Here Are The AFI’s Top Ten Films of 2022!


Earlier today. The American Film Institute announced their picks for the top ten films and television shows of 2022.  Over the past few years, the AFI has been one of the most reliable of the award precursors. 

Usually, there’s just one or two films on the AFI list that doesn’t make it into the Best Picture lineup.  This year, I would expect Nope to be replaced by The Banshees of Inisherin.  (Banshees, being an Irish film, was not eligible for the AFI list but it did receive a special award.)  I’m also not totally sold on The Woman King as a best picture contender, though I’m a bit less sure about which film replace it.  Glass Onion, maybe?  Guillermo Del Toro’s Pinocchio?

Being included on the list is definitely good news for She Said, which was in danger of being forgotten after its disastrous box office performance.

Here are the lists:

AFI Movies of the Year
“Avatar: The Way of Water” (20th Century Studios)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Nope” (Universal Pictures)
“She Said” (Universal Pictures)
“Tár” (Focus Features)
“Top Gun: Maverick” (Paramount Pictures)
“The Woman King” (Sony Pictures)
“Women Talking” (MGM/United Artists Releasing)

AFI Television Programs of the Year
“Abbott Elementary” (ABC)
“The Bear” (FX)
“Better Call Saul” (AMC)
“Hacks” (HBO Max)
“Mo” (Netflix)
“Pachinko” (Apple TV+)
“Reservation Dogs” (FX)
“Severance” (Apple TV+)
“Somebody Somewhere” (HBO)
“The White Lotus” (HBO)

AFI Special Award
“The Banshees of Inisherin” (Searchlight Pictures)

Here Are The 2022 Gotham Winners!


The Gotham Awards were handed out last night and Everything Everywhere All At Once took best picture.  Danielle Deadwyler may have been snubbed by the Spirit Awards but that didn’t prevent the Gothams from honoring her performance in Till.  While the Gothams may not be as strong an Oscar precursor as some of the other groups that will be handing out prizes over the next two months, every win helps.

Here are all the winners:

Breakthrough television under 40 minutes
“Abbott Elementary” (ABC)
“As We See It” (Amazon Prime Video)
“Mo” (Netflix)
“Rap Sh!t” (HBO Max)
“Somebody, Somewhere” (HBO)

Breakthrough television over 40 minutes
“Pachinko” (Apple+)
“Severance” (Apple+)
“Station Eleven” (HBO Max)
“This Is Going To Hurt” (AMC+)
“Yellowjackets” (Showtime)

Television performers:
Bilal Baig (“Sort Of”)
Ayo Edebiri (“The Bear”)
Janelle James (“Abbott Elementary”)
Matilda Lawler (“Station Eleven”)
Britt Lower (“Severance”)
Melanie Lynskey (“Yellowjackets”)
Sue Ann Pien (“As We See It”)
Minha Kim (“Pachinko”)
Zahn McClarnon (“Dark Winds”)
Ben Whishaw (“This Is Going To Hurt”)

Breakthrough nonfiction series
“The Andy Warhol Diaries”
“The Last Movie Stars”
“Mind Over Murder”
“The Rehearsal”
“We Need to Talk About Cosby”

Breakthrough director
Charlotte Wells (“Aftersun”)
Owen Kline (“Funny Pages”)
Elegance Bratton (“The Inspection”)
Antoneta Alamat Kusijanovic (“Murina”)
Beth De Araújo (“Soft & Quiet”)
Jane Schoenbrun (“We’re All Going to the World’s Fair”)

Best screenplay
Kogonada (“After Yang”)
James Gray (“Armageddon Time”)
Lena Dunham (“Catherine Called Birdy”)
Todd Field (“Tár”)
Sarah Polley (“Women Talking”)

Breakthrough performer
Frankie Corio (“Aftersun”)
Kali Reis (“Catch the Fair One”)
Gracija Flipovic (“Murina”)
Anna Diop (“Nanny”)
Anna Cobb (“We’re All Going to the World’s Fair”)

Outstanding supporting performance
Mark Rylance (“Bones and All”)
Brian Tyree Henry (“Causeway”)
Ke Huy Quan (“Everything Everywhere All at Once”)
Raúl Castillo (“The Inspection”)
Gabrielle Union (“The Inspection”)
Nina Hoss (“Tár”)
Noémie Merlant (“Tár”)
Hong Chau (“The Whale”)

Oustanding lead performance
Cate Blanchett (“Tár”)
Danielle Deadwyler (“Till”)
Dale Dickey (“A Love Song”)
Colin Farrell (“After Yang”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Thandiwe Newton (“God’s Country”)
Aubrey Plaza “(Emily the Criminal)”
Taylor Russell (“Bones and All”)
Michelle Yeoh (“Everything Everywhere All At Once”)

Best international feature
“Athena”
“The Banshees of Inisherin”
“Corsage”
“Decision to Leave”
“Happening”
“Saint Omer”

Best documentary feature
“All That Breathes”
“All the Beauty and the Bloodshed”
“I Didn’t See You There”
“The Territory”
“What We Leave Behind”

Best feature
“Aftersun”
“The Cathedral”
“Dos Estaciones”
“Everything Everywhere All at Once”
“Tár”

Here Are The 2022 Gotham Nominations!


And just like that, the 2022 Awards Season began.

The 2022 Gotham Nominations were announced earlier today.  While the Gothams have recently started to get some attention as an Oscar precursor, it is important to remember that the Gothams are specifically designed to honor low-budget, independent films.  There’s some very strict rules about which films are eligible and which are not.  So, don’t be shocked at the lack of nominations for something like The Fabelmans.  Spielberg has never been eligible for a Gotham.

If any one film is really going to benefit from these nominations, it’s probably Everything Everywhere All At Once.  Seeing as how it’s been a while since Everything Everywhere came out, the Gotham nominations may (or may not) serve to remind the members of the Academy of the excitement that was generated by the film earlier in the year.

Here are the Gotham nominations for 2022.  The winners will be announced on November 28th.

Breakthrough television under 40 minutes
“Abbott Elementary” (ABC)
“As We See It” (Amazon Prime Video)
“Mo” (Netflix)
“Rap Sh!t” (HBO Max)
“Somebody, Somewhere” (HBO)

Breakthrough television over 40 minutes
“Pachinko” (Apple+)
“Severance” (Apple+)
“Station Eleven” (HBO Max)
“This Is Going To Hurt” (AMC+)
“Yellowjackets” (Showtime)

Television performers:
Bilal Baig (“Sort Of”)
Ayo Edebiri (“The Bear”)
Janelle James (“Abbott Elementary”)
Matilda Lawler (“Station Eleven”)
Britt Lower (“Severance”)
Melanie Lynskey (“Yellowjackets”)
Sue Ann Pien (“As We See It”)
Minha Kim (“Pachinko”)
Zahn McClarnon (“Dark Winds”)
Ben Whishaw (“This Is Going To Hurt”)

Breakthrough nonfiction series
“The Andy Warhol Diaries”
“The Last Movie Stars”
“Mind Over Murder”
“The Rehearsal”
“We Need to Talk About Cosby”

Breakthrough director
Charlotte Wells (“Aftersun”)
Owen Kline (“Funny Pages”)
Elegance Bratton (“The Inspection”)
Antoneta Alamat Kusijanovic (“Murina”)
Beth De Araújo (“Soft & Quiet”)
Jane Schoenbrun (“We’re All Going to the World’s Fair”)

Best screenplay
Kogonada (“After Yang”)
James Gray (“Armageddon Time”)
Lena Dunham (“Catherine Called Birdy”)
Todd Field (“Tár”)
Sarah Polley (“Women Talking”)

Breakthrough performer
Frankie Corio (“Aftersun”)
Kali Reis (“Catch the Fair One”)
Gracija Flipovic (“Murina”)
Anna Diop (“Nanny”)
Anna Cobb (“We’re All Going to the World’s Fair”)

Outstanding supporting performance
Mark Rylance (“Bones and All”)
Brian Tyree Henry (“Causeway”)
Ke Huy Quan (“Everything Everywhere All at Once”)
Raúl Castillo (“The Inspection”)
Gabrielle Union (“The Inspection”)
Nina Hoss (“Tár”)
Noémie Merlant (“Tár”)
Hong Chau (“The Whale”)

Oustanding lead performance
Cate Blanchett (“Tár”)
Danielle Deadwyler (“Till”)
Dale Dickey (“A Love Song”)
Colin Farrell (“After Yang”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Thandiwe Newton (“God’s Country”)
Aubrey Plaza “(Emily the Criminal)”
Taylor Russell (“Bones and All”)
Michelle Yeoh (“Everything Everywhere All At Once”)

Best international feature
“Athena”
“The Banshees of Inisherin”
“Corsage”
“Decision to Leave”
“Happening”
“Saint Omer”

Best documentary feature
“All That Breathes”
“All the Beauty and the Bloodshed”
“I Didn’t See You There”
“The Territory”
“What We Leave Behind”

Best feature
“Aftersun”
“The Cathedral”
“Dos Estaciones”
“Everything Everywhere All at Once”
“Tár”

Lisa Marie’s Week in Television: 7/3/22 — 7/9/22


My summer job as a Big Brother recapper started this week!  So, guess what I’ve been watching a lot of?  Along with the Big Brother live feeds, I’ve also been doing the last bit of work to get caught up on all of the potential Emmy nominees.

Here’s my thought on what I watched this week:

The Andy Warhol Diaries (Netflix)

I watched this Ryan Murphy-produced docuseries throughout the week.  Essentially, the documentary takes a look at the last few decades of Andy Warhol’s life.  Warhol kept a diary over those years and we actually hear an AI-generated voice reading Warhol’s thought in Warhol’s voice.  It makes for an interesting documentary.  At times, in this diary, Warhol is surprisingly open and honest.  At other times, it’s obvious that he’s playing for an audience for he surely knew that his diaries would be read after his death.

The Beatles: Get Back (Disney Plus)

I watched the final two episodes of this documentary on Sunday, Monday, and Tuesday.  Yes, it took me two days to get through two episodes.  To be honest, it’s a bit of an exhausting documentary but, at the same time, its undeniably fascinating to watch The Beatles working together, working separately, love each other and hating each other at the same time.  I’d be lying if I said that I wasn’t a little emotional by the end of it all.  The documentary both celebrated the group while also showing why the time had come for them to go their separate ways,  George Harrison was my favorite at the end of the first episode.  Paul McCartney was my favorite by the end of the series.

Big Brother 24 (All Week, CBS and Paramount Plus)

You can read my thoughts on Big Brother over at the Big Brother Blog!

The Challenge USA (Wednesday Night, CBS)

The Challenge comes to the USA, featuring teams made up of veterans from other reality shows.  I watched the first episode on Wednesday but I have to admit that I didn’t really pay much attention to it.  Maybe next week’s episode will have more success capturing my attention.

Euphoria (HBO)

I watched the second episode of Euphoria.  As much as I’ve made fun of “visionary Sam Levinson” over the past two years (mostly due to Malcolm and Marie), Euphoria is a well-done show.  Fortunately, it’s very well-cast.  It’s impossible it working with Zendaya, Sydney Sweeney, Jacob Elordi, and the rest.  They somehow manage to strike the right balance so that the show works even at its most excessive.

Goliath (Amazon Prime)

I watched a few episodes of Goliath’s fourth and final season.  This episode features Billy Bob Thornton as an attorney and it’s perfect casting.  This season also featured Bruce Dern and you really haven’t lived until you’ve seen Thornton and Dern, two actors who have no fear when it comes to embracing eccentricity, acting opposite of each other.

Hanna (Amazon Prime)

As much as I love the original movie, I was never really been able to get into Hanna the series.  The third and final season features a nicely villainous turn from Ray Liotta and it ended on a satisfying note, with Hanna hopefully finally getting to live a life of her own.

Inspector Lewis (YouTube)

Inspector Lewis and Hathaway investigated a murder that had religious overturns.  Hathaway considered returning to the seminary but, perhaps realizing the show would end if he did that, he didn’t.

Invasion (Apple TV+)

The Earth is being invaded by aliens!  I watched the first episode of this show on Thursday.  It was a bit slow but Sam Neill gave an excellent performance as the sheriff of a small town in Oklahoma.

Nine Perfect Strangers (Hulu)

Eh.  Another over-written David E. Kelley production.  At least Nicole Kidman had a good role, as the somewhat enigmatic owner of a wellness resort.  I have to admit that I kind of zoned out on this one.

Ozark (Netflix)

I watched the finale of Ozark.  To be honest, this show has never done as much for me as it’s done for others.  To me, it owes a bit too much to Breaking Bad and Better Call Saul.  Despite moving the action to Ozarks, it simply cannot escape the shadow of those two shows.  That said, Jason Bateman and Julia Garner both gave excellent performances.

Phoenix Rising (HBO)

In this two-part documentary, Evan Rachel Wood talks about the abuse that she says she suffered at the hands of Marilyn Manson and her efforts to create and lobby for the Phoenix Act.  The documentary was perhaps a bit overlong but compelling nonetheless.

Severance (Apple TV+)

An absolutely brilliant mind-bended of a show, Severance is brilliantly odd and moving.  I wonder how many people heard that Ben Stiller was directing and Adam Scott was starring and assumed that this would just be another Judd Apatow-style comedy?  Severance is a wonderful series about emotional and intellectual freedom, memories, and …. well, life itself.  Christopher Walken and John Turturro are both such quirky actors that it’s good to have a show like this that allows them to remind audiences that they happen to be brilliant as well.

Succession (HBO)

Eh.  The media’s favorite television drama has never done much for me.  I watched two episodes.  It’s a talented cast but I got bored fairly quickly.