Music Video of the Day: Penthouse and Pavement by Heaven 17 (1981, directed by ????)


I only recently discovered this band.  Heaven 17 is an English band, one that is still together.  The band was made up of two former members of The Human League, keyboardists Ian Craig Marsh and Martyn Ware, and singer Glenn Gregory.  Gregory had been Marsh and Ware’s original choice to serve as the lead singer of the Human League but, when he proved to be unavailable, they went with Philip Oakey instead.  Oakey had a different vision for the The Human League than Marsh and Ware so Marsh and Ware ended up leaving the band and forming Heaven 17.  This time, they were able to get Glenn Gregory as their singer.

Heaven 17’s first album was called Penthouse and Pavement and the album’s title track was both their first single and their first video.  The video features not only corporate espionage but also the three members of the band pretending to be corrupt businessmen.  That Heaven 17 was a much more overly political band than The Human League is obvious from listening to the song’s lyrics.

The band, incidentally, was named after one of Alex’s favorite bands in A Clockwork Orange.

Enjoy!

2020 In 12 Pages : November Garcia’s “(Even) More Diary Comics From A Relative Nobody” #2


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

When the fist page of your new mini pretty much sums up everything that everybody who’s been making so-called “quarantine comics” over the past year has been trying to say, then I’m going to credit you with doing two things remarkably well : cutting to the chase, and clearing the decks to facilitate moving on to something (please, God, anything!) else. Not that the pandemic doesn’t hang over the rest of November Garcia’s latest Birdcage Bottom-published ‘zine, (Even) More Diary Comics From A Relative Nobody #2, as surely as it hangs, Sword of Damocles-style, over all of our lives, but let’s not forget — there’s other shit going on, too. And some of that shit is even important.

Admittedly, as the title of this review gives away plainly, this is is a short little comic (it was created as a Kickstarter premium for the latest — and final…

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Lisa Marie’s 16 Worst Films of 2020


Well, it’s nearly February so I guess it’s time for me to start listing my picks for the best and the worst of 2020.

It’s pretty much a tradition here at the Shattered Lens that I always end up running behind as far as posting these lists are concerned.  I always think that I’m going to have everything ready to go during the first week of January but then I realize that there’s still a host of movies that I need to see before I can, in good conscience, post any sort of list.  In fact, as I sit here writing this post, I’m watching some films that could very well make it onto my best of 2020 list.

Of course, the list below is not my best of 2020 list.  Instead, below, you’ll find my picks for the 16 worst films of 2020.  Why 16 films?  Because Lisa doesn’t do odd numbers!

It probably won’t be a surprise you to see some of these films on the list.  For instance, I don’t think anyone will be shocked to see The Grudge or After We Collided mentioned.  However, I imagine that some people will be surprised to see The Trial of the Chicago 7 on the list.  What can I say?  The more I thought about it, the more it represented everything that I dislike about mainstream Hollywood filmmaking.  The fact that it’s probably going to be a major Oscar contender made it even more important to list it.  I’m sure there’s a lot of critics, for instance, who wish they had found room for Green Book when they were compiling their 2018 lists.

In the end, of course, this list is my opinion.  You’re free to agree or disagree.  That’s the wonderful thing about having an opinion.

(Also be sure to check out my picks for 2019, 20182017201620152014201320122011, and 2010!)

And now, the list:

16. John Henry (dir by Will Forbes) — I actually feel kind of bad for listing this silly B-movie as one of the worst of 2020 but it was just so slowly paced and thematically muddled that I really didn’t have a choice.

15. The Binge (dir by Jeremy Garelick) — Doing The Purge with drugs and alcohol as opposed to murder is actually a pretty cool idea so this movie has no excuse for being so dull.  There is one fun dance number that livens things up, which is why The Binge is listed at number 15 as opposed to number 3.

14. Once Upon A Time In London (dir by Simon Rumley) — London has a rich and exciting history when it comes to organized crime but you wouldn’t know that from watching this dull film.

13. Valley Girl (dir by Rachel Lee Goldenberg) — This remake was a boring jukebox musical that featured 30 year-old high school students and unimaginative use of a host of 80s songs.  (A girl at the beach says that she just wants to have fun.  Can you guess what song the cast started singing?)

12. Ava (dir by Tate Taylor) — Jessica Chastain’s an assassin and …. *yawn.*  Tate Taylor was exactly the wrong director to be expected to do anything interesting with this story.

11. Blumhouse’s Fantasy Island (dir by Jeff Wadlow) — My fantasy would be for a better film.  Boom!  Roasted!  (Actually, I bet I’m the thousandth blogger to have said that.)

10. The Grudge (dir by Nicolas Pesce) — Eh.  Who cares?

9. Artemis Fowl (dir by Kenneth Branagh) — This was a confusing movie that mixed the least interesting parts of the Harry Potter franchise with the least interesting bits of the Marvel Cinematic Universe.

8. The Murder of Nicole Brown Simpson (dir by Daniel Farrands) — I actually defended The Haunting of Sharon Tate but this semi-follow up was just too distasteful.  What was the deal with Nicole being dragged across the ceiling?  Both Mena Suvari and Nick Stahl deserve better.  So does director Daniel Farrands, for that matter.

7. The Dalton Gang (dir by Christopher Forbes) — Never has the old west looked so cheap.

6. After We Collided (dir by Roger Kumble) — This was marginally better than the first After but that’s not saying much.  The total lack of chemistry between the two romantic leads makes it difficult to care about whether or not they ever end up together.  The cloying cameo from writer Anna Todd (“What have you written?”  “Oh, this and that,”) almost made me throw a shoe at my TV.

5. The Trial of the Chicago 7 (dir by Aaron Sorkin) — I liked Joseph Gordon-Levitt’s performance and the scene where Bobby Seale gets gagged in court was powerful and disturbing.  Otherwise, this movie represented Hollywood at its most vapid.

4. Sergio (dir by Greg Barker) — This was a muddled and poorly acted commercial for the United Nations.

3. A Fall From Grace (dir Tyler Perry) — Tyler Perry’s beard was the best thing about this movie.

2. The Last Thing He Wanted (dir by Dee Rees) — This was the first bad film that I saw in 2020 and it’s remained here, near the bottom of the list, for 12 months.  This movie was a muddle mess that thought it had more to say than it did.  It did feature a good performance from Willem DaFoe, which saved it from being the worst film of the year.  Instead, that honor goes to….

1. Let Them All Talk (dir by Steven Soderbergh) — This mind-numbingly dull film from Steven Soderbergh seems to be determined to troll everyone who has ever said that they’d watch Meryl Streep in anything.

Coming up tomorrow: my favorite songs of 2020!

TSL Looks Back at 2020:

  1. My Top 20 Albums of 2020 (Necromoonyeti)
  2. 25 Best, Worst, and Gems That I Saw In 2020 (Valerie Troutman)
  3. Top 10 Vintage Collections (Ryan C)
  4. Top 10 Contemporary Collections (Ryan C)
  5. Top 10 Original Graphic Novels (Ryan C)
  6. Top 10 Ongoing Series (Ryan C.)
  7. Top 10 Special Mentions (Ryan C.)
  8. Top Ten Single Issues (Ryan C)

Music Video of the Day: Paradise City by Guns N’ Roses (1988, directed by Nigel Dick)


Paradise City seems to be the Guns N’ Roses song that’s liked even by people who don’t like Guns N’ Roses.  (My cousin John, who was once the lead singer of a band called Carlos Is A Bastard, still refers to them as being Guns N’ Poses.)

Paradise City is a good song and a good video.  The video keeps things effectively simple, with clips of the band performing the song at Giants Stadium mixed in with behind-the-scenes footage of the band.  All of the members of the band look like they’re getting along and, at no point, do Slash and Axl look like they’re about to come to blows.  It’s a look at Guns N’ Roses that definitely goes against their later reputation for intraband strife.

This is what I like to call a “They sure can play” video because the emphasis is on the band as professional musicians who know what they’re doing and who aren’t just spending all of their time doing drugs and entertaining groupies.  I’m usually not a fan of these type of videos because they often feel phony but it works for Guns ‘N Roses because they really could play.

Enjoy!

Trust Your Gut : Lauren Hinds’ “Jeremy”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

There’s a dreamlike quality to Lauren Hinds’ new release from Paper Rocket Mini Comics, Jeremy, that’s so undeniable that I honestly spent most of my first read-through of the book thinking that the boy the title refers to was an imaginary friend of our unnamed protagonist, who we’ll just call The Kid ( with apologies to Prince). The Kid narrates/relates the entire saga of their friendship from his own first-person POV, and he and Jeremy get up to all kinds of secretive shit (mostly revolving around stealing plums, sneaking off into the forest, or sneaking off into the forest in order to steal plums), so hey — even though Jeremy is talked about by The Kid’s parents, and other adults, and even though he interacts with other school kids (often to his detriment), I really thought we were going to find, in the end, that he was just a…

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The New York Film Critics Online Honors Minari!


Along with all the other groups that announced their picks for the best of 2020 this year, the New York Film Critics Online announced that they had selected Minari as the best film of the year!

Here are the NYFCO winners:

Best Picture: “Minari”
Best Director: Chloé Zhao – “Nomadland”
Best Actor: Riz Ahmed – “Sound of Metal”
Best Actress: Carey Mulligan – “Promising Young Woman”
Best Supporting Actor: Leslie Odom Jr. – “One Night in Miami”
Best Supporting Actress: Ellen Burstyn – “Pieces of a Woman” & Yuh-Jung Youn – “Minari” (TIE)
Best Screenplay: “Promising Young Woman” – Emerald Fennell
Best Animated Feature: “Soul”
Best Cinematography: “Nomadland” – Joshua James Richards
Best Use of Music: “Ma Rainey’s Black Bottom” – Brandon Marsalis
Best Documentary Feature: “The Way I See It”
Best Foreign Language: “Minari”
Best Debut Director: Emerald Fennell – “Promising Young Woman”
Breakthrough Performer: Kingsley Ben-Adir – “One Night in Miami” & Maria Bakalova – “Borat Subsequent Moviefilm” (TIE)
Best Ensemble Cast: “The Trial of the Chicago 7”

Top 10 Films (alphabetical)
“The Assistant”
“First Cow”
“I’m Thinking of Ending Things”
“Minari”
“Never Rarely Sometimes Always”
“Nomadland”
“One Night in Miami”
“Promising Young Woman”
“Tommaso”
“The Trial of the Chicago 7”

The North Texas Film Critics Association Honor Nomadland!


While the National Board of Review was announcing that they had selected Da 5 Bloods as the best film of 2020, the North Texas Film Critics Association was busy honoring Nomandland instead.

Here are the winners from North Texas:

(Winners are in bold)

BEST PICTURE
Nomadland
Mank
The Trial of the Chicago 7
Promising Young Woman

BEST ACTOR
Steven Yeun – Minari
Riz Ahmed – Sound of Metal
Delroy Lindo – Da 5 Bloods
Chadwick Boseman – Ma Rainey’s Black Bottom

BEST ACTRESS
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces of a Woman

BEST DIRECTOR
Isaac Chung – Minari
Chloé Zhao – Nomadland
Emerald Fennell – Promising Young Woman
David Fincher – Mank

BEST SUPPORTING ACTOR
Sacha Baron Cohen – The Trial of the Chicago 7
Bill Murray – On the Rocks
JK Simmons – Palm Springs

BEST SUPPORTING ACTRESS
Youn Yuh-jung – Minari
Maria Bakalova – Borat Subsequent Film
Ellen Burstyn – Pieces of a Woman

BEST CINEMATOGRAPHY
Hoyte Van Hoytema – Tenet
Joshua James Richard – Nomadland
Eric Messerschmidt – Mank

BEST FOREIGN LANGUAGE FILM
The Life Ahead
Minari
The Mole Agent

BEST DOCUMENTARY
Time
All In: The Fight for Democracy
Crip Camp: A Disability Revolution

BEST ANIMATED FILM
Soul
Wolfwalkers
Over the Moon

BEST NEWCOMER
Maria Bakalova – Borat Subsequent Film
Jessie Buckley – I’m Thinking of Ending Things
Linda May – Nomadland

GARY MURRAY AWARD (Best Ensemble)
The Trial of the Chicago 7
Da 5 Bloods
The Glorias

The National Board of Review Honors Da 5 Bloods


In the past, the National Board of Review were considered to be a big deal because they were the first of the critics groups to announce their yearly awards and winning with the NBR could help to generate momentum for a film going into the awards season.  No one was really sure just who exactly the NBR voters were but they were the first to announce and that was all that mattered.

However, that all changed when the Academy decided to extend the year’s eligibility window and to also hold off on announcing the Oscar nominations into February.  The National Board Of Review followed suit and decided to hold off on handing out their awards until late January, presumably so that they could continue to be seen as Academy influencers.  As a result of bunch of regional critics got the jump on the NBR and now Nomadland and Promising Young Woman have so much momentum that it’s kind of hard to really care that the NBR honored Spike Lee’s Da 5 Bloods instead.

(That said, it is kind of interesting that Nomadland is kind of underrepresented as far as the NBR rewards are concerned.  It won for for Joshua James Richards’s cinematography and it was included as one of the “top films of the year,” but otherwise, it was pretty much ignored in favor of Da 5 Bloods, Promising Young Woman, Minari, and Sound of MetalNomadland didn’t even pick up the award for Best Adapted Screenplay, instead losing out to News of the World, a film that otherwise really hasn’t been a huge factor in 2020’s extended awards season.)

Anyway, for what their worth, here are the winners from the National Board of Review:

Best Film: “Da 5 Bloods”
Best Director: Spike Lee – “Da 5 Bloods”
Best Actor: Riz Ahmed – “Sound of Metal”
Best Actress: Carey Mulligan – “Promising Young Woman”
Best Supporting Actor: Paul Raci – “Sound of Metal”
Best Supporting Actress: Youn Yuh-jung – “Minari”
Best Adapted Screenplay: Paul Greengrass & Luke Davies – “News of the World”
Best Original Screenplay: Lee Isaac Chung – “Minari”
Breakthrough Performance: Sidney Flanigan – “Never Rarely Sometimes Always”
Best Directorial Debut: Channing Godfrey Peoples – “Miss Juneteenth”
Best Animated Feature: “Soul”
Best Foreign Language Film: “La Llorona”
Best Documentary: “Time”
NBR Icon Award: Chadwick Boseman
NBR Freedom of Expression Award: “One Night in Miami”
NBR Spotlight Award: Radha Blank for writing, directing, producing and starring in “The Forty-Year-Old Version”
Best Ensemble: “Da 5 Bloods”
Outstanding Achievement in Cinematography: Joshua James Richards – “Nomadland”

Top Films (in alphabetical order):
First Cow
The Forty-Year-Old Version
Judas and the Black Messiah
The Midnight Sky
Minari
News of the World
Nomadland
Promising Young Woman
Soul
Sound of Metal

Top 5 Foreign Language Films (in alphabetical order):
Apples
Collective
Dear Comrades
The Mole Agent
Night of the Kings

Top 5 Documentaries (in alphabetical order):
All In: The Fight for Democracy
Boys State
Dick Johnson is Dead
Miss Americana
The Truffle Hunters

Top 10 Independent Films (in alphabetical order):
The Climb
Driveways
Farewell Amor
Miss Juneteenth
The Nest
Never Rarely Sometimes Always
The Outpost
Relic
Saint Frances
Wolfwalkers

Here Are The Film Independent Spirit Nominations!


Earlier today, the nominations for the Independent Spirit Awards were announced!  The winners will be announced on April 22nd so that’ll give all of us a lot of time to consider them.

Here are the nominees:

BEST FEATURE
First Cow
Ma Rainey’s Black Bottom
Minari
Never Rarely Sometimes Always
Nomadland

BEST FIRST FEATURE
I Carry You With Me
The Forty-Year-Old Version
Miss Juneteenth
Nine Days
Sound of Metal

JOHN CASSAVETES AWARD – Given to the best feature made for under $500,000
The Killing of Two Lovers
La Leyenda Negra
Lingua Franca
Residue
Saint Frances

BEST DIRECTOR
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Eliza Hittman – Never Rarely Sometimes Always
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland

BEST SCREENPLAY
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Eliza Hittman – Never Rarely Sometimes Always
Mike Makowsky – Bad Education
Alice Wu – The Half of It

BEST FIRST SCREENPLAY
Kitty Green – The Assistant
Noah Hutton – Lapsis
Channing Godfrey Peoples – Miss Juneteenth
Andy Siara – Palm Springs
James Sweeney – Straight Up

BEST CINEMATOGRAPHY
Jay Keitel – She Dies Tomorrow
Shabier Kirchner – Bull
Michael Latham – The Assistant
Hélène Louvart – Never Rarely Sometimes Always
Joshua James Richards – Nomadland

BEST EDITING
Andy Canny – The Invisible Man
Scott Cummings – Never Rarely Sometimes Always
Merawi Gerima – Residue
Enat Sidi – I Carry You With Me
Chloé Zhao – Nomadland

BEST FEMALE LEAD
Nicole Beharie – Miss Juneteenth
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigan – Never Rarely Sometimes Always
Julia Garner – The Assistant
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST MALE LEAD
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Adarsh Gourav – The White Tiger
Rob Morgan – Bull
Steven Yeun – Minari

BEST SUPPORTING FEMALE
Alexis Chikaeze – Miss Juneteenth
Yeri Han – Minari
Valerie Mahaffey – French Exit
Talia Ryder – Never Rarely Sometimes Always
Yuh-jung Youn – Minari

BEST SUPPORTING MALE
Colman Domingo – Ma Rainey’s Black Bottom
Orion Lee – First Cow
Paul Raci – Sound of Metal
Glynn Turman – Ma Rainey’s Black Bottom
Benedict Wong – Nine Days

ROBERT ALTMAN AWARD – Given to one film’s director, casting director and ensemble cast
One Night in Miami…
Director: Regina King
Casting Directors: Kimberly R. Hardin
Ensemble Cast: Kingsley Ben-Adir, Eli Goree, Aldis Hodge, Leslie Odom Jr.

BEST DOCUMENTARY
Collective
Crip Camp
Dick Johnson is Dead
The Mole Agent
Time

BEST INTERNATIONAL FILM (Award given to the director)
Bacurau
The Disciple
Night of the Kings
Preparations to be Together for an Unknown Period of Time
Quo Vadis, Aida?

PRODUCERS AWARD – The Producers Award, now in its 24th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films.
Kara Durrett
Lucas Joaquin
Gerry Kim

SOMEONE TO WATCH AWARD – The Someone to Watch Award, now in its 27th year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.
David Midell – Director of The Killing of Kenneth Chamberlain
Ekwa Msangi – Director of Farewell Amor
Annie Silverstein – Director of Bull

TRUER THAN FICTION AWARD – The Truer Than Fiction Award, now in its 26th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition.
Cecilia Aldarondo – Director of Landfall
Elegance Bratton – Director of Pier Kids
Elizabeth Lo – Director of Stray

TV CATEGORIES

BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES
Atlanta’s Missing and Murdered: The Lost Children
City So Real
Immigration Nation
Love Fraud
We’re Here

BEST NEW SCRIPTED SERIES
I May Destroy You
Little America
Small Axe
A Teacher
Unorthodox

BEST FEMALE PERFORMANCE IN A NEW SCRIPTED SERIES
Elle Fanning – The Great
Shira Haas – Unorthodox
Abby McEnany -Work in Progress
Maitreyi Ramakrishnan – Never Have I Ever
Jordan Kristine Seamón – We Are Who We Are

BEST MALE PERFORMANCE IN A NEW SCRIPTED SERIES
Conphidance – Little America
Adam Ali – Little America
Nicco Annan – P-Valley
Amit Rahav – Unorthodox
Harold Torres – Zero, Zero, Zero

BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES
I May Destroy You
Ensemble Cast: Michaela Coel, Paapa Essiedu, Wruche Opia,
Stephen Wight