Japanese Trailer of Star Wars: The Force Awakens Even Better


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Just a couple weeks ago saw the release of the first and last official trailer for Star Wars: The Force Awakens. It was teasers before that one. The official trailer was suppose to keep the Star Wars fandom sated until December 18 (or earlier for those willing to brave the early advance screenings before midnight). It pushed all the right buttons to keep the fandom happy and wanting more.

Out of the blue, this morning saw Disney release without any fanfare a new trailer but one cut and edited for the Japanese market. It’s a trailer that includes scenes and images already seen in the previous official trailer and two earlier teasers, but also happened to include newer scenes (that still doesn’t spoil what the film will be all about) involving BB-8, Kylo Ren and more Princess Leia and Chewie.

So, it would seem that when Disney said that the trailer released a couple weeks ago would be the one and only trailer for the film it would seem they meant it would be the only domestic trailer. Sneaky, sneaky there Disney.

Plus, I rather prefer the Japanese trailer. Once again proves the Japanese gets the cool things.

Star Wars: The Force Awakens Breaks The Internet


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It’s not hyperbole when I say that Star Wars: The Force Awakens broke the internet tonight. Fandango announced pre-sale of tickets early by accident which caused the massive Star Wars fandom to rush on-line to be able to buy tickets before they ran out for the early showing on December 17, 2015. Well, this hasn’t gone down well with many who thought the pre-sale orders were going to go up after the trailer debuts during halftime of Monday Night Football.

I was one such out-of-luck individuals, but I remembered my days of youth when pre-ordering tickets to such event films meant going to the theater itself and buying them in person. This I did and I’m blessed to have gotten all the tickets I need.

Thus, despite Star Wars: The Force Awakens breaking the internet it would seem doing things the old-school way still rewards those who still thinks in analog and not just digital.

Now, let’s watch the latest trailer for Star Wars: The Force Awakens over and over before it premieres on December 18, 2015.

Star Wars: The Force Awakens A Fandom Into A Frenzy


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I was at work when this trailer dropped and I can honestly say that I couldn’t wait to go on break so I could watch it and allow myself to react in an honest and proper way. To say that I lost my ever-loving mind once the trailer began playing would be an understatement.

Star Wars: The Force Awakens looks to return to it’s proper space opera roots. Roots as in the first trilogy instead of the much-maligned (deservedly so) prequel trilogy which would end up marking George Lucas’ final work on the franchise he created in 1977. Walt Disney Studios has bought all that is Star Wars and the industry which sprung from it’s creation and are now master of all.

J.J. Abrams now has the tough task of pulling back in the fans that felt disappointed at how the last three films in the franchise turned out. From what this teaser trailer has shown he seems to have come up with a new entry in the franchise that may just delight fans old and new.

Oh yeah, Chewie is back alive and well. No more of that dropping a moon on his head crap.

Star Wars: The Force Awakens set to give the world a fine Christmas 2015.

Film Review: The Woman In Black: The Angel of Death (dir by Tom Harper)


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Welcome to January!

This is the time of year the studios release the films that they don’t have much faith in, hoping to make a little money while all of the critics and more discriminating audiences are distracted by the Oscar race.  Typically, films are released in January that the studios are specifically hoping will be forgotten by June.

Case in point: the horror sequel The Woman In Black 2: The Angel of Death.

Now, as you all know, I love horror movies.  It’s rare that I can’t find something to enjoy about a horror movie, whether it’s the atmosphere or the suspense or just the chance to do some old-fashioned screamed.  Some of my favorite horror films have been the ones that — much like The Woman In Black 2 — were snarkily dismissed by most mainstream critics.  And, needless to say, I’m a natural born contrarian.  The lower a film’s score on Rotten Tomatoes, the more likely it is that I will find a reason to defend it.

Taking all of that into consideration, it’s hard for me to think of any film, horror or not, that has left me feeling as indifferent as The Woman In Black 2.  I would not say that I was terribly impressed by the film but, at the same time, I didn’t hate it either.  Instead, I felt it was an amazingly average film and I was just incredibly indifferent to the whole thing.

The Woman In Black 2: Angel of Death picks up 30 years after the end of the first Woman In Black.  It’s World War II and German bombs are falling on London.  A group of school children are evacuated to the countryside under the care and watch of two teachers, Eve (Phoebe Fox) and Jean (Helen McCrory).  Naturally enough, they end up taking refuge in the abandoned Eel March House.  The Woman in Black is still haunting the house and she’s determined to claim all of the children as her own.

While Jean refuses to accept that anything paranormal is happening at the house, Eve quickly comes to realize that they are not alone and that the Woman in Black seems to be particularly determined to claim young Edward (Oaklee Pendergast).  Working with Harry (Jeremy Irvine), a pilot who is deathly afraid of water, Eve tries to save the children…

The Woman in Black 2 goes through all the motions.  Floorboards creek.  Doors open and slam shut on their own.  The Woman in Black often appears standing in the background and occasionally jumps into the frame from out of nowhere while screaming.  The film is darkly lit and there’s a lot of atmospheric shots of the fog covered moors.

But, ultimately, the film never really establishes an identity of its own.  Instead, it feels like a collection of outtakes from every other haunted house film that has been released lately.  While I wasn’t a huge fan of the first Woman in Black, I did think that it benefited from having a sympathetic lead character but the cast here seems oddly detached from the story that they’re supposed to be telling.  You never believe in their characters and, as a result, you never really buy into any of the menace surrounding them.

And, the end result, is indifference.

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