Let’s Second Guess The Academy: Best Picture 1985


Jonathan Pryce in Brazil

Last week, we reconsidered whether or not The Hurt Locker deserved the title of Best Picture of 2009.

This week, let’s go back to the year of my birth, 1985.  According to the Motion Picture Academy, the five best films of the year were:

1) Steven Spielberg’s controversial adaptation of Alice Walker’s The Color Purple,

2) Witness, a film about a tough cop (Harrison Ford) who hides out with the Amish,

3) Kiss of the Spider Woman, one of the first independent films to ever be nominated for best picture,

4) Prizzi’s Honor, a darker than dark Mafia comedy from John Huston that starred Jack Nicholson,

and finally,

5) Out of the Africa, the film that was eventually named best picture of 1985.

Despite its victory at the Oscars, Out of Africa hasn’t aged well.  If any year seems to be worthy of a little second guessing, it would certainly be 1985.  If you were a member of the Academy in 1985, which nominee would you have voted for?  Personally, I would have voted for Witness.  How about you?

Now, here comes the fun part.  Let’s say that Out of Africa wasn’t released in 1985.  Let’s say that Steven Spielberg never made The Color of Purple and that Jack Nicholson refused to star in Prizzi’s Honor.  Let’s say that none of the five nominated film had been eligible in 1985.  Which films would you have nominated in their place?

You can vote for five of the film listed below and yes, we do accept write-ins!

(Incidentally, I voted for Brazil, The Breakfast Club, To Live and Die In L.A., The Purple Rose of Cairo, and Insignificance.)

2011: The Year In Film So Far


Greetings from the former home of the Flying Spaghetti Monster, Crossville, Tennessee!  Yes, Jeff and I are on our way back to Texas.  It’s been a wonderful vacation but I have to admit, I’m looking forward to seeing a movie at the Plano (or Dallas) Angelika on Sunday.  I’m not sure which movie but, as long as it’s a movie, I’ll be a happy girl.

That’s because I love movies.  Movies are what I schedule my life around.  My birth certificate says I was born in 1985 but I know that I was born in the year of Brazil, Prizzi’s Honor, Blood Simple, and After Hours.  If each year can be judged by the quality of the films then how is 2011 looking now that we’ve reached (and passed) the halfway mark?

Right now, as I sit here in this hotel room in my panties and my beloved Pirates shirt, I’d say 2011 is shaping up to be an average year.  There’s been a few films that I loved and there’s been a few that I’ve absolutely despised but for the most part, this year is shaping up to be comfortable and rather bland. 

Much as I did last year at this time, I’m going to take a few minutes to mention a few high points (and low points) of 2011 so far.  Agree?  Disagree?  Make your opinion known.

Best Film (So Far): Hanna, without a doubt.  Joe Wright’s stylish thriller hasn’t gotten half the acclaim that it deserves.  Runners-ups: The Cave of Forgotten Dreams, Incendies, Jane Eyre, Kill The Irishman, Of Gods and Men, Red Riding Hood, Sucker Punch, The Source Code, Super, 13 Assassins, The Tree of Life, Win Win, X-Men: First Class

Best Male Performance of the Year (so far): Paul Giamatti in Win Win.  Runners up: Bobby Cannavale in Win Win, Joseph Gordon-Levitt in Hesher, Matthew McConaughey in The Lincoln Lawyer, and Rainn Wilson in Super.

Best Female Performance Of The Year (so far): Sairose Ronan in Hanna. Runners up: Lubna Azabal for Incendies, Ellen Page for Super, Amy Ryan for Win Win, and Mia Wasikowska for Jane Eyre.

Best Ending (so far): The charmingly low budget zombie film that runs over the end credits of Super 8.

Best Horror Film (so far): Insidious.

Most Underrated Film Of The Year (so far): A tie, between Sucker Punch and Red Riding HoodRed Riding Hood, as a matter of fact, was so underrated that I had to see it a second time before I really appreciated it.

Best Bad Film: Beastly.  Silly but kinda fun in a really, really odd sort of way.

Worst Film of The Year (so far): The Conspirator, a bore of a movie that was apparently filmed through a filter of grime.  Runners up: Priest, The Beaver, Battle L.A. (sorry Arleigh, Leonard, and Erin), Season of the Witch, Your Highness, and The Green Lantern.

Biggest Example of A Missed Opportunity This Year (So Far): The Adjustment Bureau, which could have been a great Eternal Sunshine Of The Spotless Mind-type of film but instead, turned out to be just another predictable and shallow example of new age triteness.

The Get-Over-It Award For The First Half Of 2011: The Conspirator, a film that attempts to be relavent by using the 19th Century to comment on political issues from 2006.

My Prediction For Which Film Will Be The Most Overrated Of 2011: Last year, I predicted The Social Network and, surprise surprise, I was right.  In fact, the folks at AwardsDaily.com are still bitching about how The Social Network lost best picture to The King’s Speech.  (By the way, a few other choice pieces of wisdom from Awards Daily: The Beaver is Jodie Foster’s best film ever and only elitists should be allowed to comment on film.)  This year, I’m going to predict that the most overrated film of 2011 will be the unnecessary remake of The Girl With The Dragon Tattoo.

My Prediction For What Will Be The Worst Film Of 2011: The winner here is another remake — Rod Lurie is remaking Straw Dogs and this time, he’s setting it in the South.  You know what?  Go back to Vermont and fuck yourself ragged, you dumbass, blue state elitist.  

So, that’s 2011 so far.  There’s still quite a few films that I’m looking forward to seeing: Another Earth, The Debt, Don’t Be Afraid of the Dark; Tinker, Tailor, Soldier, Spy; Hugo, and most of all, Harry Potter and the Deathly Hallows, Part 2.