Trailer: Beasts of No Nation


BeastsofNoNation

Netflix has had some recent success with creating their own content with such critically-acclaimed shows such as House of Cards, Orange Is the New Black and, most recently, with Daredevil. As their success continue they’ve now begun to create their own content in the full feature-length film area.

One such film is the adaptation of the 2005 novel Beasts of No Nation by Uzodinma Iweala. It’s about the story of the young boy, Agu, who is forced to join a rebel group in some unnamed West African nation to become a child soldier. The book, and the film, will allow us to witness his journey from innocent child to a young child-soldier who sees and participates in wartime atrocities.

Beasts of No Nation stars young actor Abraham Attah in the role of Agu with Idris Elba taking on the role of the sadistic and manipulative Commandant. It also marks the follow-up project for Cary Joji Fukunaga whose most recent work was the first season of a little series on HBO called True Detective.

Beasts of No Nation premieres simultaneously on Netflix and a limited amount of small and independent theaters on October 16, 2015.

Lisa Marie’s Too Early Oscar Predictions For June


oscar trailer kitties

It’s time for our monthly edition of Lisa’s Too Early Oscar predictions!

This is our first entry since the Cannes Film Festival.  As a result of Cannes, former contenders like The Sea of Trees have been dropped from the predictions.  Meanwhile, new contenders like Michael Caine and Sicario have emerged.  I have also added Pixar’s Inside Out to my list of predictions because a 98% rating on Rotten Tomatoes demands the consideration.

(Unfortunately, adding Inside Out meant dropping The Good Dinosaur.  Though it could happen, I find it hard to imagine two animated films receiving best picture nominations.)

If you want to see how my feelings on the race have developed, be sure to check out my predictions for January, February, March, April, and May!

And without further ado, here are Lisa’s Too Early Oscar Predictions for June!

Best Picture

Black Mass

Brooklyn

Carol

The Danish Girl

In the Heart of the Sea

Inside Out

MacBeth

Sicario

Suffragette

The Walk

Best Actor

Johnny Depp in Black Mass

Michael Caine in Youth

Michael Fassebender in Steve Jobs

Eddie Redmanye in The Danish Girl

Jason Segel in The End of the Tour

Best Actress

Cate Blanchett in Carol

Marion Cotillard in MacBeth

Jennifer Lawrence in Joy

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Albert Brooks in Concussion

Benicio Del Toro in Sicario

Joel Edgerton in Black Mass

Idris Elba in Beasts of No Nation

Kurt Russell in The Hateful Eight

Best Supporting Actress

Joan Allen in Room

Jennifer Jason Leigh in The Hateful Eight

Rooney Mara in Carol

Meryl Streep in Suffragette

Julie Walters in Brooklyn

Best Director

John Crowley for Brooklyn

Todd Haynes for Carol

Ron Howard for In The Heart of the Sea

Denis Villeneuve for Sicario

Robert Zemeckis for The Walk

Embracing The Melodrama Part II #121: No Good Deed (dir by Sam Miller)


No_Good_Deed_2014_movie_posterSo, this weekend, my BFF Evelyn and I were watching the critically reviled 2014 film No Good Deed.  As we watched Idris Elba (playing the role of Colin) viciously and violently choke to death a character played by Kate del Castillo, Evelyn said, “He can strangle me any time that he wants.”  My first instinct was to reprimand my friend and remind her that it’s not empowering to allow a man to murder you, regardless of how unbelievably sexy that man may be.  But then, by the time that Idris was murdering Leslie Bibb, I found myself agreeing.  Seriously, Idris Elba can do anything he wants to me….

Idris is pretty much the only reason to see No Good Deed.  No Good Deed is one of those crappy suspense films where every plot point hinges on someone acting like a total idiot.  Colin escapes from prison.  Colin murders his ex-fiancee after he discovers that she’s been cheating on him.  Later, Colin crashes his truck outside of the house of Terri Granger (Taraji P. Henson).  Terri’s husband is out-of-town and when Colin shows up at her doorstop and asks to use the phone to call for a tow truck, Terri invites him inside.  Terri’s friend Meg (Leslie Bibb) shows up.  Mayhem follows.  Of course, there’s a big twist at the end.

This is where I’d usually say something like, “DON’T REVEAL THE SURPRISE ENDING OF NO GOOD DEED!” but, honestly, you’ll figure it out within the first few minutes of the film.  It’s pretty obvious and it’s pretty stupid.  I won’t reveal it but if you see the film, feel free to tell all your friends about the big twist.  Some films were meant to be spoiled.

As I watched No Good Deed and found myself hissing at the terrible dialogue and the total stupidity of all of the characters and wondering if any of the filmmakers had ever actually met any real human beings, I found myself wondering how this film could be so incredibly bad.  I hopped onto the imdb and discovered that the film was written by Aimee Lagos.

If you don’t recognize that name, Lagos also wrote and directed the absolutely terrible movie, 96 Minutes.  And I will say this: No Good Deed is slightly better than 96 Minutes.

That’s the power of Idris Elba.

(Incidentally, it bothers me that nobody in this film is actually named Deed.  If Colin’s full name had been Colin Deed … well, that would have been pretty stupid but it would have at least been kinda fun and entertaining.)

(Also, for those keeping track, that’s 121 reviews down and 5 to go.)

Lisa’s Too Early Oscar Predictions for May!


oscar trailer kitties

Well, here we are!  The year is nearly halfway over and the Oscar picture … well, it’s really not that clear yet.  The Cannes Film Festival just opened and maybe that will help clear up the picture a bit.  Or maybe not.

Anyway, here are my early Oscar for predictions for May.  (In previous months, my Oscar predictions were “way too early.”  But now that we’re 5 months into 2015, the “way” can be dropped.  They’re just “too early” now.)  As is usual for any predictions made at this time of the year, these are mostly guesses, some random and some educated.  Be sure to check my predictions for January, February, March, and April as well!

(I know that rumor has it that the Academy is going to go back to only nominating five films this year.  However, I’m going to continue to make ten predictions because that’s more fun for an obsessive list maker like me.)

Last Dinosaur

Best Picture

Black Mass

Bridge of Spies

Brooklyn

Carol

Crimson Peak

The Danish Girl

The Good Dinosaur

Icon

In the Heart of the Sea

The Sea of Trees

Ben Foster in Icon

Best Actor

Johnny Depp in Black Mass

Michael Fassebender in Steve Jobs

Ben Foster in Icon

Eddie Redmanye in The Danish Girl

Jason Segel in The End of the Tour

Best Actress

Cate Blanchett in Carol

Jennifer Lawrence in Joy

Saoirse Ronan in Brooklyn

Meryl Streep in Ricki and the Flash

Lilly Tomlin in Grandma

idris-elba-beasts-of-no-nation1

Best Supporting Actor

Jim Broadbent in Brooklyn

Albert Brooks in Concussion

Joel Edgerton in Black Mass

Idris Elba in Beasts of No Nation

Kurt Russell in The Hateful Eight

meryl1-466733

Best Supporting Actress

Jessica Chastain in Crimson Peak

Jennifer Jason Leigh in The Hateful Eight

Seinna Miller in Black Mass

Parker Posey in Irrational Man

Meryl Streep in Suffragette

RonHowardJay-Z

Best Director

Guillermo Del Toro for Crimson Peak

Stephen Fears for Icon

Todd Haynes for Carol

Ron Howard for In The Heart of the Sea

Gus Van Sant for The Sea of Trees

Oscars

Film Review: The Avengers: Age of Ultron (dir by Joss Whedon)


AGU

In some ways, I think I may be both the worst and the best possible person to review the latest installment of the Marvel Cinematic Universe, largely because I’ve seen all the films but I don’t know much about the comics on which they are based. As a result, I can judge each film solely by what is on screen but, at the same time, I know that there are a lot of references that go straight over my head. For instance, when we saw Avengers: Age of Ultron earlier tonight, I had to get my boyfriend to explain to me why certain members of the audience got so excited when Iron Man mentioned an African country called Wakanda. But what’s important is that I would have still enjoyed Age of Ultron even if I had never known why Wakanda was important. The MCU has, so far, managed to maintain a balance between keeping the Marvel fans happy while also remaining accessible to viewers like me. The MCU has created its own separate reality, one that even someone like me can feel comfortable exploring and reviewing.

However, before I get around to giving you my feelings on Age of Ultron, let’s be honest about something.

There are a lot of critics out there who have been waiting for a chance to attack the latest installment of the Marvel Cinematic Universe. Some of them have disliked the MCU since the very first Iron Man film. They have been lone voices in the wilderness, arguing that the entire franchise is overrated and, in some cases, creatively destructive. Much like the Old Testament prophets, they continue to warn of the future while other filmgoers ignore the pillar of fire forming over the nearest theater. And then there are other critics who have praised previous MCU efforts but have never really been comfortable about it. These are the critics who resent having to write positively about a mere genre film. These are the critics who still haven’t gotten over just how good Guardians of the Galaxy truly was. They have been waiting for an MCU misfire so that they can do their penance for suggesting that Robert Downey, Jr. deserved Oscar consideration for Iron Man 3.

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These critics are going to watch The Avengers: Age of Ultron and they are going to pounce. They are going to point out that Age of Ultron puts too much emphasis on action over nuance and, as impressive as the CGI may be, it’s impossible to deny that Age of Ultron almost robotically follows the classic action movie formula. They’ll point out that none of The Avengers really develop as characters over the course of the film. Depending on how they’ve felt about the MCU up to this point, some of them will point out that Age of Ultron feels a bit like a step backwards. It doesn’t have the political subtext of Iron Man 3 or Captain America: The Winter Soldier. It lacks the satiric edge of Guardians of the Galaxy. And, ultimately, it’s just not as much fun as the first Avengers film.

And they won’t necessarily be wrong. I mean, let’s be honest. I write this as someone who has enjoyed (and, in some cases, loved) the previous MCU films. Avengers: Age of Ultron is not going to be remembered as one of the best of the MCU films. This is a flawed film that never reaches the heights of the original Avengers. All of the criticisms listed above are perfectly valid.

But, with all that in mind, I still enjoyed Avengers: Age of Ultron and I happily recommend it without a bit of hesitation.

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Age of Ultron opens with the Avengers attacking a HYDRA base and we quickly discover that the Avengers are exactly the same as we remembered them. Iron Man (Robert Downey, Jr.) is cocky, self-destructive, and torn by guilt over his past as a weapons manufacturer. Captain America (Chris Evans) is earnest and idealistic. Thor (Chris Hemsworth) is … well, he’s a God. Bruce Banner (Mark Ruffalo) is scared of what he becomes when he transforms into the Hulk. Clint Barton (Jeremy Renner) is still shooting arrows and feeling out-of-place. Natasha (Scarlett Johansson) is still flirty, enigmatic, and apparently in love with Bruce Banner.

ultron

One of the reoccurring themes of the MCU is that whenever Iron Man tries to make the world a better place, he instead ends up nearly destroying it. His latest attempt leads him to create Ultron (voiced quite chillingly by James Spader), a robot who has Tony’s personality and who has decided that the only way to bring about “peace in our time” is to destroy all of humanity. Ultron’s motives are as close as this film gets to any sort of thematic subtext. Ultron stands in for every ideology that would take away a person’s individual freedom in the name of the greater good. Age of Ultron doesn’t explore this subtext as much as I would have liked it to but, at the same time, I appreciated that it was at least there. That’s more than you can say for a film like Man of Steel.

Ultron is not the only new character to show up. Andy Serkis has a small role as a character that will undoubtedly be a villain in a future MCU film. After voicing JARVIS in several films, Paul Bettany finally gets to actually appear onscreen. I can’t talk too much about his character without spoiling the film but Bettany makes good use of his limited screen time.

And then there’s Aaron Taylor-Johnson and Elizabeth Olsen. Previously, they played lovers in Godzilla. In Age of Ultron, they play siblings who just seem like lovers. Taylor-Johnson is Pietro, who can move at super speeds. Elizabeth Olsen is Wanda, whose powers are a bit less defined but mostly seem to consist of being able to do whatever the script needs her to do at the time. (As the film explains it, “He’s fast, she’s strange.”) In the past, I’ve had mixed feeling about Taylor-Johnson. I thought he was brilliant in Nowhere Boy and Anna Karenina but, in other films, I found him to be excessively mannered and a little dull. But, in the role of Pietro, Taylor-Johnson really shines, achieving a good balance of arrogance and vulnerability. As for Elizabeth Olsen, she is perfectly cast as the angry but sensitive Wanda. At the very least, Age of Ultron better serves both of them than they were served by Godzilla.

avengers-ultron-trailer2

(Add to that, Wanda and I share similar tastes in fashion, which will make it easy for me to dress up as her for Halloween.)

Director Joss Whedon does a good job with the film’s many battle scenes, especially the final one. And, as someone who hated the mindless destruction of Man of Steel, I appreciated that, as characters, the Avengers spent as much time trying to protect innocent bystanders as they did battling Ultron and his henchrobots. At the same time, it was hard not to feel that the film’s emphasis on action did sacrifice some of the character moments that have made other MCU films so memorable. Early on in the film, there’s a great scene where the Avengers simply hang out at a party. They dance, they dink, they laugh, and eventually, they all take turns attempting to pick up Thor’s hammer. It’s a fun scene because it brings these heroes back down to Earth and, for a few minutes, we get to relate to them in the way that we would relate to our best friends. Age of Ultron could have used more scenes like that.

lots-of-new-avengers-age-of-ultron-character-details

That said, the cast of Age of Ultron provides enough old fashioned movie star charisma that they overcome the script’s shallow characterization. In many ways, it’s like one of the old Frank Sinatra rat pack movies, where you forgive a lot because you enjoy hanging out with the cast. They’re just fun to watch. Robert Downey, Jr., Chris Evans, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, and Mark Ruffalo; at this point they are so identified with these characters that the actors and their roles might as well be interchangeable.

(And, at this point, if it were revealed the Robert Downey, Jr. owned a suit of armor, would you really be surprised?)

Ultimately, Age of Ultron feels a lot like one of the less acclaimed James Bond films. It’s flawed, it’s imperfect, but fans of the franchise will find a lot to enjoy. Much as you wouldn’t introduce someone to James Bond by showing him Moonraker, you probably wouldn’t want to introduce someone to the MCU by showing him or her Age of Ultron. If, somehow, you’ve managed to exist without ever seeing any other MCU films, then Age of Ultron will leave you confused and wondering what the big deal is. But, if you’re already a fan of the franchise, you’ll find a lot to enjoy here.

And, flaws and all, you’ll walk out of the theater looking forward to the next installment.

the-avengers-2-age-of-ultron-cast-photos

A Vision of the Avengers: Age of Ultron for the Third Time


 

 

AgeofUltron

The third and, hopefully, final trailer for Avengers: Age of Ultron was unlocked today after a Twitter event which had millions of people tweeting the hashtag #AvengersAssemble. One has to give it up to the Marvel marketing machine. They know how to get the public clamoring for more when it comes to their films.

All that could be said has been said about this film. Just sit back and enjoy (or critique) one of the most highly-anticipated films of the year.

Avengers: Age of Ultron (2nd Trailer)


AVENGERS-ULTRON-POSTER

“Everyone creates the thing they dread.” — Ultron

New Avengers: Age of Ultron trailer has dropped during the inaugural College Football Playoff Championship game between Oregon and Ohio State.

For all the underwhelming reaction that the Ant-Man teaser trailer got after it premiered last week it looks like this latest trailer for Avengers: Age of Ultron just builds on the immense buzz and hype created by the leaked trailer from November 2014.

No need to say more. Just watch the new hotness as we wait for May 1, 2015 when Avengers: Age of Ultron shows us something beautiful.

And here are the NAACP Image Award Nominations!


Dear White People

And continuing our awards wrap-up, here are the 2014 NAACP Image Award nominations!

(h/t to awardswatch)

MOTION PICTURE
Outstanding Motion Picture
• “Belle” (Fox Searchlight Pictures/ DJ Films)
• “Beyond The Lights” (Relativity Media)
• “Dear White People” (Lionsgate and Roadside Attractions)
• “Get On Up” (Universal Pictures)
• “Selma” (Paramount Pictures)

Outstanding Actor in a Motion Picture
• Chadwick Boseman – “Get On Up” (Universal Pictures)
• David Oyelowo – “Selma” (Paramount Pictures)
• Denzel Washington – “The Equalizer” (Columbia Pictures)
• Idris Elba – “No Good Deed” (Screen Gems)
• Nate Parker – “Beyond The Lights” (Relativity Media)

Outstanding Actress in a Motion Picture
• Gugu Mbatha-Raw – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Quvenzhané Wallis – “Annie” (Columbia Pictures)
• Taraji P. Henson – “No Good Deed” (Screen Gems)
• Tessa Thompson – “Dear White People” (Lionsgate and Roadside Attractions)
• Viola Davis – “The Disappearance of Eleanor Rigby” (The Weinstein Company)

Outstanding Supporting Actor in a Motion Picture
• André Holland – “Selma” (Paramount Pictures)
• Cedric the Entertainer – “Top Five” (Paramount Pictures)
• Common – “Selma” (Paramount Pictures)
• Danny Glover – “Beyond The Lights” (Relativity Media)
• Wendell Pierce – “Selma” (Paramount Pictures)

Outstanding Supporting Actress in a Motion Picture
• Carmen Ejogo – “Selma” (Paramount Pictures)
• Jill Scott – “Get On Up” (Universal Pictures)
• Octavia Spencer – “Get On Up” (Universal Pictures)
• Oprah Winfrey – “Selma” (Paramount Pictures)
• Viola Davis – “Get On Up” (Universal Pictures)

Outstanding Independent Motion Picture
• “Belle” (Fox Searchlight Pictures/ DJ Films)
• “Dear White People” (Lionsgate and Roadside Attractions)
• “Half of a Yellow Sun” (monterey media inc.)
• “JIMI: All Is By My Side” (XLrator Media)
• “Life of a King” (Animus Films/Serena Films)

Outstanding Writing in a Motion Picture
• Chris Rock – “Top Five” (Paramount Pictures)
• Justin Simien – “Dear White People” (Roadside Attractions and Lionsgate)
• Margaret Nagle – “The Good Lie” (Alcon Entertainment)
• Misan Sagay – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Richard Wenk – “The Equalizer” (Columbia Pictures)

Outstanding Directing in a Motion Picture
• Amma Asante – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Antoine Fuqua – “The Equalizer” (Columbia Pictures)
• Ava DuVernay – “Selma” (Paramount Pictures)
• Gina Prince-Bythewood – “Beyond The Lights” (Relativity Media)
• John Ridley – “JIMI: All Is By My Side” (XLrator Media)

TELEVISION
Outstanding Comedy Series
• “Black-ish” (ABC)
• “House of Lies” (Showtime)
• “Key & Peele” (Comedy Central)
• “Orange is the New Black” (Netflix)
• “Real Husbands of Hollywood” (BET)

Outstanding Actor in a Comedy Series
• Andre Braugher – “Brooklyn Nine-Nine” (FOX)
• Anthony Anderson – “‘Black-ish” (ABC)
• Don Cheadle – “House of Lies” (Showtime)
• Keegan-Michael Key – “Key & Peele” (Comedy Central)
• Kevin Hart – “Real Husbands of Hollywood” (BET)

Outstanding Actress in a Comedy Series
• Mindy Kaling – “The Mindy Project” (FOX)
• Niecy Nash – “The Soul Man” (TV Land)
• Tracee Ellis Ross – “Black-ish” (ABC)
• Uzo Aduba – “Orange is the New Black” (Netflix)
• Wendy Raquel Robinson – “The Game” (BET)

Outstanding Supporting Actor in a Comedy Series
• Boris Kodjoe – “Real Husbands of Hollywood” (BET)
• Glynn Turman – “House of Lies” (Showtime)
• Laurence Fishburne – “Black-ish” (ABC)
• Marcus Scribner – “Black-ish” (ABC)
• Terry Crews – “Brooklyn Nine-Nine” (FOX)

Outstanding Supporting Actress in a Comedy Series
• Adrienne C. Moore – “Orange is the New Black” (Netflix)
• Laverne Cox – “Orange is the New Black” (Netflix)
• Lorraine Toussaint – “Orange is the New Black” (Netflix)
• Sofia Vergara – “Modern Family” (ABC)
• Yara Shahidi – “black-ish” (ABC)

Outstanding Drama Series
• “Being Mary Jane” (BET)
• “Grey’s Anatomy” (ABC)
• “House of Cards” (Netflix)
• “How to Get Away with Murder” (ABC)
• “Scandal” (ABC)

Outstanding Actor in a Drama Series
• LL Cool J – “NCIS: LA” (CBS)
• Omar Epps – “Resurrection” (ABC)
• Omari Hardwick – “Being Mary Jane” (BET)
• Shemar Moore – “Criminal Minds” (CBS)
• Taye Diggs – “Murder in the First” (TNT)

Outstanding Actress in a Drama Series
• Gabrielle Union – “Being Mary Jane” (BET)
• Kerry Washington – “Scandal” (ABC)
• Nicole Beharie – “Sleepy Hollow” (FOX)
• Octavia Spencer – “Red Band Society” (FOX)
• Viola Davis – “How to Get Away with Murder” (ABC)

Outstanding Supporting Actor in a Drama Series
• Alfred Enoch – “How to Get Away with Murder” (ABC)
• Courtney B. Vance – “Masters of Sex” (Showtime)
• Guillermo Diaz – “Scandal” (ABC)
• Jeffrey Wright – “Boardwalk Empire” (HBO)
• Joe Morton – “Scandal” (ABC)

Outstanding Supporting Actress in a Drama Series
• Aja Naomi King – “How to Get Away with Murder” (ABC)
• Alfre Woodard – “State of Affairs” (NBC)
• Chandra Wilson – “Grey’s Anatomy” (ABC)
• Jada Pinkett Smith – “Gotham” (FOX)
• Khandi Alexander – “Scandal” (ABC)

Outstanding Writing in a Comedy Series
• Aisha Muharrar – “Parks and Recreation” – Ann & Chris (NBC)
• Brigette Munoz-Liebowitz – “Brooklyn Nine-Nine” – Road Trip (FOX)
• Mindy Kaling – “The Mindy Project” – Danny and Mindy (FOX)
• Regina Hicks – “Instant Mom” – A Kids’s Choice (Nickelodeon and Nick@Nite)
• Sara Hess – “Orange is the New Black” – It Was the Change (Netflix)

Outstanding Writing in a Drama Series
• Erika Green Swafford – “How to Get Away with Murder” – Let’s Get To Scooping
(ABC)
• Mara Brock Akil – “Being Mary Jane” – Uber Love (BET)
• Warren Leight, Julie Martin – “Law & Order: SVU” – American Disgrace (NBC)
• Zahir McGhee – “Scandal” – Mama Said Knock You Out (ABC)
• Zoanne Clack – “Grey’s Anatomy” – You Be Illin’ (ABC)

Outstanding Television Movie, Mini-Series or Dramatic Special
• “A Day Late and a Dollar Short” (Lifetime Networks)
• “American Horror Story: Freak Show” (FX)
• “Drumline: A New Beat” (VH1)
• “The Gabby Douglas Story” (Lifetime Networks)
• “The Trip to Bountiful” (Lifetime Networks)

Outstanding Actor in a Television Movie, Mini-Series or Dramatic Special
• Blair Underwood – “The Trip to Bountiful” (Lifetime Networks)
• Charles S. Dutton – “Comeback Dad” (UP Entertainment)
• Larenz Tate – “Gun Hill” (BET)
• Mekhi Phifer – “A Day Late and a Dollar Short” (Lifetime Networks)
• Ving Rhames – “A Day Late and a Dollar Short” (Lifetime Networks)

Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special
• Angela Bassett – “American Horror Story: Freak Show” (FX)
• Cicely Tyson – “The Trip to Bountiful” (Lifetime Networks)
• Keke Palmer – “The Trip to Bountiful” (Lifetime Networks)
• Regina King – “The Gabby Douglas Story” (Lifetime Networks)
• Vanessa Williams – “The Trip to Bountiful” (Lifetime Networks)

Key & Peele

Trailer: Avengers: Age of Ultron (Extended)


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“I know you mean well. You want to protect the world, but you don’t want it to change. There’s only one path to peace…your extinction.” — Ultron

Marvel has released a new extended version of the teaser trailer they released a couple weeks ago. While it’s pretty much similar to the first teaser trailer this extended version has a new intro with Ultron in his initial form confronting the partying Avengers in Avengers Tower. The voice-over by James Spader as Ultron also sounds much different in this trailer than the first. We also get more lingering shots of all the Avengers from Iron Man all the way to Hawkeye rather than the rapid-fire cuts we saw in the first teaser.

May 2015 cannot come soon enough.

Avengers: Age of Ultron is set for a May 1, 2015 release date in North America.

The March Edition Of Lisa’s Way Too Early Oscar Predictions


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Is it ever too early to start trying to predict what films will be nominated for Oscars next year?

In a word … yes.

After all, it’s only March.  Grand Budapest Hotel has just now been released in New York and Los Angeles.  Whiplash and Boyhood were acclaimed at Sundance.  But otherwise, this is the time of year when the studios release films like The Legend of Hercules and Jack Ryan: Shadow Recruit. 

Yes, it’s way too early and, quite frankly, a bit silly to try to predict anything right now.

But, a lot of us are still going to try.

Below you can find my way too early predictions for the 2015 Oscar nominations.  Needless to say, these are blind guesses and should not be taken too seriously.

Some may notice that three films that are very popular with other award watchers are not listed on my list of best picture predictions.  I have not listed Grand Budapest Hotel because the Academy, in the past, has not exactly been receptive to the films of Wes Anderson.  As for David Fincher’s Gone Girl, I’m predicting it will have more in common with his rehash of The Girl With The Dragon Tattoo than The Social Network.  Finally, I’m looking forward to seeing Paul Thomas Anderson’s Inherent Vice but I think the material will be too quirky for the Academy.

Best Picture

Birdman

Boyhood

Foxcatcher

Get On Up

The Imitation Game

Interstellar

Unbroken

Whiplash

Wild

Best Director

Alejandro Gonzalez Inarritu for Birdman

Angelina Jolie for Unbroken

Richard Linklater for Boyhood

Morten Tyldum for The Imitation Game

Jean-Marc Vallee for Wild

Best Actor

Chadwick Boseman in Get On Up

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Brendan Gleeson in Calvary

Timothy Spall in Mr. Turner

Best Actress

Amy Adams in Big Eyes

Jessica Chastain in A Most Violent Year

Rosamund Pike in Gone Girl

Emma Stone in Magic in the Moonlight

Reese Whitherspoon in Wild

Best Supporting Actor

Robert Duvall in The Judge

Idris Elba in Beasts of No Nation

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

Christopher Walken in Jersey Boys

Best Supporting Actress

Viola Davis in Get On Up

Amy Ryan in Birdman

Kristen Scott-Thomas in Suite Francaise

Meryl Streep in Suffragette

Jacki Weaver in Magic in the Moonlight

Those are my predictions for now.  Come April, I’ll sit down and make (and post) another collection of blind guesses.  If nothing else, these way too early predictions will give everyone something to laugh about when, next year, the actual Oscar nominations are announced.

Agree?  Disagree?  Let me know in the comments.

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