Horror Film Review: The Sentinel (dir by Michael Winner)


Here’s the main lesson that I’ve learned from watching the 1977 horror film, The Sentinel:

Even in the 1970s, the life of a model was not an easy one.

Take Alison Parker (Cristina Raines) for instance.  She should have everything but instead, she’s a neurotic mess.  Haunted by a traumatic childhood, she has attempted to commit suicide twice and everyone is always worried that she’s on the verge of having a breakdown.  As a model, she’s forced to deal with a bunch of phonies.  One of the phonies is played by Jeff Goldblum.  Because he’s Goldblum, you suspect that he has to have something up his sleeve but then it turns out that he doesn’t.  I get that Jeff Goldblum probably wasn’t a well-known actor when he appeared in The Sentinel but still, it’s incredibly distracting when he suddenly shows up and then doesn’t really do anything.

Alison has a fiancée.  His name is Michael Lerman (Chris Sarandon) and I figured out that he had to be up to no good as soon as he appeared.  For one thing, he has a pornstache.  For another thing, he’s played by Chris Sarandon, an actor who is best known for playing the vampire in the original Fright Night and Prince Humperdink in The Princess Bride.  Not surprisingly, it turns out that Michael’s previous wife died under mysterious circumstances.  NYPD Detective Rizzo (Christopher Walken) suspects that Michael may have killed her.

(That’s right.  Christopher Walken is in this movie but, much like Jeff Goldblum, he doesn’t get to do anything interesting.  How can a movie feature two of the quirkiest actors ever and then refuse to give them a chance to act quirky?)

Maybe Alison’s life will improve now that she has a new apartment.  It’s a really nice place and her real estate agent is played by Ava Gardner.  Alison wants to live on her own for a while.  She loves Michael but she needs to find herself.  Plus, it doesn’t help that Michael has a pornstache and may have killed his wife…

Unfortunately, as soon as Alison moves in, she starts having weird dreams and visions and all the usual stuff that always happens in movies like this.  She also discovers that she has a lot of eccentric neighbors, all of whom are played by semi-familiar character actors.  For instance, eccentric old Charles (Burgess Meredith) is always inviting her to wild parties.  Her other two neighbors (played by Sylvia Miles and Beverly D’Angelo) are lesbians, which the film presents as being the height of shocking decadence.  At first, Alison likes her neighbors but they make so much noise!  Eventually, she complains to Ava Gardner.  Ava replies that Alison only has one neighbor and that neighbor is neither Burgess Meredith nor a lesbian.

Instead, he’s a blind priest who spends all day sitting at a window.  He’s played by John Carradine, who apparently had a few hours to kill in 1977.

But it doesn’t stop there!  This movie is full of actors who will be familiar to anyone who enjoys watching TCM.  Along with those already mentioned, we also get cameos from Martin Balsam, Jose Ferrer, Arthur Kennedy, Eli Wallach, Richard Dreyfuss, and Tom Berenger.  There are 11 Oscar nominees wasted in this stupid film.  (Though, in all fairness, Christopher Walken’s nomination came after The Sentinel.)

Personally, The Sentinel bugged me because it’s yet another horror movie that exploits Catholic iconography while totally misstating church dogma.  However, the main problem with The Sentinel is that it’s just so incredibly boring.  I own it on DVD because I went through a period where I basically bought every horror film that could I find.  I’ve watched The Sentinel a handful of times and somehow, I always manage to forget just how mind-numbingly dull this movie really is.  There’s a few scary images but mostly, it’s just Burgess Meredith acting eccentric and Chris Sarandon looking mildly annoyed.  If you’ve ever seen Rosemary’s Baby, The Exorcist, or The Omen, you’ll figure out immediately what’s going on but The Sentinel still insists on dragging it all out.  Watching this movie is about as exciting as watching an Amish blacksmith shoe a horse.

There’s a lot of good actors in the film but it’s obvious that most of them just needed to pick up a paycheck.  I’ve read a lot of criticism of Cristina Raines’s lead performance but I actually think she does a pretty good job.  It’s not her acting that’s at fault.  It’s the film’s stupid script and lackluster direction.

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