Film Review: Avengers: Endgame (dir by the Russo Brothers)


(Minor Spoilers Below!  Read at your own risk.)

So, how long does the no spoiler rule for Avengers: Endgame apply?  There’s so much that I want to say about this film but I know that I shouldn’t because, even though it had a monstrous opening weekend, there are still people out there who have not had a chance to see the film.  And while this review will have minor spoilers because, otherwise, it would be impossible to write, I’m not going to share any of the major twists or turns.

I will say this.  I saw Avengers: Endgame last night and it left me exhausted, angry, sad, exhilarated, and entertained.  It’s a gigantic film, with a plot that’s as messy and incident-filled as the cinematic universe in which it takes place.  More than just being a sequel or just the latest installment in one of the biggest franchises in cinematic history, Avengers: Endgame is a monument to the limitless depths of the human imagination.  It’s a pop cultural masterpiece, one that will make you laugh and make you cheer and, in the end, make you cry.  It’s a comic book film with unexpected emotional depth and an ending that will bring a tear to the eye of even the toughest cynic.  By all logic, Avengers: Endgame is the type of film that should collapse under its own weight but instead, it’s a film that thrives on its own epic scope.  It’s a three-hour film that’s never less than enthralling.  Even more importantly, it’s a gift to all of us who have spent the last ten years exploring the Marvel Cinematic Universe.

The film itself starts almost immediately after the “Snap” that ended Avengers: Infinity War and we watch as Clint Barton (Jeremy Renner, returning to the franchise after being absent in the previous film) finds himself powerless to keep his family from disintegrating.  After often being dismissed as the Avengers’s weak link, both Clint Barton and Jeremy Renner come into their own in the film.  As one of two members of the Avengers who does not have super powers, Clint serves as a everyperson character.  He’s a reminder that there’s more at stake in Endgame than just the wounded pride of a few super heroes.  When Thanos wiped out half the universe, he didn’t just wipe out Spider-Man, Doctor Strange, and Groot.  He also left very real wounds that will never be healed.

When the film jumps forward by five yeas, we discover that the world is now a much darker place.  When we see New York, the once vibrant city is now gray and deserted.  Our surviving heroes have all dealt with the Snap in their own way.  Clint is now a vigilante, killing anyone who he feels should have been wiped out by Thanos but wasn’t.  Thor (Chris Hemsworth) drinks and eats and feels sorry for himself.  Captain America (Chris Evans) attends support groups and, in one nicely done scene, listens as a man talks about his fear of entering into his first real relationship in the years since “the Snap.”  Tony Stark (Robert Downey, Jr.) is living as a recluse and is still blaming himself.  Hulk (Mark Ruffalo) is now an avuncular, huge, and very green scientist.  Only Natasha (Scarlett Johansson) remains convinced that the Snap can somehow be undone.  She’s right, of course.  But doing so will involve some unexpected sacrifices and a lot of time travel….

And that’s as much as I can tell you, other than to say that the film takes full advantage of both the time travel aspects (yes, there are plenty of Back to the Future jokes) and its high-powered cast.  With our heroes — which, along with the usual Avengers, also include Ant-Man (Paul Rudd) and Rocket Racoon (Bradley Cooper) — hopping through time and space, we get a chance to revisit several of the films that led up to Endgame and it’s a thousand times more effective than it has any right to be.  Yes, one could argue that the cameos from Robert Redford, Tom Hiddleston, Hayley Atwell, and others were essentially fan service but so what?  The fans have certainly earned it and the MCU has earned the chance to take a look back at what it once was and what it has since become.

Indeed, Avengers: Endgame would not work as well as it does if it hadn’t been preceded by 21 entertaining and memorable movies.  It’s not just that the MCU feels like a universe that it as alive as our own, one that is full of wonder, mystery, sadness, and love.  It’s also that we’ve spent ten years getting to know these characters and, as a result, many of them are much more than just “super heroes” to us.  When Tony Stark and Captain America argue over whether it’s even worth trying to undo the Snap, it’s an effective scene because we know the long and complicated history of their relationship.  When the Avengers mourn, we mourn with them because we know their pain.  We’ve shared their triumphs and their failures.  Tony Stark may be a guy in an iron suit but he’s also a man struggling with his own demons and guilt.  Steve Rogers may be a nearly 100 year-old super solider but he’s also every single person who has struggled to make the world a better place.  As strange as it may be to say about characters known as Iron Man, Captain America, and the Black Widow, we feel like we know each and every one of them.  We care about them.

Needless to say, the cast is huge and one of the great things about the film is that previously underused or underestimated performers — like Jeremy Renner, Scarlett Johansson, Paul Rudd, Don Cheadle, and Karen Gillan — all finally get a chance to shine.  As always, the heart of the film belongs to Chris Evans while Robert Downey, Jr. provides just enough cynicism to keep things from getting to superficially idealistic.  Chris Hemsworth and Mark Ruffalo get most of the film’s big laughs, each playing their borderline ludicrous characters with just the right combination of sincerity and humor.  Of course, Josh Brolin is back as well and he’s still perfectly evil and arrogant as Thanos.  But whereas Thanos was the focus of Infinity War, Endgame focuses on the heroes.  If Infinity War acknowledged that evil can triumph, Endgame celebrates the fact that good never surrenders.

As Endgame came to an end, I did find myself wondering what the future is going to hold for the MCU.  A part of me wonders how they’re going to top the past ten years or if it’s even possible to do so.  Several mainstays of the MCU say goodbye during Endgame and it’s hard to imagine the future films without their presence.  It’s been hinted that Captain Marvel is going to be one of the characters holding the next phase of the  MCU together and, fortunately, Brie Larson is a quite a bit better in Endgame than she was in her previous MCU film.  Hopefully, regardless of what happens in the future, Marvel and Disney will continue to entrust their characters to good directors, like the Russo Brothers, James Gunn, and Taika Waititi.  (Wisely, Disney reversed themselves and rehired James Gunn for the next Guardians of the Galaxy film.  Of course, Gunn never should have been fired in the first place….)

And that’s really all I can say about Avengers: Endgame right now, other than to recommend that you see it.  In fact, everyone in the world needs to hurry up and see it so we can finally start talking about the film without having to post spoiler warnings!

For now, I’ll just say that Avengers: Endgame is a powerful, emotional, and entertaining conclusion to one of the greatest cinematic sagas ever.

Some thoughts on the Golden Globe Nominations


Well, it happens every year.

The precursor season always starts with some unexpected winners and you start to think that maybe some of the year’s best indie films might be able to get some Oscar love.  This season, for instance, I was excited to see the attention being given to Eighth Grade and, to a lesser extent, First Reformed.  I was also excited to see that A Quiet Place and Black Panther were being remembered.

“Oh my God!” I thought, “Even if we already know that either Green Book or A Star is Born are going to win everything this year, the Oscar nominations could still be interesting!”

And then, as they do every year, the Hollywood Foreign Press Association had to come along and basically fuck everything up.  For some reason, the HFPA have become one of the biggest of the precursor awards.  Getting nominated for a Golden Globe is considered to be a major step for any Oscar contender.  Getting ignored by the Golden Globes is enough to knock a previously strong contender out of the contest.  Why is this?  I’m not sure.  The HFPA is a notorious bunch of star fuckers and it’s pretty much an open secret that almost anyone can buy a Golden Globe nomination if they’ve got enough money.  But, for some reason, the annually mediocre Golden Globe nominations carry a lot of weight in Hollywood.

Anyway, this year’s nominations pretty much ignored all of the cool indie films that have come out this year.  Elsie Fisher was nominated for Best Actress but otherwise, Eighth Grade was ignored.  First Reformed was nominated for nothing.  Hereditary was nominated for nothing.  I am happy to see that Black Panther was nominated.  That’s a step in the right direction in that film’s quest to be the first comic book movie to be nominated for best picture.

I guess what really bugs me is that Vice — a film that I have no desire to see — received the most nominations and is now definitely an Oscar contender.  I’ve been told that Vice is even more smug and shallow than The Big Short.  And now, I guess I have to see it.  AGONY!

Anyway, here are the nominees.  (Below are the film nominees.  For the TV nominees, click here.)

Best Motion Picture – Drama
Black Panther
BlacKkKlansman
Bohemian Rhapsody
If Beale Streat Could Talk
A Star Is Born

Best Motion Picture – Comedy or Musical
Crazy Rich Asians
The Favourite
Green Book
Mary Poppins Returns
Vice

Best Director
Bradley Cooper (A Star Is Born)
Alfonso Cuaron (Roma)
Peter Farrelly (Green Book)
Spike Lee (BlacKkKlansman)
Adam McKay (Vice)

Best Actor in a Motion Picture – Drama
Bradley Cooper (A Star Is Born)
Willem Dafoe (At Eternity’s Gate)
Lucas Hedges (Boy Erased)
Rami Malek (Bohemian Rhapsody)
John David Washington (BlacKkKlansman)

Best Actress in a Motion Picture – Drama
Glenn Close (The Wife)
Lady Gaga (A Star Is Born)
Nicole Kidman (Destroyer)
Melissa McCarthy (Can You Ever Forgive Me?)
Rosamund Pike (A Private War)

Best Actor in a Motion Picture – Comedy or Musical
Christian Bale (Vice)
Lin-Manuel Miranda (Mary Poppins Returns)
Viggo Mortensen (Green Book)
Robert Redford (The Old Man & the Gun)
John C. Reilly (Stan & Ollie)

Best Actress in a Motion Picture – Comedy or Musical
Emily Blunt (Mary Poppins Returns)
Olivia Colman (The Favourite)
Elsie Fisher (Eighth Grade)
Charlize Theron (Tully)
Constance Wu (Crazy Rich Asians)

Best Supporting Actor in a Motion Picture
Mahershala Ali (Green Book)
Timothée Chalamet (Beautiful Boy)
Adam Driver (BlacKkKlansman)
Richard E. Grant (Can You Ever Forgive Me?)
Sam Rockwell (Vice)

Best Supporting Actress in a Motion Picture
Amy Adams (Vice)
Claire Foy (First Man)
Regina King (If Beale Street Could Talk)
Emma Stone (The Favourite)
Rachel Weisz (The Favourite)

Best Screenplay
Alfonso Cuaron (Roma)
Deborah Davis and Tony McNamara (The Favourite)
Barry Jenkins (If Beale Street Could Talk)
Adam McKay (Vice)
Peter Farrelly, Nick Vallelonga, Brian Currie (Green Book)

Best Score
Marco Beltrami (A Quiet Place)
Alexandre Desplat (Isle of Dogs)
Ludwig Göransson (Black Panther)
Justin Hurwitz (First Man)
Marc Shaiman (Mary Poppins Returns)

Best Original Song
“All the Stars” (Black Panther)
“Girl in the Movies” (Dumplin’)
“Requiem For A Private War” (A Private War)
“Revelation’ (Boy Erased)
“Shallow” (A Star Is Born)

Best Motion Picture – Animated
Incredibles 2
Isle of Dogs
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

Best Motion Picture – Foreign Language
Capernaum (Lebanon)
Girl (Belgium)
Never Look Away (Germany)
Roma (Mexico)
Shoplifters (Japan)

 

Here Are The 2018 Satellite Nominations!


Awards season has just begun, which means that it’s time for the International Press Academy to announce their nominees for the 23rd Satellite Awards.  If you’ve never heard of the Satellite Awards, they’re like the Golden Globes, just with even less credibility.  For instance, the Satellite people are the one who nominated The Wolf of Wall Street for best picture, despite having not seen the film.

That said, the Satellite nominations are good way to gauge which films are currently getting awards buzz.  Let’s put it like this: getting a Satellite nomination is not going to automatically translate into Oscar recognition.  But it doesn’t hurt.

Below are the film nominations.  (In the interest of space, I’m only posting the film nominations.  If you want to see which tv shows picked up nominations, click here.)

Film

Actress in a Motion Picture, Drama
Major, Independent or International

  • Yalitza Aparicio, “Roma”
  • Glenn Close, “The Wife”
  • Viola Davis, “Widows”
  • Nicole Kidman, “Destroyer”
  • Melissa McCarthy, “Can You Ever Forgive Me?”
  • Rosamund Pike, “Private War”

Actor in a Motion Picture, Drama
Major, Independent or International

  • Willem Dafoe, “At Eternity’s Gate”
  • Ben Foster, “ Leave No Trace”
  • Ryan Gosling, “First Man
  • Ethan Hawke, “First Reformed”
  • Lucas Hedges, “Boy Erased”
  • Robert Redford, “The Old Man & the Gun”

Actress in Motion Picture, Comedy or Musical
Major, Independent or International

  • Emily Blunt, “Mary Poppins Returns”
  • Olivia Colman, “The Favourite”
  • Trine Dyrholm “Nico, 1988″
  • Elsie Fisher, “Eighth Grade”
  • Lady Gaga, “A Star is Born”
  • Constance Wu, “Crazy Rich Asians”

Actor in Motion Picture, Comedy or Musical
Major, Independent or International

  • Bradley Cooper, “A Star is Born”
  • Rami Malek, “Bohemian Rhapsody”
  • Lin-Manuel Miranda, “Mary Poppins Returns”
  • Viggo Mortensen, “Green Book”
  • Nick Robinson, “Love, Simon
  • John David Washington, “BlacKkKlansman”

Actress in a Supporting Role
Major, Independent, Comedy & Musical or International

  • Claire Foy, “First Man
  • Nicole Kidman, “Boy Erased”
  • Regina King, “If Beale Street Could Talk”
  • Margot Robbie, “Mary Queen of Scots”
  • Emma Stone, “The Favourite”
  • Rachel Weisz, “The Favourite”

Actor in a Supporting Role
Major, Independent, Comedy & Musical or International

  • Mahershala Ali, “Green Book”
  • Timothée Chalamet, “Beautiful Boy”
  • Russell Crowe, “Boy Erased”
  • Adam Driver, “BlacKkKlansman”
  • Sam Elliott, “A Star is Born”
  • Richard Grant, “Can You Ever Forgive Me?”

Motion Picture, Drama
Major

  • Black Panther,” Walt Disney
  • First Man,” Universal
  • “Hereditary,” A24
  • “If Beale Street Could Talk,” Annapurna Pictures
  • “Mary Queen of Scots,” Focus Features
  • “Widows,”  Twentieth Century Fox

Motion Picture, Independent

  • “BlacKkKlansman,” Focus Features
  • “Eighth Grade,” A24
  • “First Reformed,” A24
  • “Leave No Trace,” Bleecker Street Media
  • “Private Life,” Netflix
  • “A Private War,” Aviron Pictures

Motion Picture, Comedy or Musical
Major, Independent or International

  • “Crazy Richard Asians,” Warner Bros.
  • “The Favourite,” Fox Searchlight Pictures
  • “Green Book,” Universal Pictures
  • “Mary Poppins Returns,” Walt Disney
  • “Nico, 1988,” Magnolia Pictures
  • “A Star is Born,” Warner Bros.

Motion Picture, International Film

  • “The Cakemaker,” Israel
  • “Cold War,” Poland
  • “The Guilty,” Denmark
  • “I Am Not A Witch,” United Kingdom
  • “Roma,” Mexico
  • “Shoplifters,” Japan

Motion Picture, Animated or Mixed Media

  • “Incredibles 2,” Walt Disney
  • “Isle of Dogs,” Fox Searchlight Pictures
  • “Liz and the Blue Bird,” Eleven Arts
  • “Mirai,” GKIDS Films
  • “Ralph Breaks the Internet,” Walt Disney
  • “Ruben Brandt, Collector,” Sony Pictures Classics

Motion Picture, Documentary

  • “Crime + Punishment,” Hulu
  • “Free Solo,” National Geographic
  • “Minding the Gap,” Hulu
  • “RBG,” Magnolia Pictures
  • “Three Identical Strangers,”  Focus Features
  • “Won’t You Be My Neighbor,” Focus Features

Director

  • Bradley Cooper, “A Star is Born”
  • Alfonso Cuaron, “Roma”
  • Peter Farrelly, “Green Book”
  • Barry Jenkins, “If Beale Street Could Talk”
  • Yorgos Lanthimos, “The Favourite”
  • Spike Lee, “BlacKkKlansman”

Screenplay, Original

  • Bo Burnham, “Eighth Grade”
  • Alfonso Cuaron, “Roma”
  • Deborah Davis & Tony McNamara, “The Favourite”
  • John Krasinski, Scott Beck, Bryan Woods, “A Quiet Place
  • Paul Schrader, “First Reformed”
  • Nick Vallelonga, Brian Hayes Currie & Peter Farrelly, “Green Book”

Screenplay, Adapted

  • Bradley Cooper, Eric Roth, “A Star is Born”
  • Debra Granik, Anne Rosellini, “Leave No Trace”
  • Nicole Holofcener, Jeff Whitty, “Can You Ever Forgive Me?”
  • Barry Jenkins, “If Beale Street Could Talk”
  • Armando Iannucci, David Schneider, Ian Martin, Peter Fellows, “The Death of Stalin”
  • Spike Lee, David Rabinowitz, Kevin Wilmott, Charlie Wachtel, “BlacKkKlansman”

Original Score

  • Thomas Ades, “Colette”
  • Terence Blanchard, “BlacKkKlansman”
  • Nicholas Britell, “If Beale Street Could Talk”
  • Alexandre Desplat, “The Sisters Brothers”
  • Justin Hurwitz, “First Man”
  • Hans Zimmer, “Widows”

Original Song

  • “All The Stars” from “Black Panther”
  • “Can You Imagine That?” from “Mary Poppins Returns”
  • “Requiem for a Private War” from “A Private War”
  • “Revelation” from “Boy Erased”
  • “Shallow” from “A Star is Born”
  • “Strawberries & Cigarettes” from “Love, Simon

Cinematography

  • Alfonso Cuaron, “Roma”
  • James Laxton, “If Beale Street Could Talk”
  • Matthew Libatique, “A Star is Born”
  • Robbie Ryan, “The Favourite”
  • Rachel Morrison, “Black Panther
  • Lukasz Zal, “Cold War”

Visual Effects

  •   “Avengers: Infinity War,” Walt Disney
  •   “Black Panther,” Walt Disney
  •   “Fantastic Beasts: The Crimes of Grindelwald,” Warner Bros.
  •   “Jurassic World: Fallen Kingdom,” Universal
  •   “Rampage,” Warner Bros.
  •   “Ready Player One,” Warner Bros.

Film Editing

  • Barry Alexander Brown, “BlacKkKlansman”
  • Jay Cassidy, “A Star is Born”
  • Tom Cross, “First Man
  • Alfonso Cuaron, “Roma”
  • Joi McMillon, Nat Sanders, “If Beale Street Could Talk”
  • Joe Walker, “Widows”

Sound (Editing and Mixing)

  • Black Panther,” Walt Disney
  • First Man,” Universal
  • “Mary Poppins Returns,” Walt Disney
  • A Quiet Place,” Paramount
  • “Roma,”  Netflix
  • “A Star Is Born,” Warner Bros.

Art Direction and Production Design

  • Black Panther,” Walt Disney
  • “Fantastic Beasts: The Crimes of Grindelwald,”  Warner Bros.
  • “The Favourite,” Fox Searchlight
  • First Man,” Universal
  • “Mary Poppins Returns,” Walt Disney
  • “Roma,” Magnolia Pictures

Costume Design

  • Colleen Atwood, “Fantastic Beasts: The Crimes of Grindelwald”
  • Erin Benach, “A Star is Born”
  • Alexandra Byrne, “Mary Queen of Scots”
  • Ruth E. Carter, “Black Panther
  • Andrea Flesch, “Colette”
  • Sandy Powell, “The Favourite”

 

 

Lisa’s Oscar Predictions For October


And now, we take a short break from TSL’s annual horrorthon to bring you Lisa Marie’s Oscar predictions for October!

Be sure to check out my predictions for January, February, March, April, May. June. July, August and September!

Best Picture

Black Panther

Boy Erased

Can You Ever Forgive Me?

First Man

Green Book

If Beale Street Could Talk

The Mule

Roma

A Star is Born

Vice

Best Director

Damien Chazelle for First Man

Bradley Cooper for A Star Is Born

Alfonso Cuaron for Roma

Peter Farrelly for Green Book

Barry Jenkins for If Beale Street Could Talk

Best Actor

Christian Bale in Vice

Bradley Cooper in A Star is Born

Clint Eastwood in The Mule

Robert Redford in Old Man and the Gun

John C. Reilly in Stan & Ollie

Best Actress

Glenn Close in The Wife

Lady Gaga in A Star is Born

Felicity Jones in On The Basis of Sex

Nicole Kidman in Destroyer

Melissa McCarthy in Can You Ever Forgive Me?

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Bradley Cooper in The Mule

Sam Elliott in A Star is Born

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Sissy Spacek in Old Man and the Gun

Michelle Yeoh in Crazy Rich Asians

 

 

 

Lisa’s Early Oscar Predictions for September


It’s that time again!

It’s time for my somewhat random Oscar predictions!

Judging from the reactions at Venice Film Festival, Bradley Cooper’s A Star is Born would appear to be the current Oscar front runner.  At the very least, it seems destined to be nominated.  Personally, I still wonder if a remake of A Star is Born is going to have enough political cachet in a year that, so far, has been dominated by Hollywood virtue signaling.

Anyway, it’s a bit of a cliché to say the Oscar race is wide open but, despite all of the buzz around A Star is Born, it still feels as if it is.  That said, it’s also becoming a bit more clear.  Former front runners like Mary, Queen of Scots have fallen off the radar.  It seems likely the Martin Scorsese’s The Irishman will not be released until next year.  There are rumors that Clint Eastwood’s The Mule might get a December qualifying run but, for now, those are just rumors.

Below are my predictions for this month.  The usual caveats about wishful thinking and wild guesses apply.  To be honest, we won’t know anything for sure until the critics and the guilds make their voices heard in December and January.

Be sure to check out my predictions for January, February, March, April, May, June, July, and August!

Best Picture

Beautiful Boy

BlackKklansman

Black Panther

Crazy Rich Asians

The Favourite

First Man

Green Book

If Beale Street Could Talk

Roma

A Star is Born

Best Director

Damien Chazelle for First Man

Jon M. Chu for Crazy Rich Asians

Bradley Cooper for A Star is Born

Alfonso Cuaron for Roma

Spike Lee for BlackKklansman

Best Actor

Steve Carell in Beautiful Boy

Bradley Cooper in A Star is Born

Ryan Gosling in First Man

Rami Malek in Bohemian Rhapsody

Robert Redford in Old Man and the Gun

Best Actress

Glenn Close in The Wife

Olivia Colman in The Favourite

Nicole Kidman in Destroyer

Melissa McCarthy in Can You Ever Forgive Me?

Julia Roberts in Ben Is Back

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Sam Elliott in A Star is Born

Ben Foster in Leave No Trace

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Regina King in If Beale Street Could Talk

Sissy Spacek in Old Man and the Gun

Rachel Weisz in The Favourite

Michelle Yeoh in Crazy Rich Asians

Barry and Oscar

Lisa’s Early Oscar For Predictions For August


It’s time once again for my monthly attempt to predict next year’s Oscar nominations!

As always, these predictions should be taken with a grain of salt.  BlackKklansman has emerged as a contender and there’s a few impressive trailers out there.  If the Academy goes through with this stupid Best Popular Film Oscar, I’m going to assume that’ll knock Black Panther out of contention for Best Picture.  For now, I’m going to hope that the backlash will cause the Academy to abandon the idea.

(For the record, it now appears that the whole Best Popular Film fiasco was due more to pressure from ABC than from actual members of the Academy.  And, let’s just be honest — Best Popular Film sounds just stupid enough to be the idea of a television executive.)

So, as usual, these nominations are a combination of wishful thinking, wild guesses, and sincere intuition.  If nothing else, they should be amusing to look back upon when the actual nominations are announced.

Be sure to check out my predictions for January, February, March, April, May, June, and July!

Best Picture

Beautiful Boy

Black Panther

BlackKklansman

Boy Erased

First Man

Green Book

If Beale Street Could Talk

Old Man and the Gun

Roma

Widows

Best Director

Damien Chazelle for First Man

Alfonso Cuaron for Roma

Barry Jenkins for If Beale Street Could Talk

Spike Lee for BlackKklasman

Steve McQueen for Widows

Best Actor

Christian Bale in Backseat

Steve Carell in Beautiful Boy

Ryan Gosling in First Man

Rami Malek in Bohemian Rhapsody

Robert Redford in Old Man and the Gun

Best Actress

Glenn Close in The Wife

Viola Davis in Widows

Felicity Jones in On The Basis of Sex

Keira Knightley in Colette 

Saoirse Ronan in Mary, Queen of Scots

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Russell Crowe in Boy Erased

Adam Driver in BlackKklansman

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Margot Robbie in Mary, Queen of Scots

Sissy Spacek in Old Man and the Gun

 

Lisa’s Early Oscar Predictions for June


We’re nearly halfway through 2018 and it’s time for me to once again post my somewhat random Oscar predictions!

As usual, these predictions are a combination of instinct or wishful thinking.  Do I really think that Orson Welles’s final film will dominate the Oscars?  Well, why not?  It’d be a great story if it happened.  The same goes for Black Panther becoming the first comic book movie to receive a best picture nomination.  It’d be nice if it happened and, with most of the contenders still unseen, there’s no reason to arbitrarily dismiss the film’s chances.

Based on the reaction that it received at Cannes, I’ve added Spike Lee’s BlackKklansman to my list of predicted best picture nominees.

As always, take these predictions with a grain of salt.  Some of these films and performers will be nominated.  (First Man, for instance, seems like a lock.)  Many of them will not.  If nothing else, my monthly predictions always seem to be useful for a good laugh in retrospect.  And there’s nothing wrong with that!  The predictions that don’t come true are often even more fun than the predictions that do.

It should also be remembered that some of the films listed below don’t even set release dates yet.  Some of them might not even open this year.  There are other films — like Burden — that seems like they should be contenders but they’ve yet to get a distributor.  And then there’s Martin Scorsese’s The Irishman, which is scheduled to be released by Netflix in 2019 but it’s always possible that film could be moved up on the schedule.  If The Irishman does get a last-minute December release, chances are that the Oscar race will be dramatically altered.

Or maybe not.  Remember how Silence was a front runner all through 2016, just to end up with one nomination?  It’s hard to predict which films will have “that Barton Fink feeling.”

(Yes, I’m currently watching Barton Fink.  Thinking about the Oscars will enjoying a film from the Coen Brothers?  Life is good, as my twitter girl crush often puts it.)

Please be sure to check out my predictions for January, February, March, April, and May.

Best Picture

BlackKklansman

Black Panther

Boy Erased

First Man

If Beale Street Could Talk

Mary, Queen of Scots

The Other Side of the Wind

A Star is Born

White Boy Rick

Widows

Best Director

Damien Chazelle for First Man

Barry Jenkins for If Beale Street Could Talk

Spike Lee for BlackKklansman

Steve McQueen for Widows

Orson Welles for The Other Side of the Wind

Best Actor

Steve Carell in Beautiful Boy

Bradley Cooper in A Star is Born

Willem DaFoe in At Eternity’s Gate

Ryan Gosling in First Man

Robert Redford in The Old Man & The Gun

Best Actress

Viola Davis in Widows

Felicity Jones in On The Basis of Sex

Melissa McCarthy in Can You Ever Forgive Me?

Chloe Grace Moretz in The Miseducation of Cameron Post

Saoirse Ronan in Mary, Queen of Scots

Best Supporting Actor

Timothee Chalamet in Beautiful Boy

Russell Crowe in Boy Erased

Adam Driver in BlackKklansman

Sam Elliott in A Star is Born

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Margot Robbie in Mary, Queen of Scots

Sissy Space in The Old Man & The Gun

Trailer Round-Up: First Man, The Predator, How To Train Your Dragon: The Hidden World, Bad Times At The El Royale, The Old Man & The Gun, Operation Finale, A Star is Born, and The Girl In The Spider’s Web


There were a lot of interesting trailers released this week.  Among those that I’ve already looked at: Suspiria, Widows, White Boy Rick, Wreck-It Ralph 2Bumblebee, The Lego Movie Part Two, Halloween, Billionaire Boys Club, 14 Cameras, and Siberia.

Here’s the best of the rest!

First Man is Damien Chazelle’s follow-up to La La Land.  In this one, Ryan Gosling plays the first man to ever step on the moon.  Many critics, including me, expect this will be a definite Oscar contender.  (Chazelle may even find himself competing once again with Barry Jenkins, whose If Beale Street Could Talk is also considered to be a possible contender.)

Here’s the second trailer for The Predator, which emphasizes action above all else.  (Check out the first trailer here.)

Here’s the trailer for the third installment in the beloved How To Train Your Dragon franchise, The Hidden World!

Here’s the trailer for Bad Times At The El Royale, which is either going to be brilliant or totally suck.  I don’t really see any middle ground here.

Normally, I would be tempted to roll my eyes at something like The Old Man & The Gun.  I mean, didn’t Robert Redford say that he wasn’t going to make another movie until climate change was defeated or something like that?  However, this film was directed by David Lowery, who was also responsible for the best film of 2017, A Ghost Story!  So, I will definitely give this one a chance.  Here’s the trailer:

Here’s the trailer for Operation Finale, a dramatization of the 1960 intelligence operation that led to the capture of Nazi war criminal Adolph Eichmann.  Why do we need this movie?  Go to YouTube and read some of the comments left under this trailer.  With anti-Semitism on the rise and more and more people buying into the despicable BDS movement, this is a story that needs to be told.  Hopefully, Operation Finale will do it justice.

Damn, Bradley Cooper’s got a pretty good singing voice!  Check out the trailer for A Star is Born if you need proof.

And lastly, here’s the trailer for The Girl In The Spider’s Web.

Hilariously, there’s a lot of people bitching about the fact that Rooney Mara will not be playing Libseth in The Girl In The Spider’s Web.  Folks, there’s only one Lisbeth Salander and it’s not Rooney Fucking Mara.  Noomi Rapace was, is, and always will be the only Libseth Salander who really matters!

Lisa Marie’s Too Early Oscar Predictions for May!


It’s time for me to post my monthly Oscar predictions!

As always, the usual caveats apply.  It’s way too early for me to try to make any predictions.  Most of the films listed below haven’t even been released (or screened) yet and it’s totally possible that a big contender might come out of nowhere in the fall.  That seems to happen almost every year.

So, take these predictions with a grain of salt.  These are my guesses.  Some of them are based on instinct.  Some of them are just there because I think it would be a really, really neat if that movie or performer was nominated.  However, I will say this: I do think that if a comic book movie is ever nominated for best picture, it will be Black Panther.

(I actually preferred Avengers: Infinity War to Black Panther — sorry, Ryan — but, much like Get Out, Black Panther has gone beyond being a movie.  It’s become a cultural signpost, in a way that Infinity War never will.)

The Cannes Film Festival is going on right now and one potential Oscar contender — Spike Lee’s BlackkKlansman — is due to make its debut in the upcoming days.  Right now, I don’t have BlackkKlansman listed in my predictions, mostly because the Academy hasn’t exactly embraced Lee in the past.  But I will be interested to see how Cannes reacts to the film.

(Check out my predictions for January, February, March, and April!)

Best Picture

At Eternity’s Gate

Black Panther

Boy Erased

First Man

If Beale Street Could Talk

Mary, Queen of Scots

The Other Side of the Wind

A Quiet Place

Widows

Wildfire

Best Director

Damien Chazelle for First Man

Ryan Coogler for Black Panther

Barry Jenkins for If Beale Street Could Talk

Steve McQueen for Widows

Josie Rourke for Mary, Queen of Scots

Best Actor

Steve Carell in Beautiful Boy

Willem DaFoe in At Eternity’s Gate

Ryan Gosling in First Man

Lucas Hedges in Boy Erased

Robert Redford in Old Man and the Gun

Best Actress

Viola Davis in Widows

Felicity Jones in On The Basis of Sex

Melissa McCarthy in Can You Ever Forgive Me?

Saoirse Ronan in Mary. Queen of Scots

Kristen Stewart in JT LeRoy

Best Supporting Actor

Russell Crowe in Boy Erased

Sam Elliott in A Star Is Born

Oscar Isaac in At Eternity’s Gate

Michael B. Jordan in Black Panther

Forest Whitaker in Burden

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Margot Robie in Mary, Queen of Scots

Sissy Spacek in Old Man And The Gun

 

 

An Olympic Film Review: Downhill Racer (dir by Michael Ritchie)


For the past few days, like all good people, I have been totally obsessed with the Winter Olympics!  Last week, I asked my friends to suggest some Winter Olympic-themed movies that I could watch and review.  More than a few of them immediately recommended that I check out a film called Downhill Racer.

First released in 1969, Downhill Racer tells the story of David Chappellet (a very young and very handsome Robert Redford).  When we first meet David, he’s just arrived in Switzerland.  An alternate to the U.S. ski team, David has been summoned by Coach Eugene Claire (Gene Hackman) to replace an injured skier.  From the minute that David arrives, it’s obvious that he’s not interested in being anyone’s friend.  He’s upset that he was an alternate.  He’s upset that he’s going to be skiing so late in the competition.  He’s upset about … well, almost everything.  Unlike the rest of his teammates, he’s a loner and he rarely has much to say.  He cares about one thing: winning championships and being recognized as the best.  David is not a particularly likable character.  However, the fact that he doesn’t seem to care what anyone thinks about him is one of the things that makes him compelling.  Add to that, David quickly proves himself to be one of the best.  He may be arrogant but, more often than not, he can back up his pride.

Why is David so driven?  We get some clues when David returns to his hometown in Idaho.  Even though everyone in the town knows him and he doesn’t have any trouble convincing a former girlfriend to go off with him, David still seems out-of-place.  When he visits his father, the taciturn man is not impressed by David’s success.  As his father puts it, the world is full of champions.  Why should David deserve any more praise than anyone else?

Standing in contrast to the reservered David is Coach Claire.  Whereas David is reserved, Claire is passionate.  Whereas David is an unapologetic loner, Claire is willing to fight for every member of his team.  Whereas David reacts to a crash by refusing to accept that he made a mistake, Coach Claire is always brutally honest.  David couldn’t be a champion without Claire’s help but, in the end, the Coach is destined to remain in the background while David signs lucrative sponsorship deals and becomes a hero to television viewers everywhere.

It’s a familiar story, though perhaps it wasn’t as familiar in 1969 as it is today.  Today, we’ve grown accustomed to the idea that celebrities can be jerks and that “heroes” are often just manufactured idols.  (Downhill Racer has a good deal of fun with the shallowness of the media’s coverage of David Chappellett’s career.)  That said, familiar or not, there’s a good deal of authenticity to be found in the performances of both Redford and Hackman.  It takes a bit of courage to play a character who is as narcissistic and arrogant as David Chappellett but, even more so, it takes talent to make that character compelling.  As for Hackman, he’s the ideal coach.  He knows both how to get the best out of Chappellett but also when to call him out on his crap.  From the minute we meet the Coach, we knows that he cares but we also know that he’s seen a lot of David Chappelletts come and go over the years.

Of course, the main reason to watch Downhill Racer is because of the racing scenes, many of which were filmed as a point-of-view shot, putting you in the skis as the frozen landscape flies past you.  They are amazing to watch.  I’ve never been skiing, which is probably a good thing when you consider that I’m a bit accident-prone.  But the skiing sequences in Downhill Racer left me breathless, shaken, and exhilarated.

Downhill Racer is definitely one to watch, during the Olympics or any other time.

http://www.youtube.com/watch?v=Qg3zdWb8LGc