2022 In Review: Lisa Marie’s Top 30 Films of 2022


Without further ado, here are my top 30 films of 2022!

(Why 30?  Because Lisa doesn’t do odd numbers!  Also, be sure to check out my picks for 2010201120122013201420152016201720182019, 2020, and 2021!  Wow, I’ve been doing this for a while!)

30. Marcel The Shell With Shoes On (dir by Dean Fleischer Camp)

An animated film with heart, Marcel The Shell With Shoes On would probably be ranked higher if Marcel’s favorite news show had been something other than 60 Minutes.  Still, questionable viewing habits aside, Marcel and Nana Connie and all the other shells were amazing characters and the end of the movie brought tears to my mismatched eyes.  With this film and I Want You Back, Jenny Slate had quite a year.

29. Ted K (dir by Tony Stone)

Released in February of this year, this film about Ted Kaczyski and his descent into madness was unfairly overlooked. Sharlto Copley was perfectly cast as Ted K.  This is a film that probably won’t make Ted’s supporters happy but, at the same time, it also avoids painting him as just being a straight-out madman.  It’s refusal to simplify makes the film far more than just another true crime biopic.

28. Dashcam (dir by Rob Savage)

Starring Annie Hardy as herself, this low-budget horror film is a scathing satire of life during the age of COVID and performative “wokeness.”  After the past few years, there’s something rather cathartic about Hardy’s refusal to obey.

27. The Batman (dir by Matt Reeves)

At this point, I’m fairly cynical about comic book movies in general and Batman films in specific.  I mean, how many Batmen have we had over the past ten years?  (Actually, I think only four but it feels like a lot more!)  That said, I enjoyed The Batman, for both its noirish atmosphere and it’s willingness to embrace the melodrama.  You have to love the fact that the villain was basically a nerdy podcaster.

26. Operation Mincemeat (dir by John Madden)

Based on a true story, this film was a throwback to the earnest World War II films of the past.  Colin Firth, Kelly MacDonald, Matthew McFayden, and Johnny Flynn were all well-cast and did their part to bring this moment of WWII history to life.

25. Father Stu (dir by Rosalind Ross)

You don’t have to be from a Catholic background to appreciate Father Stu but it probably helps.  This was one of those roles that only Mark Wahlberg could have pulled off.

24. See How They Run (dir by Tom George)

This stylized murder mystery was terrifically entertaining and witty.  Sam Rockwell and Saoirse Ronan are both treasures.

23. I Want You Back (dir by Jason Orley)

Two friends conspire to win back their respective romantic partners and end up falling in love with each other instead.  This was an enjoyable comedy, one that was blessed with an outstanding cast that included Jenny Slate, Charlie Day, Scott Eastwood, and Gina Rodriguez.  The scene in which Jenny Slate sings Suddenly Seymour is a classic.

22. Ambulance (dir by Michael Bay)

This was the film that Michael Bay was born to direct.  For once, Bay’s hyperkinetic style was perfectly matched by the story being told.  It also helped that the ambulance was a real ambulance and not a robot pretending to be an ambulance.

21.Send Me (dir by Nick Palmisciano)

This is a heart-breaking documentary about the efforts of 12 veterans to evacuate as many allies as they could during the disastrous withdraw from Afghanistan.  This film deserved more attention than it got.

20. The Bombardment (dir by Ole Bornedal)

Based on a true story, this Danish film deals with the accidental bombing of a school during World War II.  It’s been overshadowed a bit by All Quiet On The Western Front but, in its quieter way, The Bombardment is also a strong look at the horrors of war.

19. Goodnight Oppy (dir by Ryan White)

This is a poignant documentary about Opportunity, the NASA exploration rover that spent 15 years exploring Mars.  This movie proves that a robot can make you cry.

18. Dark Glasses (dir by Dario Argento)

Don’t listen to the critics.  This enjoyably over-the-top giallo was an entertaining return-to-form for Dario Argento.

17. Wildcat (dir by Melissa Lesh and Trevor Fost)

This poignant documentary follows a depressed veteran as he finds purpose helping to raise a baby ocelot in Peru.  Be prepared to cry.

16. Apollo 10 1/2 (dir by Richard Linklater)

Richard Linklater’s animated film was well-received by critics but it’s still hard not to feel that it’s been a bit overlooked.  Narrated by Jack Black, the film details the 1969 moon landing from the perspective of a child with a very active imagination.  Nostalgic, sweet-natured, and ultimately rather moving, Apollo 10 1/2 is a film that celebrates life.

15. Three Minutes: A Lengthening (dir by Bianca Stigner)

This haunting and moving documentary, which is narrated by Helena Bonham Cater, examines a three-minute snippet of 16mm film that was shot in a Jewish town in Poland in 1938, shortly before the Nazis invaded.  By examining every aspect of those three minutes, this documentary becomes both a memorial for the inhabitants of that town and a much-needed reminder of the horrors and reality of the Holocaust.  With anti-Semitism and Holocaust denial on the rise, this is an important documentary.

14. The Northman (dir by Robert Eggers)

The Northman is occasionally thrilling and occasionally ludicrous but it’s always watchable.  Robert Eggers finds moments of humor and odd beauty in this Viking epic.  Nicole Kidman embraces the melodrama and goes all out.  I just hope Valhalla was actually worth all the trouble.

13. Puss In Boots: The Last Wish (dir by Joel Crawford)

Yeah, you knew this film was going to show up on my list.  To be honest, the film could have been about just about anything.  I’d watch Puss In Boots read the phone book as long as Antonio Banderas returned to do his voice.  The fact that the film itself was cute and even touching was an added bonus.

12. Guillermo del Toro’s Pinocchio (dir by Guillermo del Toro and Mark Gustafson)

Yes, a puppet can make you cry.

11. Babylon (dir by Damien Chazelle)

Was it flawed?  You bet.  Did it run a little bit too long?  Yes, it did.  Could I have done without the scene with the elephant?  You better believe it.  That said, this film was so gloriously excessive and over-the-top that it was easy for me to forgive its flaws.  The critics may not have liked it but Babylon is a film that will be rediscovered.

10. The Fabelmans (dir by Steven Spielberg)

I went back and forth over whether to put The Fabelmans or Babylon in the number ten spot.  In a way, they’re kind of similar in that they have their flaws but they’re both saved by their director’s obvious love of cinema.  In the end, David Lynch’s role as John Ford moved The Fabelmans into the 10th spot.

9. Everything Everywhere All At Once (dir by the Daniels)

To be honest, I think some people are going a little bit overboard in their praise for this film.  Yes, it’s one of the year’s best but 2022 wasn’t that strong of a year and Everything is one of those probable Best Picture winners that, like Nomadland and CODA, will probably not be quite as celebrated after it actually wins.  That said, Michelle Yeoh and especially Ke Huy Quan deserve all the praise that they’ve received and I appreciated that the film featured the destruction of an IRS office.  It’s not as perfect as some say but, due largely to the cast, it still deserves to be in my top ten.

8. Nitram (dir by Justin Kurzel)

This is another unfairly overlooked film, this time from Australia.  Caleb Landry Jones gives a powerful and disturbing performance as a troubled young man named Nitram who commits an act of shocking violence.  Anthony LaPaglia and Judy Davis play Nitram’s parents, who are both troubled in their own individual ways.  Essie Davis plays the older woman who falls in love with Nitram, despite the fact that Nitram is incapable of loving anyone.

7. Emily the Criminal (dir by John Patton Ford)

Aubrey Plaza plays Emily, who discovers that not only does crime pay but, in the gig economy, it’s one of those few ways to get ahead.  Part thriller and part satire, Emily the Criminal reminds us that Plaza is one of the most interesting actresses working today.

6. All Quiet On The Western Front (dir by Edward Berger)

This German anti-war epic stays true to the themes of its source material while updating the plot for the modern era.  The contrast between the generals and the diplomats planning battles and the soldiers dying in them is a powerful one.

5. Elvis (dir by Baz Luhrmann)

This wonderfully excessive biopic features good music, a great performance from Austin Butler, and a wonderfully eccentric one from Tom Hanks.  Luhrmann is hardly a subtle director but Butler’s performance keeps the film from spiraling out of control.

4. Vengeance (dir by B.J. Novak)

This whip-smart satire of both true crime podcasts and the red state/blue state divide deserved far more attention than it received.  Ashton Kutcher has actually become a surprisingly dependable character actor.  Director and screenwriter Novak tells the story with sensitivity and a sharp eye for the absurd.

3. The Banshees of Inisherin (dir by Martin McDonagh)

In his best film yet, Martin McDonagh examines friendship, art, violence, and anger in Ireland.  Brendan Gleeson no longer wants to be Colin Farrell’s friend.  Farrell’s attempts to discover why leads to all sorts of surprising and macabre developments.  Gleeson and Farrell have never been better.  Kerry Condon and Barry Keoghan offer up poignant support.

2. Tar (dir by Todd Field)

Lydia Tar is a brilliant artist.  Does it matter that she also might be a terrible human being?  Todd Field’s return to filmmaking meditates on the meaning of art, morality, and the consequences of hubris.  Cate Blanchett is perfectly cast.  The scene where Tar talks to a student who objects to playing music by a white male is a real litmus test.  Do you think Tar is a bully or do you think the student is being too sensitive?  For all the talk about how Lydia dismisses the student’s claims, many also fail to note that the student is the one who calls her a “bitch” and runs out of the room.  Much as in Field’s previous film, no one is as perfect or as justified or as blameless as they may believe.

And, finally, my top film of 2022 is….

  1. Top Gun: Maverick (dir by Joseph Kosinski)

After 2 years of lockdowns and pessimism, Top Gun: Maverick was finally released and it reminded audiences of what they loved about movies in the first place.  Top Gun: Maverick was the movie that we needed in 2022.

Well, that concludes my late look back at 2022!  Now, let’s focus on 2023!

Lisa Marie’s 2022 In Review:

  1. 16 Worst Movies
  2. 10 Favorite Songs
  3. 10 Top Non-Fiction Books
  4. Lisa Marie’s Favorite Novels
  5. The Best of Lifetime
  6. 10 Good Things I Saw On Television

What If Lisa Marie Picked The Oscar Nominees: 2022 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa Marie had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not be. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are listed in bold.

It should also go without saying that I’ve only nominated films that I’ve actually seen.  So, if you’re wondering why a certain film wasn’t nominated, it’s always possible that may have not gotten the opportunity to see it yet.  Of course, it’s also possible that I didn’t feel that a certain film was worthy of a nomination, despite what the critics may say.  In the end, my best advice is not to worry too much about it.  I’m not an Academy voter so ultimately, this is all for fun and that’s the spirit in which it should be taken.

You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.

(Click on the links to see my nominations for 2021, 2020201920182017201620152014201320122011, and 2010!)

And now, without any further ado:

2022 

Best Picture 

All Quiet on the Western Front 

The Banshees of Inisherin 

Elvis 

Emily the Criminal 

Everything Everywhere All At Once 

The Fabelmans 

Nitram 

TAR 

Top Gun: Maverick 

Vengeance  

Best Director 

Edward Berger for All Quiet on the Western Front  

Todd Field for TAR 

Joseph Kosinski for Top Gun: Maverick 

Baz Luhrmann for Elvis 

Martin McDonagh for The Banshees of Inisherin

BJ Novak for Vengeance 

Best Actor 

Austin Butler in Elvis 

Tom Cruise in Top Gun: Maverick 

Colin Farrell in The Banshees of Inisherin  

Caleb Landry Jones in Nitram 

BJ Novak in Vengeance  

Adam Sandler in Hustle 

Best Actress 

Cate Blanchett in TAR 

Emma Corrin in Lady Chatterley’s Lover  

Annie Hardy in Dashcam 

Mia Goth for Pearl 

Aubrey Plaza in Emily The Criminal 

Michelle Yeoh in Everything Everywhere All At Once 

Best Supporting Actor 

Brendan Gleeson in The Banshees of Inisherin 

Val Kilmer in Top Gun: Maverick 

Anthony LaPaglia in Nitram 

David Lynch in The Fabelmans 

Brad Pitt in Babylon 

Ke Huy Quan in Everything Everywhere All At Once 

Best Supporting Actress 

Kerry Condon in The Banshees of Inisherin 

Essie Davis in Nitram 

Judy Davis in Nitram  

Nina Hoss in TAR  

Nicole Kidman in The Northman 

Michelle Williams in The Fabelmans 

Best Voice Over Performance 

Antonio Banderas in Puss In Boots: The Last Wish 

Jack Black in Apollo 10 ½ 

Steve Carell in Minions: The Rise of Gru 

Mike Judge in Beavis and Butthead Do The Universe 

Ewan McGregor in Guillermo del Toro’s Pinocchio  

Jenny Slate in Marcel the Shell With Shoes On  

 

Best Adapted Screenplay 

All Quiet On The Western Front 

Guillermo Del Toro’s Pinocchio   

Lady Chatterley’s Lover 

Marcel The Shell With Shoes On 

Operation Mincemeat 

Top Gun: Maverick 

Best Original Screenplay 

Apollo 10 ½

The Banshees of Inisherin 

Emily the Criminal 

Everything Everywhere All At Once 

TAR 

Vengeance 

Best Animated Feature Film 

Apollo 10 ½ 

Beavis and Butthead Do The Universe  

The Bob’s Burgers Movie 

Guillermo del Toro’s Pinoccio  

The House 

Mad God 

Marcel the Shell with Shoes On 

Minions: The Rise of Gru 

Puss in Boots: The Last Wish

Turning Red  

Best Documentary Feature Film 

The Automat 

Bitterbrush

Dreaming Walls: Inside the Chelsea Hotel

Goodnight Oppy 

Is That Black Enough For You? 

My Old School 

Selena Gomez: My Mind And Me 

Send Me 

Three Minutes: A Lengthening 

Wildcat 

 

Best International Feature Film 

All Quiet on the Western Front 

Bardo 

Battle: Freestyle 

The Bombardment 

Dark Glasses

How I Fell In Love With A Gangster 

Into the Wind 

My Best Friend Anne Frank 

Restless 

RRR 

Best Live Action Short Film 

A Little Dead

Forgive Us Our Trespasses 

Best Animated Short Film 

The Flying Sailor

Ice Merchants

The Garbage Man 

Steakhouse 

Best Documentary Short Film 

Elephant Whisperers

Her Majesty’s Queue  

The Martha Mitchell Effect

Nuisance Bear 

The Runner 

Stranger at the Gate 

Best Original Score 

All Quiet On The Western Front 

Babylon 

The Banshees of Inisherin

Don’t Worry, Darling 

Guillermo del Toro’s Pinocchio

Top Gun: Maverick 

 

Best Original Song 

“At the Automat” from The Automat 

“Sunny Side Up Summer” from The Bob’s Burgers Movie 

“Vegas” from Elvis

“Ciao Papa” from Guillermo del Toro’s Pinocchio  

“Naatu Naatu” from RRR 

“My Mind and Me” From Selena Gomez: My Mind and Me 

“Hold My Hand” From Top Gun: Maverick 

“Carolina” From Where The Crawdads Sing 

“New Body Rhumba” from White Noise 

“A Sky Like I’ve Never Seen” from Wildcat 

Best Overall Use of Music In A Movie 

The Banshees of Inisherin 

Elvis 

TAR   

Father Stu 

Top Gun: Maverick 

Best Sound Editing 

All Quiet On The Western Front 

Avatar: The Way of the Water  

The Bombardment 

Elvis 

Guillermo del Toro’s Pinoccio  

Top Gun Maverick 

Best Sound Mixing 

All Quiet on the Western Front 

The Batman 

Elvis

TAR 

The Northman 

Top Gun Maverick 

Best Production Design 

Babylon

The Batman 

Elvis 

The Fabelmans 

RRR 

See How They Run

Best Casting 

All Quiet on the Western Front 

The Northman 

She Said 

TAR 

Top Gun: Maverick 

Vengeance 

Best Cinematography 

The Banshees of Inisherin 

Bardo   

Elvis 

Everything Everywhere All At Once

RRR 

Top Gun: Maverick 

Best Costume Design 

Babylon 

Death on the Nile 

Dr. Strange in the Multiverse of Madness

Elvis

The Fabelmans

See How They Run  

Best Film Editing 

All Quiet on the Western Front  

Ambulance 

The Banshees of Inisherin 

Everything Everywhere All At Once   

The Fabelmans 

Top Gun: Maverick 

Best Make-Up and Hairstyling 

Babylon 

Elvis   

The Fabelmans   

The Northman  

Terrifier 2 

Best Stuntwork 

All Quiet On The Western Front

The Batman 

Bullet Train    

Everything Everywhere All At Once 

RRR 

Top Gun: Maverick 

Best Visual Effects 

Avatar: The Way of Water 

Dr. Strange in the Multiverse of Madness 

Mad God 

RRR 

Terrifier 2 

Top Gun: Maverick 

Films Listed By Number of Nominations

15 Nominations — Top Gun: Maverick

11 Nominations — Elvis

10 Nominations — All Quiet On The Western Front, The Banshees of Inisherin

8 Nominations — TAR

7 Nominations — Everything Everywhere All At Once, The Fabelmans

6 Nominations — Guillermo del Toro’s Pinocchio, RRR

5 Nominations — Babylon, Nitram, Vengeance

4 Nominations — The Northman, Puss in Boots: The Last Wish

3 Nominations — Apollo 10 1/2, The Batman, Emily the Criminal, Marcel the Shell With Shoes On

2 Nominations — The Automat, Avatar: The Way of the Water, Bardo, Beavis and Butthead Do The Universe, The Bob’s Burgers Movie, The Bombardment, Dr. Strange in the Multiverse of Madness, Lady Chatterley’s Lover, Mad Dog, Minions: The Rise of Gru, See How They Run, Selena Gomez: My Mind & Me, Terrifier 2, Wildcat, X

1 Nomination — A Little Dead, Ambulance, Battle: Freestyle, Bitterbush, Bullet Train, Dascham, Dark Glasses, Death on the Nile, Don’t Worry Darling, Dreaming Walls: Inside the Chelsea Hotel, Elephant Whisperers, Father Stu, The Flying Sailor, Forgive Us Our Trespasses, The Garbage Man, Goodnight Oppy, Her Majesty’s Queue, How I Fell In Love With A Gangster, Hustle, Ice Merchants, Into the Wind, Is That Black Enough For You?, The House, Hustle, The Martha Mitchell Effect, My Friend Anne Frank, My Old School, Nuisance Bear, Operation: Mincemeat, Pearl, Restless, The Runner, Send Me, She Said, Steakhouse, Stranger at the Gates, Three Minutes: A Lengthening, Turning Red, Where The Crawdads Sing, White Noise

Films Listed By Number of Wins:

6 Oscars — Top Gun: Maverick

4 Oscars — All Quiet on the Western Front, Banshees of Inisherin

2 Oscars — Babylon, Elvis, TAR

1 Oscars — A Little Death, Avatar: The Way of the Water, Beavis and Butthead Do The Universe, Guillermo del Toro’s Pinocchio, Ice Merchant, Nuisance Bear, Three Minutes: A Lengthening, X 

Will the Academy and I agree?  Probably not!  But we’ll find out for sure in just a few hours!

Playing Catch-Up: Autumn in New York, Griffin & Phoenix, Harry & Son, The Life of David Gale


So, this year I am making a sincere effort to review every film that I see.  I know I say that every year but this time, I really mean it.

So, in an effort to catch up, here are four quick reviews of some of the movies that I watched over the past few weeks!

  • Autumn in New York
  • Released: 2000
  • Directed by Joan Chen
  • Starring Richard Gere, Winona Ryder, Anthony LaPaglia, Elaine Stritch, Vera Farmiga, Sherry Stringfield, Jill Hennessy, J.K. Simmons, Sam Trammell, Mary Beth Hurt

Richard Gere is Will, a fabulously wealthy New Yorker, who has had many girlfriends but who has never been able to find the one.  He owns a restaurant and appears on the cover of New York Magazine.  He loves food because, according to him, “Food is the only beautiful thing that truly nourishes.”

Winona Ryder is Charlotte, a hat designer who is always happy and cheerful and full of life.  She’s the type who dresses up like Emily Dickinson for Christmas and recites poetry to children, though you get the feeling that, if they ever somehow met in real life, Emily would probably get annoyed with Charlotte fairly quickly.  Actually, Charlotte might soon get to meet  Emily because she has one of those rare diseases that kills you in a year while still allowing you to look healthy and beautiful.

One night, Will and Charlotte meet and, together, they solve crimes!

No, actually, they fall in love.  This is one of those films where a young woman teaches an old man how to live again but then promptly dies so it’s not like he actually has to make a huge commitment or anything.  The film does, at least, acknowledge that Will is a lot older than Charlotte but it still doesn’t make it any less weird that Charlotte would want to spend her last year on Earth dealing with a self-centered, emotionally remote man who is old enough to be her father.  (To be honest, when it was revealed that Charlotte was the daughter of a woman who Will had previously dated, I was briefly worried that Autumn in New York was going to take an even stranger turn….)

On the positive side, the films features some pretty shots of New York and there is actually a pretty nice subplot, in which Will tries to connect with the daughter (Vera Farmiga) that he never knew he had.  Maybe if Farmiga and Ryder had switched roles, Autumn in New York would have worked out better.

  • Griffin & Phoenix
  • Released: 2006
  • Directed by Ed Stone
  • Starring Dermot Mulroney, Amanda Peet, Blair Brown, and Sarah Paulson

His name is Henry Griffin (Dermot Mulroney).

Her name is Sarah Phoenix (Amanda Peet).

Because they both have highly symbolic last names, we know that they’re meant to be together.

They both have cancer.  They’ve both been given a year to live.  Of course, they don’t realize that when they first meet and fall in love.  In fact, when Phoenix comes across several books that Griffin has purchased about dealing with being terminally ill, she assumes that Griffin bought them to try to fool her into falling in love with him.  Once they realize that they only have a year to be together, Griffin and Phoenix set out to make every moment count…

It’s a sweet-natured and unabashedly sentimental movie but, unfortunately, Dermot Mulroney and Amanda Peet have little romantic chemistry and the film is never quite as successful at inspiring tears as it should be.  When Mulroney finally allows himself to get mad and deals with his anger by vandalizing a bunch of cars, it’s not a cathartic moment.  Instead, you just find yourself wondering how Mulroney could so easily get away with destroying a stranger’s windshield in broad daylight.

  • Harry & Son
  • Released: 1986
  • Directed by Paul Newman
  • Starring Paul Newman, Robby Benson, Ellen Barkin, Wilford Brimley, Judith Ivey, Ossie Davis, Morgan Freeman, Katherine Borowitz, Maury Chaykin, Joanne Woodward

Morgan Freeman makes an early film appearance in Harry & Son, though his role is a tiny one.  He plays a factory foreman named Siemanowski who, in quick order, gets angry with and then fires a new employee named Howard Keach (Robby Benson).  Howard is the son in Harry & Son and he’s such an annoying character that you’re happy when Freeman shows up and starts yelling at the little twit.  As I said, Freeman’s role is a small one.  Freeman’s only on screen for a few minutes.  But, in that time, he calls Howard an idiot and it’s hard not to feel that he has a point.

Of course, the problem is that we’re not supposed to view Howard as being an idiot.  Instead, we’re supposed to be on Howard’s side.  Howard has ambitions to be the next Ernest Hemingway.  However, his blue-collar father, Harry (Paul Newman, who also directed), demands that Howard get a job.  Maybe, like us, he realizes how silly Howard looks whenever he gets hunched over his typewriter.  (Robby Benson tries to pull off these “deep thought” facial expressions that simply have to be seen to be believed.)  There’s actually two problems with Howard.  First off, we never believe that he could possibly come up with anything worth reading.  Secondly, it’s impossible to believe that Paul Newman could ever be the father of such an annoying little creep.

Harry, of course, has problems of his own.  He’s just lost his construction job.  He’s having to deal with the fact that he’s getting older.  Fortunately, his son introduces him to a nymphomaniac (Judith Ivey).  Eventually, it all ends with moments of triumph and tragedy, as these things often do.

As always, Newman is believable as a blue-collar guy who believes in hard work and cold beer.  The film actually gets off to a good start, with Newman using a wrecking ball to take down an old building.  But then Robby Benson shows up, hunched over that typewriter, and the film just becomes unbearable.  At least Morgan Freeman’s around to yell at the annoying little jerk.

  • The Life of David Gale
  • Released: 2003
  • Directed by Alan Parker
  • Starring Kevin Spacey, Kate Winslet, Laura Linney, Gabriel Mann, Rhona Mitra, Leon Rippy, Matt Craven, Jim Beaver, Melissa McCarthy

For the record, while I won’t shed any tears whenever Dzhokahr Tsarnaev is finally executed, I’m against the death penalty.  I think that once we accept the idea that the state has the right to execute people, it becomes a lot easier to accept the idea that the state has the right to do a lot of other things.  Plus, there’s always the danger of innocent people being sent to die.  The Life of David Gale also claims to be against the death penalty but it’s so obnoxious and self-righteous that I doubt it changed anyone’s mind.

David Gale (Kevin Spacey) used to the head of the philosophy department at the University of Texas.  He used to be a nationally renowned activist against the death penalty.  But then he was arrested for and convicted of the murder of another activist, Constance Harraway (Laura Linney) and now David Gale is sitting on death row himself.  With his execution approaching, journalist Bitsey Bloom (Kate Winslet) is convinced that Gale was framed and she finds herself racing against time to prevent Texas from executing an innocent man…

There’s a lot of things wrong with The Life of David Gale.  First off, it was made during the Bush administration, so the whole film is basically just a hate letter to the state of Texas.  Never have I heard so many inauthentic accents in one film.  Secondly, only in a truly bad movie, can someone have a name like Bitsey Bloom.  Third, the whole film ends with this big twist that makes absolutely no sense and which nearly inspired me to throw a shoe at the TV.

Of course, the main problem with the film is that we’re asked to sympathize with a character played by Kevin Spacey.  Even before Kevin Spacey was revealed to be a sleazy perv, he was never a particularly sympathetic or really even that versatile of an actor.  (Both American Beauty and House of Cards tried to disguise this fact by surrounding him with cartoonish caricatures.)  Spacey’s so snarky and condescending as Gale that, even if he is innocent of murder, it’s hard not to feel that maybe David Gale should be executed for crimes against likability.

A Movie A Day #121: Frank Nitti: The Enforcer (1988, directed by Michael Switzer)


Everyone knows who Al Capone was but few people remember Frank Nitti.  Nicknamed “The Enforcer,” Nitti was Capone’s right-hand man.  When Big Al was sent to federal prison for not paying his taxes, Nitti was the one who kept things going in Chicago.  While Al was losing his mind in Florida, Nitti was the one who moved the Chicago Outfit away from prostitution and into the labor racket.  Today, if anyone remembers Frank Nitti, it is probably because of the scene in Brian DePalma’s The Untouchables where Eliot Ness tosses him off of a building.  In real life, Nitti survived the Untouchable era just to become one of the few crime bosses to die by his own hand.  In 1943, With the feds closing in on him, Nitti shot himself in a Chicago rail yard.

Frank Nitti: The Enforcer was a made-for-TV movie that told the story of Nitti’s life.  Broadcast a year after The Untouchables, Nitti is, in many ways, a direct refutation of DePalma’s film.  Eliot Ness never appears in the movie and is dismissed, by special prosecutor Hugh Kelly (Michael Moriarty), as being a publicity seeker.  Al Capone (Vincent Guastaferro) is ruthless and resents being called Scarface but he never hits anyone with a baseball bat.  In this movie, the only real villains are the Irish cops who harass Nitti (played by Anthony LaPaglia, in his American film debut) and Chicago’s ambitious mayor, Anton Cermak (Bruce Kirby).  Cermak orders a corrupt cop (Mike Starr) to shoot Nitti and the film implies that Cermak’s subsequent assassination was payback.

Though it sometimes tries too hard to portray its title character as just being a salt of the Earth family man who also happened to be the biggest mob boss in the country, Nitti is a good gangster film.  Michael Moriarty’s performance is a forerunner to his work on Law & Order and Trini Alvarado is lovely as Nitti’s wife.  Anthony LaPaglia gives a good performance in the lead role, with the film’s portrayal of Nitti as a ruthless but reluctant mob boss predating The Sopranos by a decade.

Back to School Part II #31: Empire Records (dir by Allan Moyle)


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The 1995 film, Empire Records takes place in a fictional record store.  The store is located in a state called Delaware, which I’m pretty sure is fictional as well.  (Have you ever actually met anyone from Delaware?  And don’t say Joe Biden because we all know he’s just a hologram…)  Empire Records is a beloved institution, an independent record shop that’s as well-known for its lively employees as its amazing selection of music!

However, things are not perfect in the world of Empire Records.  The store is owned by a heartless businessman named Mitchell (Ben Bode).  Mitchell hates Empire Records and usually just lets the store manager, former drummer and Scott Stapp-lookalike Joe (Anthony LaPaglia), run the place.  However, Mitchell has decided to sell Empire Records to the soulless and corporate Music Town franchise.  Oh my God!  If Empire Records becomes a Music Town, the employees will have to wear orange aprons!  They won’t be allowed to wear anything too revealing or have any visible piercings!  And nobody will be allowed to dance in the aisles!

Over the course of just one day, can the staff of Empire Records find a way to save their store!?

It would be easier if not for the fact that a hundred other things happen over the course of that same day.  A shoplifter (Brendan Sexton III, who co-starred in the very different Welcome to the Dollhouse the same year that he appeared here) keeps trying to steal stuff and, at one point, he even shows up at the store with a gun!  Is it possible that he just wants to join the Empire Records family and is just hoping that he’ll be offered a job?

And then there’s Rex Manning!  That’s right — it’s Rex Manning Day!  Who is Rex Manning?  Well, he used to star on a show called The Family Way and his nickname is Sexy Rexy.  He has truly memorable hair.  Middle-aged people love him but most young people think that he’s a joke.  Rex is going to signing copies of his latest album at Empire Records and you better believe that he’s brought blue cheese salad dressing with him.  There’s a reason they call him Sexy Rexy and it’s not just that Rex Harrison is no longer around to object.  Rex is played by Maxwell Caulfield.  Caulfield steals every scene that he appears in and it’s hard not to feel that he’s playing a version of who he could have become if Grease 2 hadn’t bombed at the box office.

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And, of course, all the members of Empire Records staff have their own personal problems to deal with.  Fortunately, since this is a breezy and comedic movie, nobody has problem that can’t be solved within ten to fifteen minutes.

For instance, Debra (Robin Tunney) is suicidal and shows up for work with a big bandage on her wrist.  After clocking in, she promptly shaves her head.  Debra is depressed and troubled but guess what?  All she needs is for her friends to hold a mock funeral in the break room.  (And who is taking care of the customers while everyone else is eulogizing Debra?  Probably Andre but we’ll talk more about him in a moment…)

Berko (Coyote Shivers) appears to be Debra’s boyfriend but he doesn’t seem to be that good of a boyfriend.  Berko’s a musician and he wants to make it big.  Solution to his problem: an impromptu concert on the roof of Empire Records!  And you know what?  Coyote Shivers was not the world’s best actor but the song he performs, Sugar High, will stay in your head long after you hear it.

Eddie (James ‘Kimo’ Williams) has no problems, probably because he also works at a pizza place and he makes the best brownies in the world.  Except, they’re not ordinary brownies … hint hint hint….

Mark (Ethan Embry) only has one problem: his character, as written, is pretty much interchangeable with Eddie’s.  But, fortunately, Embry gives such a totally weird performance that you never forget who he is.

Lucas (Rory Cochrane) tried to help Joe out by taking the previous night’s cash receipts to Atlantic City.  Lucas, however, is not a very good gambler and ends up losing all of the money at the result of one roll of the dice.  Lucas’s problem is that Joe is going to kill him.  The solution is to spend almost the entire movie sitting on the break room couch and making snarky comments.

Gina’s problem is that everyone thinks that she’s a slut, mostly because that’s how the character is written.  Fortunately, Gina is played by Renee Zellweger and she brings a lot of depth to an otherwise underwritten role.  One of the film’s best moments is when Gina and Berko perform together because Zellweger really throws herself into the song.  Watching that scene always makes me want to sing along with them.  It’s funny that Zellweger has even a stronger Texas accent than I do and yet, she can really sing while I mostly certainly cannot.

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Then there’s Andre!  Andre’s problem is that he ends up getting cut out of the film.  However, he’s still listed in the credits, which is how we know that he was played by Tobey Maguire.

A.J. (Johnny Whitworth) is an artist.  How can you not love a struggling artist?  His problem is that he’s in love with Corey (Liv Tyler) but Corey is obsessed with losing her virginity to Rex Manning.

Actually, that’s not the only problem that Corey has.  Corey, who is in high school but has recently been accepted to Harvard, is a driven overachiever.  Occasionally, we see her popping a pill.  Oh my God, is she using speed!?  Of course. she is.  How else is she going to be able to both study late and maintain her figure?  If I don’t seem too concerned about Corey’s pills, it’s because I pretty much take the same thing to keep my ADD under control.  They’ve worked wonders for me!

But not so much for Corey.  In fact, they cause Corey to kinda freak out and attack a cut-out of Rex Manning.  Fortunately, the solution to her drug problem is pretty simple.  She just has to splash some water on her face.

As for her virginity problem, well … it is Rex Manning Day!  Judging from this film and Stealing Beauty, it would appear that film goers in the mid-90s were obsessed with Liv Tyler losing her virginity.

Anyway, there are like a hundred overly critical things that I could say about Empire Records.  I’ve seen this film a number of time and there are certain scenes that always make cringe — like Debra’s funeral or when Joe starts banging away on his drum set.  A lot of the dialogue is overwritten and the whole things occasionally seems to be trying too hard.

And yet, I can’t dislike Empire Records.  In fact, I actually really like it a lot.  It’s just such an earnest and sincere movie that you can’t help but enjoy it.  Meanwhile, the cast has so much energy and chemistry that they’re just fun to watch.  This is one of those films where it’s best just to shut off your mind, say “Damn the man!,” and enjoy what you’re watching for what it is.

Add to that, I love that ending.  Everyone dancing on top of the store?  Perfect.

Trailer: Django Unchained


The last couple days have seen the release of a number of upcoming films that should be jockeying for all those fancy-pants end of season awards. One such film is the latest film from Quentin Tarantino. Django Unchained is his latest trip into the grindhouse world with this film being his take on the spaghetti westerns made popular by Italian maestros like Sergio Leone, Sergio Corbucci and Enzo G. Castellari.

It’s an ensemble cast that’s headlined by Jamie Foxx in the title role with Christoph Waltz, Samuel L. Jackson and Leonardo DiCaprio (playing against the grain as the main villain of the piece). To pay respect to the very genre that this film owes not just it’s title, but theme and tone, Tarantino has even cast the original Django in Franco Nero in the role of Amerigo Vassepi.

Django Unchained is set for a Christmas Day 2012 release date (hopefully the world didn’t end just four days earlier).

Trailer: Django Unchained (Official)


If there’s a film arriving this year that’s bound to be hyped up by both fanboys and critics alike it would be the latest from Quentin Tarantino. Django Unchained will be his ode to the spaghetti westerns of the 60’s and 70’s. The title of the film alone owes much to Sergio Corbucci’s own spaghetti western, Django.

The trailer first premiered simultaneously over at Fandango and Movies.com and the amount of times the trailer has been reposted over the blogosphere just shows how much people have been waiting for anything about Tarantino’s western when it was first announced. I know that pretty much most everyone here at Through the Shattered Lens have been anticipating this film especially co-founder Lisa Marie Bowman.

I’d describe the trailer itself, but it’s better just to watch it. I’m sure Lisa Marie squealed a bit when two Django’s met near the end.

Source: Movies.com