But, what that in mind, here is the Super Bowl spot for Life!  Ryan Reynolds and Jake Gyllenhaal play astronauts and attempt not to get sued by whoever owns the rights to Alien.

Playing Catch Up With The Films of 2016: Demolition (dir by Jean-Marc Vallee)


demolition_poster

Jake Gyllenhaal is owed an Oscar.  We all know that.  He should have been nominated for Nightcrawler and, even more importantly, he should have won.  However, for whatever reason, the Academy snubbed him.  Ever since then, we — and by “we,” I mean “me” but “we” sounds better — have been waiting for him to get another nomination.

Last year, for instance, we thought he would be nominated for Southpaw.  Then the movie came out and it turned out to be not that good.

This year, we thought it would be for Demolition.  Then Demolition came out and it turned out to be worse than Southpaw

And really, it shouldn’t have been.  Demolition was directed by Jean-Marc Vallee, who was rightly acclaimed for his work on Wild and Dallas Buyers Club.  Not only did it star Jake Gyllenhaal but it also featured Naomi Watts and Chris Cooper!  I mean, how could you go wrong with all that talent?

But the thing is, Jean-Marc Vallee may have directed Wild and Dallas Buyers Club but also directed the wildly uneven The Young Victoria.  Naomi Watts is a great actress but it’s rare that she gets truly great parts.  Chris Cooper can be great but he’s usually at his least subtle whenever he’s playing a suit-wearing authority figure.  As far Jake Gyllenhaal, he is an actor who was born to play eccentric outsiders.  Whenever he has to play someone who is “conventional,” he can seem miscast.

Now admittedly, Davis Mitchell is only “normal” for a few minutes in Demolition but, for the film to work, you have to believe that he was once a successful investment banker who made a lot of money, lived in the suburbs, and never questioned anything.  Since you never believe that Jake Gyllenhaal could ever not be eccentric, it’s hard to be shocked when Davis starts destroying houses and dancing in public.  Everyone else in the movie is so shocked to discover that Davis had an eccentric side but we’re not because he’s played by Jake Gyllenhaal.

The reason why Davis is acting so strange is because his wife has just died in a horrific auto accident.  Now that she’s gone, Davis finds himself wondering if he ever loved her and questioning his entire life.  What little joy he gets comes from helping to tear down houses and corresponding with Karen (Naomi Watts).  Karen works for a vending machine company.  When the hospital vending machine didn’t give Davis the candy that he paid for, he wrote a long letter to the company and explained that his wife has just died and…

*sigh*

See, this is one of those films that is so relentlessly quirky and full of scenes that are supposed to be profound and thought-provoking that it’s kind of a drag to actually try to describe the film’s plot.  I mean, it actually kind of ticks me off to think about all of the contortions that Demolition goes through in its attempt to convince us that it actually has something important to say.  (I was shocked to discover that it wasn’t based on a Nicholas Sparks novel.)  It’s one of those films that obviously has the best of intentions but it’s so overwritten and overdirected and overly portentous that anyone who has ever had to deal with depression will get annoyed with the simplified and shallow way that Demolition deals with it.

Demolition was supposed to be an Oscar contender last year but it’s release date got moved back and I can understand why.  The movie’s a mess.

Here’s hoping that Jake Gyllenhaal gets a great role next year!

The Las Vegas Film Critics Society Take A Gamble With Their 2016 Nominees!


Let’s take a gamble with the nominees of the Las Vegas Film Critics Society!

(Ha ha — I’m so cute.)

Anyway, the winners will be announced tomorrow!

Best Picture
Moonlight
La La Land
Manchester by the Sea
Nocturnal Animals
Hell or High Water

Best Actor
Chris Pine – Hell or High Water
Jake Gyllenhaal – Nocturnal Animals
Casey Affleck – Manchester by the Sea
Ryan Gosling – La La Land
Denzel Washington – Fences

Best Actress
Emma Stone – La La Land
Natalie Portman – Jackie
Taraji P. Henson – Hidden Figures
Amy Adams – Arrival
Annette Bening – 20th Century Women

Best Supporting Actor
Jeff Bridges – Hell or High Water
Mahershala Ali – Moonlight
Lucas Hedges – Manchester by the Sea
Michael Shannon – Nocturnal Animals
Ben Foster – Hell or High Water

Best Supporting Actress
Octavia Spencer – Hidden Figures
Naomie Harris – Moonlight
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Michelle Williams – Manchester by the Sea

Best Director
Garth Davis – Lion
Theodore Melfi – Hidden Figures
Barry Jenkins – Moonlight
J.A. Bayona – A Monster Calls
Tom Ford – Nocturnal Animals

Best Original Screenplay
Manchester by the Sea
The Witch
Hell or High Water
Moonlight
La La Land

Best Adapted Screenplay
Hidden Figures
Lion
Nocturnal Animals
Arrival
A Monster Calls

Best Cinematography
Moonlight
Nocturnal Animals
Arrival
La La Land
Rogue One

Best Editing
La La Land
Moonlight
Nocturnal Animals
Arrival
Hacksaw Ridge

Best Score
Jackie
Nocturnal Animals
Arrival
Lion
La La Land

Best Song
“City of Stars” (La La Land)
“How Far Will I Go” (Moana)
“I See Victory” (Hidden Figures)
“The Great Beyond” (Sausage Party)
“Finest Girl (Bin Laden Song) (Popstar: Never Stop Never Stopping)

Best Action Film
Deadpool
Captain America: Civil War
Rogue One
Hacksaw Ridge
Doctor Strange

Best Documentary
8 Days a Week
Weiner
OJ: Made in America
13
The Eagle Huntress

Best Costume Design
Jackie
The Witch
Fantastic Beasts
Love & Friendship
La La Land

Best Visual Effects
Jungle Book
Doctor Strange
Fantastic Beasts
Arrival
A Monster Calls

Best Art Direction
Jackie
La La Land
Arrival
A Monster Calls
Fantastic Beasts

Best Animated Film
Kubo and the Two Strings
Sausage Party
Finding Dory
Zootopia
Moana

Best Foreign Film
Elle
Neruda
The Handmaiden
Toni Erdmann
The Salesman

Best Comedy
Deadpool
Don’t Think Twice
The Edge of Seventeen
Sausage Party
The Nice Guys

Best Horror/Sci-Fi
The Witch
The Neon Demon
Arrival
10 Cloverfield Lane
Don’t Breathe

Best Family Film
The Hunt for the Wilderpeople
Moana
Zootopia
The Jungle Book
Kubo and the Two Strings

Best Ensemble
Hidden Figures
Manchester by the Sea
Moonlight
Fences
Hell or High Water

Breakout Filmmaker
Barry Jenkins – Moonlight
Robert Eggers – The Witch
Kelly Fremon Craig – Edge of Seventeen
Daniel Kwan & Daniel Scheinert – Swiss Army Man
Nate Parker – Birth of a Nation

Youth in Film
Madina Nalwanga – Queen of Katwe
Lewis MacDougall – A Monster Calls
Lucas Hedges – Manchester by the Sea
Hailee Steinfeld – Edge of Seventeen
Alex B. Hibbert – Moonlight

Here’s the Latest Trailer For Demolition!


Much like Miles Ahead, Demolition is another film that was briefly pegged as a certain 2015 Oscar nominee until its release date was moved back to 2016.  Jean-Marc Vallee’s follow-up to the wonderful Wild, Demolition features Jake Gyllenhaal as a recent widower who struggles to deal with his grief.

I have to admit that I’ve seen the first trailer for Demolition about a hundred times now (it plays before every film at the Alamo Drafthouse) and I’m kind of sick of listening to Gyllenhaal talk about that damn vending machine.  That said, I’ll watch Jake Gyllenhaal in just about anything.  If I could force myself to sit through Southpaw, I’m sure I’ll be able to handle Demolition when it opens in April.

Here’s the latest trailer for Demolition!  Unfortunately, it opens with that same endless vending machine monologue but it does go on to reveal that one of my favorite actresses, Naomi Watts, is in the film as well.  So, that’s a good thing.

Here Are The Winners of The 2015 Hollywood Film Awards, Whatever The Hell Those Are.


The_Martian_film_poster

Oh my God, y’all — the Hollywood Film Awards were held on Sunday and a bunch of potential Oscar contenders were honored!  Which all leads to one very important question:

What the Hell are the Hollywood Film Awards?

As I pondered that question, I realized that I had vague memories of sitting through the Hollywood Film Awards last year.  The ceremony was broadcast on CBS and it was distinguished from other awards shows in that there were no nominees.  Instead, only the winners were announced.  It was so amazingly dull and I can remember watching it and thinking, “Awards season has finally jumped the shark.”

(And this was even before Sasha Stone and Jeff Wells had their annual breakdowns…)

Anyway, the Hollywood Film Awards for 2015 were given out on Sunday and I’m assuming they weren’t televised.  (I was busy watching A Student’s Obsession anyway…)  You can find the winners below.  For the most part, it’s a pretty boring list (and why give out awards in November?) but it does allow us an early glimpse into some of the films and performers that are contending for Oscar gold.

Here’s the list.  Along with a gif of a kitty showing just how excited he is over Awards Season…

YAY! AWARDS! I'M SO EXCITED..I'M SO EXCITING...I'M SO ... SCARED!"

“YAY! AWARDS! I’M SO EXCITED..I’M SO EXCITED… I’M SO … SCARED!”

Career Achievement Award presented to Robert De Niro by David O. Russell.

Producer Award presented to Ridley Scott (“The Martian) by Russell Crowe.

Director Award presented to Tom Hooper (“The Danish Girl”) by Amber Heard.

Actor Award presented to Will Smith (“Concussion”) by Jamie Foxx.

Actress Award presented to Carey Mulligan (“Suffragette”) by Jake Gyllenhaal.

Supporting Actor Award presented to Benicio Del Toro (“Sicario”) by Reese Witherspoon.

Supporting Actress Award presented to Jane Fonda (“Youth”) by Laura Dern.

Breakout Actor Award presented to Joel Edgerton (“Black Mass”) by Johnny Depp, Dakota Johnson.

Breakout Actress Award presented to Alicia Vikander (“The Danish Girl”) by Armie Hammer.

New Hollywood Award presented to Saoirse Ronan (“Brooklyn”) by Ryan Gosling.

Ensemble Award presented to “The Hateful Eight” by Quentin Tarantino.

Breakout Ensemble Award presented to “Straight Outta Compton” by Ice Cube.

Comedy Award presented to Amy Schumer (“Trainwreck”) by Selena Gomez.

Breakthrough Director Award presented to Adam McKay (“The Big Short”) by Steve Carell.

Screenwriter Award presented to Tom McCarthy, Josh Singer (“Spotlight”) by Mark Ruffalo.

Blockbuster Award presented to “Furious 7” by Kurt Russell.

Song Award presented to “Furious 7” (“See You Again”) by Vin Diesel.

Animation Award presented to Pete Docter (“Inside Out”) by Amy Poehler.

Cinematography Award presented to Janusz Kaminski (“Bridge of Spies”).

Composer Award presented to Alexandre Desplat (“The Danish Girl,” “Suffragette”).

Documentary Award presented to Asif Kapadia (“Amy”).

Editor Award presented to David Rosenbloom (“Black Mass”).

Visual Effects Award presented to Tim Alexander (“Jurassic World”).

Sound Award presented to Gary Rydstrom (“Bridge of Spies”).

Costume Design Award presented to Sandy Powell (“Cinderella”).

Make-Up and Hair Styling Award presented to Lesley Vanderwalt (“Mad Max: Fury Road”).

Production Design Award presented to Colin Gibson (“Mad Max: Fury Road“).

"Yawn. These awards are boring..."

“Yawn. These awards are predictable and boring.  You disappoint me…”

Film Review: Everest (dir by Baltasar Kormákur)


Everest_poster

If I wasn’t already scared of heights, I definitely would be after seeing Everest.

Based on a true story, Everest tells the story of two expeditions attempting to climb to the top of Mt. Everest.  One expedition is led by a New Zealander named Rob Hall (Jason Clarke), an experienced climber who, we’re told, pretty much invented the entire industry of taking commercial expeditions up to the top of Mt. Everest.  Criticized by some for being a “hand holder” who gets too emotionally involved with his clients and, as a result, cheapens the Everest “experience” by helping weaker clients make it to the top of the summit, Rob is married to a fellow climber, Jan Arnold (Keira Knightley).  While Rob tries to lead his clients to the highest place on Earth, the pregnant Jan stays home and waits for his return.

The other expedition is led by Scott Fischer (Jake Gyllenhaal).  Scott and Rob are friendly rivals, with Scott taking a much more hands off approach to his clients.  (It’s not a coincidence that Rob’s company is called Adventure Consultants while Scott works for Mountain Madness.)

Everest details what happens when the two expeditions are both caught in a sudden blizzard and find themselves trapped at the top of Everest.  The rest of the film is about the attempts of a stranded few to make it back to civilization.  A few make it, though not without suffering a good deal of pain and, in one particularly case, sacrificing a few body parts as a result.  Tragically, several others fall victim to the whims of nature, some dying of hypothermia while others, hallucinating from the lack of oxygen, literally walk off the side of the mountain.

Everest is one of those films where men die tragically but we’re supposed to find some sort of comfort from the fact that they died doing what they loved.  To be honest, I usually have a hard time buying into these type of narratives.  For instance, I love shopping but I wouldn’t expect anyone to be happy for me if I died while looking for a new purse.  (In fact, that’d probably upset me if not for the fact that I’d be too dead to know about it.)  At the same time, guys seems to love movies like this and I think, in the future, Everest will probably be remembered for being the epitome of a guy movie.

And that’s not meant to be a criticism on my part!  Everest does what it does with a lot of skill and confidence.  It’s an exciting film that, once the disaster hits, will leave you breathless.  And yes, at the end of the film, I did shed a tear or two.  Narratively, there’s really not a surprising moment to be found in the entire film.  I went into Everest not even knowing it was a true story and I was still able to guess who would survive and who would not.  But Everest‘s amazing visuals make up for the predictable narrative.  The term “visually stunning” is probably overused (especially by me!) but Everest is truly a visually stunning film.  For someone like me — who has asthma, a huge fear of heights, and who lives in North Texas (where, regardless of what you may see in the movies, the land is remarkably flat) — Everest is probably as close as I’ll ever get to climbing a mountain.

I should also mention that it never ceases to amaze me that Josh Brolin was born in Santa Monica, California because, on the basis of this film and No Country For Old Men, he is one of the most convincing Texans to appear in the movies.  In this film, he plays Beck Weathers, a Dallas doctor who is a member of Rob’s expedition team.  Usually, of course, if a Texan (especially one who is specifically identified as being a Republican, as Beck is at the beginning of a film) shows up in a movie, you know he’s going to end up being the villain.  Fortunately, Everest was based on a true story and, as a result, Beck turned out to be one of the most compelling characters in the film.  (If you know the story behind the film, you already knew that.  However, I went into Everest blind.)  Josh Brolin brings a lot of strength to his role and to the film overall.

Everest may predictable but it’s still an exciting film.  Make sure that you have someone beside you to whom you can hold on and that you see it in 3D!

Film Review: Southpaw (dir by Antoine Fuqua)


Southpaw_poster

Southpaw features Jake Gyllenhaal as a boxer who loses his wife, his daughter, his career, his self-respect, his car, his house, his manager, his friends, and nearly his life.  But then, about 70 minutes into the film, he gets a chance to get it all back.  Well, almost all of it.  His wife is dead so he can’t get her back but there are hints that he might get together with a helpful social worker after the end credits role.

There was really only one reason why I was interested in seeing Southpaw and that’s because it starred Jake Gyllenhaal.  Last year, Gyllenhaal gave the performance of his career in Nighcrawler.  Gyllenhaal was so brilliant that you just knew the Academy was going to prove itself clueless by not nominating him.  And that’s exactly what happened.  Gyllenhaal was snubbed and, as a result, the Academy now owes him a nomination.  When the trailer for Southpaw first appeared and we saw Gyllenhaal as muscular and bloody, a lot of us assumed that Southpaw would be the film that would get him that nomination.

And Jake Gyllenhaal does do a pretty good job in Southpaw.  He’s one of the main reasons for seeing the film.  It’s interesting to compare Gyllenhaal’s hyperactive performance and sickly appearance in Nightcrawler with his work as boxer Billy Hope in Southpaw.  Billy is a professional brawler and you believe it when you look at him.  Not only is he huge and muscular but he’s got a face that has obviously been punched more than a few times.  When he speaks, he isn’t the hyper articulate con man of Nightcrawler and Love and Other Drugs.  Instead, he stares at the ground as he mumbles and struggles to put together the simplest of thoughts.  It’s a good performance but, at the same time, it lacks the element of surprise that Gyllenhaal has brought to his best roles in the past.  You watched both Donnie Darko and Nightcrawler and you knew that only Gyllenhaal could have brought those roles to life.  Billy Hope, however, is a far less interesting character and you could imagine any number of actors playing the role.  (Reportedly, Southpaw was actually written with Eminem in mind and you really can see him playing the role.)

And really, the entire film is a lot like Billy Hope.  It does its job but there’s nothing all that interesting about it.  Southpaw‘s biggest surprise comes about 20 minutes into the film when Billy’s loving wife, Maureen (Rachel McAdams), is shot and killed and you already knew that was going to happen from the film’s trailer.  After Maureen’s death, Billy starts using alcohol and drugs and, as a result, he loses custody of his daughter, Leila (12 year-old Oona Laurence, giving a great performance).  Because this is a sports film, Billy has to hit rock bottom before, with the help of a grizzled and haunted trainer (Forest Whitaker), he can get a chance to win back both the championship and his daughter.  Director Antoine Fuqua obviously know how to tell these type of testosterone-drenched stories but there’s not a single moment in Southpaw that you won’t see coming from miles away.

And don’t get me wrong.  Unlike some other films that I was less than overwhelmed by, I can actually understand why some people in the theater applauded at the end of Southpaw.  It’s an effective film, even if it does run on for a little bit too long.  It tells a heartfelt story.  It’s a crowd pleaser and I’m sure that a lot of people will enjoy it.  But, for me, it was just too predictable.  I like it when movies catch me off guard and that’s something that Southpaw never came close to doing.

A quick sidenote: Southpaw features the final score composed by the late James Horner and the film is dedicated to his memory.  If you see the movie, be sure to stick around for the dedication so that you can put your hands together for a cinematic and musical legend.

Here’s the latest trailer for Southpaw!


Will Southpaw get Jake Gyllenhaal the Oscar nomination that he deserved for Nightcrawler?

Hmmm…it’s hard to say.  The Academy definitely owes Gyllenhaal for snubbing him earlier this year.  But Southpaw doesn’t necessarily look like an Oscar nominee.  Instead, it looks like … well, it looks like every other melodramatic boxing film that’s ever been made.

But, still — I’ll see it when it’s released on July 24th.  At this point, I’ll watch Jake Gyllenhaal in just about anything…

(Except for Love and Other Drugs.  Don’t even get me started on that…)

Anyway, here’s the latest trailer for Southpaw!

http://www.youtube.com/watch?v=ie7k5i3oxI4

Here’s the Trailer for Southpaw!


PCAS

So, if you’ve ever really wanted to watch Jake Gyllenhaal get the crap beat out of him, you’ll probably enjoy the trailer for Southpaw.  Judging from the preview, Jake is apparently playing a boxer who gets beat up a lot and who loses his wife and nearly loses his daughter.  Jake really did deserve an Oscar for Nightcrawler.  Southpaw doesn’t look like an Oscar contender but it does look like another chance to Jake to prove his versatility and encourage us all to forget his unfortunae starring turn in the terrible Love and Other Drugs.

What if Lisa Marie Picked The Oscar Nominees!


Oscar1

With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations.  Please note that these are not the films that I necessarily think will be nominated.  The fact of the matter is that the many of them will not.  Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year.  Winners are listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 2013, 2012, 2011, and 2010!)

2015 Best Picture Nominees

Best Picture

Boyhood

The Fault In Our Stars

Foxcatcher

The Grand Budapest Hotel

*Guardians of the Galaxy*

The LEGO Movie

Nightcrawler

Palo Alto

Under the Skin

Wild

600full-richard-linklater

Best Director

Wes Anderson for The Grand Budapest Hotel

Dan Gilroy for Nightcrawler

Jonathan Glazer for Under the Skin

James Gunn for Guardians of the Galaxy

*Richard Linklater for Boyhood*

Jean-Marc Vallee for Wild

Nightcrawler

Best Actor

Macon Blair in Blue Ruin

Nicholas Cage in Joe

Ralph Fiennes in The Grand Budapest Hotel

*Jake Gyllenhaal in Nightcrawler*

Tom Hardy in Locke

Michael Keaton in Birdman

reese-witherspoon-wild-slice

Best Actress

Scarlett Johansson in Under the Skin

Angelina Jolie in Maleficent

Rosamund Pike in Gone Girl

Emmanuelle Seigner in Venus In Fur

Shailene Woodley in The Fault In Our Stars

*Reese Witherspoon in Wild*

Gary Poulter in Joe

Best Supporting Actor

Josh Brolin in Inherent Vice

Steve Carell in Foxcatcher

Ethan Hawke in Boyhood

*Gary Poulter in Joe*

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

968full-only-lovers-left-alive-screenshot

Best Supporting Actress

Patrica Arquette in Boyhood

Laura Dern in Wild

Emma Roberts in Palo Alto

Rene Russo in Nightcrawler

Emma Stone in Birdman

*Mia Wasikowska in Only Lovers Left Alive*

Vin-Diesel-is-Groot-Official-Guardians-of-the-Galaxy

Best Voice Over Performance

Scott Adsit in Big Hero 6

Bradley Cooper in Guardians of the Galaxy

Kate del Castillo in The Book of Life

*Vin Diesel in Guardians of the Galaxy*

Morgan Freeman in The LEGO Movie

Chris Pratt in The LEGO Movie

o-BOYHOOD-facebook

Best Original Screenplay

*Boyhood*

Chef

The Grand Budapest Hotel

The LEGO Movie

Nightcrawler

The One I Love

wildhorsedern 4

Best Adapted Screenplay

The Fault In Our Stars

Gone Girl

Guardians of the Galaxy

Palo Alto

Venus in Fur

*Wild*

Lego Movie

Best Animated Feature

Big Hero 6

The Book of Life

The Boxtrolls

How To Train Your Dragon 2

*The LEGO Movie*

JodorowskysDune

Best Documentary Feature

Art and Craft

*Jodorowsky’s Dune*

The Last Patrol

Life Itself

Private Violence

Under the Electric Sky

Venus_in_Fur_poster

Best Foreign Language Film

Borgman

Ida

Illiterate

The Raid 2

*Venus In Fur*

We Are The Best!

Boyhood Image

Best Casting

*Boyhood*

Foxcatcher

Joe

Snowpiercer

Under the Skin

Wild

Palo Alto

Best Cinematography

California Scheming

A Field In England

Foxcatcher

If I Stay

Nightcrawler

*Palo Alto*

Meryl-Streep-Into-The-Woods

Best Costume Design

The Grand Budapest Hotel

Guardians of the Galaxy

The Hunger Games: Mockingjay Part One

In Secret

*Into the Woods*

Pompeii

Film Review Under the Skin

Best Editing

Birdman

Boyhood

Guardians of the Galaxy

Nightcrawler

*Under the Skin*

Wild

Guardians-of-the-Galaxy-gang

Best Makeup and Hairstyling

Foxcatcher

*Guardians of the Galaxy*

The Hobbit: Battle of the Five Armies

Inherent Vice

Into the Woods

Maleficent

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Best Original Score

California Scheming

A Field in England

Gone Girl

Guardians of the Galaxy

Nightcrawler

*Under the Skin*

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Best Original Song

“Lost Stars” from Begin Again

“The Apology Song” from The Book of Life

“Split the Difference” from Boyhood

“Yellow Flicker Beats” from The Hunger Games: Mockingjay Part One

*”Everything is Awesome” from The LEGO Movie*

“Sister Rust” from Lucy

“Mercy” from Noah

“Hal” from Only Lovers Left Alive

“Rock Star” from Palo Alto

“Summer Nights” from Under the Electric Sky

GuardiandoftheGalaxy

Best Overall Use Of Music

Begin Again

Boyhood

A Field in England

*Guardians of the Galaxy*

Only Lovers Left Alive

Whiplash

The-Grand-Budapest-Hotel-580

Best Production Design

*The Grand Budapest Hotel*

Guardians of the Galaxy

Inherent Vice

Into the Woods

Snowpiercer

Winter’s Tale

Fury

Best Sound Editing

Captain America: The Winter Soldier

A Field in England

*Fury*

Guardians of the Galaxy

The Hobbit: The Battle of the Five Armies

X-Men: Days of Future Past

Capt2-Payoff-1-Sht-v8-Lg-c563d

Best Sound Mixing

*Captain America: The Winter Soldier*

A Field in England

Fury

Guardians of the Galaxy

The Hobbit: The Battle of the Five Armies

X-Men: Days of Future Past

Dawn-Of-The-Planet-Of-The-Apes3-e1396236946120

Best Stunt Work

Captain America: The Winter Soldier

*Dawn of the Planet of the Apes*

Divergent

In the Blood

Raze

X-Men: Days of Future Past

Guardians-of-the-Galaxy-rocket-with-gun

Best Visual Effects

Dawn of the Planet of the Apes

Edge of Tomorrow

Godzilla

*Guardians of the Galaxy*

Interstellar

X-Men: Days of Future Past

Number of Nominations by Film

14 Nominations — Guardians of the Galaxy

9 Nominations — Boyhood

8 Nominations — Nightcrawler

7 Nominations — Wild

6 Nominations — Foxcatcher, The Grand Budapest Hotel, The Lego Movie, Under the Skin

5 Nominations —  A Field in England, Palo Alto

4 Nominations — X-Men: Days of Future Past

3 Nominations — Birdman, The Book of LifeCapt. America: The Winter Soldier, The Fault In Our Stars, Gone Girl, Inherent Vice, Into the WoodsJoe, Only Lovers Left AliveVenus in Fur

2 Nominations — Begin AgainBig Hero 6, California SchemingDawn of the Planet of Apes, Fury, The Hobbit: The Battle of the Five ArmiesThe Hunger Games: Mockingjay Part OneMaleficent, SnowpiercerUnder the Electric SkyWhiplash

1 Nomination — Art and CraftBlue Ruin, BorgmanThe Box Trolls, ChefDivergent, Edge of Tomorrow, Godzilla, How To Train Your Dragon 2, Ida, If I StayIlliterate, In SecretIn the Blood, Interstellar, Jodorowsky’s Dune, The Last Patrol, Life ItselfLocke, Lucy, NoahThe One I Love, Pompeii, Private ViolenceThe Raid 2Raze, We Are The Best!, Winter’s Tale

Numbers of Oscars By Film

5 Oscars — Guardians of the Galaxy

3 Oscars — Boyhood

2 Oscars — The LEGO Movie, Under the Skin, Wild

1 Oscar — Capt. America: The Winter Soldier, Dawn of the Plaent of the Apes, Jodorowsky’s Dune, Fury, The Grand Budapest Hotel, Into the Woods, Joe, Nightcrawler, Only Lovers Left Alive, Palo Alto, Venus In Fur

Oscars