Late Night Retro Television Review: Freddy’s Nightmares 2.22 “Life Sentence”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, we finish up Freddy’s Nightmares.

Episode 2.22 “Life Sentence”

(Dir by Anita W. Addison, originally aired on March 11th, 1990)

The final episode of Freddy’s Nightmares is also one of the most boring.

Just as with last week’s snoozefest, this episode takes place at the local prison.  Andy (George De La Pena) is due to be released.  Everyone knows that he killed a guard during an armored truck robbery but Andy blamed his accomplice Bruno (Ron Troncatty) and got away with a plea bargain.  Andy can’t wait to get out of jail.  He brags to the guy in the next cell about how he knows where all the money is hidden.

Uh-oh, it looks like the prison’s psychiatrist, Elaine Alamo (Penny Johnson Jerald), is trying to keep Andy imprisoned.  What does Andy care?  Sure, everyone hates him but Bruno’s in another prison and Andy’s got all that money waiting for him.  However, when Andy finds out that Bruno has escaped, Andy no longer feels safe on the outside.  However, Elaine has changed her mind about keeping Andy in jail because she wants Bruno to kill Andy because the guard the Andy killed was her father.  So, Andy kills Elaine so he can stay in prison.  But then Bruno gets captured and becomes Andy’s new cellmate.  That’s the first story.

The second story features the prison’s warden, Hendler (John Milford), running for sheriff.  He’s behind in the polls so he uses an experimental truth serum on Andy.  Andy hallucinates that the Warden is Bruno and Andy tells him where the money is hidden.  Then Andy dies from a heart attack.  The Warden calls a press conference to announce that he’s found the money but Dr. Redman (Glynn Turman), the inventor of the serum, spikes the Warden’s drink and the Warden confesses to killing Andy.

Freddy doesn’t do anything in either one of these stories, other than appear in three host segments and tell a joke about dropping the soap.

This episode was incredibly dull.  The low-budget was extremely obvious.  (The Warden holds his press conference in the prison, presumably because the show couldn’t afford to dress another set.)  Penny Johnson Jerald does a  good job with her role but otherwise, this was a poorly acted episode that featured dull characters.  Andy was unlikable.  The Warden was unlikable.  This episode was sad note for this show to go out on.

Of course, it’s not a shock that Freddy’s Nightmares ended with a bad episode.  It wasn’t a very good show to begin with,  There were a few above average episodes during the second season and the first season features some memorably grotesque moments but otherwise, Freddy’s Nightmares was too constrained by the standards of television to really live up to the legacy of A Nightmare on Elm Street.  The best episode were the ones the featured Freddy getting involved in the plot but those were few and far between.

Freddy’s Nightmares did not get a grand finale.  Instead, it just got a forgettable final episode.  Unlike the Friday the 13th series, Freddy’s Nightmares never found a consistent tone or a compelling reason for existing.

Oh well.  Next week, we’ll have a new show in this time slot.  See you then!

Late Night Retro Television Review: Freddy’s Nightmares 2.21 “Prisoner of Love”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

Let’s go to prison!  Is Freddy coming?

Episode 2.21 “Prisoner of Love”

(Dir by Richard T. Schor, originally aired on March 4th, 1990)

A flakey Episcopalian named Father Jarvis (Vincent Baggetta) is appointed the new chaplain of Springwood Prison.  Jarvis has just returned from Haiti and has a rather liberal outlook towards prison reform.  When he falls in love with Death Row prisoner Violet (Maria Richwine), he gives her a Haitian drug that will make it appear as if she’s died.  He promises her that he will dig her up from the prison graveyard before she suffocates.  Unfortunately, Jarvis oversleeps and Violet suffocates in her coffin.

Still, another prisoner named Brenda (Tara Buckman) overheard Jarvis talking to Violet and she decides that she wants the same drug.  Jarvis gives it to her but it turns out that Jarvis is also being haunted by the ghost of Violet.  Violet says that she can’t move on until Brenda forgives her for killing Brenda’s boyfriend.  Brenda finds herself being held captive by the crazed Father Jarvis.

This episode was the second-to-late for Freddy’s Nightmares and, unfortunately, it’s not very good.  Between the histrionic acting and the predictable plot, this story really makes you wish that Freddy was doing something more than just introducing it.  As it was, this episode really reminded me of how limiting the show’s format was.  Whenever something scary happens, it’s always a given that it will turn out to be a dream.  It’s predictable and a little bit dull, unless it’s one of the rare episodes in which Freddy actually played a role in the story.

Next week, we will finish up Freddy’s Nightmares!

Late Night Retro Television Review: Hunter 1.5 “Legacy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall investigate a mob hit!

Episode 1.5 “Legacy”

(Dir by Ron Satlof, originally aired on November 2nd, 1984)

Gangster John Vincent (Tony Girogio) has been gunned down in his own mansion.  Detective Bernie Terwilliger thinks that it’s a case of burglary gone wrong.  Rick Hunter thinks that it was a mob hit and that one of John’s sons is responsible.  He and McCall search for Sandy Newton (Mary-Margaret Humes), the woman who was with Michael Vincent (Vincent Baggetta) the night that his father was killed.

I have to admit that I had totally forgotten that Rick Hunter was supposed to be the son of a mobster.  This episode featured Rick associating with his childhood buddies and, if nothing else, it showed just how unconvincing Fred Dryer was as the scion of a mob family.  Don’t get me wrong.  Fred Dryer was great when he was gunning down a suspect and then saying, “Works for me.”  And Fred Dryer had a fun chemistry with Stepfanie Kramer.  But there was absolutely nothing about Fred Dryer that, in any way, said, “Mobster.”  Surrounding Dryer with a bunch of tough-looking Italian-American character actors did nothing to change the fact that Dryer essentially looked like a former football player from sunny California.

This episode had a predictable story but it also had two good action scenes: a fight on a pier and a mob hit in a warehouse.  It also introduced John Amos as Captain Dolan, who is the new police captain but who appears to dislike Hunter and McCall just as much as the previous captain.  It’s hard not to feel that Amos will be entertaining as he yells at Hunter for not following regulations and costing the city money.

We’ll see how it goes!

I Watched Perry Mason: The Case Of The Murdered Madam (1987, Dir. by Ron Satlof)


Former madam Suzanne Domenico (Ann Jillian) attempts to blackmail four rich men who are planning on embezzling money from a bank and is found dead by her husband, Tony, shortly afterwards.  Tony (Vincent Baggetta) is arrested and charged with murdering his wife.  Tony’s older brother used to run around with Della Street (Barbara Hale) and Della is able to get Perry Mason (Raymond Burr) to defend him in court.  Paul Drake, Jr. (William Katt) is brought in to do the investigative legwork.  Once again, Paul falls for a younger woman (Daphne Ashbrook) who will probably never be mentioned again in any of the other movies.

This movie was a little sad because it was obvious that Raymond Burr was not in good health.  He spends most of the movie sitting or moving with crutches.  In the movie, they say that Perry is using crutches because of a skiing accident but looking at Raymond Burr, there’s no way to imagine him skiing.  Burr is still as sharp as ever when asking questions in the courtroom but it’s still clear that he was in pain when he did this movie.  Perry being sidelined does mean that Barbara Hale and William Katt get to do more than usual.  After spending the last few movies constantly getting outrun and smacked around, Katt finally gets to beat someone up in the movie.

The mystery isn’t bad, even though I guessed who the murderer was long before the trial started.  The entire embezzlement scheme comes down to embezzling a few cents a day so that no one will notice.  That’s the same thing they tried to do in Office Space!  Luckily, no one got murdered that time.

Overall, this was a good entry in the Parry Mason movies, especially for those of us who like watching Paul Drake, Jr.  I’m starting to wonder if all of Perry and Della’s friends are going to end up getting accused of murder at some point.  My aunt and I always used to joke about how often Jessica Fletcher’s nephew was accused of murdering someone.  It might be just as dangerous to be a friend of Perry Mason’s!

Retro Television Reviews: The Love Boat 1.9 “The Captain’s Captain / Romance Roulette / Hounded”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love?  Don’t worry.  Love won’t hurt anymore.

Episode 1.9 “The Captain’s Captain / Romance Roulette / Hounded”

(dir by Jack Arnold, originally aired on November 26th, 1977)

As I watched the opening scenes of the cruise’s passengers making their way onto the Love Boat, I noticed that this episode was directed by Jack Arnold.  I did some online checking and I discovered that this was indeed the same Jack Arnold who directed It Came From Outer Space, Creature From The Black Lagoon, The Incredible Shrinking Man, Tarantula, and a host of other so-called B pictures.  By the time the 70s rolled around, Arnold was directing blaxploitation films (including Fred Williamson’s Boss) and episodic television.  As I watched the episode, I found myself wondering which member of the cast probably asked Arnold the most questions about shooting Creature From The Black Lagoon.  I guess that it was probably Fred Grandy, since apparently he’s a pretty intelligent guy.

As for the show itself, it featured the typical three-story structure.  Gary Burghoff (who I had just watched on Fantasy Island) played a passenger who found himself trapped in his cabin with a security dog that had somehow gotten loose.  As I’ve mentioned before, I have a fear of big dogs so this particular scenario would be quite traumatic for me.  Burghoff, however, got along with the dog and even helped to deliver her puppies.  Awwwwwwww!  Big dogs are scary but little puppies are cute!

While Captain Stubing was dealing with the dog problem, his irascible father (played by Phil Silvers), who was himself a former cruise ship captain, was wandering around the ship and eventually falling in love with a cook named P.J. Muldoon (Judy Canova).  Captain Stubing was skeptical of his father’s romance but, by the end of the episode, he was proposing a toast to his future stepmother.  This storyline was fairly predictable but Phil Silvers and Gavin MacLeod were believable as father-and-son and their scenes together added some depth to Captain Stubing, a character who, in other episodes, has come across as being a bit flat.

Finally, Jane Curtin played Regina Parker, a literature professor who was on the cruise with two friends from college (Joanna Kerns and Susan Heldfond).  The three of them played a game, in which they basically had to make the first man that they heard use a certain word fall in love with them for the duration of the cruise.  The word was “screwdriver.”  When Regina went up to Isaac’s bar to wait for someone to order a screwdriver, she was taken by surprise when Frank (Vincent Baggetta), the ship’s plumber, walked up with a toolbox and asked for someone to hand him a screwdriver.  Regina started to hit on Frank.  Frank almost immediately fell in love with her and he let her read some of his poetry.  Even though his poetry was terrible, Regina fell in love with him.  As you can guess, Frank eventually found out about the game but, by the end of the episode, he and Regina were promising to write each other every day.  In its undeniably silly way, this was actually kind of a fun storyline.  Curtin and Baggetta actually had a lot of chemistry.  Frank’s poems still sucked though.

All in all, this was a pleasant episode.  The guest stars were likable and the cruise itself looked like it would have been a lot of fun.  Was this episode life’s sweetest reward?  It was good but I wouldn’t go that far.  Love is life’s sweetest reward.