A Movie A Day #121: Frank Nitti: The Enforcer (1988, directed by Michael Switzer)


Everyone knows who Al Capone was but few people remember Frank Nitti.  Nicknamed “The Enforcer,” Nitti was Capone’s right-hand man.  When Big Al was sent to federal prison for not paying his taxes, Nitti was the one who kept things going in Chicago.  While Al was losing his mind in Florida, Nitti was the one who moved the Chicago Outfit away from prostitution and into the labor racket.  Today, if anyone remembers Frank Nitti, it is probably because of the scene in Brian DePalma’s The Untouchables where Eliot Ness tosses him off of a building.  In real life, Nitti survived the Untouchable era just to become one of the few crime bosses to die by his own hand.  In 1943, With the feds closing in on him, Nitti shot himself in a Chicago rail yard.

Frank Nitti: The Enforcer was a made-for-TV movie that told the story of Nitti’s life.  Broadcast a year after The Untouchables, Nitti is, in many ways, a direct refutation of DePalma’s film.  Eliot Ness never appears in the movie and is dismissed, by special prosecutor Hugh Kelly (Michael Moriarty), as being a publicity seeker.  Al Capone (Vincent Guastaferro) is ruthless and resents being called Scarface but he never hits anyone with a baseball bat.  In this movie, the only real villains are the Irish cops who harass Nitti (played by Anthony LaPaglia, in his American film debut) and Chicago’s ambitious mayor, Anton Cermak (Bruce Kirby).  Cermak orders a corrupt cop (Mike Starr) to shoot Nitti and the film implies that Cermak’s subsequent assassination was payback.

Though it sometimes tries too hard to portray its title character as just being a salt of the Earth family man who also happened to be the biggest mob boss in the country, Nitti is a good gangster film.  Michael Moriarty’s performance is a forerunner to his work on Law & Order and Trini Alvarado is lovely as Nitti’s wife.  Anthony LaPaglia gives a good performance in the lead role, with the film’s portrayal of Nitti as a ruthless but reluctant mob boss predating The Sopranos by a decade.

Let’s Second Guess The Academy: 1987 Best Picture


Near-Dark-Bill-Paxton

It’s time for another edition of Let’s Second Guess the Academy!  This time, we’re taking a second look at the race for Best Picture of 1987.

Can you remember which film won Best Picture for 1987?  Don’t feel bad if you can’t because Bernardo Bertolucci’s The Last Emperor is one of the lesser known Oscar winners.  The film’s relative obscurity leads to one natural question: was it truly the best film released in 1987?

Or should the Oscar have gone to one of the other films nominated — Broadcast News, Hope and Glory, Fatal Attraction, or Moonstruck?

Let your voice be heard by voting below!

After voting for which nominated film you think should have won, give some thought to some of the 1987 films that were not nominated.  Was Moonstruck truly a better film than Near Dark or Full Metal jacket?  Ask yourself what would have happened if The Last Emperor hadn’t been released in the United States or what if Fatal Attraction hadn’t been a huge box office smash.  What if none of the five best picture nominees had been eligible to be nominated in 1987?  Which five films would you have nominated in their place?

Let us know by voting below.  As always, you can vote for up to five alternative nominees and write-ins are accepted!

Happy voting!

dirty-dancing-lift