Happy birthday, Martin Scorsese!
To this day, I cannot see a garbage truck without hearing the Layla piano coda.
I always feel bad for Frankie Carbone. He was such a loyal soldier.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today, the TSL wishes a happy birthday to one of the greatest director working today, the one and only Martin Scorsese! And that means that it’s time for….
26 Shots From 26 Martin Scorsese Films
(That’s right. We usually do 4. Scorsese gets 26. He deserves a hundred.)
Well, that’s quite an adventure.
Enjoy!
I’m another year older and the Shattered Lens is still recovering from October. Here’s what I did last week:
Films I Watched:
Television Shows I Watched:
Books I Read:
Music To Which I Listened:
Awards Season Links:
Links From The Site:
More From Us:
Hi, everyone! Leonard and I watched and live tweeted the People’s Choice Awards tonight! Here’s a selection of what was said!
First off, I was upfront about why I was watching this silly awards show in the first place:
The show itself was weird. Demi Lovato was a charming host but the format itself — basically, the show was just one big zoom call — felt weird and awkward. There was a lot of green neon, as if the show was taking place in the future as envisioned by people in the 90s.
Leonard liked it a little bit more than I did:
Shots of people watching the show from their homes couldn’t really replace the excitement of having a real audience. A lot of the acceptance speeches fell flat because, regardless of how heartfelt they may have been, there really wasn’t anyone around to react to them. There were no standing ovations. No spontaneous laughter or boos. There wasn’t even an orchestra to play people when they talked for too long. It was just awkward. Even the show’s attempt to liven things up by having random people in their living rooms open up the envelopes and read the winners failed to add much excitement to things.
As for the winners …. eh. Ellen Pompeo was named the People’s TV Actress and apparently this was the fifth time she had won one of those things? Ellen DeGeneres won Best Daytime Talk Show and gave yet another speech about how much she actually loves her staff. Some of the winners were good but a lot of them felt fixed. More than once, I wondered who exactly votes for these awards.
On the plus side, Jennifer Lopez and Tyler Perry both gave heartfelt speeches when they won their special awards.
Anyway, for the most part, it was an okay night. No one really made a fool out of themselves. Most of the speeches were decent. The format was awkward and I really hope that the Oscars can somehow work out the kinks before their ceremony. (Ideally, COVID would just magically disappear between now and the Oscars but that’s probably not going to happen.)
If you want to read all of our tweets from the ceremony, check out The Shattered Lens on Twitter! We’ll be doing more live tweets soon. This was sort of a test run and it went pretty well, I think. Thank you for reading!
The Gotham nominations were announced on Thursday and I totally missed them!
Seriously, that’s how crazy this year has been.
Anyway, with so much up in the air, it’s probably debatable how much anything can be gleaned about the state of the Oscar race from these nominations. In fact, even in a normal year, the Gothams aren’t exactly known for being Oscar precursors. However, they do honor worthy independent films and often, they encourage us to track down films that we may have otherwise missed.
Only film with a budget under $35 million were eligible for a Gotham nomination. So, don’t look at this list and go, “OH MY GOD, WHERE’S MANK!? WHERE’S TENENT!?” They’re not eligible.
Anyway, here are the Gotham nominations:
Best Feature
“The Assistant”
“First Cow”
“Never Rarely Sometimes Always”
“Nomadland”
“Relic”
Best Documentary
“76 Days”
“City Hall”
“Our Time Machine”
“A Thousand Cuts”
“Time”
Best International Feature
“Bacurau”
“Beanpole”
“Cuties (Mignonnes)”
“Identifying Features”
“Martin Eden”
“Wolfwalkers”
Bingham Ray Breakthrough Director Award
Carlo Mirabella-Davis, “Swallow”
Rhada Blank, “The Forty Year Old Version”
Andrew Patterson, “Vast of Night”
Channing Godfrey Peoples, “Miss Juneteenth”
Alex Thompson, “Saint Frances”
Best Screenplay
“Bad Education,” Mike Makowsky
“First Cow,” Jon Raymond and Kelly Reichardt
“The Forty-Year-Old Version,” Radha Blank
“Fourteen,” Dan Sallitt
“The Vast of Night,” James Montague and Craig Sanger
Best Actor
Riz Ahmed, “Sound of Metal”
Chadwick Boseman, “Ma Rainey’s Black Bottom”
Jude Law, “The Nest”
John Magaro, “First Cow”
Jesse Plemons, “I’m Thinking of Ending Things”
Best Actress
Nicole Beharie, “Miss Juneteenth”
Jessie Buckley, “I’m Thinking of Ending Things”
Yuh-Jung Youn, “Minari”
Carrie Coon, “The Nest”
Frances McDormand, “Nomadland”
Breakthrough Actor
Sidney Flanigan, “Never Rarely Sometimes Always”
Jasmine Batchelor, “The Surrogate”
Kelly O’Sullivan, “Saint Frances”
Orion Lee, “First Cow”
Kingsley Ben-Adir, “One Night in Miami”
Breakthrough Series – Long Form
“The Great”
“Immigration Nation”
“P-Valley”
“Unorthodox”
“Watchmen”
Breakthrough Series – Short Form
“Betty”
“Dave”
“I May Destroy You”
“Taste the Nation”
“Work in Progress”
Enjoy!
Enjoy!
This 1955 film tells the story of a murder.
When we first meet Carolyn Elleson Grant (Marie Windsor), she refuses to give her husband, Harlow Grant (John Archer) a divorce, despite the fact that they’ve been separated for several years and Harlow now wants to marry Louise Nelson (Nancy Gates) and Carolyn is now involved with an art critic named Wayne Vincent (Patrick Knowles). Carolyn only married Harlow for his money and, while she has other rich lovers, she just enjoys making Harlow’s life as difficult as possible. It’s hard to blame her because Harlow is kind of whiny.
However, Carolyn has grown bored with Wayne Vincent and she’s now decided that she would rather get involved with Dick Sawyer (Richard Crane), who is rich and owns a boat. However, Dick is engaged to Carolyn’s personal assistant, Betty (Jill Jarmyn). Carolyn thinks it would be perfectly amusing to not only seduce Dick but to also destroy Betty’s happiness.
Why?
As one character put it, Carolyn is “a witch!”
(Someone then adds that Carolyn is a word that “rhymes” with witch. They don’t actually say the word because this film was made in 1955 but still….)
With Carolyn casually trying to destroy everyone’s lives and happiness, is it really a shock when some unseen person shows up at her art studio late at night and shoots her?
With Carolyn dead, it falls to Detectives Colton (Louis Jean Heydt) and Wells (John Gallaudet) to figure out the identity of the murder. They immediately suspect that it had to have been Harlow Grant. Not only does he have the motive and the opportunity but his name is Harlow Grant and I defy you to find anyone named Harlow Grant who hasn’t subsequently turned out to be involved in something shady. Harlow, however, insists that he’s innocent and the investigation is about to get a lot more complicated….
Well, okay, maybe not a lot more complicated. To be honest, it’s really not that difficult to figure out who the murderer actually is No Man’s Woman but that’s okay. The investigation itself only takes the last third of this 70-minute film. No Man’s Woman is a like a low-budget version of Gosford Park. The murder is less important than all of the drama surrounding it.
And make no mistake, there’s a lot of drama! This is a fun movie, specifically because Carolyn is such a wonderfully evil character and Marie Windsor has so much fun playing her. Carolyn doesn’t really have any deep motivation for why she does the terrible things that she does. She just does them because she can and she believes that she can get away with it. A good deal of the film’s entertainment comes from just seeing how bad Carolyn can be. In fact, you’re a bit disappointed when she’s murdered because Carolyn is the most enjoyable character in the movie. She’s someone who is literally willing to do and say anything and she makes an apologies for her actions. You wouldn’t necessarily want to work with her but she’s fun to watch.
The rest of the cast is adequate. John Archer and Nancy Gates are a bit on the dull side as the “good” characters but I liked the performances of the other suspects. Richard Crane and Jill Jarmyn, in particular, are memorable as Dick and Betty. I loved how going out on someone’s boat was apparently the height of decadence in 1955.
No Man’s Woman is an entertaining mix of noir and soap opera. Find it on Prime!
Enjoy!