My Oscar Predictions


 

Okay, let’s do this!  Here are my predictions of what will win at the big show tonight!

Best Picture — Sinners

Best Directing — Ryan Coogler, Sinners

Best Actor — Michael B. Jordan, Sinners

Best Actress — Jessie Buckley, Hamnet

Best Supporting Actor — Delroy Lindo, Sinners

Best Supporting Actress — Wunmi Mosaku, Sinners

Best Original Screenplay — Sinners

Best Adapted Screenplay — One Battle After Another

Best Animated Feature — Zootopia 2

Best Casting — Sinners

Best Production Design — Frankenstein

Best Cinematography — Train Dreams

Best Costume Design — Frankenstein

Best Film Editing — Sinners

Best Makeup and Hairstyling — Frankenstein

Best Sound — F1

Best Visual Effects — F1

Best Original Score — Sinners

Best Original Song — Golden from KPop Demon Hunters

Best Documentary Feature — The Perfect Neighbor

Best International Feature — The Secret Agent

Best Animated Short — The Retirement Plan

Best Documentary Short — Armed Only with a Camera: The Life and Death of Brent Renaud

Best Live Action Short —  Jane Austen’s Period Drama

Welcome To Oscar Sunday!


Audrey Hepburn and her Oscar, in happier times

Welcome to Oscar Sunday!

Today is practically a holiday for me.  As someone who loves movies and who also loves award shows, the Oscar Ceremony is an important annual event.  I really don’t feel like the previous year is over until the Oscars have been handed out.  For me, I won’t truly be able to move on from 2025 and really plunge into 2026 until the award for Best Picture is handed out.

We’ll be here, the TSL crew, watching the show and rooting for our favorite films!  We’ll be posting all the winners, maybe a few reviews, and I’ll be tossing out some Oscar thoughts throughout the day.

Enjoy Oscar Sunday!  May we all be as happy as Audrey Hepburn was when she won her Oscar for Roman Holiday!

Scene that I Love: The Opening Of The Oscar


Happy Oscar Sunday!

Today’s scene that I love come from the classic Hollywood melodrama, 1966’s The Oscar!

Behold the glory that was Hollywood!

Actually, this film makes Hollywood look pretty low-rent.  Hopefully, though, this will be Frankie Fane’s year.  He’s paid his dues.  Who else are they going to give it to?  Frank Sinatra?

4 Shots From 4 Films: Special David Cronenberg Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to one of our favorite directors, David Cronenberg!  No one has done more to change the way that the world views Canadian cinema than David Cronenberg.  In honor of the man, his films, and his legacy, here are….

4 Shots From 4 David Cronenberg Films

Scanners (1981, dir by David Cronenberg, DP: Mark Iwrin)

Videodrome (1983, dir by David Cronenberg, DP: Mark Irwin)

The Dead Zone (1983, dir by David Cronenberg, DP: Mark Irwin)

Naked Lunch (1991, dir by David Cronenberg, DP:Peter Suschitzky)

 

Live Tweet Alert: Join #ScarySocial for Grizzly!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  1976’s Grizzly!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Song of the Day: Cleopatra Enters Rome by Alex North


Usually, we would celebrate the Ides of March tomorrow.  But, this year, Oscar Sunday falls on March 15th.  So, we’re going to pay honor to fall of the Roman Republic a day earlier than usual.  From the soundtrack of 1963’s Cleopatra,, here is Cleopatra Enters Rome, composed by Alex North!

Scenes That I Love: Michael Caine in Inception


Today, the Shattered Lens wishes a happy 93rrd birthday to Sir Michael Caine.

Today’s scene that I love comes from 2010’s Inception, a film that featured Caine in a small but key role.  Caine shares this scene with Leonardo DiCaprio and, as good an actor as DiCaprio may be, Caine dominates from the moment he first looks up.

4 Shots From 4 Films: Special Wolfgang Petersen Collection


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates German director Wolfgang Petersen.  It’s time for….

4 Shots From 4 Wolfgang Petersen Films

Das Boot (1981, dir by Wolfgang Petersen, DP: Jost Vocano)

The NeverEnding Story (1984, dir by Wolfgang Petersen, DP: Jost Vocano)

In The LIne of Fire (1993, dir by Wolfgang Petersen, DP: John Bailey)

The Perfect Storm (2000, dir by Wolfgang Petersen, DP: John Seale)

Yay! You survived Friday the 13th!


Congratulations!

Depending on where you live, Friday the 13th is either over or nearly over!  And, if you’re reading this, you survived!!!!!

Obviously, you listened to Crazy Ralph and you did not have sex, smoke weed, skinny dip, go out at night, take a boat trip to Manhattan, go into space, go to sleep, go out for firewood, ask any strange people if they needed help, go looking for your friends, strip down to your underwear so you could go run around in the rain, or have any fun whatsoever!

In other words, today was a boring day for you!  But you survived!

In honor of your survival, here’s the end theme from Friday the 13th.  This was composed by Harry Manfredini and, believe it or not, it’s actually a rather beautiful piece of music.  So, celebrate your survival by listening.

And be prepared to make up for lost time on Saturday the 14th!  Be bad…be very bad….

 

13 for 13: Creature (dir by William Malone)


1985’s Creature takes place in the future!

A spaceship that has just recently visited one of Saturn’s moons has crashed into a space station that is orbiting Earth’s moon.  An American corporation sends another crew up to investigate the wreck but, when they arrive, they discover that a German corporation has beat them to it.  They also discover that all of the Germans are dead, with the exception of Hans Hofner (Klaus Kinski).  Hofner claims that an alien creature killed all of the other Germans and now, the creature will be coming after the Americans as well.

Would you allow Klaus Kinski on your spaceship?  That was one of the main things that I found myself wondering as I watched Creature.  Kinski was a German actor who was widely acknowledged as being one of the best actors in the world.  For instance, Doctor Zhivago is a beautiful but very slow film that suddenly comes to life during Klaus Kinski’s fifteen minutes of screentime.  He was also widely acknowledged as being incredibly difficult to work with, prone to paranoia and wild rages.  His frequent collaborator, director Werner Herzog, has frequently talked about being tempted to kill Kinski while working with him and Kinski reportedly threatened to kill Herzog as well but the two of them still worked together because Kinski’s talent made the pain worth it.  (At least, for a while….)  It’s probably open to debate just how much of Kinski’s bad behavior was performative and how much of it was actually due to Kinski being mentally unstable but it’s also true that any experienced filmgoer knows better than to trust any character played by Klaus Kinski.

Now, it should be noted that, while Kinski was a great actor, that doesn’t always mean that he gave performances that were appropriate for the film in which he was appearing.  If Kinski got bored during shooting, he would pretty much just do whatever he wanted.  That’s the feeling that one gets while watching him in Creature.  Kinski alternates between being overly twitchy and being obviously disinterested.  When he makes his first appearance, he randomly gropes an actress, a move that was apparently not scripted.  Later, Kinski eats a sandwich and talks with his mouth full.  From the disgusted looks of the other cast members, it’s hard not to suspect that this was another improvisation on Kinski’s part.  Kinski is always watchable but his performance is still one of the weaker elements of Creature.

That’s a shame because the rest of the cast — Lyman Ward, Stan Ivar, Wendy Schaal, Robert Jaffe, Diane Salinger — all do a pretty good job of bringing their characters to life.  That Creature is essentially a rip-off of Alien is no great secret.  But the film itself still works, due to some memorably grotesque effects work, William Malone’s quickly paced direction, and the performances of the majority of the cast.  It’s an enjoyable B-movie, obviously made by people with a deep appreciation for the science fiction genre.  Usually, Kinski is the element the redeems a B-movie.  In this case, he’s almost superfluous.  The film would have worked just as well — perhaps even better — if he hadn’t shown up.

Would I let Klaus Kinski on my spaceship?

In this case, I’d tell him to wait for the next shuttle.  He’s not needed.