Here’s The Short List for the Best Visual Effects Oscar!


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Okay, Oscar watchers, here’s another piece of the puzzle!

Earlier today, the 20 semi-finalists for the Best Visual Effects Oscar were announced!  All of the films that you would expect are listed.  And then there’s one that’s taking some people by surprise — Kubo and the Two Strings!

(It’s rare that animated films are ever nominated for Best Visual Effects.  The last time it happened was back in 1993 when The Nightmare Before Christmas was nominated.)

Here they are!

  1. “Alice Through The Looking Glass”
  2. “Arrival”
  3. “The BFG”
  4. “Batman V Superman: Dawn of Justice”
  5. “Captain America: Civil War”
  6. “Deadpool”
  7. “Deepwater Horizon”
  8. “Doctor Strange”
  9. “Fantastic Beasts and Where To Find Them”
  10. “Independence Day: Resurgence”
  11. “The Jungle Book”
  12. “Kubo and the Two Strings”
  13. “Miss Peregrine’s Home for Peculiar Children”
  14. “Passengers”
  15. “Rogue One”
  16. “Star Trek Beyond”
  17. “Suicide Squad”
  18. “Sully”
  19. “Warcraft”
  20. “X-Men: Apocalypse”

doctor-strange

Cleaning Out The DVR Yet Again #23: The Emperor Jones (dir by Dudley Murphy)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by the end of Sunday, December 4th!  Will she make it?  Keep checking the site to find out!)

emperor-jones

On November 8th, I recorded the 1933 film The Emperor Jones off of Retroplex.

Based on a play by Eugene O’Neill, The Emperor Jones tells the story of Brutus Jones (Paul Robeson).  When we first meet Jones, he’s at a small Baptist church.  He has recently gotten a job as a Pullman Porter and the church’s congregation has gathered for his send off.  He shows off his uniform.  He sings a spiritual.  The congregation blesses him and Jones swears that he will make them proud.  However, soon after he starts working for the railroad, he finds himself in the city.  Though he’s a hard worker, he makes the wrong friends.  He falls for the beautiful but cold-hearted Undine (Fredi Washington).  A fight at a craps gang leads to Jones accidentally stabbing his friend, Jeff (Frank H. Wilson).

Jones is sentenced to hard labor and finds himself working on a chain gang, where he’s watched over by sadistic and racist guards.  Jones attempts to serve his time but, eventually, he’s driven to violence by the sight of a white guard beating another prisoner.  Jones attacks the guard and then flees.  Eventually, he escapes on a steamer ship.  Quickly growing tired of shoveling coal in the ship’s engine room, Jones jumps overboard and swims to a nearby island.

On the island, Jones meets Smithers (Dudley Digges).  Smithers is an alcoholic merchant who also happens to be the only white man in the island.  Working with Smithers, Jones convinces the natives that he has magical powers and overthrows the island’s previous dicttor.  Now thoroughly corrupted, Jones declares himself to be the Emperor Jones…

Interestingly enough — and this was probably especially revolutionary in 1933 — almost all of Jones’s corruption is learned from dealing with the white world.  It’s through dealing with the condescending and wealthy passengers on the train that Jones comes to understand that money equals power.  It’s from dealing with the white guards on the chain gang that Jones learns how people can be controlled through fear and brutality.  By the time Jones arrives on the island, he no longer has anything to learn from the white world.  Hence, Smithers becomes his servant.

(One thing I found particularly interesting, as I did research for this review, was that The Emperor Jones was banned in cities in both the North and the South.  In the North, the film was often banned for its frequent use of the n-word.  In the South, it was largely banned because of a scene in which Jones orders Smithers to light his cigarette.)

Seen today, The Emperor Jones is something of an oddity.  On the one hand, it’s a very stagey film.  The film’s origin as a stage play is obvious in almost every scene.  On the other hand, it’s also one of the few films from the 1930s to actually feature black characters as something other than comic relief.  If just for that historical reason, The Emperor Jones is still worth watching today.

It’s also worth watching for Paul Robeson’s performance in the lead role.  Robeson, whose career was derailed by both his political activism and his refusal to accept roles that he considered to be demeaning, gives a powerful and empathetic performance.  Towards the end of the film, Robeson gives a 12-minute monologue as he runs through the jungle.  For 12 minutes, it’s just the viewer and Robeson (and the menacing sound of drums in the distance).  As Robeson delivers his final monologue, he takes us on a journey through the Emperor’s mind, alternative between periods of delusion and moments of sudden clarity.  Even 83 years after it was first filmed, it remains a truly impressive performance.

Keep an eye out for this fascinating historical document.

Cleaning Out The DVR Yet Again #22: Ride Along 2 (dir by Tim Story)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by the end of Sunday, December 4th!  Will she make it?  Keep checking the site to find out!)

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A friend of mine recently posted this on Facebook: “Name your vagina by using the last movie you watched!”  While everyone else was able to answer with “The Nightmare Before Christmas,” “Christmas Vacation,” and “Zombeavers,” I was forced to answer “Ride Along 2,” because I watched it last night.  If only I had held off on watching Ride Along 2, I could have answered Moana.

Oh well…

ANYWAY — I recorded Ride Along 2 off of HBO on November 11th.  The main reason that I recorded it was because, at the time, I was panicking over the fact that the year is nearly over and there’s still a lot of 2016 releases that I haven’t seen.  You know me.  I’m a cinema completist and I like to see everything.  As a result, I’ve been recording every single 2016 movie that I come across on cable, even if the film in question is one that I really didn’t have much interest in actually watching.

Like this one for instance…

Ride Along 2 is the latest entry in the ever-growing Ken Jeong Gets Kidnapped genre of action comedies.  At some point in the future, film historians will wonder why Ken Jeong was always either getting abducted or arrested in violent comedies.  I imagine that they’ll devote most of their time to studying The Hangover films and Community but they’ll still find some time to consider Ride Along 2.

In Ride Along 2, Ken Jeong is abducted by two Atlanta detectives who have come to Miami to investigate his boss, murderous drug lord Antonio Pope (Benjamin Bratt).  The two detectives are James Payton (Ice Cube) and his future brother-in-law, Ben Barber (Kevin Hart).  Of course, it’s really not important that one of them is named Payton or that the other one is named Ben.  Ultimately, they are Ice Cube and Kevin Hart.  Payton is tough and no-nonsense.  Ben is short and outspoken and given to histrionics.  Needless to say, the plot is mostly just an excuse for Kevin Hart to get on Ice Cube’s nerves.

And it’s all pretty predictable.  There’s really nothing in Ride Along 2 that you haven’t already seen in a hundred other action comedies, including the first Ride Along.  So, how much you enjoy this film is going to depend on how much you like Ice Cube, Kevin Hart, and Ken Jeong.  (And I guess it might help if you’re a Benjamin Bratt fan as well.  Are there Benjamin Bratt fans?)  And, I will say this.  Nobody glowers with quite the skill of Ice Cube.  Ken Jeong may play the same role a hundred times but he knows what he’s doing.  And Kevin Hart is actually a good actor, even if his films rarely give him a chance to show the full depth of his ability.

Ride Along 2 is predictable and kinda forgettable.  It didn’t do much for me.  But, at the same time, it’s thoroughly nonpretentious and totally inoffensive.

I still think Moana is a better name, though…

Here Are The Nominations For The 22nd Annual Critics’ Choice Awards!


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The Broadcast Film Critics Association have announced their nominees for the 22nd Annual Critics’ Choice Awards and here they are!  Once again, in a pattern that will probably see repeated several times of this next month, the nominations were dominated by Moonlight, La La Land, and Manchester By The Sea.

FILM NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS

BEST PICTURE

BEST ACTOR

BEST ACTRESS

  • Amy Adams – Arrival
  • Annette Bening – 20th Century Women
  • Isabelle Huppert – Elle
  • Ruth Negga – Loving
  • Natalie Portman – Jackie
  • Emma Stone – La La Land

BEST SUPPORTING ACTOR

BEST SUPPORTING ACTRESS

  • Viola Davis – Fences
  • Greta Gerwig – 20th Century Women
  • Naomie Harris – Moonlight
  • Nicole Kidman – Lion
  • Janelle Monáe  – Hidden Figures
  • Michelle Williams – Manchester by the Sea

BEST YOUNG ACTOR/ACTRESS

  • Lucas Hedges – Manchester by the Sea
  • Alex R. Hibbert – Moonlight
  • Lewis MacDougall – A Monster Calls
  • Madina Nalwanga – Queen of Katwe
  • Sunny Pawar – Lion
  • Hailee Steinfeld – The Edge of Seventeen

BEST ACTING ENSEMBLE

BEST DIRECTOR

BEST ORIGINAL SCREENPLAY

  • Damien Chazelle – La La Land
  • Barry Jenkins – Moonlight
  • Yorgos Lanthimos/Efthimis Filippou – The Lobster
  • Kenneth Lonergan – Manchester by the Sea
  • Jeff Nichols – Loving
  • Taylor Sheridan – Hell or High Water

BEST ADAPTED SCREENPLAY

  • Luke Davies – Lion
  • Tom Ford – Nocturnal Animals
  • Eric Heisserer – Arrival
  • Todd Komarnicki – Sully
  • Allison Schroeder/Theodore Melfi – Hidden Figures
  • August Wilson – Fences

BEST CINEMATOGRAPHY

  • Stéphane Fontaine – Jackie
  • James Laxton – Moonlight
  • Seamus McGarvey – Nocturnal Animals
  • Linus Sandgren – La La Land
  • Bradford Young – Arrival

BEST PRODUCTION DESIGN

  • Arrival – Patrice Vermette, Paul Hotte/André Valade
  • Fantastic Beasts and Where to Find Them – Stuart Craig/James Hambidge, Anna Pinnock
  • Jackie – Jean Rabasse, Véronique Melery
  • La La Land – David Wasco, Sandy Reynolds-Wasco
  • Live by Night – Jess Gonchor, Nancy Haigh

BEST EDITING

BEST COSTUME DESIGN

  • Colleen Atwood – Fantastic Beasts and Where to Find Them
  • Consolata Boyle – Florence Foster Jenkins
  • Madeline Fontaine – Jackie
  • Joanna Johnston – Allied
  • Eimer Ni Mhaoldomhnaigh – Love & Friendship
  • Mary Zophres – La La Land

BEST HAIR & MAKEUP

BEST VISUAL EFFECTS

BEST ANIMATED FEATURE

BEST ACTION MOVIE

BEST ACTOR IN AN ACTION MOVIE

BEST ACTRESS IN AN ACTION MOVIE

BEST COMEDY

BEST ACTOR IN A COMEDY

  • Ryan Gosling – The Nice Guys
  • Hugh Grant – Florence Foster Jenkins
  • Dwayne Johnson – Central Intelligence
  • Viggo Mortensen – Captain Fantastic
  • Ryan Reynolds – Deadpool

BEST ACTRESS IN A COMEDY

  • Kate Beckinsale – Love & Friendship
  • Sally Field – Hello, My Name Is Doris
  • Kate McKinnon – Ghostbusters
  • Hailee Steinfeld – The Edge of Seventeen
  • Meryl Streep – Florence Foster Jenkins

BEST SCI-FI/HORROR MOVIE

BEST FOREIGN LANGUAGE FILM

  • Elle
  • The Handmaiden
  • Julieta
  • Neruda
  • The Salesman
  • Toni Erdmann

BEST SONG

  • Audition (The Fools Who Dream) – La La Land
  • Can’t Stop the Feeling – Trolls
  • City of Stars – La La Land
  • Drive It Like You Stole It – Sing Street
  • How Far I’ll Go – Moana
  • The Rules Don’t Apply – Rules Don’t Apply

BEST SCORE

  • Nicholas Britell – Moonlight
  • Jóhann Jóhannsson – Arrival
  • Justin Hurwitz – La La Land
  • Micachu – Jackie
  • Dustin O’Halloran, Hauschka – Lion

Deadpool

La La Land, Moonlight, and Manchester By The Sea Wins With The New York Film Critics Circle


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The New York Film Critics Circle met today and announced their picks for the best of 2016!  The awards were pretty evenly divided between the three films that are rapidly emerging as the early Oscar front runners — Manchester By The Sea, Moonlight, and La La Land!

Here are the winners!

  • BEST FILM: “La La Land”
  • BEST DIRECTOR: Barry Jenkins for “Moonlight”
  • BEST ACTRESS: Isabelle Huppert for both “Elle” and “The Things to Come”
  • BEST SUPPORTING ACTRESS: Michelle Williams for both “Manchester by the Sea” and “Certain Women”
  • BEST FIRST FILM: (TIE) “The Edge of Seventeen” and “Krisha”
  • BEST SCREENPLAY: Kenneth Lonergan for “Manchester by the Sea”
  • BEST FOREIGN LANGUAGE FILM: “Toni Erdmann”
  • BEST ANIMATED FILM: “Zootopia”
  • BEST SUPPORTING ACTOR – Mahershala Ali for “Moonlight”
  • BEST ACTOR – Casey Affleck for “Manchester by the Sea”
  • SPECIAL AWARDS: One for editor Thelma Schoonmaker, the other for Julie Dash’s “Daughters of the Dust” 25th Anniversary Restoration

Film Review: Moana (dir by Ron Clements and John Musker)


Look, I get it.

Everyone’s depressed right now.

You’re depressed.

He’s depressed.

She’s depressed.

That random guy over there is depressed.

Your cat’s depressed because you’re so depressed that you’re probably not feeding him on time.

I’m not depressed but I’m currently pretending that I am in order to show solidarity for the people.

Everyone’s depressed!

But you know what?  No matter how depressed you are, don’t take it out on the movies.  I actually had someone tell me recently that he didn’t see how I could worry about movies with so many terrible things happening in the world!  Well, listen up — the world may be a terrible movie but movies help to make it a lot more bearable.

For instance, there’s Moana.  Moana is the latest Disney film and it is a burst of pure joy, a wonderfully entertaining animated adventure that also carries with it an important, timely, and welcome message of empowerment.  Some day, when I have a daughter, Moana is one of the many films that I look forward to watching with her.  We’ll watch Moana and then we’ll watch Brave.  And then we’ll close things out with Frozen.  I can’t wait!

moana

Now, I’ll be honest.  The film’s plot, in many ways, sounds like almost every other Disney princess film.  Moana (voiced by Auli’i Cravalho) is the headstrong daughter of the chief of a Polynesian tribe.  Moana dreams of sailing to the ends of the Earth but her loving but protective father refuses to allow her to go beyond the reef.  However, when a force of darkness threatens to consume the island that Moana calls home, she defies her father and sets sail with her pet rooster.  The only way to stop the darkness is to track down a demigod named Maui (Dwayne Johnson) and go with him to return a sacred stone to Te Fiti, the island Goddess.  (The stone is Te Fiti’s heart.)

Now, that may all sound like typical Disney fare but the brilliant thing about Moana is that it realizes that the plot sounds like typical Disney fare.  When Moana finds Maui, he asks her where he animal sidekick is because all princesses travel with an animal sidekick.  Moana argues that she’s not a princess but then realizes that, as the chief’s daughter, she kind of is.  Moano is full of self-referential humor, the type that tells the audience that we’re all in this together.

Maui himself is a brilliantly animated, written, and voiced parody of the type of muscle-bound character who, in the past, would have automatically been this film’s main character.  Dwayne Johnson has always been willing to have fun with his persona and he continues to do that with Maui.  For that matter, Heihei the Rooster also pokes fun at the typical Disney animal sidekick.  As opposed to the usual all-knowing, often snarky sidekick that we’ve come to expect from Disney, Heihei spends most of his time searching for something to eat.  It doesn’t matter if it’s edible or not.  He’ll eat it.  As a result, Heihei doesn’t really do much to help Moana on her journey but he’s still adorable.

But ultimately, this film is all about Moana and what a wonderful character she is!  Strong, independent, intelligent, and occasionally just a little unsure of herself, Moana is perhaps the most 3-dimensional Disney character since Brave‘s Merida.  It’s her character (and  Auli’i Cravalho’s voicework) that brings the film its humanity and makes it a truly special viewing experience.

Moana is wonderfully animated and if you don’t fall in love with the coconut pirates then there is no hope for you.  (Is this film worth seeing in 3D?  I would say that it is.)  The insanely catchy songs are provided by Lin-Manuel Miranda and Opetaia Foa’i and I’m looking forward to the inevitable Broadway adaptation.

So, seriously — stop feeling sorry for yourself for two hours and go see Moana!  You’ll be glad you did.

Cleaning Out The DVR Yet Again #21: Hidden Truth (dir by Steven R. Monroe)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by Sunday, December 4th!  Will she make it?  Considering that she only has a day left, probably not.  But keep checking the site to find out!)

 

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I recorded Hidden Truth off of the Lifetime Movie Network on September 18th.  It premiered before that on Lifetime and I even live tweeted it but I didn’t record it until it re-aired on LMN.  I’m glad that I did that because, as I rewatched Hidden Truth, I was surprised by how much I had forgotten about the film.

Hidden Truth is one of those Lifetime films that takes place in a small town where everyone knows each other.  It tells the story of a girl named Zoe (Diana Hopper) who is upset because 1) her father, Pace (Brendan McCarthy), may have killed her mother, 2) he’s now an alcoholic, and 3) she’s being raised by her loving but overprotective aunt, Jamie (Sarah Lind).  Zoe is desperate to get out of town so she starts having an affair with a local rich guy, Michael (Shawn Christian).  She wants his money.  He claims to be in love with her….

And then, one day, Zoe turns up dead and floating in the river.  The sheriff (Parker Stevenson) immediately suspects that Pace got drunk and killed his daughter.  Soon, Aunt Jamie is the only person in town who believes that her brother is innocent.  Can she clear his name?  Can she solve her niece’s murder?  Can she uncover the hidden truth…

Ironically, for the viewer, there’s nothing at all hidden about the truth in this movie.  The movie actually opens with Michael murdering Zoe and dumping her body in the river.  So, from the start, we know who the murderer is.  The film instead becomes about watching Michael try to cover his track and wondering when Jamie will finally figure out what happened.

It’s actually a different approach from what we’re used to with Lifetime but I have to admit that I have mixed feelings about it.  The problem is that Michael really isn’t that clever.  He’s a sloppy murderer and he’s sloppy when it comes to covering his tracks and there’s no moment when you think to yourself that he might get away with it.  And since Michael is a thoroughly despicable and inept character, it’s not like you find yourself conflicted as you watch him try to cover his tracks.  At no point do you think, “He’s a bad guy but I kinda hope he gets away with it.”

I guess what I’m saying is that the Hidden Truth would have worked better if the truth had remained hidden until the final five minutes of the film.  Still, you have to give the filmmakers some credit for trying to do something different.

Cleaning Out The DVR Yet Again #20: Girl In The Box (dir by Stephen Kemp)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by Sunday, December 4th!  Will she make it?  Considering that she only has a day left, probably not.  But keep checking the site to find out!)

girl-in-the-box

Girl in the Box originally aired on Lifetime on September 10th and I have to admit that I specifically chose to record it as opposed to watching it.  That’s because Girl In The Box was based on the true story of the kidnapping and 7 year enslavement of Colleen Stan.  It’s an incredibly disturbing story and I knew that, much like last year’s Cleveland Abduction, Girl In The Box would give me nightmares.

And, having now watched the film, I think I probably made the right decision.  Girl In The Box is an incredibly unsettling film, one that is all the more upsetting for being based on a true story.

In 1977, 20 year-old Colleen (played by Addison Timlin) is hitchhiking from Oregon to California.  We watch as Colleen turns down two prospective rides, one from a group of frat boys and one from an older couple that wasn’t going far enough.  When she does accept a ride, it’s from Cameron Hooker (Zane Holtz) and his wife, Janice (Zelda Williams).  What we know, but Colleen doesn’t, is that Cameron has just recently murdered another woman that he abducted.

Soon, Colleen is being held prisoner in a tiny wooden box, only being brought out so that she can be abused and raped by Cameron.  Cameron forces her to sign a “slave contract” and he tells her that he is a part of a much larger conspiracy.  Even if Colleen could escape, he tells her, his associates would track her down and kill both her and her family.  Slowly, Colleen’s will is broken down.

And through it all, Janice watches.  Janice, we learn, married Cameron when she was sixteen and he seemed like he was the most handsome and charming guy in the world.  It was after they got married that she discovered that Cameron was a monster.  Cameron justifies his crimes by claiming that, if he wasn’t abusing Colleen, he would be abusing Janice.  Janice, the film suggests, is just as brainwashed as Colleen.  They are both prisoners of a truly evil creature.

(It should be noted that the film is generally sympathetic to Janice.  I’ve read a few true crime accounts of Colleen Stan’s kidnapping that paint a far less forgiving picture.)

Much like Cleveland Abduction, Girl In The Box was difficult for me to watch.  The three main actors totally committed to their roles, taking the audience to a very dark place, one that was all the more disturbing for being real.  Zane Holtz revealed Cameron’s evil and sadistic side while, at the same time, showing how he could easily fool the rest of the world into thinking that he was a normal, likable guy.  Zelda Williams portrayed Janice’s growing horror at realizing what her life has become, while at the same time never entirely letting Janice off the hook for her part in Cameron’s crimes.  And Addison Timlin was courageously vulnerable as Colleen.

It’s hard for me to recommend Girl In The Box because it really is such an unpleasant film.  I mean, this is not a film to watch if you’re just looking for a relaxing night in front of the TV.  But I do think it has an important message.  There are other Cameron Hookers out there and the reason that they thrive is because, far too often, people are scared to get involved.  There were so many times that Cameron’s crimes could have been exposed if only people were willing to follow up their concerns.

Ultimately, Girl In The Box is a story of survival.  Somehow, Colleen Stan survived her ordeal.  I don’t know if I could have.

Here Are The Annie Nominations!


Kubo_and_the_Two_Strings_poster

The nominations for the Annie Awards were announced yesterdat!  The Annie Awards honor the best in animation.  Looking over the list of nominees, my initial thought is, “Wow, that’s a really long list!”  So, I’m just going to post the nominations for Best Animated Feature Film and Best Achievement For Voice Acting In A Feature Film.  You can view the complete list over at one of my favorite site for Oscar news, Awards Circuit!

Anyway, here are (some of) the Annie nominations!

Best Animated Feature:

Finding Dory

Kubo and the Two Strings

Kung Fu Panda 3

Moana

Zootopia

Voice Acting In An Animated Feature

Art Parkinson in Kubo and the Two Strings

Auli’i Cravalho in Moana

Katie Crown in Storks

Zooey Deschanel in Trolls

Jason Bateman in Zootopia