Late Night Retro Television Review: Degrassi: The Next Generation 8.3 “Whisper to a Scream”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week is Degrassi at its best and most important.

Episode 8.3 “Whisper to a Scream”

(Dir. Philip Earnshaw; originally aired November 12th, 2003)

Ellie is dealing with more than any teenager should have to.

Her father, Colonel Nash (Daniel Lévesque), is deployed overseas, leaving her to take care of her self-centered, alcoholic mother (Kirsten Kieferle). Ellie is up for an internship with Caitlin Ryan, but to get it she’ll have to beat out none other than Paige. Despite the fact that Paige starts wearing glasses to look smarter and “accidentally” spills a drink on Ellie’s shirt, Ellie still manages to get the internship. “I guess she really did feel sorry for you,” Paige says.

The internship is Ellie’s dream job, but now she has to balance it with school and taking care of her mom. Her grades struggle. The ladies in the front office start giving her nasty looks whenever she comes in for a late slip. Whenever the stress gets to be too much, Ellie cuts herself.

This episode is difficult for me to watch. For a time, Degrassi was advertised as the show that “goes there,” and this episode has always hit close to home for me. When I was much younger and blaming myself for my parents’ divorce and the fact that my mom usually had to work more than one job to support me and my sisters, I used to manage my stress in much the same way Ellie did, though I was usually too afraid of scars to actually break the skin. Cutting is a sensitive subject, and not one that is easy for other people to understand or for people who cut to really explain. This episode approaches the subject with intelligence and sensitivity, and Stacey Farber gives a commendable performance.

To the show’s credit, Ellie does not magically get over being a cutter in just 20 minutes. Even after her former rival, Paige, sees the scars on Ellie’s arms and encourages her to talk to the school counselor, Ellie isn’t suddenly better. In a future episode, Ellie will admit, “I’ll always be a cutter,” regardless of whether she’s actually cutting or not. It’s one of those honest moments that sets Degrassi apart from most other teen shows.

I should admit that when Ellie cuts herself, she does so with a drawing compass, and it’s obvious that the point is very dull. This was apparently done on purpose to keep the episode from becoming a “how-to” video. I can understand that. Degrassi shows the dangers of cutting, but it doesn’t shy away from admitting that it also provides an outlet for Ellie’s stress.

This episode’s B-plot is important as well. Someone has been leaving flowers at Terri’s locker. Terri fears that her secret admirer is Toby, and Toby doesn’t help things by saying stuff like, “I don’t know, am I?” Fortunately, it turns out that Toby is not her secret admirer and is just acting weird because he’s trying to test whether or not she has ESP. Instead, Terri’s secret admirer is cute, shy Rick Murray (Ephraim Ellis).

Considering Rick’s ultimate legacy as a Degrassi student, it’s always a bit surprising to be reminded that, in his first appearance, he just came across as a sweet romantic. “Awwww! He left her a poem!” When you already know that Rick is destined to (1) put Terri in a coma and (2) shoot Jimmy in the back, it completely changes how you react to Rick’s courtship of Terri.

Next week, Emma’s back and she’s trying to move on from Sean. Yeah, good luck with that!

Late Night Retro Television Review: Friday the 13th: The Series 1.22 “The Pirate’s Promise”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, there’s something in the fog!  Can Micki and Ryan stop the horror of the thing in the fog?  FOG!

Episode 1.22 “The Pirate’s Promise”

(Dir by Bill Corcoran, originally aired on June 27th, 1988)

In the 18th century, a group of pirates killed their captain, Angus McBride, and stole his treasure.  They used the money to start a seaside village in New England and to become respectable citizens.  Over two hundred years later, the spirit of Captain McBride is hanging out in the fog and desiring vengeance on the descendants of his crew.

Hmmm …. this sounds familiar.

This episode has more than a little in common with John Carpenter’s The Fog.  This time, as opposed to it being the result of an anniversary curse, it’s a crazed lighthouse keeper named Joe Fenton (Cedric Smith) who summons the ghost of Captain McBride with a cursed foghorn but otherwise, much of the plot and the show’s imagery feels as if it was lifted directly from Carpenter’s classic horror film.  Captain McBride emerges from the fog several times during the episode.  He kills his victim’s with a hook and then tosses a few coins at Joe.

Micki and Ryan show up in town to retrieve the foghorn.  (This is another episode in which Jack is not present.)  It’s interesting how these cursed antiques often tend to end up in small towns, like the one in this episode or The Quilt of Hathor.  The previous few episodes featured Ryan having to say goodbye to someone as a result of a cursed item.  This time, it’s Micki whose heart is broken when the sweet proprietor of the local history museum is stabbed with a saber while trying to protect her.  The episode ends with Micki sobbing while Ryan tries to comfort her, which is quite a change from how these things usually go.  For once, Micki is the one who gets to show emotion while Ryan is the one who takes a more pragmatic approach to dealing with the horrors of the cured antiques.

As for the episode, it wasn’t bad.  Director Bill Corcoran did a good job of creating a properly ominous atmosphere and Cedric Smith was perfectly creepy as the evil lighthouse owner.  The low-budget was evident by the fact that the time itself seemed to be nearly deserted.  Even though the town was described as being small, it still seems like it should have been home to more than just a handful of people and I found myself wondering if maybe the show decided to save money by not hiring extras.  That minor quibble aside, this was an effective episode as long as you were willing to overlook the plot’s similarity to Carpenter’s film.

Next week, hopefully, Jack will come back and maybe Micki will have cheered up.  Someone likeable dies in every episode so you would think they would be used to it by now.

Late Night Retro Television Reviews: Friday the 13th 1.3 “Cupid’s Quiver”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1988 to 1990.  The show can be found on YouTube!

Tonight’s episode is directed by a future Oscar nominee and a multiple Genie winner!

Episode 1.3 “Cupid’s Quiver”

(Dir by Atom Egoyan, originally aired on October 12th, 1987)

This week’s cursed antique is a statue of Cupid that shoots neon arrows at women and causes those targeted to fall madly in love with the statue’s owner.  Unfortunately, the curse kicks in when the owner of the statue is then forced to murder the woman who is now in love with him.  Yikes!  What a mean statue.

When we first see the statue, it belongs to a frat boy who uses the statue at a club.  After the frat boy is arrested for murder, possession of the statue falls to a total loser named Eddie Monroe (Denis Forest).  Eddie is a janitor and groundskeeper at a local college.  He’s the type of guy who hardly anyone ever notices and even those who do notice him think that he is a complete creep.  Eddie is obsessed with a student named Laurie Warren (Carolyn Dunn), following her around campus and taking pictures of her.  He’s even built an elaborate shrine to her in his apartment, one where he’s cut the heads off of the people that Carolyn was with and replaced them with his own head.  (Double yikes!)  Laurie, of course, wants nothing to do with Eddie.

Could Eddie’s new statue help him out?  He hopes so and he even takes it to the club to test it on someone else beforehand.  Eddie is determined to force Carolyn to love him, even if he’ll be required to kill her almost immediately afterwards.  Fortunately, Ryan, Jack, and Micki are on campus, searching for the statue.

This episode is often cited as one of the best of the show’s run, largely because it was directed by a future Oscar nominee, Atom Egoyan.  (Amongst Egoyan’s films: Exotica, The Sweet Hereafter, Felicia’s Journey and Where The Truth Lies.)  It’s certainly not a bad episode, as Egoyan approaches the storyline with a sense of humor.  The scenes of the frat boy and then Eddie wandering around with their cupid statue are more than a little silly and Egoyan seems to understand that.  He does a good job contrasting the ludicrousness of the statue with the seriousness of the consequences of using it.  The ultimate message is that both the statue and the men who carry it with them are more dangerous than they look.

I also enjoyed the scenes in which Ryan and a far more reluctant Micki went to a frat house to search for the statue.  The frat house is a stereotypical den of debauchery, full of empty beers can and a black bra hanging from a ceiling fan.  Ryan, not surprisingly, is right at home.  Micki cannot wait to escape and I have to say that, as often happens when I watched episodes of this show, I definitely related to Micki.  Watching Ryan and Micki wander through various frat parties in search of Eddie and his statue, I had to ask myself which is worse, a cursed antique or a fraternity?