Here Are The 2025 Nominations of the American Society of Cinematographers!


The American Society Of Cinematographers have announced their nominations for the best of 2025.  And here they are:

Theatrical Feature Film (Sponsored by Keslow Camera)
Autumn Durald Arkapaw, ASC for “Sinners”
Michael Bauman for “One Battle After Another”
Darius Khondji, ASC, AFC for “Marty Supreme”
Dan Laustsen, ASC, DFF for “Frankenstein”
Adolpho Veloso, ABC, AIP for “Train Dreams”

Spotlight Award (Sponsored by Panavision)
Steven Breckon for “The Plague”
Mátyás Erdély, ASC, HSC for “Orphan”
Karl Walter Lindenlaub, ASC, BVK for “Amrum”

Documentary Award (Sponsored by Canon U.S.A.)
Mstyslav Chernov and Alex Babenko for “2000 Meters from Andriivka”
Brandon Somerhalder for “Come See Me in the Good Light”
Lars Erlend Tubaas Øymo and Tor Edvin Eliassen for “Folktales”

Here Are The 2025 DGA Nominations


The Directors Guild of America has announced its nominees for the best directors of 2025.  And here they are:

FEATURE FILM
Paul Thomas Anderson – “One Battle After Another” (Warner Bros.)
Ryan Coogler – “Sinners” (Warner Bros.)
Guillermo Del Toro – “Frankenstein” (Netflix)
Josh Safdie – “Marty Supreme” (A24)
Chloe Zhao – “Hamnet” (Focus Features)

FIRST-TIME THEATRICAL FEATURE FILM
Hasan Hadi – “The President’s Cake” (Sony Pictures Classics)
Harry Lighton – “Pillion” (A24)
Alex Russell – “Lurker” (Mubi)
Charlie Polinger – “The Plague” (IFC)
Eva Victor – “Sorry, Baby” (A24)

Here Are The 2025 Nominations of the Art Directors Guild


The Art Directors Guild has announced its nominees for the best of 2025!  And here they are….

BEST PERIOD FEATURE FILM
Frankenstein — Production Designer: Tamara Deverell
Hamnet — Production Designer: Fiona Crombie
Marty Supreme — Production Designer: Jack Fisk
The Phoenician Scheme — Production Designer: Adam Stockhausen
Sinners — Production Designer: Hannah Beachler

BEST FANTASY FEATURE FILM
Avatar: Fire and Ash — Production Designers: Dylan Cole, Ben Procter
The Fantastic Four: First Steps — Production Designer: Kasra Farahani
Mickey 17 — Production Designer: Fiona Crombie
Superman — Production Designer: Beth Mickle
Wicked: For Good — Production Designer: Nathan Crowley

BEST CONTEMPORARY FEATURE FILM
Bugonia — Production Designer: James Price
F1 — Production Designers: Ben Munro, Mark Tildesley
Mission: Impossible – The Final Reckoning — Production Designer: Gary Freeman
One Battle After Another — Production Designer: Florencia Martin
Wake Up Dead Man: A Knives Out Mystery — Production Designer: Rick Heinrichs

BEST ANIMATED FEATURE FILM
The Bad Guys 2 — Production Designer: Luc Desmarchelier
Elio — Production Designer: Harley Jessup
KPop Demon Hunters — Production Designers: Mingjue Helen Chen, Dave Bleich
The Spongebob Movie: Search for Squarepants — Production Designer: Sean Haworth; Animation Production Designer: Pablo R. Mayer
Zootopia 2 — Production Designer: Cory Loftis

I Watched Perry Mason: The Case of the Scandalous Scoundrel (1987, Dir. by Christian I. Nyby II)


Sleazy magazine publisher Harlan Wade (Robert Guillaume) has made a lot of enemies through his scandal sheet.  He just published a story suggesting that Perry Mason (Raymond Burr) and Della Street (Barbara Hale) are more than just friends.  Well, duh!  Everyone knows Perry and Della are in love!  Perry still wants to sue him but then Harlan turns up dead in his swimming pool.  It would have been interesting if Perry had been a suspect but instead the police arrest Michelle Benti (Susan Wilder), a reporter who was recently fired by Wade.  Because Michelle is the ex-girlfriend of Paul Drake, Jr. (William Katt), Perry defends her in court.

This is another case of someone close to the Mason crew being accused of murder.  The D.A. should know better than to arrest anyone who knows Perry, Della, or Paul.  Michelle first appeared in The Case of the Shooting Star but she was played by a different actress.  It’s still good that, for once, the series actually acknowledged one of Paul’s ex-girlfriends.  I worry about Paul and the way he falls in and out of love.

This one had a good mystery and a really memorable supporting cast.  Morgan Brittany, Yaphet Kotto, Wings Hauser, and George Grizzard all played potential suspects.  I liked that this was one of those mysteries where the victim went to a party before he died and everyone there threatened to kill him at some point.  This movie also featured one of the better courtroom confessions.  Raymond Burr uses a cane in this episode and is usually filmed either sitting down or leaning against something for support.  Even though Burr obviously wasn’t feeling well, it’s nice to see him and Barbara Hale share some sweet scenes together.

Who sent Della flowers, champagne, and perfume?  Watch to find out!

Camouflage (2000, directed by James Keach)


It’s strange to hear Leslie Nielsen drop an F bomb.

That was my main though I watched Camouflage.  Leslie Nielsen plays a hard-boiled private detective named Jack Potter who reluctantly takes on an apprentice named Matty McKenzie (Lochlyn Munro).  Mostly to get Matty, a failed stage actor, out of his hair, Jack sends him to handle a minor case in the small town of Beaver Ridge.  The minor case becomes a major case when it becomes clear that a murder is being planned.

Camouflage starts out like a typical Leslie Nielsen mockbuster, with Nielsen providing a ridiculous, Frank Drebin-style narration.  But the film itself develops into a dark comedy where Matty finds himself in a small town where everyone’s got secret.  Nielsen gives an almost-serious performance as Potter, playing him as a cynic with a tragic backstory and little patience for his protegee.  There’s a tonal imbalance between the moments of broad comedy and the more serious moments and the film doesn’t work as a result but it is interesting to see a post-Airplane! Leslie Nielsen playing things relatively straight.

One interesting thing about Camouflage is that it was written by Billy Bob Thornton and Tom Epperson but, in the final cut, the screenplay is credited to Reginald Perry.  (The small town setting is one that Thornton used frequently in his scripts and it’s easy to imagine him playing the role of Jack Potter in alternate version of this film.)  Camouflage reportedly sat on the shelf for quite a while before it was finally given a release and Nielsen’s narration often feels like it was something that was added in post-production to try to both bring the disjointed film together and to draw in the Naked Gun fans.  I have a feeling the story behind this film is probably more interesting than the film itself.

North of the Border (1946, directed by B. Reeves Eason)


Rancher Bob “Utah” Neyes (Russell Hayden) heads into Canada to meet up with his business partner.  Unfortunately, his partner has been murdered by outlaw Nails Nelson (Douglas Fowley).  Mountie Jack Craig (Lyle Talbot) almost arrests Utah for the crime but he becomes convinced that Utah is innocent and Nails is guilty.  Along with fur trader Ivy Jenkins (I. Stanford Jolley), Craig and Utah try to break up Nails’s fur-smuggling operation.

While I was watching it, I thought this movie seemed even more familiar than the usual Poverty Row western.  I realized that’s because I had actually seen Russell Hayden and most of the rest of the cast in another movie that had a similar plot, right down taking place on the other side of the border.  That other movie was called ‘Neath Canadian Skies.  Both it and North of the Border are among the four Canadian western films that Robert Lippert produced in 1946, all of which starred Russell Hayden and were directed by B. Reeves Easton.  Supposedly, it took 20 days to shoot all of them.

As for North of the Border, it’s only 42 minutes long and none of those minutes are wasted.  There’s all of the usual horse chases and gunfights that fans want from these films.  For me, the most interesting thing about the film was getting to see Lyle Talbot play something other than a boring authority figure.  Also, this film features Inez Cooper, a pretty redhead who had a short career but whose beauty and personality as well-remembered by fans of Poverty Row westerns.  She plays the love interest in this one and there’s no doubt that most men would give up living in Utah for her.

Here Are The 2025 Actor Nominations!


The SAG Awards are now known as the Actor Awards for some reason.  I think that’s kind of dumb but whatever.  The important thing that the 2025 Actor nominations were announced this morning.  My main take away?  The Best Picture hopes of both Jay Kelly and Wicked: For Good are dead. If they couldn’t score an ensemble nod with this crowd, they’re not going to make it to the top ten.  (Wicked: For Good, at least, seems destined to get a nomination for Ariana Grande and some technical nods.  Jay Kelly seems destined to go for zero.)

Here are the Actor Nominations:

OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Kate Hudson – Song Sung Blue
Chase Infiniti – One Battle After Another
Emma Stone – Bugonia

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE
Miles Caton – Sinners
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE
Odessa A’zion – Marty Supreme
Ariana Grande – Wicked: For Good
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

OUTSTANDING STUNT ENSEMBLE IN A MOTION PICTURE
F1
Frankenstein
Mission: Impossible — The Final Reckoning
One Battle After Another
Sinners

I Watched Perry Mason: The Case Of The Murdered Madam (1987, Dir. by Ron Satlof)


Former madam Suzanne Domenico (Ann Jillian) attempts to blackmail four rich men who are planning on embezzling money from a bank and is found dead by her husband, Tony, shortly afterwards.  Tony (Vincent Baggetta) is arrested and charged with murdering his wife.  Tony’s older brother used to run around with Della Street (Barbara Hale) and Della is able to get Perry Mason (Raymond Burr) to defend him in court.  Paul Drake, Jr. (William Katt) is brought in to do the investigative legwork.  Once again, Paul falls for a younger woman (Daphne Ashbrook) who will probably never be mentioned again in any of the other movies.

This movie was a little sad because it was obvious that Raymond Burr was not in good health.  He spends most of the movie sitting or moving with crutches.  In the movie, they say that Perry is using crutches because of a skiing accident but looking at Raymond Burr, there’s no way to imagine him skiing.  Burr is still as sharp as ever when asking questions in the courtroom but it’s still clear that he was in pain when he did this movie.  Perry being sidelined does mean that Barbara Hale and William Katt get to do more than usual.  After spending the last few movies constantly getting outrun and smacked around, Katt finally gets to beat someone up in the movie.

The mystery isn’t bad, even though I guessed who the murderer was long before the trial started.  The entire embezzlement scheme comes down to embezzling a few cents a day so that no one will notice.  That’s the same thing they tried to do in Office Space!  Luckily, no one got murdered that time.

Overall, this was a good entry in the Parry Mason movies, especially for those of us who like watching Paul Drake, Jr.  I’m starting to wonder if all of Perry and Della’s friends are going to end up getting accused of murder at some point.  My aunt and I always used to joke about how often Jessica Fletcher’s nephew was accused of murdering someone.  It might be just as dangerous to be a friend of Perry Mason’s!

Jury Duty (1990, directed by Michael Schultz)


Meek-looking accountant Sanford Lagelfost (Bronson Pinchot) is on trial for embezzlement.  It’s supposed to be a simple, up-and-shut case but when the beautiful star witness (Tracy Scoggins) testifies that Sanford is an amazing lover, it becomes a tabloid sensation and the jurors are sequestered in a hotel, where they have to deal with their own restlessness and several distractions, the majority of whom are also played by Bronson Pinchot.  Pinchot plays a total of four characters but it’s not like he’s Peter Sellers or even Eddie Murphy.  He looks and sounds like Bronson Pinchot in every role.

The jurors are played by a bunch of a familiar television actors.  Alan Thicke plays a yuppie named Phil and Lynn Redgrave plays a hippie named Abby and they end up getting married.  Stephen Baldwin is the waiter who falls for Heather Locklear, an actress who is a former call girl who is being threatened by her pimp.  Madchen Amick is the spoiled rich girl.  Television mainstays Mark Blankfield, Ilene Graf, William G. Schilling, Danny Pintauro, and Bill Kirchenbauer are all present and accounted for.  Adding to the overall sitcom feel of the movie is the presence of Reginald VelJohnson as the judge.  No one in the cast tries very hard, though I do think a case can be made that Madchen Amick was the most beautiful woman on television in 1990.

With the film failing to achieve either a consistent tone or a single laugh, the best thing that I can say about Jury Duty is that it didn’t feature Pauly Shore.  Instead it featured Alan Thicke driving a BMW with a license plate that read, “BMW4Phil.”  It’s hard to believe that this film was directed by Michael Schultz, who was responsible for movies like Car Wash, Cooley High, and Greased Lightning in the 70s and Berry Gordy’s The Last Dragon in the 80s.

I wish I had watched The Last Dragon instead.