4 Shots From 4 Films: Special Jack Nicholson Edition

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Jack Nicholson’s 83rd birthday!

It’s been ten years since Jack Nicholson last appeared in a movie, the forgettable How Do You Know.  Rumor has it that he’s basically retired from acting, though it’s said that Nicholson himself has denied it.  However, whether he’s working or not, he remains a screen icon with a filmography that is a cinema lover’s dream.  He’s worked with everyone from Roger Corman to Stanley Kubrick to Milos Forman to Martin Scorsese and, along the way, he’s become a symbol of a very American-type of rebel.  Though often associated with the counter-culture, his style has always been too aggressive and idiosyncratic for him to be a believable hippie.  Instead, he’s one of the last of the beats, an outsider searching for meaning in Americana.

Over the course of his career, Nicholson has won three Oscars and been nominated for a total of 12.  He’s the only actor to have been nominated in every decade from the 1960s to the 2000s.  If he ever writes his autobiography, you know that we’ll all run out and buy a copy.  When the day comes that Jack Nicholson is no longer with us, it will truly be the end of an era.

Happy birthday, Jack Nicholson.  May you have many happy returns!

4 Shots From 4 Films

Psych-Out (1968, dir by Richard Rush)

Carnal Knowledge (1971, dir by Mike Nichols)

The Shining (1980, dir by Stanley Kubrick)

The Departed (2006, dir by Martin Scorsese)

44 Days of Paranoia #28: The Departed (dir by Martin Scorsese)

For our latest entry in the 44 Days of Paranoia, we take look at the film that the Academy named the best picture of 2006, Martin Scorsese’s The Departed.

The Departed takes the plot of the 2002 Hong Kong film Infernal Affairs and transports it to Boston.  For years, crime lord Frank Costello (Jack Nicholson) has ruled South Boston with an iron fist.  However, police Captain Queenan (Martin Sheen) and his assistant, Sgt. Dignan (Mark Wahlberg) think that they have finally found a way to take Costello down.  They recruit police academy trainee Billy Costigan (Leonardo DiCaprio) to go undercover and infiltrate Costello’s organization.  To help establish his cover, Costigan drops out of the academy and does time in prison on a fake assault charge.

Meanwhile, Costello has an agent of his own.  Years earlier, Colin Sullivan (Matt Damon) was specifically recruited and trained by Costello to become a mole inside the Massachusetts State Police.  Sullivan soon finds himself also working under Queenan.

While the amoral Sullivan finds it easy to deal with his dual role of being both a cop and a criminal, the far more emotionally unstable Costigan has a much more difficult time of it.  Not helping is the fact that Costello turns out to be a legitimate madman who spends half of his time dismembering people and the other half serving as a secret informant to the FBI.  While Sullivan smoothly works his way up the ranks, Costigan pops pills and becomes more and more paranoid.

Eventually, both Costigan and Sullivan are ordered to uncover the double agents in their respective organizations.  What they don’t realize is that, even as they both attempt to learn the other’s identity, they are both seeing the same woman, psychiatrist Madolyn (Vera Farmiga.)

In the scene below, which happens to be my favorite from the entire film, Costigan and Madolyn make love after Madolyn assures Costigan that she doesn’t have a cat.  That makes sense when you consider that Costigan is essentially a rat.

I have to admit that, as much as I did appreciate certain parts of the film, I was still disappointed the first time I saw The Departed.  It wasn’t so much that the movie itself was bad as much as it was the fact that it didn’t live up to the standard set by previous Scorsese films.  The film seemed to somehow be both conventional and overly busy at the same time, with the constantly moving camera and the propulsive soundtrack feeling more like they were more the result of a director trying to be like Scorsese than Scorsese himself.  While I appreciated the comedic relief of Alec Baldwin’s performance as Queenan’s rival on the force and I thought that Matt Damon made a compelling villain, both Leonardo DiCaprio and Martin Sheen seemed to have been bitten by the overacting bug.  It was hard not to feel somewhat disappointed that, after waiting for over three decades to be honored by the Academy, Scorsese finally won his Oscar for The Departed.

However, with subsequent viewings, The Departed has grown on me.  Once I was freed up from the expectations that come from watching a Scorsese film for the first time, I was able to enjoy The Departed for what it actually was, a very well-made and entertaining crime drama that occasionally flirted with being something more.

Watching The Departed for a second time, I was better able to appreciate the sly humor of Jack Nicholson’s performance.  As played by Nicholson, Frank Costello becomes both the devil incarnate and a somewhat pathetic relic who is incapable of understanding that his time has passed.  Watching Nicholson for a second time also led to me better appreciating Martin Sheen’s performance.  Since Nicholson and Sheen are meant to the equivalent of the angel and the devil sitting on Damon and DiCaprio’s shoulders, it was necessary for Sheen to be as virtuous as Nicholson was demonic.

By the time that I watched The Departed for the third time, it was a lot more obvious to me that the entire film was, more or less, meant to be a satire.  What Nicholson’s criminal empire and Sheen’s police force have in common is that neither one of them works the way that they’re supposed to.  If there’s anything to be learned from the film, it’s that nothing means much of anything.  (The Coen Brothers would be proud.)

Finally, after multiple viewings, it becomes obvious that The Departed is very much a Scorsese film.  Even if his direction isn’t quite as showy as viewers have come to expect, there’s still enough little touches and details that remind us that this film was made by a master.  To cite the obvious example that everyone cites, just watch for the X’s that always somehow manage to appear on the wall or the carpet before anyone in the film dies.  With multiple viewings, It also became obvious to me that even if this film was set in Boston and not New York and even if the characters were Irish and not Italian, this film was still thematically pure Scorsese, dealing with themes of guilt, identity, punishment, and martyrdom.

Like all worthwhile films, The Departed is one that grows better with subsequent viewings.

Other Entries In The 44 Days of Paranoia 

  1. Clonus
  2. Executive Action
  3. Winter Kills
  4. Interview With The Assassin
  5. The Trial of Lee Harvey Oswald
  6. JFK
  7. Beyond The Doors
  8. Three Days of the Condor
  9. They Saved Hitler’s Brain
  10. The Intruder
  11. Police, Adjective
  12. Burn After Reading
  13. Quiz Show
  14. Flying Blind
  15. God Told Me To
  16. Wag the Dog
  17. Cheaters
  18. Scream and Scream Again
  19. Capricorn One
  20. Seven Days In May
  21. Broken City
  22. Suddenly
  23. Pickup on South Street
  24. The Informer
  25. Chinatown
  26. Compliance
  27. The Lives of Others

Let’s Second Guess The Academy: 2006 Best Picture

Hi there and welcome to the latest, long-delayed edition of Let’s Second Guess The Academy.  Previously, we second-guessed the Academy’s choice for best picture of 1990, 1994, 1998, and 2002.  It seems only fitting that we now jump ahead another 4 years and reconsider the race for best picture of 2006.

The Academy nominated five films for best picture 0f 2006.  Those films were Babel, The Departed, Letters from Iwo Jima, Little Miss Sunshine, and The Queen.  They ultimately named The Departed the best film of 2006.  Were they right?

And now, here’s my favorite part of second guessing the Academy.  What if none of the five nominated films had been released in 2006?  Which other films would you have nominated?  Below is a list of some of 2006′s most acclaimed and memorable films.  You can vote for up to 10 replacement nominees and write-in votes are allowed.

As always, vote once, vote often, and have fun!

Spike Lee To Direct Oldboy Remake

If Spike Lee wasn’t controversial enough on his own, he’s now going to be directing a remake of one of the more rabidly beloved films to come out of South Korea in the 21st Century, Park Chan-wook’s Oldboy.

I have to admit that this is the type of news that always inspires, within this movie lover, mixed feelings.  On the one hand, Spike Lee is a far better director that a lot of people want to admit and he has shown the ability to make films within several different genres.  On the other hand, you have to wonder why Oldboy needs to be remade in the first place.  One need only read Arleigh’s review of the original to see just how highly most viewers thought of the original.

For me, the real question is this — will Spike Lee be truly reimagining the material or will he just be making the same film again, just this time without subtitles?

(I can see the tag line now: “Just as good as the original, now requiring less reading!”)

Will Spike Lee’s remake be a Departed-style remake or a Girl With The Dragon Tattoo-style remake?

Hopefully, if nothing else, this news will at least encourage people (like me) to seek out and watch the original and make up their mind for themselves.