What If Lisa Marie Picked The Oscar Nominees: 2022 Edition

Posted on January 24, 2023 by Lisa Marie Bowman

With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa Marie had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not be. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are listed in bold.

It should also go without saying that I’ve only nominated films that I’ve actually seen. So, if you’re wondering why a certain film wasn’t nominated, it’s always possible that may have not gotten the opportunity to see it yet. Of course, it’s also possible that I didn’t feel that a certain film was worthy of a nomination, despite what the critics may say. In the end, my best advice is not to worry too much about it. I’m not an Academy voter so ultimately, this is all for fun and that’s the spirit in which it should be taken.

You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.

(Click on the links to see my nominations for 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, and 2010!)

And now, without any further ado:

2022

Best Picture

All Quiet on the Western Front

The Banshees of Inisherin

Elvis

Emily the Criminal

Everything Everywhere All At Once

The Fabelmans

Nitram

TAR

Top Gun: Maverick

Vengeance

Best Director

Edward Berger for All Quiet on the Western Front

Todd Field for TAR

Joseph Kosinski for Top Gun: Maverick

Baz Luhrmann for Elvis

Martin McDonagh for The Banshees of Inisherin

BJ Novak for Vengeance

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Inisherin

Caleb Landry Jones in Nitram

BJ Novak in Vengeance

Adam Sandler in Hustle

Best Actress

Cate Blanchett in TAR

Emma Corrin in Lady Chatterley’s Lover

Annie Hardy in Dashcam

Mia Goth for Pearl

Aubrey Plaza in Emily The Criminal

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson in The Banshees of Inisherin

Val Kilmer in Top Gun: Maverick

Anthony LaPaglia in Nitram

David Lynch in The Fabelmans

Brad Pitt in Babylon

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Kerry Condon in The Banshees of Inisherin

Essie Davis in Nitram

Judy Davis in Nitram

Nina Hoss in TAR

Nicole Kidman in The Northman

Michelle Williams in The Fabelmans

Best Voice Over Performance

Antonio Banderas in Puss In Boots: The Last Wish

Jack Black in Apollo 10 ½

Steve Carell in Minions: The Rise of Gru

Mike Judge in Beavis and Butthead Do The Universe

Ewan McGregor in Guillermo del Toro’s Pinocchio

Jenny Slate in Marcel the Shell With Shoes On

Best Adapted Screenplay

All Quiet On The Western Front

Guillermo Del Toro’s Pinocchio

Lady Chatterley’s Lover

Marcel The Shell With Shoes On

Operation Mincemeat

Top Gun: Maverick

Best Original Screenplay

Apollo 10 ½

The Banshees of Inisherin

Emily the Criminal

Everything Everywhere All At Once

TAR

Vengeance

Best Animated Feature Film

Apollo 10 ½

Beavis and Butthead Do The Universe

The Bob’s Burgers Movie

Guillermo del Toro’s Pinoccio

The House

Mad God

Marcel the Shell with Shoes On

Minions: The Rise of Gru

Puss in Boots: The Last Wish

Turning Red

Best Documentary Feature Film

The Automat

Bitterbrush

Dreaming Walls: Inside the Chelsea Hotel

Goodnight Oppy

Is That Black Enough For You?

My Old School

Selena Gomez: My Mind And Me

Send Me

Three Minutes: A Lengthening

Wildcat

Best International Feature Film

All Quiet on the Western Front

Bardo

Battle: Freestyle

The Bombardment

Dark Glasses

How I Fell In Love With A Gangster

Into the Wind

My Best Friend Anne Frank

Restless

RRR

Best Live Action Short Film

A Little Dead

Forgive Us Our Trespasses

Best Animated Short Film

The Flying Sailor

Ice Merchants

The Garbage Man

Steakhouse

Best Documentary Short Film

Elephant Whisperers

Her Majesty’s Queue

The Martha Mitchell Effect

Nuisance Bear

The Runner

Stranger at the Gate

Best Original Score

All Quiet On The Western Front

Babylon

The Banshees of Inisherin

Don’t Worry, Darling

Guillermo del Toro’s Pinocchio

Top Gun: Maverick

Best Original Song

“At the Automat” from The Automat

“Sunny Side Up Summer” from The Bob’s Burgers Movie

“Vegas” from Elvis

“Ciao Papa” from Guillermo del Toro’s Pinocchio

“Naatu Naatu” from RRR

“My Mind and Me” From Selena Gomez: My Mind and Me

“Hold My Hand” From Top Gun: Maverick

“Carolina” From Where The Crawdads Sing

“New Body Rhumba” from White Noise

“A Sky Like I’ve Never Seen” from Wildcat

Best Overall Use of Music In A Movie

The Banshees of Inisherin

Elvis

TAR

Father Stu

Top Gun: Maverick

Best Sound Editing

All Quiet On The Western Front

Avatar: The Way of the Water

The Bombardment

Elvis

Guillermo del Toro’s Pinoccio

Top Gun Maverick

Best Sound Mixing

All Quiet on the Western Front

The Batman

Elvis

TAR

The Northman

Top Gun Maverick

Best Production Design

Babylon

The Batman

Elvis

The Fabelmans

RRR

See How They Run

Best Casting

All Quiet on the Western Front

The Northman

She Said

TAR

Top Gun: Maverick

Vengeance

Best Cinematography

The Banshees of Inisherin

Bardo

Elvis

Everything Everywhere All At Once

RRR

Top Gun: Maverick

Best Costume Design

Babylon

Death on the Nile

Dr. Strange in the Multiverse of Madness

Elvis

The Fabelmans

See How They Run

Best Film Editing

All Quiet on the Western Front

Ambulance

The Banshees of Inisherin

Everything Everywhere All At Once

The Fabelmans

Top Gun: Maverick

Best Make-Up and Hairstyling

Babylon

Elvis

The Fabelmans

The Northman

Terrifier 2

Best Stuntwork

All Quiet On The Western Front

The Batman

Bullet Train

Everything Everywhere All At Once

RRR

Top Gun: Maverick

Best Visual Effects

Avatar: The Way of Water

Dr. Strange in the Multiverse of Madness

Mad God

RRR

Terrifier 2

Top Gun: Maverick

Films Listed By Number of Nominations

15 Nominations — Top Gun: Maverick

11 Nominations — Elvis

10 Nominations — All Quiet On The Western Front, The Banshees of Inisherin

8 Nominations — TAR

7 Nominations — Everything Everywhere All At Once, The Fabelmans

6 Nominations — Guillermo del Toro’s Pinocchio, RRR

5 Nominations — Babylon, Nitram, Vengeance

4 Nominations — The Northman, Puss in Boots: The Last Wish

3 Nominations — Apollo 10 1/2, The Batman, Emily the Criminal, Marcel the Shell With Shoes On

2 Nominations — The Automat, Avatar: The Way of the Water, Bardo, Beavis and Butthead Do The Universe, The Bob’s Burgers Movie, The Bombardment, Dr. Strange in the Multiverse of Madness, Lady Chatterley’s Lover, Mad Dog, Minions: The Rise of Gru, See How They Run, Selena Gomez: My Mind & Me, Terrifier 2, Wildcat, X

1 Nomination — A Little Dead, Ambulance, Battle: Freestyle, Bitterbush, Bullet Train, Dascham, Dark Glasses, Death on the Nile, Don’t Worry Darling, Dreaming Walls: Inside the Chelsea Hotel, Elephant Whisperers, Father Stu, The Flying Sailor, Forgive Us Our Trespasses, The Garbage Man, Goodnight Oppy, Her Majesty’s Queue, How I Fell In Love With A Gangster, Hustle, Ice Merchants, Into the Wind, Is That Black Enough For You?, The House, Hustle, The Martha Mitchell Effect, My Friend Anne Frank, My Old School, Nuisance Bear, Operation: Mincemeat, Pearl, Restless, The Runner, Send Me, She Said, Steakhouse, Stranger at the Gates, Three Minutes: A Lengthening, Turning Red, Where The Crawdads Sing, White Noise

Films Listed By Number of Wins:

6 Oscars — Top Gun: Maverick

4 Oscars — All Quiet on the Western Front, Banshees of Inisherin

2 Oscars — Babylon, Elvis, TAR

1 Oscars — A Little Death, Avatar: The Way of the Water, Beavis and Butthead Do The Universe, Guillermo del Toro’s Pinocchio, Ice Merchant, Nuisance Bear, Three Minutes: A Lengthening, X

Will the Academy and I agree? Probably not! But we’ll find out for sure in just a few hours!

Catching Up With The Films of 2022: She Said (dir by Maria Schrader)

Posted on January 8, 2023 by Lisa Marie Bowman

To put it lightly, I had mixed feelings about She Said.

On the one hand, the downfall of Harvey Weinstein is an important story and it’s one that should never be forgotten. It wasn’t that long ago that Weinstein was one of the most powerful people in Hollywood. Many of the people who now regularly talk about how much they hated him had no problem working for him, taking his money, and thanking him whenever they won an award. She Said focuses on the work of the two New York Times reporters, Jodi Kantor (Zoe Kazan) and Megan Twohey (Carey Mulligan), who wrote the initial article that detailed the allegations against Weinstein. (Ronan Farrow’s New Yorker piece was published shortly afterwards.) The film is not only about the article but it’s also about women working together and supporting each other. Kazan and Mulligan both do a good job of portraying Jodi and Megan, bringing some nuance to a script that is full of dialogue that is occasionally a bit too on-the-nose.

On the other hand, it’s hard not to feel that She Said lets a lot of people off the hook. While Jodi does originally pitch her story as dealing with systemic sexism, there’s actually very little examination of how the system enabled a monster like Harvey Weinstein. Mention is made of Weinstein having powerful friends but few of those friends are called out by name and there’s very little discussion about how Weinstein used his money to become a player in Washington as well as Hollywood. It leads to some odd narrative choices. For instance, both Jodi and Megan are shocked to discover that Harvey is being represented by prominent feminist attorney Lisa Bloom, the daughter of Gloria Allred. Jodi later talks about an off-screen conversation that she had with Bloom, in which Bloom tried to use a number of personal, political, and professional appeals to convince Jodi to drop the story. It sounds like an interesting conversation but why don’t we get to see it? Would it have cast Bloom in too negative of a light? The film’s approach leaves it open to such accusations. Indeed, it’s hard not to be reminded of the way that Rose McGowan was shunned when she (correctly) pointed out that a lot of the people celebrating Weinstein’s downfall were the same people who spent years ignoring what was an open secret in Hollywood. The film tells us that Harvey Weinstein is a monster but we already know that. What the film does not tell us is how he came to power and why he was protected for decades.

Thematically, She Said attempts to be a celebration of journalism, in the style of recent films like The Post, Truth, and Spotlight. Like those films, it shares the same flat visual style. There’s nothing particularly cinematic about it which is unfortunate as, with everyone already knowing how the story ends, She Said could have used some stylistic flair. To a certain extent, I can understand the logic. The emphasis is supposed to be on the reporters doing the hard work of getting the story and all of the recent films about journalism take a straight-ahead, by-the-numbers approach. The problem with using this approach for She Said is that it leads to a lot of static, poorly framed shots of people talking on the phone, sitting at their desks, and staring at computer screens. It may be a realistic depiction of modern journalism but it’s not particularly compelling to watch. If anything, the film’s depiction of clean offices, supportive co-workers, and fair-minded editors makes the film feel like a testimonial about how The New York Times is the best workplace in America. As opposed to the reporters in Spotlight, one never feels that Jodi and Megan are in danger of losing their jobs. Unlike The Post or Shattered Glass, there’s no conversations about how the media establishment is often guilty of initially enabling the same behavior that it later condemns. The New York Times never feels alive in the way that The New Republic did in Shattered Glass. There’s not even a moment that’s as ludicrously over-the-top as the scene in Truth where Cate Blanchett argues that she shouldn’t be criticized for producing an obviously false story because it could have, in theory, been true. Instead, She Said is very respectable and very dignified and a little too safe. There’s not much going on beneath the surface.

The film drops a lot of famous names. Ashley Judd plays herself while Gwyneth Paltrow provides her voice for a scene in which she calls Jodi and says that Harvey has shown up at her house. (Again, this is a scene that would probably have been more effective if we had seen it happen as opposed to just hearing about it.) Lena Dunham is given a shout-out as someone who (off-screen) called and offered to help. Someone casually mentions that Martin Scorsese hates Harvey Weinstein. And yet, the film’s most powerful moments come when Jodi and Megan talk to the women who weren’t famous but who were still traumatized and victimized by Harvey Weinstein. Samantha Morton and Jennifer Ehle play two former Miramax employees, both of whom eventually tell their stories to Jodi and Megan. Morton and Ehle both give heart-felt performances and, during their scenes, She Said finds its reason for existing. The performances of Samantha Morton and Jennifer Ehle both capture the real-life damage caused by men like Harvey Weinstein and the systems that enable them.

In the end, She Said is a film that I wanted to like more than I did. It tells a compelling story in the least compelling way possible and, unlike Kitty Green’s The Assistant, it lets far too many people off the hook.

The Nevada Film Critics Society Honors She Said

Posted on December 21, 2022 by Lisa Marie Bowman

The Nevada Film Critics Society have announced their picks for the best of 2022!

And here they are:

Best Film: She Said
Best Director: Daniel Kwan & Daniel Sheinert, Everything Everywhere All at Once
Best Actor: Brendan Fraser, The Whale
Best Actress: Michelle Yeoh, Everything Everywhere All at Once
Best Supporting Actor: Ke Huy Quan, Everything Everywhere All at Once
Best Supporting Actress: Jamie Lee Curtis, Everything Everywhere All at Once
Best Original Screenplay: Daniel Kwan & Daniel Sheinert, Everything Everywhere All at Once
Best Adapted Screenplay: Rebecca Lenkiewicz, She Said
Best Documentary: Good Night Oppy
Best Animated Movie: Guillermo del Toro’s Pinocchio
Best Production Design: Rick Carter, The Fabelmans
Best Cinematography: Claudio Miranda, Top Gun: Maverick
Best Visual Effects: Black Panther: Wakanda Forever

Here Are The AFI’s Top Ten Films of 2022!

Posted on December 9, 2022 by Lisa Marie Bowman

Earlier today. The American Film Institute announced their picks for the top ten films and television shows of 2022. Over the past few years, the AFI has been one of the most reliable of the award precursors.

Usually, there’s just one or two films on the AFI list that doesn’t make it into the Best Picture lineup. This year, I would expect Nope to be replaced by The Banshees of Inisherin. (Banshees, being an Irish film, was not eligible for the AFI list but it did receive a special award.) I’m also not totally sold on The Woman King as a best picture contender, though I’m a bit less sure about which film replace it. Glass Onion, maybe? Guillermo Del Toro’s Pinocchio?

Being included on the list is definitely good news for She Said, which was in danger of being forgotten after its disastrous box office performance.

Here are the lists:

AFI Movies of the Year
“Avatar: The Way of Water” (20th Century Studios)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Nope” (Universal Pictures)
“She Said” (Universal Pictures)
“Tár” (Focus Features)
“Top Gun: Maverick” (Paramount Pictures)
“The Woman King” (Sony Pictures)
“Women Talking” (MGM/United Artists Releasing)

AFI Television Programs of the Year
“Abbott Elementary” (ABC)
“The Bear” (FX)
“Better Call Saul” (AMC)
“Hacks” (HBO Max)
“Mo” (Netflix)
“Pachinko” (Apple TV+)
“Reservation Dogs” (FX)
“Severance” (Apple TV+)
“Somebody Somewhere” (HBO)
“The White Lotus” (HBO)

AFI Special Award
“The Banshees of Inisherin” (Searchlight Pictures)

Here Are The Sequel-Dominated 2022 Satellite Nominations!

Posted on December 8, 2022 by Lisa Marie Bowman

The Satellite nominations were announced on Thursday morning.

What are the Satellites? For years, they were like a less important version of the Golden Globes. However, considering all of the recent controversy that has surrounded that Hollywood Foreign Press and the Golden Globes, it wouldn’t surprise me if, in a few years, the International Press Academy and the Satellites became Hollywood’s new favorite shady precursor group.

Like the Globes, the Satellites hand out awards for both film and television. Below, you’ll find their film nominations. If you want to see their TV nominations, Next Best Picture has got you covered.

Here are the Satellite noms for 2022! To me, perhaps the most interesting thing about the nominations is that many of the biggest contenders — Glass Onion, Top Gun: Maverick, Black Panther: Wakanda Forever, Avatar: Way of the Water — are sequels. It’ll be interesting to see if the Academy follows suit.

ACTRESS IN A MOTION PICTURE DRAMA
Jessica Chastain – The Good Nurse (Netflix)
Cate Blanchett – TÁR (Focus Features)
Michelle Williams – The Fabelmans (Universal Pictures)
Danielle Deadwyler – Till (United Artists Releasing)
Vicky Krieps – Corsage (IFC Films)
Viola Davis – The Woman King (TriStar Pictures)

ACTOR IN A MOTION PICTURE DRAMA
Brendan Fraser – The Whale (A24)
Tom Cruise – Top Gun: Maverick (Paramount Pictures)
Gabriel LaBelle – The Fabelmans (Universal Pictures)
Hugh Jackman – The Son (CAA Media Finance)
Bill Nighy – Living (Sony Pictures)
Mark Wahlberg – Father Stu (Columbia Pictures)

ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL
Margot Robbie – Babylon (Paramount Pictures)
Michelle Yeoh – Everything Everywhere All At Once (A24)
Janelle Monáe- Glass Onion: A Knives Out Mystery (Netflix)
Emma Thompson – Good Luck to You, Leo Grande (Searchlight Pictures)

ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL
Collin Farrell – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Austin Butler – Elvis (Warner Bros.)
Diego Calva – Babylon (Paramount Pictures)
Adam Sandler – Hustle (Netflix)
Ralph Fiennes – The Menu (Walt Disney Studios Motion Pictures)
Daniel Craig – Glass Onion: A Knives Out Mystery (Netflix)

ACTRESS IN A SUPPORTING ROLE
Jean Smart – Babylon (Paramount Pictures)
Angela Bassett – Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
Kerry Condon – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Dolly de Leon – Triangle Of Sadness (Neon)
Claire Foy – Women Talking (United Artists Releasing)
Jamie Lee Curtis – Everything Everywhere All At Once (A24)

ACTOR IN A SUPPORTING ROLE
Eddie Radmayne – The Good Nurse (Netflix)
Ben Whishaw – Women Talking (United Artists Realising)
Paul Dano – The Fabelmans (Universal Pictures)
Brendan Gleeson – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Ke Huy Quan – Everything Everywhere All At Once (A24)
Jeremy Strong – Armageddon Time (Focus Features)

MOTION PICTURE, DRAMA
Top Gun: Maverick (Paramount Pictures)
Living (Sony Pictures)
The Fabelmans (Universal Pictures)
Till (United Artists Releasing)
Women Talking (United Artists Releasing)
Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
TÁR (Focus Feature)
Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)

MOTION PICTURE, COMEDY OR MUSICAL
Triangle Of Sadness (Neon)
Everything Everywhere All At Once (A24)
RRR (Variance Films)
Glass Onion: A Knives Out Mystery (Netflix)
The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Elvis (Warner Bros.)

MOTION PICTURE, INTERNATIONAL
Argentina, 1985 (Argentina)
Decision To Leave (Korea)
Holy Spider (Denmark)
Close (Belgium)
War Sailor (Norway)
Corsage (Austria)
Bardo (Mexico)
The Quiet Girl (Ireland)

MOTION PICTURE, ANIMATED OR MIXED MEDIA
Turning Red (Walt Disney Studios Motion Pictures)
Marcel The Shell With Shoes On (A24)
Guillermo del Toro’s Pinocchio (Netflix)
Inu-Oh (GKIDS)
The Bad Guys (DWA)

MOTION PICTURE, DOCUMENTARY
The Territory (National Geographic Documentary Films)
All The Beauty And The Bloodshed (Neon)
Moonage Daydream (Neon)
Fire Of Love (Neon)
Descendant (Netflix)
The Return of Tanya Tucker: Featuring Brandi Carlile (Sony Pictures)
Good Night Oppy (Amazon Prime Video)
All That Breathes (HBO Documentary Films)
Young Plato (Yleisradio)

DIRECTOR
Baz Luhrmann – Elvis (Warner Bros.)
James Cameron – Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
Steven Spielberg – The Fabelmans (Netflix)
Joseph Kosinski – Top Gun: Maverick (Paramount Pictures)
Martin McDonagh – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Sarah Polley – Women Talking (United Artists Releasing)

SCREENPLAY, ORIGINAL
Daniel Scheinert & Daniel Kwan – Everything Everywhere All At Once (A24)
Tony Kushner & Steven Spielberg – The Fabelmans (Universal Pictures)
Martin McDonagh – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Ruben Östlund – Triangle Of Sadness (Neon)
Todd Field – TÁR (Focus Features)
Lukas Dhont & Angelo Tijssens – Close (A24)

SCREENPLAY, ADAPTED
Sarah Polley – Women Talking (United Artists Releasing)
Samuel D. Hunter – The Whale (A24)
Rian Johnson – Glass Onion: A Knives Out Mystery (Netflix)
Peter Craig, Ehren Kruger, Justin Marks, Christopher McQuarrie & Eric Warren Singer – Top Gun: Maverick (Paramount Pictures)
Kazuo Ishiguro – Living (Sony Pictures)
Rebecca Lenkiewicz – She Said (Universal Pictures)

ORIGINAL SCORE
Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe – Top Gun: Maverick (Paramount Pictures)
Terence Blanchard – The Woman King (TriStar Pictures)
Justin Hurwitz – Babylon (Paramount Pictures)
John Williams – The Fabelmans (Universal Pictures)
Carter Burwell – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Hildur Guðnadóttir – Women Talking (United Artists Releasing)

ORIGINAL SONG
“Hold My Hand” – Lady Gaga: Top Gun: Maverick (Paramount Pictures)
“Lift Me Up” – Rihanna: Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
“Naatu Naatu” – Kala Bhairava, M.M. Keeravani & Rahul Sipligunj: RRR (Variance Films)
“Vegas” – Doja Cat: Elvis (Warner Bros.)
“Carolina” – Taylor Swift: Where The Crawdads Sing (Columbia Pictures)
“Applause” – Diane Warren: Tell It Like a Woman (Samuel Goldwyn Films)

CINEMATOGRAPHY
Claudio Miranda – Top Gun: Maverick (Paramount Pictures)
Linus Sandgren – Babylon (Paramount Pictures)
Roger Deakins – Empire of Light (Searchlight Pictures)
Ben Davis – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Russell Carpenter – Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
Mandy Walker – Elvis ( Warner Bros)

FILM EDITING
Eddie Hamilton – Top Gun: Maverick (Paramount Pictures)
Jonathan Redmond, Matt Villa – Elvis (Warner Bros.)
Sarah Broshar, Michael Kahn – The Fabelmans (Universal Pictures)
Paul Rogers – Everything Everywhere All At Once (A24)
Monika Willi – TÁR (Focus Features)
Terilyn A. Shropshire – The Woman King (TriStar Pictures)

SOUND ( Editor / Mixer )
Top Gun: Maverick – Mark Weingarten, James H. Mather, Al Nelson (Paramount Pictures)
Avatar: The Way Of The Water – Christopher Boyes (Supervising Sound Editor / Re-Recording Mixer ), Gwendolyn Yates Whittle Dick Bernstein (Supervising Sound Editors), Gary Summers, Michael Hedges (Re-Recording Mixers), Julian Howarth (Production Sound Mixer) (Walt Disney Studios Motion Pictures)
Babylon – Steve Morrow, Ai-Ling Lee, Mildred Iatrou Morgan, Andy Nelson (Paramount Pictures)
Elvis – David Lee, Wayne Pashley, Andy Nelson, Michael Keller (Warner Bros.)
The Woman King – Becky Sullivan, Kevin O’Connell, Tony Lamberti, Derek Mansvelt (Sony Pictures)
RRR – Raghunath Kemisetty, Boloy Kumar Doloi, Rahul Karpe (Variance Films)

VISUAL EFFECTS
Top Gun: Maverick – Ryan Tudhope, Scott R. Fisher, Seth Hill, Bryan Litson (Paramount Pictures)
Avatar: The Way Of The Water – Joe Letteri, Eric Saindon, Richie Baneham, Dan Barrett (Walt Disney Studios Motion Pictures)
Babylon – Jay Cooper, Elia Popov, Kevin Martel, Ebrahim Jahromi (Paramount Pictures)
Good Night Oppy – Abishek Nair, Marko Chulev, Steven Nichols (Amazon Prime Video)
The Batman – Dan Lemmon, Russell Earl, Anders Langlands, Dominic Tuohu (Warner Bros)
RRR – V. Srinivas Mohan (Variance Films)

PRODUCTION DESIGN
RRR – Sabu Cyril (Variance Films)
Babylon – Florencia Martin, Anthony Carlino (Paramount Pictures)
Elvis – Catherine Martin, Karen Murphy (Warner Bros.)
Avatar: The Way Of The Water – Dylan Cole, Ben Procter (Walt Disney Studios Motion Pictures)
The Fabelmans – Rick Carter (Universal Pictures)
A Love Song – Juliana Barreto Barreto (Bleecker Street Media)

COSTUME DESIGN
Ruth E. Carter – Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
Mary Zophres – Babylon (Paramount Pictures)
Cathrine Matrin – Elvis (Warner Bros.)
Gersha Phillips – The Woman King (TriStar Pictures)
Sandy Powell – Living (Sony Pictures)
Alexandra Byrne – Empire of Light (Searchlight Pictures)

ENSEMBLE MOTION PICTURE: Glass Onion: A Knives Out Mystery (Netflix)

Lisa Marie’s Early Oscar Predictions For July

Posted on July 29, 2022 by Lisa Marie Bowman

Little by little, the Oscar race is starting to become just a little bit clearer. It’s still early, of course. Really, it’s way too early to say anything for sure. But it’s also hard to deny that certain films are now much more in the conversation than others.

The biggest development this month was the announcement that Martin Scorsese’s Killers of the Flower Moon will not be released until 2023. That takes it out of Oscar contention …. for now. (For those who may have forgotten, it was originally announced, halfway through 2013, that The Wolf of Wall Street would not be ready until sometimes in 2014. Everyone dutifully updated their Oscar predictions, striking The Wolf of Wall Street from their lists of likely best picture nominees. Then, at the last minute, Scorsese announced that the film actually would be ready for 2013. If something similar happens this year, Killers of the Flower Moon will go right back to being a huge contender because it’s Scorsese and he’s one of the best, regardless of what certain Marvel fans would have you believe.) With Scorsese apparently out, it would now appear that Steven Spielberg is going to be the only member of the old guard with a film in the Oscar race. Considering that many people believe that Spielberg’s West Side Story was snubbed last year when it only took home one Oscar (out of a total of sever nominations), The Fabelmans seems like it will be a major contender. Admittedly, my hope that David Lynch will earn an acting nomination for playing John Ford in The Fabelmans may be a longshot but it can not be denied that it would be a cool development.

As for the other contenders, Top Gun: Maverick, Elvis, and Everything Everywhere All At Once all seem poised to ride a combination of critical acclaim and box office success into the Oscar race. Todd Field has finally returned with Tar. The Whale has the potential to be a comeback vehicle for the always likable Brendan Fraser. She Said, Till, and Women Talking all stand to take advantage of the current political climate. And Babylon will presumably give Hollywood a chance to celebrate itself.

The Oscar picture is still a bit cloudy but, with so many major festival on the horizon, those clouds should be parting soon.

Be sure to check out my predictions for February, March, April, May, and June!

Best Picture

Babylon

Elvis

Everything Everywhere All At Once

The Fabelmans

She Said

Tar

Till

Top Gun: Maverick

The Whale

Women Talking

Best Director

Damien Chazelle for Babylon

Daniel Kwan and Daniel Scheinert (The Daniels) for Everything Everywhere All At Once

Todd Field for Tar

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Adam Driver in White Noise

Brendan Fraser in The Whale

Harry Styles in My Policeman

Best Actress

Cate Blanchett in Tar

Viola Davis in The Woman King

Ana de Arms in Blonde

Danielle Deadwyler in Till

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Tom Hanks in Elvis

Woody Harrelson in Triangle of Sadness

David Lynch in The Fabelmans

Tobey Maguire in Babylon

Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress

Jessie Buckley in Women Talking

Patricia Clarkson in She Said

Jamie Lee Curtis in Everything Everywhere All At Once

Sally Field in Spoiler Alert: The Hero Dies

Michelle Williams in The Fabelmans

Here’s The Trailer for She Said!

Posted on July 14, 2022 by Lisa Marie Bowman

I have one last trailer to share tonight and it deals with a far more important subject than either The Munsters or After Ever Happy.

She Said is about the New York Times’s investigation that brought down Harvey Weinstein and which launched the #MeToo movement. It’s an important story for a number of obvious reasons. Myself, I’ll be curious to see if the film is honest about how many well-known people, in both Hollywood and Washington, looked the other way when it came to Weinstein and who only turned on him once it was obvious that his time as a Hollywood and political power broker was over. Today, of course, everyone is quick to mention that they always hated Harvey Weinstein but that didn’t stop those same people from thanking him in their Oscar speeches or accepting his money when they wanted to run for office. A true account of Harvey Weinstein’s crimes will mean calling out a lot of people who, even after all this time, are not normally called out. I hope this movie has the guts to do that.

Here’s the trailer.

Lisa Marie’s Way Too Early Oscar Predictions for May

Posted on May 31, 2022 by Lisa Marie Bowman

It’s that time of the month again!

It’s time for me to once again try to predict what will be nominated for the Oscars. If you had to told me, at this time last year, that Top Gun: Maverick would emerge as an Oscar contender, I would have said that you were crazy but here we are. Admittedly, it is early in the year and I think there’s always going to be some ambivalence towards honoring Tom Cruise. (You just know that someone is having nightmares about him thanking David Miscavige in his Oscar speech.) But with the reviews and the box office success that Top Gun: Maverick is getting, it would be a mistake to dismiss it. After all, Mad Max: Fury Road came out around this same time of year in 2015. As well, one can be sure that A24 will be giving Everything Everywhere All At Once a heavy awards push as well. This could very well be the year of the genre blockbuster as far as the Oscars are concerned.

As for Cannes, it’s come and gone. George Miller’s Three Thousand Years of Longing got some good reviews, even if those reviews didn’t translate into awards at the end of the Festival. David Cronenberg’s Crimes of the Future sounds like it’s going to be too divisive for the Academy and really, the thought of Cronenberg winning an Oscar has always been a bit implausible, regardless of how much he may or may not deserve one. As for James Gray’s Armageddon Time, Gray has always been more popular with critics than with audiences or Academy voters. If Gray couldn’t break through with something like The Lost City of Z, I doubt he’s going to do so with an autobiographical film about his life in private school. Steven Spielberg already has the autobiography slot wrapped up with The Fabelmans.

Of course, there’s still many films left to see and many more film festivals to be held. Let us not forget that Martin Scorsese is bringing us Killers of the Flower Moon. Personally, I’m looking forward to Damien Chazelle’s Babylon. In short, nothing has been settled yet. For all the acclaim that Top Gun and Everything are getting, who knows how the race is going to look at the start of the Fall season?

Anyway, here are my predictions for May. Be sure to check out my predictions for February and March and April as well!

Best Picture

Amsterdam

Babylon

Everything Everywhere All at Once

The Fabelmans

I Want To Dance With Somebody

Killers of the Flower Moon

Next Goal Wins

Rustin

She Said

Top Gun: Maverick

Best Director

Damien Chazelle for Babylon

Kasi Lemmons for I Want To Dance With Somebody

Martin Scorsese for Killers of the Flower Moon

Steven Spielberg for The Fabelmans

Taika Waititi for Next Goal Wins

Best Actor

Tom Cruise in Top Gun: Maverick

Colman Domingo in Rustin

Idris Elba in Three Thousand Years of Longing

Brendan Fraser in The Whale

Brad Pitt in Babylon

Best Actress

Naomi Ackie in I Want To Dance With Somebody

Cate Blanchett in Tar

Margot Robie in Babylon

Tilda Swinton in Three Thousand Years of Longing

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

John Boyega in The Woman King

Leonardo DiCaprio in Flowers of the Killer Moon

Tom Hanks in Elvis

David Lynch in The Fabelmans

Tobey Maguire in Babylon

Best Supporting Actress

Jessie Buckley in Women Talking

Tantoo Cardinal in Flowers of the Killer Moon

Li Jun Li in Babylon

Samantha Morton in She Said

Michelle Williams in The Fabelmans

Lisa Marie’s Way Too Early Oscar Predictions for April

Posted on April 30, 2022 by Lisa Marie Bowman

It’s that time of the month again!

At this point, the big news about the Oscar race is that there are a lot of contenders and there’s probably even more on the way. We’re still far away from being able to make any definite predictions, though Scorsese and Spielberg always seem like good bets. Everything Everywhere All At Once is also emerging as a possibility, despite it’s early release date. Could it be another Mad Max: Fury Road? It all probably depends on whether or not the precursors are willing to do their part.

Anyway, here are my predictions for April. Be sure to check out my predictions for February and March as well!

Best Picture

Babylon

Empire of Light

Everything Everywhere All at Once

The Fabelmans

I Want To Dance With Somebody

Killers of the Flower Moon

Next Goal Wins

Rustin

She Said

Till

Best Director

Damien Chazelle for Babylon

Chinoyne Chukwa for Till

Martin Scorsese for Killers of the Flower Moon

Steven Spielberg for The Fabelmans

Taika Watitti for Next Goal Wins

Best Actor

Colman Domingo in Rustin

Brendan Fraser in The Whale

Tom Hanks in A Man Called Otto

Joaquin Phoenix in Disappointment Blvd.

Brad Pitt in Babylon

Best Actress

Naomi Ackie in I Want To Dance With Somebody

Cate Blanchett in Tarr

Danielle Deadwyler in Till

Margot Robie in Babylon

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

John Boyega in The Woman King

Leonardo DiCaprio in Flowers of the Killer Moon

Tom Hanks in Elvis

David Lynch in The Fabelmans

Tobey Maguire in Babylon

Best Supporting Actress

Jessie Buckley in Women Talking

Tantoo Cardinal in Flowers of the Killer Moon

Li Jun Li in Babylon

Samantha Morton in She Said

Michelle Williams in The Fabelmans

Lisa Marie’s Way Too Early Oscar Predictions For March

Posted on March 31, 2022 by Lisa Marie Bowman

Now that the awards for last year’s films have been given out and everyone has already started to forget who won, we can start to concentrate on the next batch of Oscar contenders….

Oh, stop yelling. It’s not that early!

Well, actually, it is way too early. I mean, we’re still not really sure what is even going to be released this year. Due to all the COVID delays, we went into 2021 knowing which films we could look forward to, mostly because all of those films were originally supposed to be released in 2020. Compared to 2021, we’re going into 2022 blind. The majority of the films that we do know about don’t really sound like Oscar contenders, either.

So, really, the only solution to how to predict the Oscar nominees when you know nothing is to guess. The films and actors listed below are not there because I have any inside information. Instead, they are there as a result of some wishful thinking and some educated guesses. Killers of the Flower Moon was directed by Martin Scorsese, so of course it’s there. The Fabelmans is there because a lot of people feel that the Academy didn’t show Spielberg and West Side Story enough love this year and I think the fact that the film is autobiographical will make it irresistible to same voters who nominated Belfast. Napoleon is there because there might be some lingering guilt over how both Ridley Scott and The Last Duel were utterly ignored this year. Rustin is there because it’s an Obama production and Hollywood loves the Obamas. Chris Rock is listed as a supporting actor nominee because it would be the perfect conclusion to the saga of the Oscar Slap. David Lynch is listed because …. well, I like David Lynch. Personally, it’s doubtful that Tom Hanks will be able to pull off two nominations in one year but if anyone could do it, it’s Tom!

In other words, don’t take any of these predictions too seriously. As of now, there are no definite contenders. These are just some guesses.

Be sure to check out my even more random predictions for February as well!

Best Picture

Babylon

The Fabelmans

Killers of the Flower Moon

Napoleon

Rustin

She Said

TAR

Thirteen Lives

Till