Brad reviews BELL, BOOK AND CANDLE (1958), starring James Stewart & Kim Novak!


I love Jimmy Stewart. He’s one of my favorite actors. If Charles Bronson had never existed, there’s a chance he could be my all-time favorite. I watch IT’S A WONDERFUL LIFE (and cry) every holiday season, and I believe his series of westerns with Anthony Mann in the 1950s are some of the best ever made. And then there’s his work with Alfred Hitchcock. REAR WINDOW and VERTIGO are movies I discovered as a young and impressionable movie lover. They helped cement Stewart, and Hitchcock, as legends in my mind. In 1958, the same year that he made VERTIGO, Stewart starred in BELL, BOOK AND CANDLE with his VERTIGO co-star Kim Novak. I’ve owned the movie on DVD for years, but I’ve never sat down and watched it before. That changed today!

In this supernatural, romantic comedy, Stewart stars as Shep Henderson, an engaged publisher in New York City who finds himself falling for his beautiful neighbor, Gillian Holroyd (Kim Novak). The problem is that Gillian just happens to be a witch, and she has a bad past with Shep’s fiancé, Merle (Janice Rule). What starts as a ruse to get back at an old rival eventually turns into true love and Gillian doesn’t know how to handle these new feelings. Is she willing to confess what she’s done and give up her powers for a chance at love? I guess you’ll just have to watch and see! 

Stewart makes almost anything enjoyable just by being himself. That amazing voice, combined with his natural humor and charm, gives me something I can latch ahold of, and I always pull for his characters. Kim Novak is just so beautiful, and downright sexy, as Gillian. This character has spent her life operating by one set of rules and all of a sudden, she’s trying to figure out how to deal with feelings she hasn’t dealt with before. Her ability to cast spells and work magic takes on a different meaning when the hearts of people she loves are at stake, and Gillian soon has a crisis of conscience. Stewart and Novak have incredible chemistry, which goes a long way in helping this complicated romance work.

And then there’s the movie’s setting. I came in October for a romantic story involving witches and warlocks, but I ended up with characters falling in love in New York City at Christmastime. I could see this as a movie I watch every year over the holidays moving forward, especially since Stewart is the star. I know my mom will love it!! 

The film also features an incredible supporting cast that includes Jack Lemmon, Ernie Kovacs, Hermione Gingold, Howard McNear and Elsa Lanchester, who’s especially effective as Gillian’s Aunt Queenie. If you leave the movie feeling like you want to go back and watch the old show BEWITCHED, starring Elizabeth Montgomery, I’ll just let you know that makes perfect sense. This movie was actually an acknowledged inspiration for that classic series.

BELL, BOOK AND CANDLE may feature a witch as a main character, but this story doesn’t feature any scares. It’s a fun romance with a charming premise and a great cast. Even a witch has a chance for love, and when that chance is with someone played by Jimmy Stewart, that’s about as magical as it gets! 

Brad’s “4 Shots from 4 Films” feature Walter Brennan!


Legendary character actor Walter Brennan was born on July 25th, 1894. Brennan had one of the most recognizable voices in the history of cinema, and he won three Oscars for his incredible body of work. He’s simply one of the best!

Here are my 4 personal favorite Walter Brennan films:

Walter Brennan & Gary Cooper in SERGEANT YORK (1941)
Walter Brennan & Henry Fonda in MY DARLING CLEMENTINE (1946)
Walter Brennan & Jimmy Stewart in THE FAR COUNTRY (1954)
Walter Brennan with John Wayne & Dean Martin in RIO BRAVO (1959)

Scenes That I Love: The Steak Scene From The Man Who Shot Liberty Valance


Since today is the 119th anniversary of the birth of John Wayne, it only seems right that today’s scene should come from the 1962 classic, The Man Who Shot Liberty Valance!

The famous steak scene features three of the greatest screen icons of Hollywood’s golden age: James Stewart, John Wayne, and Lee Marvin.  Lee Marvin is the bully who is terrorizing the entire town.  James Stewart is the idealist who thinks that the law, and not violence, is the answer.  And John Wayne is …. well, he’s John Wayne.  He’s the only man in town who can stand up to Lee Marvin but, at the same time, he’s also aware that his time is coming to a close.  In the scene below, all three of the characters display their different approaches to life and a disagreement with steak nearly leads to violence.

This scene — and really, the entire film — features these three actors at their best.  John Wayne is an actor who is often described as having “just played himself” but that’s really not quite fair.  While Wayne’s outsized persona definitely does influence how the audience reacts to any character that he plays, he was a better actor than he’s often given credit for being.  That’s especially evident in The Man Who Shot Liberty Valance, in which Wayne plays a confident man’s man who knows that fate is closing in on him.  The coming of civilization (represented by James Stewart) will be great for the town of Shinbone but it will also leave men like Wayne’s Ton Doniphon with nowhere to go.  The coming of civilization means that the heroes of the past are destined to become obsolete.

Enjoy this scene from The Man Who Shot Liberty Valance:

Scenes That I Love: George Bailey Tells Off Mr. Potter In It’s A Wonderful Life


Since today is James Stewart’s birthday, it seems appropriate that our scene should be from one of my favorite films of all time, 1946’s It’s A Wonderful Life. In this wonderfully acted and directed scene, George Bailey tells off Mr. Potter, for the first but certainly not the last time:

4 Shots From 4 Films: Special James Stewart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of one of the greatest American actors of all time, the wonderful James Stewart!  It’s time for….

4 Shots From 4 James Stewart Films

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Rear Window (1954, dir by Alfred Hitchcock, DP: Robert Burks)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

Scenes That I Love: Senator Smith Tells Off The Establishment In Frank Capra’s Mr. Smith Goes To Washington


Today is Frank Capra’s birthday!  Capra was born 126 years ago, on this date, in Sicily.

Now, if you’ve been reading this site for a while, you should know that my favorite Capra film is It’s A Wonderful Life.  However, a close second is 1939’s Mr. Smith Goes To Washington.  In today’s scene that I love, Sen. Jefferson Smith (Jimmy Stewart) holds the Senate floor as he denounces the corruption that he sees all around him in Washington.  There’s a reason why Senator Smith is still held up as the ideal public servant.  It’s just a shame that he was a fictional character.

Scenes That I Love: Katharine Hepburn and James Stewart in The Philadelphia Story


On this date, 119 years ago, Katharine Hepburn was born in Hartford, Connecticut.  She would go one to become a cultural icon, a performer who survived being labeled box office to poison to eventually become one of our most acclaimed actresses.  Hepburn was a total of four acting Oscars over the course of her career, a record that has yet to be topped.

Today’s scene that I love comes from 1940’s The Philadelphia Story and it features Katharine Hepburn acting opposite another one of my favorite performers, the great James Stewart.

Film Review: Airport ’77 (dir by Jerry Jameson)


Airport ’77 is the one where the plane ends up underwater.

If the first two Airport movies emphasized the competence of the the crew in both the airplane and the airport, Airport ’77 takes the opposite approach.  The first of the Airport films to be released after Watergate, Airport ’77 is a cynical film where no one seems to be particularly good at his or her job.  Viewers should be concerned the minute they see that Jack Lemmon is playing Captain Don Gallagher, the pilot of the soon-to-be-submerged airplane.  As opposed to Charlton Heston or even the first film’s Dean Martin, Jack Lemmon was always a very emotional actor.  He excelled at playing characters who were frustrated with modern life.  Just as with Heston and Martin, Lennon plays a pilot who is having an affair with a flight attendant.  The big difference is that, this time, the pilot is the one who desperately wants to get married while the flight attendant (played by Brenda Vacarro) is the one who doesn’t want to get tied down.  As an actor, Lemmon didn’t have the arrogance of a Heston or the unflappability of Dean Martin.  Instead, Jack Lemmon was the epitome of midlife ennui.  He’s disillusioned and he’s beaten down.  He’s America at the tail end of the 70s.

Another sign that Airport ’77 is a product of the post-Watergate era is the character of co-pilot Bob Chambers (Robert Foxworth).  Chambers might seem like a nice and friendly professional but actually, he’s the one who comes up with the plan to knock out all of the passengers with sleeping gas and fly the plane into the Bermuda Triangle so that his partners-in-crime can steal the valuable art works in the cargo hold.  Chambers plans is to land the plane on an unchartered isle so that he and Banker (Monte Markham) can make their escape before the rest of the people on the plane even wake up.  Instead, Chambers turns out to be as incompetent a pilot as he is a criminal.  He crashes the plane into the ocean, where it promptly sinks to the bottom.  The impact wakes up the passengers, all of whom can only watch in horror as the ocean envelopes their plane.  With the water pressure threatening to crush the plane, Captain Gallagher and engineer Stan Buchek (Darren McGavin) try to figure out how to get everyone to the surface.

As usual, the passengers are played by a collection of familiar faces.  Olivia de Havilland and Joseph Cotten play former lovers who are reunited on the flight.  Christopher Lee is a businessman who is unhappily married to alcoholic Lee Grant.  Grant is having an affair with Lee’s business partner, Gil Gerard.  A young Kathleen Quinlan plays the girlfriend of blind pianist Tom Sullivan.  Robert Hooks is the bartender who ends up with a severely broken leg.  As the veterinarian who is called to doctor’s duty, M. Emmet Walsh gives the best performance in the film, if just because he’s one of the few characters who really gets to surprise us.  Actors like George Furth, Michael Pataki, and Tom Rosqui all wander around in the background, though I dare anyone watching to actually remember the names of the characters that they’re playing.  Airport ’77 has the largest number of fatalities of any of the Airport films, largely because even the good guys aren’t really sure about how to reach the surface.

George Kennedy returns as Joe Patroni, though his role is considerably smaller in this film than it was in the first two.   He shares most of his scenes with James Stewart, who plays the owner of the plane.  Fortunately, neither Stewart nor Kennedy were on the plane when it crashed.  Instead, they spend most of the movie in a control room, getting updates about the search.  They don’t get to do much in the film but it’s impossible not to smile whenever Jimmy Stewart is onscreen, even if he is noticeably frail.

Airport ’77 is the best-made of all of the Airport films.  The crash is well-directed and the scenes of water dripping into the plane are properly ominous.  There’s not much depth to the characters but Jack Lemmon and Darren McGavin are likable as the two main heroes and Christopher Lee seems to be enjoying himself in a change-of-pace role.  Olivia de Havilland and Joseph Cotten, two old pros, are wonderful together.  That said, Airport ’77 is never as much fun as the first two films.  Even with the plane underwater, it can’t match the spectacle of Karen Black having to fly a plane until Charlton Heston can be lowered into the cockpit.

Scenes That I Love: The Cemetery Scene From It’s A Wonderful Life


I love It’s A Wonderful Life and I’m looking forward to watching it many times over the upcoming week. To me, it’s the rare example of a perfect film.

Below is one of the more somber but important scenes from It’s A Wonderful Life. George (James Stewart) and Clarence (Henry Travers) go to what would have been Bailey Park if George had been born. Instead, it’s now a cemetery and buried there is George’s brother, who would have died if George hadn’t been born. And, as Clarence explains, every man that George’s brother saved would have died as well. “Each man’s life touches so many other lives,” as Clarence puts it.

Here is a scene from a wonderful movie called It’s A Wonderful Life.

Check out this Trailer for JIMMY (2026), the Untold Story of James Stewart!


Jimmy Stewart is one of the great actors of all-time, and he’s personally one of my very favorites. I did not realize a movie had been made about him until I stumbled across this trailer today. Check it out!