2015 in Review: The Best of SyFy


Well, here we are!  It’s the first week of January, 2016 and that means that it is time for me to start listing my favorite movies, books, songs, and TV shows of the previous year!  Let’s start things off by taking a look at the best that the SyFy network had to offer in 2015!

Below, you will find my nominees for the best SyFy films and performances of the previous year.  The winners are starred and in bold.  As you’ll quickly notice, it was a good year for films about sharks.  Especially films about zombie sharks!

ZombieShark_Image

Best Picture
Lavalantula, produced by Anthony Frankhauser
Night of the Wild, produced by David Michael Latt
Ominous, produced by Peter Sullivan
Sharknado 3produced by David Michael Latt.
They Found Hellproduced by Anthony Frankhauser
*Zombie Sharkproduced by Sam Claitor and Eric Davies.*

Best Director
Nick Lyon for They Found Hell
Mike Mendez for Lavalantula
Eric Red for Night of the Wild
*Misty Talley for Zombie Shark*

STEVE-Guttenberg-2

Best Actor
*Steve Guttenberg in Lavalantula*
Jason London in Zombie Shark
Barry Watson in Ominous
Ian Ziering in Sharknado 3

zombie-shark-26d805394971ee282f2c7dab4adb9646f62f1dce-2

Best Actress
Illeana Douglas in Mega Shark vs. Kolossus
Sarah Dugdale in The Hollow
Alexis Peterman in Roboshark
*Cassie Steele in Zombie Shark*

Syfy-movie-Lake-Placid-vs-Anaconda-Robert-Englund

Best Supporting Actor
Tony Almont in Sharktopus vs. Whalewolf
*Robert Englund in Lake Placid vs. Anaconda*
David Hasselhoff in Sharknado 3
Roger J. Timber in Zombie Shark

catherine oxenberg rubber glove

Best Supporting Actress
Becky Andrews in Zombie Shark
Laura Cayouette in Zombie Shark
*Catherine Oxenberg in Sharktopus vs. Whalewolf*
Annabel Wright in Lake Placid vs. Anaconda

Best Screenplay
*Lavalantula, written by Mike Mendez, Neil Elman and Ashley O’Neil*
Robosharkwritten by Jeffrey Lando and Phillip Roth
Sharknado 3written by Thunder Levin
Zombie Shark, written by Greg Mitchell

Best Cinematography
Lavalantula, Richard J. Vialet.
OminousStuart Brereton.
They Found HellRichard J. Vialet.
*Zombie SharkMatt S. Bell.*

tfh

Best Costume Design
Mega Shark vs. Kolossus
OminousDarragh Marmorstein.
*They Found Hell, Irina Kotcheva*
Zombie Shark, Kellye Bond

Best Editing
Lavalantula, Robert Dias and Mike Mendez.
Sharknado 3, Christopher Roth.
They Found HellDon Money.
*Zombie SharkMisty Talley.*

Best Makeup
The HollowJoanne Kinchella
*Lake Placid vs. AnacondaDesislava AlexievaRalitsa Roth, Atanas Temnilov*
Ominous
They Found Hell

Roboshark-SyFy

Best Score
LavalantulaChris Ridenhour.
Mega Shark vs. KolossusChris Cano and Chris Ridenhour.
*Roboshark, Claude Foisy*
Sharknado 3, Chris Ridenhour and Chris Cano.

Best Production Design
Lake Placid vs. AnacondaBorislav Michailovski
*Mega Shark vs. Kolossus, Fernando Valdes*
OminousStephen Hass.
They Found Hell

sharknado 3 sharks in space

Best Sound
The Hollow
Night of the Wild
*Sharknado 3*
Zombie Shark

Best Visual Effects
Lavalantula
Roboshark
*Sharknado 3*
Zombie Shark

Congratulations to all the winners!  Thank you for keeping us entertained in 2015!

Check out last year’s winners by clicking here!  And 2013’s winners by clicking here!

Tomorrow, we’ll take a look at the best from Lifetime!

Previous Entries In The Best of 2015:

  1. Valerie Troutman’s 25 Best, Worst, and Gems I Saw in 2015
  2. Necromoonyeti’s Top 15 Metal Albums of 2015

The Central Ohio Film Critics Have Announced Their Nominations!


Here are the Central Ohio Film Critics Nominations!

Best Film

-The Big Short
Ex Machina
Inside Out
Mad Max: Fury Road
The Martian
-The Revenant
-Room
Sicario
-Spotlight
Star Wars: Episode VII – The Force Awakens

Best Director

-Alejandro González Iñárritu, The Revenant
-Todd Haynes, Carol
-Tom McCarthy, Spotlight
-George Miller, Mad Max: Fury Road
-Ridley Scott, The Martian
-Denis Villeneuve, Sicario

Best Actor

-Matt Damon, The Martian
-Johnny Depp, Black Mass
-Leonardo DiCaprio, The Revenant
-Michael Fassbender, Steve Jobs
-Jacob Tremblay, Room

Best Actress

-Cate Blanchett, Carol
-Brie Larson, Room
-Saoirse Ronan, Brooklyn
-Charlize Theron, Mad Max: Fury Road
-Alicia Vikander, The Danish Girl

Best Supporting Actor

-Benicio Del Toro, Sicario
-Tom Hardy, The Revenant
-Oscar Isaac, Ex Machina
-Mark Ruffalo, Spotlight
-Sylvester Stallone, Creed

Best Supporting Actress

-Jennifer Jason Leigh, The Hateful Eight
-Rooney Mara, Carol
-Rachel McAdams, Spotlight
-Alicia Vikander, Ex Machina
-Kate Winslet, Steve Jobs

Best Ensemble

-The Big Short
Ex Machina
-The Hateful Eight
-Spotlight
Steve Jobs

Actor of the Year (for an exemplary body of work)

-Cate Blanchett (Carol, Cinderella, and Truth)
-Michael Fassbender (Macbeth, Slow West, and Steve Jobs)
-Domhnall Gleeson (Brooklyn, Ex Machina, The Revenant, and Star Wars: Episode VII – The Force Awakens)
-Tom Hardy (Child 44, Legend, Mad Max: Fury Road, and The Revenant)
-Alicia Vikander (Burnt, The Danish Girl, Ex Machina, The Man from U.N.C.L.E., Seventh Son, and Testament of Youth)

Breakthrough Film Artist

-Sean Baker, Tangerine – (for producing, directing, screenwriting, film editing, cinematography, camera operation, and casting)
-Joel Edgerton, The Gift – (for producing, directing, and screenwriting)
-David Robert Mitchell, It Follows – (for producing, directing, and screenwriting)
-Daisy Ridley, Star Wars: Episode VII – The Force Awakens – (for acting)
-Jacob Tremblay, Room – (for acting)
-Alicia Vikander, Burnt, The Danish Girl, Ex Machina, The Man from U.N.C.L.E., Seventh Son, and Testament of Youth – (for acting)

Best Cinematography

-Roger Deakins, Sicario
-Emmanuel Lubezki, The Revenant
-Robert Richardson, The Hateful Eight
-John Seale, Mad Max: Fury Road
-Dariusz Wolski, The Martian

Best Film Editing

-Maryann Brandon and Mary Jo Markey, Star Wars: Episode VII – The Force Awakens
-Tom McArdle, Spotlight
-Stephen Mirrione, The Revenant
-Margaret Sixel, Mad Max: Fury Road
-Joe Walker, Sicario

Best Adapted Screenplay

-Emma Donoghue, Room
-Drew Goddard, The Martian
-Nick Hornby, Brooklyn
-Charles Randolph and Adam McKay, The Big Short
-Aaron Sorkin, Steve Jobs

Best Original Screenplay

-Pete Docter, Meg LeFauve, and Josh Cooley, Inside Out
-Alex Garland, Ex Machina
-Taylor Sheridan, Sicario
-Josh Singer and Tom McCarthy, Spotlight
-Quentin Tarantino, The Hateful Eight

Best Score

-Carter Burwell, Carol
-Michael Giacchino, Inside Out
-Jóhann Jóhannsson, Sicario
-Junkie XL, Mad Max: Fury Road
-Ennio Morricone, The Hateful Eight

Best Documentary

-Amy
-Best of Enemies
Going Clear: Scientology and the Prison of Belief
-The Look of Silence
-The Wolfpack

Best Foreign Language Film

-The Assassin (Nie yin niang)
-Goodnight Mommy (Ich seh, ich sech)
-Phoenix
-The Tribe (Plemya)
-Timbuktu
-Wild Tales (Relatos salvajes)

Best Animated Film

-Anomalisa
-The Good Dinosaur
Inside Out
-The Peanuts Movie
Shaun the Sheep Movie

Best Overlooked Film

-The End of the Tour
The Gift
-Me and Earl and the Dying Girl
-Mistress America
-Slow West
-The Tribe (Plemya)

The National Society Of Film Critics Honors Spotlight!


Spotlight

Last year, the National Society of Film Critics kept things interesting by naming Goodbye To Language as best picture.  This year, they went with Spotlight, just like everyone else.  However, Michael B. Jordan did win best actor for Creed so there was at least that.

BEST ACTOR
1. Michael B. Jordan (Creed) 29 points
2. Geza Rohrig (Son of Saul) 18
3. Tom Courtenay (45 Years) 15

BEST ACTRESS
1. Charlotte Rampling (45 Years) 57
2. Saoirse Ronan (Brooklyn) 30
3. Nina Hoss (Phoenix) 22

BEST SUPPORTING ACTOR
1. Mark Rylance (Bridge of Spies) 56
2. Michael Shannon (99 Homes) 16
3. Sylvester Stallone (Creed) 14

BEST SUPPORTING ACTRESS
1. Kristen Stewart (Clouds of Sils Maria) 53
2. Alicia Vikander (Ex Machina) 23
3. Kate Winslet (Steve Jobs) 17
3. Elizabeth Banks (Love & Mercy) 17

BEST SCREENPLAY
1. Spotlight (Josh Singer and Tom McCarthy) 21
2. Anomalisa (Charlie Kaufman) 15
2. The Big Short (Charles Randolph and Adam McKay) 15

CINEMATOGRAPHY
1. Carol (Ed Lachman) 25
2. The Assassin (Mark Lee Ping-bin) 22
3. Mad Max: Fury Road (John Seale) 12

PICTURE
1. Spotlight (Tom McCarthy) 23
2. Carol (Todd Haynes) 17
3. Mad Max: Fury Road (George Miller) 13

DIRECTOR
1.Todd Haynes (Carol) 21
2. Tom McCarthy (Spotlight) 21 (because he was on fewer ballots)
3. George Miller (Mad Max: Fury Road) 20

FOREIGN LANGUAGE FILM
1. Timbuktu (Abderrahmane Sissako) 22
2. Phoenix (Christian Petzold) 20
3. The Assassin (Hou Hsiao-hsien) 16

BEST NON-FICTION FILM
1. Amy (Asif Kapadia) 23
2. In Jackson Heights (Frederick Wiseman) 18
3. Seymour: An Introduction (Ethan Hawke) 15

The North Carolina Film Critics Association Have Announced Their Nominees For The Best of 2015


Here are the nominees from the North Carolina Film Critics Association!

BEST NARRATIVE FILM
Carol
Inside Out
Mad Max: Fury Road
The Martian
Spotlight

BEST DOCUMENTARY FILM
Amy
Finders Keepers
Kurt Cobain: Montage of Heck
Listen to Me Marlon
The Look of Silence

BEST ANIMATED FILM
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

BEST FOREIGN LANGUAGE FILM
The Assassin
Mustang
Phoenix
A Pigeon Sat on a Branch Reflecting on Existence
Son of Saul

BEST DIRECTOR
Lenny Abrahamson (Room)
Todd Haynes (Carol)
Tom McCarthy (Spotlight)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)

BEST ACTOR
Bryan Cranston (Trumbo)
Matt Damon (The Martian)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Ian McKellen (Mr. Holmes)

BEST SUPPORTING ACTOR
Paul Dano (Love & Mercy)
Benicio del Toro (Sicario)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

BEST ACTRESS
Elizabeth Banks (Love & Mercy)
Cate Blanchett (Carol)
Brie Larson (Room)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Rachel McAdams (Spotlight)
Helen Mirren (Trumbo)
Alicia Vikander (Ex Machina)

BEST ORIGINAL SCREENPLAY
Matt Charman, Ethan Coen, and Joel Coen (Bridge of Spies)
Pete Docter, Meg LeFauve, and Josh Cooley (Inside Out)
Alex Garland (Ex Machina)
Josh Singer, Tom McCarthy (Spotlight)
Quentin Tarantino (The Hateful Eight)

BEST ADAPTED SCREENPLAY
Emma Donoghue (Room)
Drew Goddard (The Martian)
Phyllis Nagy (Carol)
Nick Hornby (Brooklyn)
Charles Randolph and Adam McKay (The Big Short)
Aaron Sorkin (Steve Jobs)

TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Ramin Bahrani (99 Homes)
Finders Keepers
Peyton Reed (Ant-Man)

Awards Season Update: The Black Film Critics Circle Name Creed The Best of 2015!


Creed

Hi!  First off, I must apologize for the Black Film Critics Circle.  They announced their picks for the best way back on the 22nd of December but, with the business of the holidays and all, I’ve only now had the opportunity to post them.

Here’s what the BFCC picked for the best of 2015!

BEST PICTURE Creed
BEST DIRECTING – George Miller, Mad Max Fury Road
BEST ACTOR – Michael B. Jordan, Creed
BEST ACTRESS – Brie Larson, Room
BEST SUPPORTING ACTOR – Sylvester Stallone, Creed
BEST SUPPORTING ACTRESS – Tessa Thompson, Creed
BEST SCREENWRITING (Original Screenplay) – Straight Outta Compton
BEST SCREENWRITING (Adapted Screenplay) – The Martian
BEST CINEMATOGRAPHY – Mad Max Fury Road
BEST FOREIGN LANGUAGE FILM – Son of Saul
BEST DOCUMENTARY FEATURE – What Happened, Miss Simone?
BEST ANIMATED FEATURE – Inside Out
BEST ENSEMBLE PERFORMANCE – Straight Outta Compton

Special Awards were given to Ice Cube, Abraham Attah, and Beasts of No Nation.

BLACK FILM CRITICS CIRCLE TOP TEN FILMS OF 2015
1.Creed
2.Mad Max Fury Road
3.Straight Outta Compton
4.Spotlight
5.The Martian
6.Room
7.Beasts of No Nation
8.The Hateful Eight
9.The Big Short
10.Ex Machina

h/t to Awards Circuit 

The Florida Film Critics Are Mad For Max!


MadMaxFuryRoad

On Christmas Eve, the Florida Film Critics announced their picks for the best of 2015 and they were mad for Max!  Good for them!  You can check out their nominations by clicking here and you can see the winners below!

Best Picture
1. Mad Max: Fury Road
2. Spotlight

Best Director
1. George Miller (Mad Max: Fury Road)
2. Todd Haynes (Carol)

Best Actor
1. Paul Dano (Love & Mercy)
2. Leonardo DiCaprio (The Revenant)

Best Actress
1. Brie Larson (Room)
2. Charlotte Rampling (45 Years)

Best Supporting Actor
1. Oscar Isaac (Ex Machina)
2. Michael Shannon (99 Homes)

Best Supporting Actress
1. Kristen Stewart (Clouds of Sils Maria)
2. Jennifer Jason Leigh (The Hateful Eight)

Best Original Screenplay
1. Tom McCarthy and Josh Singer (Spotlight)
2. Noah Baumbach and Greta Gerwig (Mistress America)

Best Adapted Screenplay
1. Adam McKay and Charles Randolph (The Big Short)
2. Phyllis Nagy (Carol)

Best Cinematography
1. John Seale (Mad Max: Fury Road)
2. Edward Lachman (Carol)

Best Art Direction / Production Design
1. Carol
2. Mad Max: Fury Road

Best Visual Effects
1. Mad Max: Fury Road
2. Star Wars: The Force Awakens

Best Score
1. Love & Mercy
2. Carol

Best Ensemble
1. Spotlight
2. Tangerine

Best Animated Film
1. Inside Out
2. Anomalisa

Best Documentary
1. Amy
2. Heart of a Dog

Best Foreign Language Film
1. The Assassin
2. Mommy

Pauline Kael Breakout Award
1. Daisy Ridley (Star Wars: The Force Awakens)
2. Alicia Vikander (The Danish Girl / Ex Machina)

Playing Catch-Up With 6 Quickie Reviews: The Big Game, The Connection, Graduation Day, McFarland USA, Taken 3, and War Room


Here are 6 more reviews of 6 other films that I watched this year.  Why six?  Because Lisa doesn’t do odd numbers, that’s why.

The Big Game (dir by Jalmari Helander)

In The Big Game, Samuel L. Jackson plays the President of the United States and you would think that fact alone would make this film an instant classic.  Unfortunately, this film never really takes advantage of the inherent coolness of Samuel L. Jackson playing the leader of the free world.  When Air Force One is sabotaged and crashes in the wilderness of Finland, President Jackson has to rely on a young hunter (Onni Tommila) from a group of CIA agents disguised as terrorists.  Tommila does a pretty good job and the scenery looks great but at no point does Samuel L. Jackson says, “Check out this executive action, motherfucker,” and that’s a huge missed opportunity.  As for the rest of the film, it takes itself a bit too seriously and if you can’t figure out the big twist from the minute the movie starts, you obviously haven’t seen enough movies.

The Connection (dir by Cedric Jiminez)

Taking place over the 1970s, the French crime thriller tells the largely true story of the efforts of a French judge (played by Jean Dujardin) to take down a ruthless gangster (Gilles Lellouche) who is the head of one of the biggest drug cartels in the world.  The Connection run for a bit too long but, ultimately, it’s a stylish thriller that does a very good job of creating a world where literally no one can be trusted.  Dujardin, best known here in the States for his Oscar-winning role in The Artist, does a great job playing an honest man who is nearly driven to the point of insanity by the corruption all around him.

Graduation Day (dir by Chris Stokes)

Hey, it’s another found footage horror film!  Bleh!  Now, I should admit that this horror film — which is NOT a remake of that classic 1980s slasher — does have a fairly clever twist towards the end, that goes a long way towards explaining a lot of the inconsistencies that, up until that point, had pretty much dominated the film.  But, even with that in mind and admitting that Unfriended and Devil’s Due worked wonders with the concept, it’s still hard to feel any enthusiasm about yet another found footage horror film.

McFarland USA (dir by Niki Caro)

McFarland USA is an extremely predictable but likable movie.  Kevin Costner plays a former football coach who, while teaching at a mostly Latino high school, organizes a cross country team that goes on to win the state championship.  It’s based on a true story and, at the end of the film, all of the real people appear alongside the actors who played them.  There’s nothing about this film that will surprise you but it’s still fairly well-done.  Even Kevin Costner, who usually gets on my last nerve, gives a good performance.

Taken 3 (dir by Olivier Megaton)

Bryan Mills (Liam Neeson) is back and he’s killing even more people!  Fortunately, they’re all bad people but you really do have to wonder what type of dreams Bryan has whenever he goes to sleep.  In Taken 3, Bryan’s wife (Famke Janssen) has been murdered and Bryan has been framed.  He has to solve the case and kill the bad guys while staying one step ahead of the police (represented by a bored-looking Forest Whitaker).  Neeson does all of his usual Taken stuff — the intense phone conversation, the steely glare, and all the rest — but at this point, it has literally been parodied to death.  If you’re into watching Liam Neeson kill ugly people, Taken 3 will provide you with adequate entertainment but, for the most part, it’s but a shadow of the first Taken.

War Room (dir by Alex Kendrick)

I saw the War Room in Oklahoma.  It was being shown as part of a double feature with The Martian, of all things!  Anyway, this film is about an upper middle class family that hits rock bottom but they’re saved by the power of prayer!  Lots and lots of prayer!  Seriously, this film almost qualifies as “prayer porn.”  Anyway, the film was badly acted, badly written, incredibly heavy-handed, and ran on way too long but, on the plus side, it did eventually end.

Playing Catch-Up With 6 Documentary Reviews: Packed In A Trunk: The Lost Art of Edith Lake Wilkinson, Requiem For The Dead: American Spring 2014, A Symphony of Summits: The Alps From Above, The Thread


Here are reviews of 6 documentaries that I saw in 2015:

Packed In A Trunk: The Lost Art of Edith Lake Wilkinson (dir by Michelle Boyaner)

In 1924, painter Edith Lake Wilkinson was committed to an insane asylum and lived the rest of her life in sad obscurity.  As a result of Edith’s commitment, her artwork never received the recognition it deserved.  That’s the idea behind this documentary, which follows Edith’s great-great niece as she researches Edith’s life and tries to get the art world to acknowledge Edith’s talent.  As an art history major, I really wanted to like this documentary but, unfortunately, it focused more on the self-important niece than on the artwork.  Matters were not helped by a lengthy visit with a psychic who claimed to have “contacted” Edith’s spirit.  For the most part, this was a missed opportunity.

Requiem for the Dead: American Spring 2014

This film takes a look at the hundreds of people who were murdered by someone using a gun during the Spring of 2014.  Some of the cases are examined in detail while other victims only appear for a second or two, quickly replaced by another tragedy.  The cases are recreated through 911 calls, news reports, and occasionally interviews.  It makes for sobering and sad viewing though, at the same time, it works better an indictment of our sick culture than as a call for greater gun control.

Southern Rites (dir by Gillian Laub)

Photographer Gillian Laub comes down to Montgomery County, Georgia, in order to take pictures of the town’s first integrated prom.  She sticks around to film the trial of an old white man who shot and killed a young black man.  The film has good intentions and it’s obvious that Laub is convinced that she has something important to say that hasn’t been said before but, especially when compared to the superior and thematically similar 3 1/2 Minutes, it quickly becomes obvious that neither she nor the film can offer up any new insight as far as racism in America is concerned.

A Symphony of Summits: The Alps From Above (dir by Peter Bardehle and Sebastian Lindemann)

A Symphony of Summits, which is currently available on Netflix, is basically 94 minutes of aerial footage of the Alps.  A Symphony of Summits was originally made for German television and the English-language narration track has a blandly cheerful, touristy feel to it that often doesn’t go along with the imposing images and the occasionally bloody events being discussed.  (The history of the Alps is not necessarily a peaceful one.)  My advise would be to turn down the sound, put on your favorite music, and just enjoy the beauty of the images.

Thought Crimes: The Case of the Cannibal Cop (dir by Erin Lee Carr)

Thought Crimes tells the story of Gilberto Valle, a New York Cop who, in 2013, was convicted, on the basis of comments that he made online about plotting to kidnap and eat a woman.  Valle claimed that he was just sharing a fantasy and that he had no intention of following through.  Eventually, a judge agreed with him and his conviction was overturned.  This disturbing and creepy documentary features extensive interviews with Vallee (who literally made my skin crawl) and examines some of the darkest corners of the internet.  Many times in the documentary, Vallee claimed that he would never actually hurt anyone and I didn’t believe him for a second.  (As a cop, Vallee accessed the police database to look up info on a woman he was fantasizing about abducting and cannibalizing.)  That said, Thought Crimes still raised some interesting issues about the internet as an outlet for fantasy and how seriously we should take it as an indicator for real world actions.  There are no easy answers.

The Thread (dir by Greg Barker)

The Thread is a 61 minute documentary about the Boston Marathon Bombing and how a group of wannabe detectives used Reddit and twitter to wrongly accuse a missing graduate student of being one of the bombers.  It’s interesting and occasionally cringe-inducing viewing experience, even if it really doesn’t offer up much original insight.  (Documentarians are always quicker to bemoan the rise of new media than to seriously investigate why old media collapsed in the first place.)  Among those interviewed about the rush to find a suspect is Sasha Stone, the founder and editor of AwardsDaily and yes, she is just as annoying and smugly self-important as you would expect.  (Thankfully, they did not interview Ryan Adams.)

Lisa’s Oscar Predictions For December!


For the final time this year, here are my monthly Oscar predictions.  Usually, the critic groups and the guilds help to make it a bit more clear what is going to be nominated.  That’s not so much the case this year.  It’s been a very good year for film and let’s hope the actual Oscar nominations reflect that.

You can also check out my predictions for January, February, March, April, May, June, July, August, September, October, and November.

Best Picture

Beasts of No Nation

The Big Short

Carol

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight

Star Wars: The Force Awakens

Trumbo

Best Director

Tom McCarthy for Spotlight

Adam McKay for The Big Short

George Miller for Mad Max: Fury Road

Jay Roach for Trumbo

Ridley Scott for The Martian

Best Actor

Bryan Cranston in Trumbo

Johnny Depp in Black Mass

Leonardo DiCaprio in The Revenant

Michael Fassbender in Steve Jobs

Eddie Redmayne in The Danish Girl

Best Actress

Cate Blanchett in Carol

Brie Larson in Room

Charlotte Rampling in 45 Years

Saoirse Ronan in Brooklyn

Sarah Silverman in I Smile Back

Best Supporting Actor

Idris Elba in Beasts of No Nation

Mark Rylance in Bridge of Spies

Michael Shannon in 99 Homes

Sylvester Stallone in Creed

Jacob Tremblay in Room

Best Supporting Actress

Jennifer Jason Leigh in The Hateful Eight

Rooney Mara in Carol

Helen Mirren in Trumbo

Kristen Stewart in Clouds of Sils Maria

Alicia Vikander in Ex Machina

Here Are The Just-Announced Florida Film Critics Circle Nominations!


BEST PICTURE
Carol
Mad Max: Fury Road
Spotlight
The Big Short
The Martian

BEST ACTOR
Bryan Cranston – Trumbo
Paul Dano – Love and Mercy
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl

BEST ACTRESS
Cate Blanchett – Carol
Brie Larson – Room
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn
Charlize Theron – Mad Max: Fury Road


BEST SUPPORTING ACTOR
Oscar Isaac – Ex Machina
Mark Ruffalo – Spotlight
Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed

BEST SUPPORTING ACTRESS
Elizabeth Banks – Love and Mercy
Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Kristen Stewart – Clouds of Sils Maria
Alicia Vikander – Ex Machina
BEST DIRECTOR

Todd Haynes – Carol
Alejandro G. Iñárritu – The Revenant
George Miller – Mad Max: Fury Road
Tom McCarthy – Spotlight
Ridley Scott – The Martian

BEST ENSEMBLE
The Big Short
Mistress America
Spotlight
Straight Outta Compton
Tangerine

BEST ORIGINAL SCREENPLAY
Ex Machina
The Hateful Eight
Inside Out
Mistress America
Spotlight

BEST ADAPTED SCREENPLAY
The Big Short
Brooklyn
Carol
Room
Steve Jobs

BEST CINEMATOGRAPHY
Carol
Mad Max: Fury Road
The Revenant
Sicario
Youth

BEST VISUAL EFFECTS
Ex Machina
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Walk

BEST ART DIRECTION/ PRODUCTION DESIGN
Brooklyn
Carol
Crimson Peak
Love & Mercy
Mad Max: Fury Road

BEST SCORE
Carol
The Hateful Eight
Love & Mercy
Mad Max: Fury Road
Star Wars: The Force Awakens

BEST DOCUMENTARY
Amy
Best of Enemies
Cartel Land
Heart of a Dog
The Look of Silence

BEST FOREIGN LANGUAGE FILM
The Assassin
Mommy
Mustang
Phoenix
Son of Saul
BEST ANIMATED FILM

Anomalisa
Inside Out
The Good Dinosaur
The Peanuts Movie
Shaun the Sheep Movie

FFCC BREAKOUT AWARD
Bel Powley – Diary of a Teenage Girl
Daisy Ridley – Star Wars: The Force Awakens
Kitana Kiki Rodriguez – Tangerine
Jacob Tremblay – Room
Alicia Vikander – Ex Machina and The Danish Girl